Knowledge (XXG)

Genroku culture

Source 📝

343: 22: 208: 669:, the development of Noh drama is usually portrayed as one of steady ascent, and was typically seen as an upper-class style of theater, frequently drawing from Shinto legend. Noh was refined and supported by both the shogunate and imperial courts. By the height of the Edo period, Noh had climbed beyond the reaches of the Japanese masses, preserving its exalted position until the Meiji period. 134: 1151: 606:(puppet theater) is a form of theater that emerged in the Genroku period. Featuring puppets of roughly two-thirds human size, each puppet was controlled by a maximum of three men. A highly skilled singer-actor chanted the several parts and the narration alongside musical accompanists. Puppet theater was attractive to writers, and many famous 530:. Kabuki originated as a means for prostitutes, majority female, to draw crowds and entice them to purchase sexual services. Performances were often held in outdoor theaters in dry riverbeds and alongside carnival entertainments such as bear and tiger acts or sumo wrestling. 428:
pleasure quarters, later it was used as a tool to represent iconographic figures and satirize various classics and issues of the time. Due to the use of illustrations, this form of art appealed to the humble-ranked samurai and the common people. One notable
62:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG). 187:
class. The Genroku period is associated with two pleasure zones: the brothel district and the theaters. These two areas were often located near each other on the margins of respectable society. These constituted the
72: 660:
Noh emerged from a host of ancient folk and popular performing arts, both indigenous and imported. During the early Edo period, Noh was frequently performed by women of the Kyoto pleasure quarters.
867: 342: 424:, a form of woodblock printed adult comicbook typically spanning no more than 30 pages. Although this genre in its initial stages focused on the 413:
to entertain their patrons. Literary wit and knowledge was highly valued, not only in the upper echelons of society but throughout multiple castes.
82:
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
416:
The accessibility to literary arts came through a plethora of mediums. One integral form of literature, often considered the parent of manga, was
90: 183:
era of 1688–1704. Genroku culture is known as a period of luxurious display when the arts were increasingly patronized by a growing and powerful
646:(1653–1725). His works offered a source of escapism for the common people, including scandalous contemporary events such as domestic murders. 358:
It is generally felt that the Genroku period marks the highest point of Edo period culture. Two representative artists of Genroku culture are
257:
and others were key players. In music, a number of key instruments and musical styles were developed during the Genroku period, including the
1186: 923: 800: 448:, who generated sales of over ten thousand copies, with his compositions considered the most read literature during the Genroku era. 103:
Content in this edit is translated from the existing Japanese Knowledge (XXG) article at ]; see its history for attribution.
241:
classes were also involved in the development of Genroku culture. Genroku culture would contribute to the development of
347: 1165: 1155: 98: 67: 568: 556: 119: 237:
classes, whose rising monetary wealth led developments in decorative art, theatre and clothing; however, the
233:. Genroku culture was defined by the fashions and lives of everyday townspeople, particularly those of the 885: 456:
The main elements of the emerging bourgeois culture were developed during the Genroku period within the
