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glimpse of why we experience transference with them. An elephant might represent our aunt, a nurturer. The weasel is an amazing trickster – a hunter all year round. At home, we transfer feelings to our pets as they become our child, friend, and companion. All our intimate experiences are evident in our art of animals in the wild and from home that we choose to create and share. Animals intersect with us in multiple ways: culturally (symbolically through mascots, national flags, folklore), spiritually, and physically (animals in an urban environment, wildlife preserves, etc.) How would you feel if this animal disappeared? Finding ways to preserve the ecological balance is an urgent call to action, and highlighting our special connection with animals will aid us in preserving them and the environment.
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world around us. Throughout the history of
Western art, plants were relegated to the background—lush fillers or theatrical sceneries – and they very rarely, if ever, took center stage. Today it appears clear that this visual marginalization of the natural world was the symptom of a broader cultural malaise —a growing alienation from the natural world that is in part responsible for today’s environmental degradation. It is in this context that reconsidering man’s relationship with the vegetal world is more important than ever.
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opened with an interview to
Giovanni Aloi titled 'Beyond Zoocentrism: An Interview with Giovanni Aloi'. There the author discusses the main issue and opportunities involved in the representation of animals in contemporary art and openly discusses the limitations of the animal studies academic field.
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This exhibition is therefore a timely invitation to re-learn how to look at plants beyond the traditional lenses of the symbolic reductionism of religious painting and the objectifying gaze of science. Between these opposing approaches there lies a valuable opportunity to explore a more personal and
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with Andrew Yang. The exhibition brought into dialogue works from local and internationally renowned artists as well as SAIC alumni and faculty and was expressly designed to encourage visitors and students to rethink their conceptions of materiality, agency, empathy, subjectivity, and community at a
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in London. The symposium proposed an exploration of artistic practices involved with animals and environments. Through a multidisciplinary approach, it aimed at facilitating a dialogue between artists, scientists, and academics interested in informing wider audiences through visual communication. In
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brought together the artistic and scientific community of the School of the Art
Institute of Chicago to discuss the growing importance of plants in contemporary art and philosophy. The symposium featured the participation of many artists, faculties, and students from the School of the Art Institute
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emphasizes the importance of the domestic space as an opportunity to rethink our relationships with plants and the roles they play in our everyday lives. Never reduced to passive aesthetic objects, in Freud's work, plants can teach us to fine-tune our attention, observation, and connection to the
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Many of the potted and garden plants Freud painted are akin to wise old friends who have seen it all but know better than to speak. Zimmerlinde, one of the plants he painted many times throughout his career, was an unofficial Freud family emblem. Originally grown in Vienna by the artist’s famous
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to join an international team of researchers working on the subject of animals and digital interfaces. The project, sponsored by the Social sciences and
Humanities Research Council of Canada focuses on "the current proliferation and re-configuration of the animal that occurs in the context of a
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Freud was neither a plant lover nor did he have a “green thumb”. His gaze was rarely attracted to flowers—it was weeds and the straggly potted plants that followed him from home to home throughout his life that captured his imagination. This propensity to find beauty and truth in the seemingly
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aims to educate the public and encourage society to celebrate our planet’s diverse wildlife. From wild animals to domestic companions, relating to animals can be a humbling experience that helps generate empathy for oneself and for others. As we learn more about each animal, we get an intimate
280:. In 2014, after relocating to Chicago, his research focus shifted to Anthropocene-studies and more recently to critical plant-studies. Another substantial area of interest in Aloi's research is the history of the art market and how economic factors impact art making and art writing.
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global visual culture that relies on images of animals to signify, promote, destabilize and secure its political, cultural, and natural landscapes". As part of this project, Aloi co-curated a two-venue exhibition with curator
Matthew Brower, of the University of Toronto. The
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Representation, policies, and lived experiences of the
Anthropocene were central to this symposium that through the collaboration of artists and scientists working at the School of the Art Institute of Chicago mapped new aesthetic territories for current political times.
