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45:
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19:
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determined by the odd-number ratio component of the numerator, and another one, the
Udentity determined by the odd-number component of the denominator. A ratio thus always belongs to two tonalities, an Otonality in accordance with its
88:
responsible for "the movement toward equal-tempered tuning, which meant that composers could not absorb the scales of other world traditions; and the urge to make music ever more instrumental and abstract."
231:
Genesis of a Music: Monophony: the relation of its music to historic and contemporary trends; its philosophy, concepts, and principles; its relation to ... and its application to musical instruments
425:
1244:
1312:
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728:
364:
174:: "Under-number Tonality, or Utonality ("minor"), is the immutable faculty of ratios, which in turn represent an immutable faculty of the human ear."
433:
1217:
104:
of his own invention (such as the "Surrogate
Kithara, a struck-string, harplike instrument", and the guitar with movable frets he used to compose
561:
142:: "The ear informs us that tones which are in small-number proportion, say in the relation of 2 to 1, are strong, clear, powerful, consonant."
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84:, this is "the most startling forty-five-page history of music ever written". In particular, Partch holds
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402:
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115:
The book has been highly influential to succeeding generations of microtonal composers, including
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127:. A revised and enlarged second edition was published just before Partch's death in 1974.
97:
44:
397:
1223:
936:
891:
781:
279:
204:
146:
398:"They score! Composers John Harbison and Ben Johnston Have Left Their Mark on History"
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876:
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93:
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154:"Dual Identity": "Every ratio of a Monophonic system is at least a dual identity."
124:
116:
66:
237:
Genesis Of A Music: An
Account Of A Creative Work, Its Roots, And Its Fulfillments
1005:
1000:
990:
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62:
18:
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866:
149:, the more consonant the ratio; the larger the numbers, the more dissonant".
32:
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861:
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77:
43:
31:
17:
58:
710:
543:
539:
233:, University of Wisconsin Press, 362 pp., 1949. ASIN B0007DM7I8
239:, Second Edition, Da Capo Press, Paperback, 544 pp., 1979.
76:
and the long history of stagnation in the teaching of
189:
History: Music has appeared to have advanced up the
166:, and an Utonality in accordance with its Udentity."
1254:
1245:
Twelve
Microtonal Etudes for Electronic Music Media
1198:
1168:
1125:
1098:
1020:
979:
970:
914:
744:
674:
631:
595:
511:
Harry Partch: An
Anthology of Critical Perspectives
135:Partch presents 4 "basic monophonic concepts":
426:"Tenney, James: Song'n Dance for Harry Partch"
199:is 3-limit, "just intonation" often refers to
722:
555:
72:Partch first presents a polemic against both
40:, part of the basis for Partch's music theory
8:
505:
503:
976:
729:
715:
707:
562:
548:
540:
455:Falkenstein, Michelle (16 October 2005).
485:
483:
481:
479:
145:"The smaller the number involved in the
48:Part of the keyboard of the Chromelodeon
265:
428:(in German). Lydia Jeschke (trans.).
7:
1313:University of Wisconsin Press books
337:"Harry Partch's Boxcar Revelations"
424:James Tenney/Harry Partch (1999).
396:Tabachnik, Sandy (17 April 2009).
363:Aaron, Peter (29 September 2011).
14:
535:Preface from the original edition
304:"New York Songs of the Open Road"
26:The University of Wisconsin Press
905:
900:
693:
692:
622:
365:"Lou Harrison: Outsider Inside"
92:He then goes on to explain his
302:Gann, Kyle (23 January 2001).
217:Emancipation of the dissonance
108:), and several of his largest
1:
1108:Harry Partch's 43-tone scale
273:Ross, Alex (18 April 2005).
1231:Sonata for Microtonal Piano
335:Payne, John (27 May 2009).
61:first published in 1949 by
1329:
1238:Suite for Microtonal Piano
203:, while Partch uses an 11-
1308:Just tuning and intervals
1190:Huygens-Fokker Foundation
1178:Boston Microtonal Society
898:
690:
620:
577:
457:"Sonata for Chromelodeon"
211:uses 31-limit or higher "
140:Consonance and dissonance
38:11-limit tonality diamond
489:Partch (2009), p.86-90.
213:extended just intonation
1140:Otonality and Utonality
649:Otonality and Utonality
644:Quadrangularis Reversum
207:tuning. Partch admirer
1293:1949 non-fiction books
837:Claus-Steffen Mahnkopf
179:Arithmetic progression
49:
41:
29:
1013:(Bohlen–Pierce scale)
957:Tui St. George Tucker
654:Odentity and Udentity
86:Johann Sebastian Bach
47:
35:
21:
1267:Generalized keyboard
762:Easley Blackwood Jr.
612:Delusion of the Fury
509:Dunn, David (2000).
193:throughout history.
