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In the fall of 1854 the
Germania Musical Society came to an end at the height of its fame. ... Many of the players were determined to establish permanent homes and avoid the discomforts of touring. The Society had given approximately seven hundred concerts in the United States and one hundred
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matinees and soirees. ... The total sum of public performances exceeded nine hundred, with more than one million listeners.
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with the
Germania Orchestra under the baton of the Germania's conductor Carl Bergmann on April 2, 1853. A reviewer in the
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Band members, who had become U.S. citizens, settled in
Baltimore, Boston, New York, Philadelphia, Syracuse and Chicago.
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wrote: "It was the unanimous feeling that the 'Germanians' covered themselves with glory upon the occasion."
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H. Earle
Johnson. "The Germania Musical Society." Musical Quarterly, Vol. 39, No. 1 (Jan. 1953)
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served as directors. The group toured throughout the country. Concerts took place in the
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Good Music for a Free People: The
Germania Musical Society in Nineteenth-Century America
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Hallelujah, amen!: The Story of the Handel and Haydn
Society of Boston
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The group met with particular success in Boston, where they performed
48:, Boston; Brinley Hall and City Hall, Worcester, Massachusetts;
162:"Farewell concert." Dwight's Journal of Music, April 2, 1853
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after a successful tour of
England. Carl Lenschow and
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in the mid-19th century. Its musicians emigrated from
28:(1848–1854) was an orchestra that performed in the
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257:. You can help Knowledge (XXG) by
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334:Classical music group stubs
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309:1850s in the United States
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133:The Old Germania Orchestra
66:A Midsummer Night's Dream
75:Handel and Haydn Society
26:Germania Musical Society
20:Germania Musical Society
226:. Houghton Mifflin Co.
218:Albert Bernhardt Faust
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71:Newport, Rhode Island
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199:H. Earle Johnson,
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