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Aloi's research focuses on the representation of the natural world in modern and contemporary art with an emphasis on the materiality of art objects, empathy, climate change, extinction, and sustainability. His early career mostly focussed on the field of
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unremarkable, the overlooked, and the imperfect led him, under the guidance of his mentor Cedric Morris, to develop a remarkably honest approach to the painting of plants—the foundation of what would become his distinctively raw take on the naked body.
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featured the work of many artists whose practice focuses on the productivities and challenges presented by digital interfaces. Artists included in the exhibition: Julie
Andreyev, Simon Lysander Overstall,
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Aloi studied history of art and art practice in Milan at the Liceo
Artistico S. Marta and moved to London in 1997 where he gained a BTEC in Photographic Studies and Printing Technique at the
368:, the exhibition emphasized Freud’s ability to capture the elusive essence of plants in original ways, exploring how he granted plants the same gravitas and carnality as his human subjects.
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Heinrich, Ari
Larissa (2019). "Giovanni Aloi, Speculative Taxidermy: Natural History, Animal Surfaces, and Art in the Anthropocene (New York: Columbia University Press, 2018), 328 pp".
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is a peer-reviewed academic journal on the subject of "nature" in contemporary art. The
Journal publishes academic texts with interviews, fiction, artist statements, and portfolios.
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Aloi has worked in different capacities for some of the most important museums and galleries in the UK and the US. Between 1999 and 2004, Aloi worked in the Education Department at
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intimate relationship that can only unfold in enclosed places like gardens or in the privacy of our homes: a closeness that defines one’s life, memories, and the passing of time.
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22:(born 1976) is an author and curator specializing in the representation of nature in modern and contemporary art. He teaches art history and visual culture at
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by Curator Caroline Picard. In this interview, Aloi discusses his research turn towards plants in contemporary art. Aloi was interviewed about his 2018 book
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with a Post Graduate Diploma in Art History (2003), an MA in Visual Culture (2004), and Ph.D. on the subject of Natural History and Contemporary Art (2014).
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time of unprecedented ecological crisis and cultural change. The large-scale exhibition included the work of more than 30 artists, including, among others,
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Aloi has been interviewed in numerous publications both online and in print. In 2013, Aloi was interviewed by the vegetarian and vegan culture website
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held at The School of the Art Institute of Chicago on 12 March. The symposium critically addressed the zoocentrism characterizing the recent years of
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of Chicago and a keynote presentation by Ikerbasque Research Professor of Philosophy at the University of the Basque Country, Vitoria-Gasteiz,
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founded by artist and writer Noah Becker. Aloi has written numerous reviews of shows held in the UK, Italy, and the US between 2008 and 2017.
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in LA to moderate a discussion about the presence of animals in contemporary art with artists Kate Clark, Claire Owen, and poet Donika Kelly.
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along with animal-studies expert Susan McHugh and novelist Karen Joy Fowler. In June 2015, Aloi also contribute to a
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In 2021, Aloi has organized multiple discussion panels with artists and scholars in conjunction with the exhibition
260:. A quasi-monthly, online meeting open to the public in which the work of artists focussing on plants is discussed.
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345:. The exhibition received positive reviews and was listed in Time Out Chicago as a must-see show for Autumn 2021.
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BBC Radio 3, 'Free Thinking': Animals and Anthropomorphism, Nadine Gordimer Tribute, Prison, July 2014, 45mins
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Aloi has also published in many academic and non-academic journals, newspapers, and magazines. Most notably,
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In 2016, with artist Andrew Yang and art historian David Getsy, Aloi co-organized and chaired the symposium
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by Brian Andrews and Jesse Malmed. More recently, Aloi was interviewed by art historian Robert Enright in
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135:. In 2021, Aloi was in conversation on WLPN with co-curator and artist Andrew Yang about the exhibition
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grandfather, Sigmund, cuttings of the plant were passed on to family members as a living keepsake.
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exhibition took place in Toronto across the exhibiting spaces of Aird Gallery and Contact Gallery.
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as "critic's pick of the week" and also named one of the "best exhibitions in London" by
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In 2014, Aloi was invited by Jody Berland, Professor in the Department of Humanities at
1182:"Giovanni Aloi | PLANT-CAPITAL: Objectification and Agency in a Consumerist World"
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Speculative Taxidermy: Natural History, Animal Surfaces, and Art in the Anthropocene
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The Arts Society Magazine (5-page commentary on selected paintings by Giovanni Aloi)
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in collaboration with artist Maria Bronkema for Fountain House Gallery in New York.
