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232:. This book enjoyed enduring popularity thanks to the fact that it was a groundbreaking way to print emblems: Latin text on the verso and a detailed image of the emblem on the recto of every page opening. Later editions were polyglot with text in Dutch, French, Spanish, Italian and Latin. It was reprinted and pirated in numerous editions in the following 100 years. Gijsbert van Veen further made the engravings for two other emblem books of his brother Otto:
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Montone, Tina, "'Dolci ire, dolci sdegni, e dolci paci': The Role of the
Italian Collaborator in the Making of Otto Vaenius's Amorum Emblemata," in Alison Adams and Marleen van der Weij, Emblems of the Low Countries: A Book Historical Perspective. Glasgow Emblem Studies, vol. 8. Glasgow: University
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around 1574 or 1575 where he stayed for about five years. It is not clear whether
Gijsbert travelled with his brother Otto or later joined him in Italy. It is known that he produced engravings in Rome (in 1588) and Venice (in 1589). His engravings in Rome were published by
344:"pour affaires secretz concernans grandement le service de Leurs Altèzes, dont n'est besoing faire plus ample déclaration" (for secret affairs of great importance to the service of their highnesses, which need not be explained more fully). Jules Finot (ed.),
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Van Veen painted portrait paintings and made reproductive engravings after works by other artists such as his brother Otto. None of his portrait paintings are known to have been preserved.
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for portraits of the king and queen of Spain, again gifts for the
Marquis of Havré, and for portraits of Albert and Isabella that had been sent to the King of England the previous year.
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and was an amateur painter. The van Veen family was an aristocratic family and father
Cornelis Jansz. held the position of mayor of Leiden a few times. The
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about the first
English settlements in America and the lives of the Algonquian-speaking Indians in the Outer Banks region of present-day
68:, Pieter and Elisabeth van Veen. His brother Otto became a prominent painter in Flanders while Pieter became a prominent lawyer in
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Inventaire sommaire des archives départementales antérieures à 1790. Nord. Archives
Civiles, série B. Chambre des Comptes de Lille
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Inventaire sommaire des archives départementales antérieures à 1790. Nord. Archives
Civiles, série B. Chambre des Comptes de Lille
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around 1562 as the son of
Cornelis Jansz. van Veen (1519–1591) and Geertruyd Simons van Neck (born 1530). He was the brother of
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published in four languages (English, German, French and Latin) in
Frankfurt in 1590. The books were illustrated versions of
48:, 1628) was a Dutch painter, draughtsman and engraver. He is known for his portrait paintings and reproductive engravings.
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family which remained loyal to the
Spanish king moved to Antwerp in 1572 after the start of the Dutch Revolt, and then to
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Upon his return to Flanders, van Veen moved to Brussels where his brother had become a painter to the court of Archdukes
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118:. He also became linked to the Brussels court as an artist as well as a diplomat. In 1603, van Veen was paid 150
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Gijsbert van Veen is also credited with making the engravings after designs by his brother Otto for the Horatian
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Quinti Horatii Flacci emblemata : imaginibus in aes incisis, notisque illustrata
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Quinti Horatii Flacci emblemata : imaginibus in aes incisis, notisque illustrata
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Allegory with the Duke of Parma as champion of the Catholic Church in the Netherlands
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from state funds for carrying out secret missions for the Archdukes
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209:. One of van Veen's engravings for this book series entitled
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A Briefe and True Report of the New Found Land of Virginia
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He made illustrations for a series of four books which
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due for portraits of Albert, Isabella, and the late
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394:"Index of White watercolors/De Bry Engravings"
217:performing a ritual on the board of a river.
178:From 1612 he lived in Antwerp where he died.
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317:at the Netherlands Institute for Art History
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152:Charles Philippe de Croÿ, Marquis d’Havré
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234:Amorum emblemata, figuris Aeneis incisa
16:Dutch painter, draughtsman and engraver
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297:Van de Velde, Carl: "Veen , Otto van"
228:first published in Antwerp in 1607 by
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167:In 1604 he was paid another 803
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56:Gijsbert van Veen was born in
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372:"Præstigiator (The Conjurer)"
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213:depicts a native American
94:Otto van Veen traveled to
398:www.virtualjamestown.org
425:of Glasgow, 2003. p. 47
415:at Digital Commonwealth
303:Oxford University Press
238:Amoris divini emblemata
138:in part payment of 873
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374:. Virginia Humanities
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486:Artists from Antwerp
447:at Wikimedia Commons
230:Hieronymus Verdussen
471:Artists from Leiden
357:Jules Finot (ed.),
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148:Philip II of Spain
101:Bernardino Passari
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38:Gysbrecht van Veen
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481:Dutch printmakers
445:Gijsbert van Veen
443:Media related to
330:Gijsbert van Veen
283:Gijsbert van Veen
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24:The Conjurer
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466:1628 deaths
461:1558 births
222:emblem book
455:Categories
244:References
207:John White
34:Gijsbrecht
224:entitled
70:The Hague
378:11 March
240:(1615).
128:Isabella
116:Isabella
74:Catholic
30:Gijsbert
332:at the
285:at the
171:and 10
46:Antwerp
169:livres
140:livres
132:livres
124:Albert
120:livres
112:Albert
88:Amorum
58:Leiden
42:Leiden
78:Liège
380:2022
182:Work
173:sols
144:sols
136:sols
126:and
114:and
103:and
96:Rome
66:Otto
52:Life
197:'s
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36:or
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