198:, the editing of the film had to be shelved. When Antonioni started editing the film in 1947, much of the shot material had been irreversibly damaged due to improper storage and handling. In later interviews, Antonioni referred to his film as his "own brand of neorealism" by focussing on people instead of sceneries, objects or pieces of art which, in his view, Italian documentary filmmakers had done up to this point. Without his knowledge, Antonioni explained, he had been on the same path as Visconti who was shooting
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Pitassio, Francesco (2019). "Memory Frames. Michelangelo
Antonioni's Early Documentaries".
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Lenssen, Claudia; Jacobsen, Wolfgang; Schaub, Martin (1984). "Gente del Po. 1943-47".
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in 1943 and released in 1947. It was
Antonioni's debut film and is, together with
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Tassone, Aldo (1979). "La storia del cinema la fanna i film".
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676:"The Dangerous Thread of Things" in
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280:Neorealist Film Culture, 1945-1954
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229:'s release of Antonioni's
609:Identification of a Woman
513:The Lady Without Camelias
253:"Antonioni, Michelangelo"
747:Italian neorealist films
415:The Criterion Collection
322:. Milan: Il Formichiere.
320:Parla il cinema italiano
227:The Criterion Collection
658:"Attempted Suicide" in
601:The Mystery of Oberwald
153:short film directed by
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732:1947 documentary films
497:Story of a Love Affair
482:Michelangelo Antonioni
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302:Michelangelo Antonioni
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155:Michelangelo Antonioni
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411:"Red Desert"
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628:Short films
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391:(in French)
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114:11 minuntes
29:Directed by
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696:Categories
561:Red Desert
239:References
232:Red Desert
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200:Ossessione
183:Production
164:Ossessione
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66:companies
47:Edited by
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529:Il Grido
257:Treccani
177:Po river
127:Language
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505:I Vinti
192:Ferrara
131:Italian
119:Country
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682:(2004)
673:(1965)
664:(1953)
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620:(1995)
612:(1982)
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596:(1975)
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569:Blowup
564:(1964)
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363:BAMPFA
217:, the
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679:Eros
644:N.U.
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