996:"The Buddha in Yoshiwara: Religion and Visual Entertainment in Tokugawa Japan as Seen through Kibyōshi" 842: 545:(female roles) entirely played by men, a defining aspect of kabuki that has lasted to the modern day. 537:
banned female actors from kabuki in an effort to suppress prostitution, leaving to the development of
643: 473: 254: 160: 112: 1191: 1129: 1090: 1082: 1035: 976: 968: 534: 405:. During this period, literacy in the pleasure quarters was truly significant for the geisha and 367: 215: 34: 436: 1074: 1027: 960: 919: 861: 796: 765: 580: 283: 260: 152: 94: 747: 1121: 1066: 1055:"Onna Mono: The "Female Presence" on the Stage of the All-Male Traditional Japanese Theatre" 1017: 1007: 952: 390: 242: 1196: 941:"Enlightenment Geisha: The Sex Trade, Education, and Feminine Ideals in Early Meiji Japan" 777: 493: 245:
thought, natural science, and classical study. In fine art, the Rinpa school, founded by
512:(puppet theater) emerged at the heart of urban cultural life during the Genroku period. 527: 363: 352: 141: 816: 633:
also provided a development of beautiful literary qualities within the theater genre.
1180: 1094: 980: 697: 678: 485: 479: 137: 1012: 995: 359: 207: 1161: 419: 246: 401:
The printmaking of the Genroku period would later serve as the inspiration for
956: 176: 133: 1078: 1031: 964: 425: 234: 184: 1150: 1070: 249:
and others, and the Tosa school both played active roles; in ceramic art,
574: 540: 457: 393:
was another influential ukiyo-e artist active within the Genroku period.
274: 222: 1086: 1054: 1039: 1022: 972: 940: 199:
celebrated in woodblock prints of prostitutes, actors, and pornography.
1133: 1109: 841:三訂版,世界大百科事典内言及, ブリタニカ国際大百科事典 小項目事典,百科事典マイペディア,日本大百科全書(ニッポニカ),旺文社日本史事典. 596: 550: 507: 463: 371: 307: 295: 238: 180: 172: 101:
to the source of your translation. A model attribution edit summary is
1170: 562: 521: 469: 265:(a thirteen-stringed Japanese zither) music of the Ikuta-ryu school, 250: 1125: 721: 1110:"Nō at the Crossroads: Commoner Performance during the Edo Period" 489: 408: 402: 230: 226: 206: 191: 59: 526:
It is widely believed that kabuki was founded by female dancer
655: 15: 916:
A Modern History of Japan: From Tokugawa Times to the Present
793:
East Asia : A Cultural, Social, and Political History
71:
to this template: there are already 1,117 articles in the
890:
japanese-wiki-corpus.github.io (This is CC-BY licence)
664: 637: 628: 607: 601: 587: 572: 560: 548: 538: 505: 477: 461: 430: 417: 406: 329: 305: 299: 289: 280: 272: 266: 258: 389:
is an amalgamation of the last syllable of "Kōrin".
55: 722:"【元禄文化】上方で町人中心に華やかに栄えた文化!代表的な人物と作品[簡単説明]" 791:Ebrey, Patricia Buckley; Walthall, Anne (2014). 613: 375: 189: 164: 620: 441: 382: 97:accompanying your translation by providing an 46:Click for important translation instructions. 33:expand this article with text translated from 583:are famous kabuki actors of the Genroku era. 8: 866:: CS1 maint: multiple names: authors list ( 313: 279:accompaniment) music of the Nogawa School, 221:Genroku culture was mainly centered in the 1021: 1011: 886:"Genroku Culture - Japanese Wiki Corpus" 341: 132: 918:. Oxford University Press. p. 39. 689: 859: 773: 763: 76: 1000:Japanese Journal of Religious Studies 627:, would later be adapted for kabuki. 7: 909: 907: 905: 879: 877: 370:, who is regarded as the founder of 271:(a genre of traditional songs with 1053:Gabrovska, Galia Todorova (2015). 14: 171:is the term used to describe the 1149: 746:Inc, NetAdvance Inc NetAdvance. 20: 1013:10.18874/jjrs.44.2.2017.225-254 179:(1603–1867), in particular the 107:You may also add the template 1: 945:The Journal of Asian Studies 488:, and the poetic essays and 665: 638: 629: 615:Date Musume Koi no Higanoko 614: 608: 602: 588: 573: 561: 549: 539: 506: 478: 462: 431: 418: 407: 376: 348:Red and White Plum Blossoms 330: 306: 300: 290: 288:(new ballad drama) such as 281: 273: 267: 259: 190: 165: 120:Knowledge (XXG):Translation 79:will aid in categorization. 