380:
attempts thwarted by the ghosts. However, the ghosts’ motifs are not always played on old instruments; while on their first appearance in the film, each one’s motif is so introduced... this often gives way to jazziness... This play with motifs and instrumentations continues throughout the film and is appropriate: the ghosts are not anti-modern; they enjoy playing about in modern-day Rome while also wishing to preserve the inheritance of (their) past.
379:
The music for the credits... is supplied first by a sprightly modern jazz combo, then by a barrel organ. This is appropriate for a film that is about the present and the past in two ways: ghosts occupying a palazzo in present-day Rome, and the destructive attempts of its new owners to modernise it,
260:
The Count is blown up by his water heater and joins the ghosts. His nephew
Federico inherits the castle and moves in with his girlfriend Eileen, intending to sell it. The ghosts call in an artist friend, Caparra, and try to get him to finish a painting so the castle is declared a national monument.
31:
256:
Count di
Roviano refuses to sell his palace to a developer, despite having no money. He lives with ghosts: Ronaldo, a lady's man, Bartholomew, a friar, Flora, who died with love, and a five year old boy.
392:
said "pic is quaint but bogs down after some inventive early passages... special effects are good but without the film pacing to make them captivating throughout. Obvious phantoms soon get repetitive."
528:
The
Goddess. (Academy Cinema Club, 'A' certificatr.)-Phantom Lovers. (Continentale, 'A' certificate) (Book Review) QUIGLY, ISABEL. The Spectator; London Vol. 213, Iss. 7106, (Sep 4, 1964): 312.
661:
651:
641:
445:
407:
called it an "inoffensive comedy has a theme too slight and too lacking to be anything other than tedious when treated at such length."
546:
646:
610:
636:
502:
666:
578:
486:
656:
631:
560:
519:
Beauty and the beast Grant, Elspeth. The Tatler and
Bystander; London Vol. 253, Iss. 3289, (Sep 9, 1964): 511.
537:
PHANTOM LOVERS "(Fantasmi a Roma)" Monthly Film
Bulletin; London Vol. 31, Iss. 360, (Jan 1, 1964): 148.
270:
104:
626:
455:
241:
44:
463:
450:
425:
333:
294:
605:
360:
276:
227:
114:
94:
459:
62:
324:
306:
124:
620:
348:
339:
58:
54:
312:
300:
68:
354:
288:
282:
237:
372:
318:
134:
30:
375:
did the music. A writer on Rota's career analysed the score, saying that:
599:
428:
won Best
Supporting Actor at the 1961 San Francisco Film Festival.
396:
One review called it "a jolly little Roman fantasy." The
561:"A Tale of Two Blondes: Diana Dors and Belinda Lee"
211:
203:
193:
168:
158:
140:
130:
120:
110:
100:
90:
74:
50:
40:
23:
279:- Caparra, pittore del '600, rivale del Caravaggio
8:
29:
20:
662:Films with screenplays by Ruggero Maccari
488:Nino Rota : music, film, and feeling
273:- Reginaldo / Federico di Roviano / Gino
437:
244:. It was released in the UK in 1964 as
652:Films directed by Antonio Pietrangeli
7:
351:- Girl in the park (as Gloria Gilli)
297:- Don Annibale, Principe di Roviano
559:Vagg, Stephen (7 September 2020).
14:
400:called it "a cheerful surprise."
413:called it "a fragile fantasy".
1:
336:- Antonio, tailor and doorman
642:1960s Italian-language films
509:. 9 August 1961. p. 16.
683:
446:"NY Times: Ghosts of Rome"
417:called it "entertaining".
647:Films scored by Nino Rota
585:. 2 May 1962. p. 49.
330:Claudio Catania - Poldino
28:
448:. Movies & TV Dept.
80:story by Ennio Flaiano
485:Dyer, Richard (2010).