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to identify new and productive methodological approaches and ethicalities for the
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1866:"Beyond Zoocentrism: An Interview with Giovanni Aloi | esse arts + opinions"
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Caroline Picard, 'Conceptions of Plant-Life: An interview with Giovanni Aloi' in
127:. And in 2016, he contributed to the episode of the same series dedicated to the
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964:"talks.cam : Beyond the Pain Principle: The Animal that Therefore I Am Not"
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The Royals, documentary series, 2013, dir. Laura Linton, Back2Back Productions
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Since 2016, with curator and writer Caroline Picard, Aloi is co-editor of the
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In the same year, Aloi was interviewed by the online art and culture website
706:"Giovanni Aloi | School of the Art Institute of Chicago - Academia.edu"
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1920:"Announcing a new series: Art after Nature — University of Minnesota Press"
1231:"Digital Animalities Exhibition - John B. Aird Gallery and Contact Gallery"
242:. The proceedings of this symposium were gathered in the edited collection
199:, held between 11 and 13 July 2012, Murray Edwards College, Cambridge, UK.
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BBC Radio 4, 'Natural Histories Series': Butterflies, January 2015, 28mins
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1527:"Art and Animals by Giovanni Aloi - a-n The Artists Information Company"
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523:. In 2021, Aloi was interviewed with Andrew Yang for WLPN 105.5FM about
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The exhibition was positively received by critics and it was chosen by
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in art and culture. In 2020, Aloi was interviewed by Ferren Gipson for
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1902:"WM | whitehot magazine of contemporary art | Giovanni Aloi"
30:
and is the co-editor of the University of Minnesota Press book series
2063:"Forget Lucian Freud's Nudes: He was a Magnificent Painter of Plants"
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In 2019, following the symposium by the same name, Aloi launched the
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Aloi has organized and chaired symposia on the subject of nature and
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Cecilia Novero, Speculative Taxidermy: Humans, Animals, and Art, in
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BBC Radio 4, 'Natural Histories Series': Lobster, July 2016, 28mins
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1000:"The Art of Evolution : Charles Darwin and Visual Cultures"
1414:"Lucian Freud's Plants Bloom in New Exhibition Plant Portraits"
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Why Look at Plants? The Botanical Emergence in Contemporary Art
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Also, in 2017, Aloi organized and chaired the symposium titled
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Since 2007, Aloi has been the founder and editor in chief of
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Aloi has regularly presented papers in institutions like the
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At the same time, Aloi taught Modern and Contemporary Art at
2009:"Should museums display artworks that feature live animals?"
896:"Lucian Freud's Paintings of Plants—From Symbolism to Truth"
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2012, With Professor Anthony Podbersceck, Aloi co-organized
1360:"Lucian Freud's Plant Paintings Send Shivers Down My Spine"
1143:"Artists and Beasts: Why Animals? | Getty360 Calendar"
1107:"Symposium: Human-non-Human Networks | Nigel Rothfels"
724:"EDITORIAL BOARD - Antennae: The Journal of Art and Nature"
1028:"Animal ecologies in visual culture (London, 8 Oct 2011)"
1938:"La questione della materialitĂ artistica nel Postumano"
1884:"WM | whitehot magazine of contemporary art |"
1580:"ANTENNAE TEN - Antennae: The Journal of Art and Nature"
1125:"Cambridge Scholars Publishing. Botanical Speculations"
687:
https://saic.academia.edu/GiovanniAloi?from_navbar=true
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In 2013, Aloi contributed to a documentary film titled
504:. The 2016 Spring issue of international art magazine
2081:"A Posthuman Revolution at the 59the Venice Biennale"
1692:"Sunday read: Animal: Exploring the Zoological World"
1046:"The Arts & Sciences of Human-Animal Interaction"
1848:"Art and Nature, Antennae: The Journal of Nature in"
1499:"Nature's Exuberance Uncentring the Anthropocentric"
1432:"Art & Animals: An Interview with Giovanni Aloi"
1378:"How Lucian Freud Found Inspiration in Houseplants"
788:"Speaker Information | Why Do Animal Studies?"
