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Ghagra choli

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820: 574:, a nomadic tribe in Gujarat. Kutch embroidery is unique in the sense that a net is woven on a cloth using thread. The net is then filled in using the same thread by intricate interlocking stitches. The patterns are usually built around geometric shapes. This embroidery follows its own traditional design logic and juxtaposition of colours and motifs. The Rohanas tribals of Kutch specialise in skirt work. The Sodhas use a geometric style for their embroidery. The Garacia Jats are experts in tiny embroidery on the yoke, which intermingles with red, orange, blue and green threads. The Dhanetah Jats love embroidering broad pear-shaped mirrors using orange, black, yellow and red in chain stitch. 465:. Until the early 21st century, the dupatta was the most decorative part of gagra choli, while the rest of the garment was plainer, especially if the gagra was an everyday one. Dupatta is worn in many regional styles across India. The most common style since early medieval times was to pleat the dupatta on one end, so it can be anchored by tucking it into the front waist of the gagra. The loose end is then wrapped across the waist and/or draped diagonally across the upper body to fall over the shoulder, or up and over to cover the head. This is similar to the way a sari is generally worn. Women farming or doing manual work tuck both ends of the dupatta into their choli. 792: 808: 832: 678:: लुआंचणी) is a full-dress garment. The luanchari is made up of two parts. The upper part is called choli, and is made of the same fabric as of the lehanga, but it is not uncommon to find the two pieces of the garment in different colours. The choli is stitched to the lehanga, to make a one-piece luanchari. This is commonly worn by the women in Pahari miniatures, and is quite similar to lehanga. It may take over 21 yards of cloth to make a complete luanchari. It is a traditional garment worn by Gaddis of 847: 777: 765: 737: 694: 749: 33: 725: 713: 583: 656: 419: 310: 208: 158: 590:
The lehenga choli is the favourite female apparel worn during festivals, weddings or special events in India. This is due to traditions as well as of the fact that it is available in a number of fabrics with many different decorative choices. Traditionally the sari and the lehenga choli are the most
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when stitching on one side became tubular and was worn gathered together at the waist, and held by a girdle. This was one of the earliest forms of a clumsily stitched skirt. It was worn using a
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during the first part of the ceremony and then she is given her first sari, which she wears during the second half of the ceremony. This marks her transition into womanhood.
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veil. Gagras were made out of two to three layers of coarse khadi fabric which created large flared look and remained largely plain but were decorated with
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Apart from the fabric, decorative stitching patterns also play a role. Lehengas come with a wide variety of decoration and embroidery work like
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embroidery is popular with a bit of patchwork. For formal wear and weddings, the embroidery is heavier in pearls, silk, sequins and zari.
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embroidery on special occasions. Most commonly used dyes were indigo, lac and turmeric. This style can still be seen in rural areas of
348:: பாவாடை) is a form of skirt which is long, embroidered and pleated. It is secured at the waist or hips and leaves the lower back and 1206: 1172: 970: 387:. This was largely due to jeweled toes indicating the marital status of women, as both married and unmarried women observed the 1244: 383:
Until the early 20th century, women irrespective of class largely wore gagras which reached down to ankles, especially in the
1065: 599:. Traditional Rogan hand painted (by Ashish Kansara) and embroidered Chaniya choli wear of festival and wedding in Gujarat. 1871: 748: 472:. There is no single way of wearing it, so as time passed and fashion changed, the styling of the dupatta also evolved. 1861: 137:
is the more popular and widely accepted term by fashion designers, trend setters, and boutiques in South Asia, since
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Agam Kala Prakashan, 1991 "Costume, coiffure, and ornaments in the temple sculpture of northern Andhra", p.118
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Gupta-period depiction of women in ancient form of gagra and long choli, 320 CE–550 CE, Uttar Pradesh, India.
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The dupatta is traditionally seen as a symbol of modesty, as its main purpose is to serve as a
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Textiles, Costumes, and Ornaments of the Western Himalaya – Omacanda Hāṇḍā – Google Books
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Social Science a Textbook in History for Class IX as per New Syllabus – FK Publications
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Historically, the gagra choli evolved from the three-piece attire worn by women in the
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Illustration of different regional variations of ghagra choli worn by women in India
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popular garments for the bride in India. This is a common bridal attire mostly in
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embroidery is an evolving expression of the craft and textile traditions of the
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Life Style, Indian Tribes: Locational Practice – Shiva Tosh Das – Google Books
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was a narrow skirt 6 feet (1.8 m) long—the same length as the original
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Kannada: ಲಂಗ ದವಣಿ) are celebrated when a girl reaches puberty. She wears
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Traditional Rogan painting Ghagra choli, hand painted by Ashish Kansara
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Gujarat, Volume 1 – Rash Bihari Lal, Anthropological Survey of India
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Punjabi Sabhiachaar barey by Jit Singh Joshi Waris Shah Foundation
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Plaque depicting ancient form of long choli and gagra worn during
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The latest fashion trends in saree collection – newsbycompany.com
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is traditional clothing for unmarried girls in southern India.
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In southern India, coming of age ceremony or rites of passage (
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and other surrounding countries). It evolved from the ancient
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Nepali women in gagra choli also called Gunyu choli or Faria.
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The Ghagri-Choli are made of a number of fabrics such as
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and is also the traditional wear of Garba festival in
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Woman in traditional style of gagra choli worn in the
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Traditional clothing of women from Indian Subcontinent
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Women dancing in gagra choli during wedding in Delhi
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Pahari painting depicting women in Luanchari. c.1760
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begins with the girl's first naming ceremony called
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Rajasthan [district Gazetteers].: Rajsamand
