Knowledge (XXG)

Geraldine Peroni

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194:, she died rather suddenly, tragically. The first month was really difficult, seeing the work she'd done, all her selections and knowing her thinking behind it. Soon, it got to be cathartic and good to spend this time with her- I found myself thinking about her all the time through this process and it was a gift to me in that way." Tichenor and Peroni were nominated for numerous editing awards for 163:
it's an open drawer in which the postcard has been placed. Another felicitous sequence is the one in the Pasadena police station, where the Robbins character is arraigned as Lyle Lovett swats a fly and Whoopi Goldberg and her associates ridicule Robbins with laughter. This is beautifully edited; well-shot, too, but the rhythm is built in the cutting.
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is a marvellous example of collaborative editing, Peroni matching Altman's tone with exactitude. Early on, a cut from a zoom-in to the gun in Humphrey Bogart's hand on a postcard sent to Tim Robbins is perfectly successively matched with what appears to be a black frame, in which a reveal shows that
173:(1993) has been discussed by Krin Gabbard, who wrote, "Altman has invited his audiences to provide connections among scenes that float loosely about each other at the same time that he has benefited from the intelligent choices made by the film's editor Geraldine Peroni." 130:. Her collaboration with Altman extended over eight films. Altman said of Peroni "I trusted her totally with everything, I was planning on using her in the next film. She and I saw very much the same way — we just read each other so well." 33: 698:
She was just smarter than I was ... she became my taste ... I'll try to remember what she taught me for the future ... she had an honest human attitude. I certainly have a lot of respect for her. An editor becomes a part of your
241:(Altman; with Françoise Coispeau). Peroni's first film with Altman as editor. Altman was working in France and wanted an additional, English speaking editor. He had met Peroni when she was an assistant on 742: 176:
Peroni was found dead at her home in 2004. Her death was ruled a suicide by the New York coroner, a fact reportedly disputed by her family. She was in the midst of editing
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completed Peroni's work; he later said, "I learned to edit from her, when she was Robert Altman's editor and I was her apprentice on
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published an obituary for Peroni; she had joined the Guild in 1985. The obituary incorporates a quote from Robert Altman.
689: 675: 451: 138: 839: 762: 693: 583: 526: 916: 796: 778: 338: 298: 267:(Altman). Peroni was nominated for an Academy Award for her second film with Altman, this time as the sole editor. 956: 922: 904: 272: 950: 910: 843: 815: 564: 455: 316: 142: 123: 491: 1024: 307: 263: 147: 106: 407: 645: 228: 989: 984: 420: 385: 372: 202: 398: 325: 802: 496: 438: 429: 178: 56: 626: 928: 898: 884: 772: 715: 651: 587: 277: 237: 938: 809: 784: 347: 944: 890: 559: 835: 829: 790: 768: 531: 447: 377: 281: 183: 152: 978: 871: 849: 97: 865: 855: 720: 250: 207: 894: 880: 861: 819: 522: 412: 352: 330: 255: 93: 962: 390: 289: 169: 32: 119: 555:"Geraldine Peroni Obituary: Oscar-nominated film editor on 'The Player'" 711: 443: 127: 198:, including the BAFTA Award and the American Cinema Editors Eddie. 724: 355:). Robbins is also an actor who played parts in Altman's films 190:, and I worked with her for five years. While she was cutting 527:"Geraldine Peroni, 51; Film Editor Worked With Robert Altman" 222:
The director(s) of each film are listed in parentheses.