462:. 2012. Archived from
382:
231:
78:idea by Sergio Amidei
405:Monthly Film Bulletin
377:
363:- Mathematics teacher
153:Vides Cinematografica
637:Italian comedy films
271:Marcello Mastroianni
236:) is a 1961 Italian
105:Marcello Mastroianni
667:1960s Italian films
309:- Father Bartolomeo
242:Antonio Pietrangeli
82:Antonio Pietrangeli
66:Antonio Pietrangeli
45:Antonio Pietrangeli
549:at Sight and Sound
466:on 20 October 2012
451:The New York Times
426:Eduardo De Filippo
334:Michele Riccardini
295:Eduardo De Filippo
246:The Phantom Lovers
657:Films set in Rome
632:1961 comedy films
503:"Fantasmi a Roma"
361:Graziella Galvani
219:
218:
674:
587:
586:
575:
569:
568:
556:
550:
544:
538:
535:
529:
526:
520:
517:
511:
510:
499:
493:
492:
482:
476:
475:
473:
471:
442:
277:Vittorio Gassman
189:August 1964 (UK)
184:
182:
115:Giuseppe Rotunno
95:Franco Cristaldi
33:
21:
682:
681:
677:
676:
675:
673:
672:
671:
617:
616:
596:
591:
590:
579:"Advertisement"
577:
576:
572:
558:
557:
553:
545:
541:
536:
532:
527:
523:
518:
514:
501:
500:
496:
484:
483:
479:
469:
467:
460:All Movie Guide
444:
443:
439:
434:
423:
411:Sight and Sound
387:
370:
267:
254:
233:Fantasmi a Roma
196:
188:
187:
180:
178:
171:
163:
154:
152:
150:
145:
143:
86:Ruggero Maccari
85:
83:
81:
79:
67:
65:
63:Ruggero Maccari
61:
57:
36:
17:
12:
11:
5:
680:
678:
670:
669:
664:
659:
654:
649:
644:
639:
634:
629:
619:
618:
615:
614:
608:
601:Ghosts of Rome
595:
594:External links
592:
589:
588:
570:
551:
547:Review of film
539:
530:
521:
512:
494:
477:
436:
435:
433:
430:
422:
419:
386:
383:
369:
366:
365:
364:
358:
352:
346:
343:
337:
331:
328:
325:Lilla Brignone
322:
316:
310:
307:Tino Buazzelli
304:
303:- Ing. Telladi
298:
292:
286:
280:
274:
266:
263:
253:
250:
223:Ghosts of Rome
217:
216:
213:
209:
208:
205:
201:
200:
197:
194:
191:
190:
186:
185:
174:
172:
169:
166:
165:
160:
159:Distributed by
156:
155:
148:
146:
141:
138:
137:
132:
128:
127:
125:Eraldo Da Roma
122:
118:
117:
112:
111:Cinematography
108:
107:
102:
98:
97:
92:
88:
87:
76:
72:
71:
52:
48:
47:
42:
38:
37:
34:
26:
25:
24:Ghosts of Rome
15:
13:
10:
9:
6:
4:
3:
2:
679:
668:
665:
663:
660:
658:
655:
653:
650:
648:
645:
643:
640:
638:
635:
633:
630:
628:
625:
624:
622:
612:
609:
607:
603:
602:
598:
597:
593:
584:
580:
574:
571:
566:
562:
555:
552:
548:
543:
540:
534:
531:
525:
522:
516:
513:
508:
504:
498:
495:
491:. p. 42.
490:
489:
481:
478:
465:
461:
457:
453:
452:
447:
441:
438:
431:
429:
427:
420:
418:
416:
412:
408:
406:
401:
399:
394:
391:
384:
381:
376:
374:
367:
362:
359:
356:
353:
350:
349:Luciana Gilli
347:
345:Nadia Marlowa
344:
341:
340:Enzo Cerusico
338:
335:
332:
329:
326:
323:
320:
317:
314:
311:
308:
305:
302:
299:
296:
293:
291:- Donna Flora
290:
287:
284:
281:
278:
275:
272:
269:
268:
264:
262:
258:
251:
249:
247:
243:
239:
235:
234:
229:
225:
224:
214:
210:
206:
202:
198:
192:
176:
175:
173:
170:Release dates
167:
161:
157:
147:
139:
136:
133:
129:
126:
123:
119:
116:
113:
109:
106:
103:
99:
96:
93:
89:
77:
73:
70:
64:
60:
59:Ennio Flaiano
56:
55:Sergio Amidei
53:
49:
46:
43:
39:
32:
27:
22:
19:
600:
582:
573:
564:
554:
542:
533:
524:
515:
506:
497:
487:
480:
468:. Retrieved
464:the original
449:
440:
424:
414:
410:
409:
404:
402:
397:
395:
389:
388:
378:
371:
313:Franca Marzi
301:Claudio Gora
259:
255:
245:
240:directed by
232:
222:
221:
220:
195:Running time
149:Galatea Film
84:Ettore Scola
69:Ettore Scola
18:
355:Enzo Maggio
289:Sandra Milo
283:Belinda Lee
238:comedy film
199:105 minutes
91:Produced by
41:Directed by
35:Film poster
627:1961 films
621:Categories
432:References
368:Production
357:- Fricandò
142:Production
51:Written by
611:Film page
398:Spectator
385:Reception
373:Nino Rota
342:- Admirer
319:Ida Galli
164:Gala (UK)
144:companies
135:Nino Rota
121:Edited by
16:1961 film
470:22 March
456:Baseline
327:- Regina
285:- Eileen
212:Language
162:Lux Film
151:Lux Film
131:Music by
101:Starring
75:Based on
583:Variety
565:Filmink
507:Variety
415:Filmink
390:Variety
321:- Carla
315:- Nella
228:Italian
215:Italian
204:Country
179: (
613:at BFI
458:&
421:Awards
207:Italy
606:IMDb
472:2009
403:The
265:Cast
252:Plot
181:1961
177:1961
604:at
623::
581:.
563:.
505:.
454:.
248:.
230::
567:.
474:.
226:(
183:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