1213: 795:. Wadsworth. p. 295. 653: 594: 519: 294:(musical narrative of the 54:Machine translation, like 1187:Cultural history of Japan 957:10.1017/S0021911813000570 748:"元禄文化 日本大百科全書(ニッポニカ)|小学館" 726:日本文化をわかりやすく紹介する情報サイト|わつなぎ 621: 460:region. Examples are the 442: 383: 156: 35:the corresponding article 1108:Groemer, Gerald (1998). 817:"げんろくぶんか【元禄文化】 | け | 辞典" 994:Miura, Takashi (2017). 914:Gordon, Andrew (2020). 118:For more guidance, see 355: 225:area, containing both 218: 144: 109:{{Translated|ja|元禄文化}} 1114:Asian Theatre Journal 1071:10.1353/atj.2015.0027 1059:Asian Theatre Journal 939:STANLEY, AMY (2013). 345: 210: 136: 91:copyright attribution 1158:at Wikimedia Commons 644:Chikamatsu Monzaemon 474:Chikamatsu Monzaemon 212:Beauty Looking Back 776:has generic name ( 557:Ichikawa Danjūrō I 535:Tokugawa shogunate 368:Hishikawa Moronobu 356: 219: 216:Hishikawa Moronobu 197:("floating world") 145: 99:interlanguage link 1154:Media related to 663:Unlike kabuki or 581:Yoshizawa Ayame I 452:Novels and poetry 131: 130: 47: 43: 1204: 1153: 1138: 1137: 1105: 1099: 1098: 1050: 1044: 1043: 1025: 1015: 991: 985: 984: 936: 930: 929: 911: 900: 899: 897: 896: 881: 872: 871: 865: 857: 855: 854: 838: 832: 831: 829: 828: 813: 807: 806: 788: 782: 781: 775: 771: 769: 761: 759: 758: 743: 737: 736: 734: 733: 718: 712: 711: 709: 708: 694: 668: 641: 632: 626: 624: 623: 617: 611: 605: 591: 578: 566: 554: 544: 511: 483: 467: 447: 445: 444: 434: 423: 412: 391:Torii Kiyonobu I 388: 386: 385: 379: 334:accompaniment). 333: 327: 324: 321: 318: 315: 311: 303: 293: 287: 278: 270: 264: 198: 195: 170: 168: 158: 110: 104: 78: 77:|topic= 75:, and specifying 60:Google Translate 45: 41: 24: 23: 16: 1212: 1211: 1207: 1206: 1205: 1203: 1202: 1201: 1177: 1176: 1156:Genroku culture 1146: 1141: 1126:10.2307/1124102 1107: 1106: 1102: 1052: 1051: 1047: 993: 992: 988: 938: 937: 933: 926: 913: 912: 903: 894: 892: 883: 882: 875: 858: 852: 850: 840: 839: 835: 826: 824: 815: 814: 810: 803: 790: 789: 785: 772: 762: 756: 754: 745: 744: 740: 731: 729: 720: 719: 715: 706: 704: 696: 695: 691: 687: 675: 658: 652: 642:playwright was 618: 612:plays, such as 599: 593: 569:Sakata Tōjūrō I 524: 518: 502: 454: 439: 399: 380: 340: 328:, ballads with 325: 322: 319: 316: 251:Ninsei Nonomura 205: 196: 150: 148:Genroku culture 127: 126: 125: 108: 102: 48: 42:(December 2020) 25: 21: 12: 11: 5: 1210: 1208: 1200: 1199: 1194: 1189: 1179: 1178: 1175: 1174: 1168: 1162:Genroku-period 1159: 1145: 1144:External links 1142: 1140: 1139: 1120:(1): 117–141. 1100: 1065:(2): 387–415. 1045: 1006:(2): 225–254. 986: 951:(3): 539–562. 931: 925:978-0190920555 924: 901: 873: 833: 808: 802:978-1133606475 801: 783: 752:JapanKnowledge 738: 713: 702:www2.odn.ne.jp 688: 686: 683: 682: 681: 674: 671: 654:Main article: 651: 648: 595:Main article: 592: 585: 528:Izumo no Okuni 520:Main article: 517: 514: 501: 498: 453: 450: 398: 395: 339: 336: 304:melodies, and 296:puppet theatre 255:Hon'ami Kōetsu 204: 201: 129: 128: 124: 123: 116: 105: 83: 80: 68:adding a topic 63: 52: 49: 30: 29: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 1209: 1198: 1195: 1193: 1190: 1188: 1185: 1184: 1182: 1172: 1169: 1167: 1163: 1160: 1157: 1152: 1148: 1147: 1143: 1135: 1131: 1127: 1123: 1119: 1115: 1111: 1104: 1101: 1096: 1092: 1088: 1084: 1080: 1076: 1072: 1068: 1064: 1060: 1056: 1049: 1046: 1041: 1037: 1033: 1029: 1024: 1019: 1014: 1009: 1005: 1001: 997: 990: 987: 982: 978: 974: 970: 966: 962: 958: 954: 950: 946: 942: 935: 932: 927: 921: 917: 910: 908: 906: 902: 891: 887: 880: 878: 874: 869: 863: 849:(in Japanese) 848: 844: 837: 834: 823:(in Japanese) 822: 818: 812: 809: 804: 798: 794: 787: 784: 779: 767: 753: 749: 742: 739: 728:(in Japanese) 727: 723: 717: 714: 703: 699: 693: 690: 684: 680: 679:Kasei culture 677: 676: 672: 670: 667: 661: 657: 649: 647: 645: 640: 636:The