133:(blouse), however in contemporary and modern usage 169:of ancient India. The attire consisted of the 145:(petticoat) worn as an undergarment below the 1252: 8: 1055:Types of Indian Lehengas – nrigujarati.co.in 644:and her first rice feeding ceremony called 603:Ritu Kala – significance in rite of passage 99:, as well as in the Pakistani provinces of 1259: 1245: 1237: 1111:"Lehengas-An Elegant Wear – Pooja Lapasia" 699:Little girl dressed in gagra choli during 581: 417: 1136:Fashionable wedding attire – The Hindu 907: 689: 422:Woman in gagra and long front covering 193:literature during the 6th century B.C. 185:a chest-band, which finds mentioned in 1161:Handa, O. C.; Hāṇḍā, Omacanda (1998). 1029:Dhanwanti Keshavrao (8 October 2005). 921:. Printed at Government Central Press. 461:costume. It is an evolved form of the 352:bare. The ancient version of skirt or 7: 1024: 1022: 1020: 415:particularly during folk festivals. 181:veil worn over shoulder or head and 59:, notably in the Indian states of 25: 1002:Fashions from India – Tom Tierney 360:, which in turn evolved from the 1087:. Chennai, India. Archived from 845: 830: 818: 813:Bride in ghagra choli or lehenga 806: 790: 775: 763: 747: 735: 723: 711: 692: 376:—and can still be seen worn by 36:Women in ghagra choli, c. 1872 1: 121:. It is a combination of the 117:is traditionally worn with a 636:The tradition of presenting 1232:Information on ghagra choli 1147:India – R.I.C. Publications 742:Himachal woman in luanchari 1888: 915:Rajasthan (India) (2001). 667: 606: 556:, etc. For festivals like 434: 302: 200: 1272: 1201:. Gyan Publishing House. 232: 1195:Das, Shiva Tosh (1987). 1077:K.JESHI (19 July 2004). 840:in a modern ghagra choli 189:literature and Buddhist 141:is synonymous with the 1267:Clothing in South Asia 1079:"Exquisite embroidery" 660: 587: 427: 314: 216: 162: 37: 1031:"Dressed for dandiya" 938:. Popular Prakashan. 932:Singh, K. S. (1998). 801:embroidery from 1800s 658: 625:Tamil: பட்டு பாவாடை, 585: 421: 312: 255:commonly worn with a 210: 160: 129:(long skirt) and the 35: 730:Woman in gagra choli 718:Woman in gagra choli 520:Decorative stitching 1872:Rajasthani clothing 1720:Embroidery of India 621:Telugu: లంగా వోని, 368:or drawstring. The 293:Indian subcontinent 175:lower garment, the 57:Indian Subcontinent 55:for women from the 1862:History of fashion 1459:Lehenga-style sari 971:"Panjab Gazetteer" 754:Bridal gagra with 661: 588: 428: 315: 217: 163: 38: 1839: 1838: 1605:Bhaad-gaaule topi 1091:on 13 August 2004 945:978-81-7154-769-2 153:Terms and history 97:Jammu and Kashmir 16:(Redirected from 1879: 1867:Gujarati culture 1504:Mundum neriyatum 1261: 1254: 1247: 1238: 1220: 1219: 1217: 1215: 1192: 1186: 1185: 1183: 1181: 1158: 1149: 1144: 1138: 1133: 1127: 1126: 1124: 1122: 1117:on 31 March 2012 1113:. 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666: 615: 607:Main articles: 605: 580: 522: 478: 449:: दुपट्टा, or 439: 433: 307: 301: 283:(also known as 239:in South India 205: 199: 155: 53:ethnic clothing 51:) is a type of 47:and locally as 43:(also known as 28: 23: 22: 15: 12: 11: 5: 1885: 1883: 1875: 1874: 1869: 1864: 1859: 1854: 1844: 1843: 1837: 1836: 1834: 1833: 1828: 1823: 1818: 1812: 1810: 1806: 1805: 1803: 1802: 1797: 1792: 1787: 1782: 1777: 1772: 1767: 1762: 1757: 1752: 1747: 1742: 1737: 1732: 1727: 1722: 1716: 1714: 1709: 1706: 1705: 1703: 1702: 1697: 1692: 1687: 1682: 1677: 1672: 1667: 1662: 1657: 1652: 1647: 1642: 1637: 1632: 1627: 1622: 1617: 1612: 1607: 1601: 1599: 1595: 1594: 1592: 1591: 1586: 1581: 1576: 1571: 1566: 1561: 1556: 1554:Shalwar kameez 1551: 1546: 1541: 1536: 1531: 1529:Patiala salwar 1526: 1521: 1516: 1511: 1506: 1501: 1496: 1491: 1486: 1484:Mekhela chador 1481: 1476: 1471: 1466: 1461: 1456: 1451: 1446: 1441: 1436: 1431: 1426: 1421: 1416: 1411: 1406: 1401: 1396: 1391: 1386: 1381: 1376: 1371: 1366: 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In 105:Sindh 77:Bihar 1800:Zari 1740:Gota 1645:Paag 1549:Sari 1544:Riha 1434:Kira 1399:Jama 1216:2013 1203:ISBN 1182:2013 1169:ISBN 1123:2011 1097:2012 1042:2012 940:ISBN 877:Sari 853:Khas 756:gota 611:and 542:Zari 526:Gota 512:and 482:silk 470:veil 455:odni 441:The 395:and 393:gota 366:nada 257:sari 235:), ( 233:चोलो 191:Pali 147:sari 103:and 1394:Gho 703:in 502:net 344:in 125:or 67:, 1848:: 1153:^ 1081:. 1033:. 1019:^ 682:. 552:, 548:, 544:, 540:, 536:, 532:, 528:, 508:, 504:, 500:, 496:, 492:, 488:, 484:, 407:, 403:, 320:, 295:. 275:, 271:, 267:, 263:, 231:: 219:A 149:. 95:, 91:, 87:, 83:, 79:, 75:, 71:, 63:, 1260:e 1253:t 1246:v 1218:. 1184:. 1125:. 1099:. 1044:. 948:. 445:( 328:( 324:/ 223:( 215:. 20:)

Index

Ghagra

ethnic clothing
Indian Subcontinent
Rajasthan
Gujarat
Madhya Pradesh
Uttar Pradesh
Bihar
Haryana
Punjab
Himachal Pradesh
Uttarakhand
Jammu and Kashmir
Punjab
Sindh
Punjab
lehenga
kurti
half-slip
sari

Indus Valley
antriya
uttariya
Sanskrit
Pali
Choli

Hindi belt

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