755:
685:A selection of texts by Aloi can be accessed here:
1973:Aloi, Giovanni (2010). "The death of the animal".
570:Botanical Speculations: Plants in Contemporary Art
630:Between 2008 and 2013, Aloi was London Editor of
619:Antennae: The Journal of Nature in Visual Culture
170:, The Chicago Museum of Contemporary Art and the
28:Antennae: The Journal of Nature in Visual Culture
1448:Ariane De Blois in Esse n. 87, Spring, pp. 6-13
233:at The School of the Art Institute of Chicago.
2143:School of the Art Institute of Chicago faculty
552:Antennae 10: A Decade of Art and the Non-Human
2138:Alumni of the London College of Communication
1770:. Columbia University Press. September 2021.
596:-co-editor- (2021: Columbia University Press)
519:by Cecilia Novero for the Philosophy website
8:
1396:"Do We Need Another Lucian Freud Exhibition"
2027:"Giovanni Aloi | esse arts + opinions"
26:. He is the Founder and Editor in Chief of
2133:Alumni of Goldsmiths, University of London
1348:House & Gardens, Autumn, November 2022
566:-consultant and co author- (2018: Phaidon)
320:Between 2019 and 2021 Aloi has co-curated
2153:Italian expatriates in the United Kingdom
1544:McHugh, Susan (2013). "Art and Animals".
1251:. School of the Art Institute of Chicago.
1170:. School of the Art Institute of Chicago.
744:. School of the Art Institute of Chicago.
594:Posthumanism in Art and Science: A Reader
2158:Italian expatriates in the United States
1734:prestelpublishing.penguinrandomhouse.de/
1101:
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554:(2017: Forlaget 284 and Antennaeproject)
162:, The Royal Institute of Great Britain,
109:. In July 2014, Aloi contributed to the
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258:Botanical Speculations Discussion Group
221:In 2017, Aloi organized and co-chaired
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982:"MCA Talk: Joey Orr and Giovanni Aloi"
564:Animal: Exploring the Zoological World
24:School of the Art Institute of Chicago
58:. He then furthered his education at
34:. Aloi is also USA correspondent for
7:
588:Flower: Exploring the World in Bloom
401:Honorable mentions have appeared in
348:In the summer of 2022, Aloi curated
74:. While in 2007 he began to work at
360:Between 2020 and 2022 Aloi curated
1329:The Times'Critics Pick of the Week
878:"Artists and Beasts: Why Animals?"
188:Animal Ecologies in Visual Culture
14:
1627:Journal of the History of Biology
606:Ocean: Exploring the Marine World
560:(2017: Columbia University Press)
403:Artists and Illustrators Magazine
249:In 2019, Aloi was invited to the
214:and biocapital dimensions of the
2183:Italian academic journal editors
2099:"John Cage 3'44" 70 years later"
1558:10.2752/175303713X13697429464032
1277:"Best Chicago Museum Exhibition"
652:Lo Sguardo: Rivista di Filosofia
600:Bird: Exploring the Winged World
267:he co-curated with Andrew Yang.
186:in modern and contemporary art.
156:Natural History Museum in London
78:in London as associate faculty.
2163:21st-century Italian historians
1767:Posthumanism in Art and Science
1309:"Lucian Freud: Plant Portraits"
1080:. July 17, 2014. Archived from
468:The exhibition was reviewed in
83:Queen Mary University of London
56:London College of Communication
1975:Journal of Visual Art Practice
660:Journal of Visual Art Practice
1:
1263:"Our earth bodies, ourselves"
918:dulwichpicturegallery.org.uk/
641:University of Minnesota Press
531:, issue 159: 'Human/Nature'.
