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Annunziata in 1660, and several collections of motets were published in Rome during the mid 1670s. But it was not until 1672 that he produced his first (and most popular) opera, Caligula delirante (text by
Gioberti), at the Teatro SS Giovanni e Paolo in Venice, followed by Lisimaco (text by Ivanovich) the next year. ...
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Emilio de' Cavalieri "gentiluomo romano" Warren
Kirkendale - 2001 "1681 Granprincipe Ferdinando paid Pagliardi "per le spese fatte col viaggio di lui da Genova a Firenze", as well as his ... The operas can be identified as Lo speziale di villa in 1684 (SL 22380f; hardly by Pagliardi, since repeated
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Julie Anne Sadie - 1998 0520214145 p47 Pagliardi worked primarily in
Florence, where he served as maestro di cappella (succeeding Cesti) to the Grand Duke of Tuscany, at the church of S Lorenzo and, in his last years, at the cathedral. His oratorio L'innocenza trionfante was performed in Genoa at Ss
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and his puppet troop L'Opera dei Pupi; with music by Jan van
Elsacker, Caroline Meng, Florian Götz, Jean-Francois Lombard, Sophie Junker, Serge Gougioud, Le Poeme Harmonique, Vincent Dumestre Alpha 2018
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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148:, 3-act opera at Teatro SS Giovanni e Paolo in Venice; Giovanni Maria Pagliardi, libretto Domenico Gisberti - 1672 Venice, restaged 1680
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from 1690, but did not formally gain the title till the death of his predecessor, Pietro
Sammartini.
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to the source of your translation. A model attribution edit summary is
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A New
Chronology of Venetian Opera and Related Genres, 1660-1760
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A chronology of music in the
Florentine theater, 1590-1750
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