492:"Geraldine Peroni - Film editor, Altman collaborator" 446:). Peroni died while editing, which was completed by 580:
Jammin' at the Margins: Jazz and the American Cinema
79: 63: 42: 23: 214:also read "In Loving Memory of Geraldine Peroni". 258:). This was the first film that DiCillo directed. 92:(July 5, 1953 – August 3, 2004) was an American 469:List of film director and editor collaborations 157: 210:" was dedicated to her memory. The credits of 736: 8: 682:"Passages: Picture Editor Geraldine Peroni" 743: 729: 721: 31: 20: 680:Benoit, Sharon (September–October 2004). 517: 515: 450:. The two editors were nominated for the 686:Motion Picture Editors Guild Newsletter 480: 486: 484: 7: 104:for her work on Altman's 1992 film, 100:. She received a nomination for the 96:who was best known for working with 625:Kaufman, Debra (December 1, 2005). 608:"Geraldine Peroni, 51, film editor" 454:and for an American Cinema Editors 135:Academy Award for Best Film Editing 122:, New York City and grew up in the 102:Academy Award for Best Film Editing 37:Geraldine Peroni and Robert Altman 14: 752:Satellite Award for Best Editing 553:Sloman, Tony (August 31, 2004). 155:discussed this film's editing: 1: 143:American Cinema Editors Eddie 690:Motion Picture Editors Guild 676:Motion Picture Editors Guild 452:BAFTA Award for Best Editing 139:BAFTA Award for Best Editing 1030:21st-century American women 1010:American television editors 1005:American women film editors 584:University of Chicago Press 1046: 995:Artists from New York City 627:"Pieces of Dylan Tichenor" 1000:Suicides in New York City 758: 151:(1992). In his obituary, 133:She was nominated for an 30: 1015:Women television editors 644:Thompson, David (2011). 273:Thank God I'm a Lesbian 90:Geraldine "Geri" Peroni 925:and Stan Salfas (2017) 907:and Stan Salfas (2014) 578:Gabbard, Krin (1996). 165: 1020:American film editors 650:. Faber & Faber. 408:The Safety of Objects 696:on January 5, 2016. 308:Thick Lips Thin Lips 16:American film editor 808:Victor Du Bois and 567:on January 8, 2016. 399:Dr. T and the Women 339:The Gingerbread Man 118:Peroni was born in 803:Thelma Schoonmaker 525:(August 7, 2004). 439:Brokeback Mountain 238:Vincent & Theo 212:Brokeback Mountain 196:Brokeback Mountain 192:Brokeback Mountain 179:Brokeback Mountain 74:New York, New York 57:New York, New York 972: 971: 899:Crispin Struthers 885:Crispin Struthers 877:Chris Gill (2011) 773:Richard A. Harris 614:. August 9, 2004. 278:Dominique Cardona 167:Peroni's work on 87: 86: 1037: 939:Michael McCusker 826:Geraldine Peroni 810:Steven Rosenblum 785:Andrew Mondshein 745: 738: 731: 722: 712:Geraldine Peroni 701: 692:. Archived from 662: 661: 647:Altman on Altman 641: 635: 634: 622: 616: 615: 604: 598: 597: 575: 569: 568: 563:. Archived from 550: 544: 543: 541: 539: 519: 510: 509: 507: 505: 500:. August 7, 2004 488: 348:Cradle Will Rock 145:for her work on 70: 52: 50: 35: 25:Geraldine Peroni 21: 1045: 1044: 1040: 1039: 1038: 1036: 1035: 1034: 975: 974: 973: 968: 945:Alan Baumgarten 935:Andrew Buckland 891:Alan Baumgarten 754: 749: 708: 679: 671: 669:Further reading 666: 665: 658: 643: 642: 638: 624: 623: 619: 612:Boston.com News 606: 605: 601: 594: 586:. p. 291. 