380:Lucian Freud: Plant Portraits
362:Lucian Freud: Plant Portraits
305:, Lou Sheppard, Donna Szoke,
103:Royal Pets: One's Best Friend
271:Research and curatorial work
168:The Art Institute of Chicago
117:Animals and Anthropomorphism
97:Radio, TV, and presentations
1007:Vicusyd.files.wordpress.com
756:"Esse Art+Opinion Magazine"
608:-co-author- (2022: Phaidon)
602:-co-author- (2021: Phaidon)
590:-co-author- (2020: Phaidon)
301:, Gwen MacGregor, Neozoon,
133:Art Matters Podcast, Art UK
2204:
572:(2018: Cambridge Scholars)
172:Courtauld Institute of Art
91:Sotheby's Institute of Art
1635:10.1007/s10739-019-9556-0
842:"The Beauty in the Beast"
36:Esse Magazine Art+Opinion
1730:"Lucian Freud Herbarium"
1674:"Turner-Aloi: Fall 2018"
204:Human-non-Human Networks
1418:countryandtownhouse.com
774:Interactive Futures '11
486:Country Town & Life
152:Dulwich Picture Gallery
148:New York Botanic Garden
72:Whitechapel Art Gallery
2123:Italian art historians
1503:bordercrossingsmag.com
1295:Fountain House Gallery
613:Journals and editorial
582:Lucian Freud Herbarium
366:Lucian Freud Herbarium
311:Maria Fernanda Cardoso
244:Botanical Speculations
235:Botanical Speculations
231:Botanical Speculations
46:
1987:10.1386/jvap.9.1.59_1
1960:Artandresearch.org.uk
1956:"Different Becomings"
1944:. September 21, 2017.
1485:"Earthly Observatory"
1249:"Earthly Observatory"
1168:"Earthly Observatory"
1129:Cambridgescholars.com
860:"Earthly Observatory"
517:Speculative Taxidermy
87:Roehampton University
60:Goldsmiths University
44:
16:Italian art historian
2173:Italian art curators
2168:Italian male writers
2051:. 14 September 2022.
1906:Whitehotmagazine.com
1888:Whitehotmagazine.com
1698:. November 11, 2018.
1612:Aesthetics for Birds
1472:Aesthetics for Birds
1436:The Discerning Brute
1420:. 20 September 2022.
932:"Unruly Creatures 3"
521:Aesthetics for Birds
502:The Discerning Brute
447:The Evening Standard
364:. Based on his book
190:was held in 2011 at
164:Cambridge University
2178:Italian art critics
1382:theartnewspaper.com
1313:gardenmuseum.org.uk
1235:Digital Animalities
1214:Digital Animalities
1084:on October 29, 2017
914:"Unearthed at Home"
792:Lucian.uchicago.edu
525:Earthly Observatory
490:Il Sole 24 Ore
470:The Financial Times
439:The Daily Telegraph
415:Gardens Illustrated
396:House & Gardens
327:Edgar Heap of Birds
322:Earthly Observatory
309:, Ingrid Bachmann,
294:Digital Animalities
290:Digital Animalities
265:Earthly Observatory
246:published in 2018.
137:Earthly Observatory
105:, part of a series
2069:. 24 October 2019.
1402:. 19 October 2022.
1384:. 12 October 2022.
474:The Arts Newspaper
443:World of Interiors
313:, Wally Dion, and
223:Truth.Climate.Now.
47:
1461:, August 17, 2016
1366:. 7 October 2022.
1291:"Animal Crossing"
710:Saic.academia.edu
682:, and many more.
633:Whitehot Magazine
548:(2011: IB Tauris)
546:Art & Animals
492:(in print only).
484:(in print only),
459:The New Statesman
93:(2012 to today).
89:(2009-2013), and
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656:Art and Research
645:Art after Nature
529:Border Crossings
331:Nandipha Mntambo
212:biotechnological
32:Art after Nature
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2015:. May 29, 2018.
2013:Apollo Magazine
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435:RA Magazine
427:Insider Art
343:Terry Evans
335:Ken Rinaldo
315:Aki Inomata
303:Ken Rinaldo
178:Conferences
160:Tate Modern
125:Butterflies
121:BBC Radio 4
112:BBC Radio 3
2117:Categories
1678:Depauw.edu
1546:Anthrozoös
692:References
535:Publishing
496:Interviews
107:The Royals
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339:Mark Dion
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