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in 1842 but continued to send works from his repertoire of religious and funerary subjects, portraits and genre compositions to his hometown. He produced some sculptures for Milan
Cathedral and the church of San Carlo al Corso in the period 1857–69 and took part in the 4th Esposizione Nazionale di
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from 1833 on by a grant from the
Brescia City Council. His youthful work shows the influence of the classically inspired models of his master and
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in 1880. The works of the artist’s mature period show the adoption of a naturalistic approach under the influence of
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Funerary monument of Carlo
Domenico Ferrari by Giovanni Antonio Emanueli in the New Cathedral in Brescia.
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42:’s course of figure studies but was enabled to complete his training under the sculptor
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Emanueli enrolled at the Milan
Academy of Fine Arts in 1831 and attended
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96:, 2010, CC BY-SA (source for the first revision of this article).
30:(Brescia, 1817 – Milan, 1894) was an Italian painter.
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140:19th-century Italian male artists
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115:19th-century Italian painters
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86:Giovanni Antonio Emanueli
28:Giovanni Antonio Emanueli
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120:Italian male painters
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65:Alessandro Puttinati
125:Painters from Milan
88:, online catalogue
44:Abbondio Sangiorgio
94:Fondazione Cariplo
73:Antonio Tantardini
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69:Giovanni Strazza
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135:1894 deaths
130:1817 births
109:Categories
79:References
34:Biography
90:Artgate
52:Brescia
61:Turin
56:Milan
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