577: 576: 572: 560:The Independent 552: 551: 547: 537: 535: 521: 520: 513: 503: 501: 490: 489: 482: 477: 465: 243:O.C. and Stiggs 229:Iron & Silk 220: 116: 114:Life and career 75: 72: 68: 59: 54: 48: 46: 38: 26: 17: 12: 11: 5: 1043: 1041: 1033: 1032: 1027: 1022: 1017: 1012: 1007: 1002: 997: 992: 987: 977: 976: 970: 969: 967: 966: 960: 954: 948: 942: 932: 929:Alfonso CuarĂłn 926: 920: 914: 908: 902: 888: 878: 875: 869: 859: 853: 847: 836:Mark Goldblatt 833: 830:Dylan Tichenor 823: 813: 806: 800: 794: 791:Conrad Buff IV 788: 782: 776: 769:Conrad Buff IV 766: 759: 756: 755: 750: 748: 747: 740: 733: 725: 719: 718: 707: 706:External links 704: 703: 702: 670: 667: 664: 663: 656: 636: 617: 599: 592: 570: 545: 532:New York Times 511: 479: 478: 476: 473: 472: 471: 464: 461: 460: 459: 448:Dylan Tichenor 434: 425: 416: 403: 394: 381: 378:Alison Maclean 368: 343: 334: 321: 312: 303: 294: 285: 282:Laurie Colbert 268: 259: 246: 233: 232:(Shirley Sun). 219: 216: 184:Dylan Tichenor 115: 112: 85: 84: 81: 77: 76: 73: 71:(aged 51) 67:August 3, 2004 65: 61: 60: 55: 44: 40: 39: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 1042: 1031: 1028: 1026: 1025:2004 suicides 1023: 1021: 1018: 1016: 1013: 1011: 1008: 1006: 1003: 1001: 998: 996: 993: 991: 988: 986: 983: 982: 980: 964: 961: 958: 955: 952: 949: 946: 943: 940: 936: 933: 930: 927: 924: 921: 918: 915: 912: 909: 906: 903: 900: 896: 892: 889: 886: 882: 879: 876: 873: 872:Robert Frazen 870: 867: 863: 860: 857: 854: 851: 850:Pietro Scalia 848: 845: 841: 840:Mark Helfrich 837: 834: 831: 827: 824: 821: 817: 814: 811: 807: 804: 801: 798: 795: 792: 789: 786: 783: 780: 777: 774: 770: 767: 764: 763:David Brenner 761: 760: 757: 753: 746: 741: 739: 734: 732: 727: 726: 723: 717: 713: 710: 709: 705: 700: 695: 691: 687: 683: 677: 673: 672: 668: 659: 657:9780571261642 653: 649: 648: 640: 637: 632: 628: 621: 618: 613: 609: 603: 600: 595: 593:0-226-27788-7 589: 585: 581: 574: 571: 566: 562: 561: 556: 549: 546: 534: 533: 528: 524: 518: 516: 512: 499: 498: 493: 487: 485: 481: 474: 470: 467: 466: 462: 457: 453: 449: 445: 441: 440: 435: 432: 431: 426: 423: 422: 417: 414: 410: 409: 404: 401: 400: 395: 392: 388: 387: 382: 379: 375: 374: 369: 366: 365:PrĂȘt-Ă -Porter 362: 358: 354: 350: 349: 344: 341: 340: 335: 332: 328: 327: 322: 319: 318: 313: 310: 309: 304: 301: 300: 299:PrĂȘt-Ă -Porter 295: 292: 291: 286: 283: 279: 275: 274: 269: 266: 265: 260: 257: 253: 252: 247: 244: 240: 239: 234: 231: 230: 225: 224: 223: 217: 215: 213: 209: 205: 204: 199: 197: 193: 189: 185: 181: 180: 174: 172: 171: 164: 161: 156: 154: 150: 149: 144: 140: 136: 131: 129: 125: 121: 113: 111: 109: 108: 103: 99: 98:Robert Altman 95: 91: 82: 78: 66: 62: 58: 45: 41: 34: 29: 22: 19: 917:John Gilbert 866:Bob Murawski 856:Dan Lebental 825: 797:John Gilbert 779:Michael Kahn 697: 694:the original 685: 646: 639: 631:Studio Daily 630: 620: 611: 602: 579: 573: 565:the original 558: 548: 536:. Retrieved 530: 523:Sisario, Ben 502:. 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Index


New York, New York
film editor
Robert Altman
Academy Award for Best Film Editing
The Player
Manhattan
borough
Queens
Academy Award for Best Film Editing
BAFTA Award for Best Editing
American Cinema Editors Eddie
The Player
Tony Sloman
Short Cuts
Brokeback Mountain
Dylan Tichenor
The Wire
Back Burners
Iron & Silk
Vincent & Theo
Johnny Suede
Tom DiCillo
The Player
Thank God I'm a Lesbian
Dominique Cardona
Laurie Colbert
Short Cuts
PrĂȘt-Ă -Porter
Thick Lips Thin Lips

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