110:musical compositions
1262:Enharmonic keyboard
1213:quarter tone pieces
1207:Beauty in the Beast
887:Ivan Wyschnegradsky
587:List of instruments
377:on 15 February 2013
316:on 19 December 2013
102:musical instruments
1184:Genesis of a Music
812:Christiaan Huygens
604:Genesis of a Music
462:The New York Times
436:on 7 December 2013
342:Los Angeles Weekly
197:Pythagorean tuning
100:, the ensemble of
54:Genesis of a Music
50:
42:
30:
1280:
1279:
1272:Modernism (music)
1121:
1120:
1022:Equal temperament
792:Brian Ferneyhough
704:
703:
682:West Coast School
309:The Village Voice
74:equal temperament
1320:
1160:Tonality diamond
983:repeating scales
977:
962:Nicola Vicentino
909:
904:
872:Nicola Vicentino
797:Michael Finnissy
738:Microtonal music
731:
724:
717:
708:
696:
695:
661:Tonality diamond
626:
564:
557:
550:
541:
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432:. Archived from
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373:. Archived from
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312:. Archived from
299:
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183:Undertone series
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1283:
1282:
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1117:
1113:Double diatonic
1100:Just intonation
1094:
1016:
982:
972:
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842:Joel Mandelbaum
772:Julián Carrillo
752:Richard Barrett
740:
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430:Südwestrundfunk
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275:"Off the Rails"
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191:harmonic series
133:
98:just intonation
80:; according to
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1155:Xenharmonicity
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937:Adriaan Fokker
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899:
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892:La Monte Young
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857:John Schneider
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802:Bjørn Fongaard
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529:External links
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280:The New Yorker
264:
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201:5-limit tuning
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877:Claude Vivier
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852:Roger Redgate
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832:Stu Mackenzie
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827:György Ligeti
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666:Tonality flux
664:
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645:
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639:43-tone scale
637:
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588:
585:
583:
582:List of works
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536:
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519:9789057550652
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495:9780786751006
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283:. p. 199
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253:9780786751006
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245:0-306-80106-X
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99:
95:
94:tuning theory
90:
87:
83:
79:
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70:
69:(1901–1974).
68:
64:
60:
56:
55:
46:
39:
34:
27:
22:First edition
20:
16:
1298:Harry Partch
1255:Other topics
1243:
1236:
1229:
1222:
1205:
1199:Compositions
1183:
1182:
1171:publications
1126:Concepts and
1011:Lambda scale
952:Harry Partch
947:Yuri Landman
942:Lou Harrison
927:Wendy Carlos
922:Glenn Branca
822:Ben Johnston
817:Charles Ives
777:Franklin Cox
767:Heinz Bohlen
610:
603:
602:
571:Harry Partch
510:
466:. Retrieved
460:
450:
438:. Retrieved
434:the original
419:
407:. Retrieved
401:
391:
379:. Retrieved
375:the original
368:
358:
346:. Retrieved
340:
330:
318:. Retrieved
314:the original
307:
297:
285:. Retrieved
278:
268:
236:
230:
209:Ben Johnston
134:
125:James Tenney
121:Ben Johnston
117:Lou Harrison
114:
105:
91:
71:
67:Harry Partch
53:
52:
51:
15:
1303:Music books
1218:just pieces
1006:Delta scale
1001:Gamma scale
991:Alpha scale
981:Non-octave-
971:Tunings and
932:Ivor Darreg
757:Béla Bartók
1287:Categories
1169:Groups and
1128:techniques
996:Beta scale
847:Joe Maneri
807:Alois Hába
787:John Eaton
513:, p.27-8.
370:Chronogram
260:References
63:microtonal
1150:Sonido 13
915:Inventors
867:Ezra Sims
745:Composers
468:4 January
440:4 January
409:4 January
381:4 January
348:4 January
320:4 January
287:4 January
96:based on
82:Alex Ross
65:composer
1145:Semitone
698:Category
247:. 2009:
225:Editions
215:". See:
164:Odentity
159:Odentity
131:Concepts
675:Related
403:Isthmus
106:Barstow
24:(publ.
1224:Mother
973:scales
862:Sevish
632:Topics
615:(1966)
607:(1949)
517:
493:
251:
243:
147:ratios
123:, and
1135:Limit
596:Works
205:limit
177:See:
172:Minor
78:music
57:is a
515:ISBN
491:ISBN
470:2013
442:2013
411:2013
383:2013
350:2013
322:2013
289:2013
249:ISBN
241:ISBN
181:and
59:book
36:The
1289::
1090:96
1085:72
1080:58
1075:53
1070:41
1065:34
1060:31
1055:24
1050:23
1045:22
1040:19
1035:17
1030:15
502:^
478:^
459:.
400:.
367:.
339:.
306:.
277:.
119:,
112:.
730:e
723:t
716:v
563:e
556:t
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521:.
497:.
472:.
444:.
413:.
385:.
352:.
324:.
291:.
255:.
157:"
28:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