greatest 634: 631: 616: 610: 604: 598: 590: 586: 584: 582: 577: 576: 570: 567:-style actor 565: 564: 558: 555:-style actor 553: 552: 546: 543: 542: 536: 533:In 1629, the 531: 529: 523: 515: 513: 510: 509: 499: 497: 495: 491: 487: 486:Ihara Saikaku 482: 481: 475: 471: 466: 465: 459: 451: 449: 438: 433: 427: 422: 421: 414: 411: 410: 404: 396: 394: 392: 378: 373: 369: 365: 361: 354: 350: 349: 344: 337: 335: 332: 310: 309: 302: 297: 292: 286: 285: 277: 276: 269: 263: 262: 256: 252: 248: 244: 243:Neo-Confucian 240: 236: 232: 228: 224: 217: 213: 209: 202: 200: 194: 193: 186: 182: 178: 175:of the early 174: 167: 166:Genroku bunka 162: 154: 149: 143: 139: 138:Irises screen 135: 121: 117: 114: 106: 100: 96: 92: 88: 84: 81: 74: 73:main category 70: 69: 64: 61: 57: 53: 51: 50: 44: 38: 36: 31:You can help 27: 18: 17: 1117: 1113: 1103: 1062: 1058: 1048: 1023:10150/626559 1003: 999: 989: 948: 944: 934: 915: 893:. Retrieved 889: 851:. Retrieved 846: 836: 825:. Retrieved 820: 811: 792: 786: 755:. Retrieved 751: 741: 730:. Retrieved 725: 716: 705:. Retrieved 701: 692: 662: 659: 635: 600: 547: 532: 525: 503: 494:Matsuo Bashō 455: 437:Santō Kyōden 415: 400: 360:Rimpa school 357: 346: 291:gidayu-bushi 220: 211: 147: 146: 95:edit summary 86: 66: 40: 32: 774:|last= 504:Kabuki and 435:author was 397:Early manga 374:. The term 364:Ogata Kōrin 353:Ogata Kōrin 301:icchu-bushi 247:Korin Ogata 142:Ogata Kōrin 37:in Japanese 1192:Edo period 1181:Categories 1173:- Kotobank 895:2020-12-16 884:Yu, A. C. 853:2021-01-02 827:2020-12-16 757:2020-12-16 732:2021-01-02 707:2021-01-02 685:References 480:Ukiyozōshi 323:long songs 177:Edo period 1166:britanica 1095:162806745 1079:0742-5457 1032:0304-1042 981:162791823 965:0021-9118 472:plays of 426:Yoshiwara 113:talk page 65:Consider 1087:24737038 1040:90017697 973:43553525 862:cite web 843:"元禄文化とは" 821:学研キッズネット 766:cite web 673:See also 575:onnagata 541:onnagata 458:Kamigata 432:kibyoshi 420:kibyōshi 362:artists 331:shamisen 275:shamisen 235:merchant 223:Kamigata 203:Overview 185:merchant 153:Japanese 89:provide 1134:1124102 666:bunraku 639:bunraku 630:Bunraku 622:伊達娘恋緋鹿子 609:bunraku 603:Bunraku 597:Bunraku 589:Bunraku 551:Aragoto 508:bunraku 500:Theater 464:bunraku 372:ukiyo-e 317:  308:nagauta 239:samurai 181:Genroku 173:culture 161:Hepburn 111:to the 93:in the 39:. 1197:Kabuki 1132:  1093:  1085:  1077:  1038:  1030:  979:  971:  963:  922:  799:  698:"元禄文化" 579:actor 571:, and 563:wagoto 522:Kabuki 516:Kabuki 476:, the 470:kabuki 298:) and 284:jōruri 1130:JSTOR 1091:S2CID 1083:JSTOR 1036:JSTOR 977:S2CID 969:JSTOR 847:コトバンク 490:haiku 409:oiran 403:manga 377:rimpa 282:shin- 268:jiuta 231:Kyoto 227:Osaka 214:, by 192:ukiyo 56:DeepL 1171:元禄文化 1075:ISSN 1028:ISSN 961:ISSN 920:ISBN 868:link 797:ISBN 778:help 468:and 443:山東京伝 366:and 338:Arts 314:lit. 261:koto 229:and 157:元禄文化 87:must 85:You 1122:doi 1067:doi 1018:hdl 1008:doi 953:doi 656:Noh 650:Noh 492:of 484:of 351:by 140:by 58:or 1183:: 1164:- 1128:. 1118:15 1116:. 1112:. 1089:. 1081:. 1073:. 1063:32 1061:. 1057:. 1034:. 1026:. 1016:. 1004:44 1002:. 998:. 975:. 967:. 959:. 949:72 947:. 943:. 904:^ 888:. 876:^ 864:}} 860:{{ 845:. 819:. 770:: 768:}} 764:{{ 750:. 724:. 700:. 559:, 496:. 384:琳派 253:, 163:: 159:, 155:: 1136:. 1124:: 1097:. 1069:: 1042:. 1020:: 1010:: 983:. 955:: 928:. 898:. 870:) 856:. 830:. 805:. 780:) 760:. 735:. 710:. 625:) 619:( 446:) 440:( 387:) 381:( 326:' 320:' 312:( 169:) 151:( 122:. 115:.

Index

the corresponding article
DeepL
Google Translate
adding a topic
main category
copyright attribution
edit summary
interlanguage link
talk page
Knowledge (XXG):Translation

Irises screen
Ogata Kōrin
Japanese
Hepburn
culture
Edo period
Genroku
merchant
ukiyo

Hishikawa Moronobu
Kamigata
Osaka
Kyoto
merchant
samurai
Neo-Confucian
Korin Ogata
Ninsei Nonomura

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.