Knowledge (XXG)

Giovanni Battista Rubini

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effortlessly go up to a "ringing" high F (F5) (a note that most tenors today escape because of their "chesty" technique), he was reported as barely audible in the others parts of his voice and his tone was "slightly veiled". He also had a limited volume control, struggling to produce mezzo-forte or mezzo-piano
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Rubini is remembered as an extraordinary bel canto singer, one of the most famous in Europe in the 1820s to 1840s. He also popularized the use of a pervasive vibrato as a means of heightening the emotional impact of his operatic performances. However, if his upper register was exceptional—he could
69:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG). 55: 599: 594: 258:(1835), when he was one of the long-remembered "Puritani quartet" for whose voices the opera was written. The three other members of the illustrious quartet were 604: 146:, inspired the writing of operatic roles which today are almost impossible to cast. As a singer Rubini was the major early exponent of the Romantic style of the 291:
and retired with a great fortune in 1845. He died in his hometown of Romano in 1854, and is buried in the cemetery there, within a large marble monument.
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After ten years spent in Naples between 1815 and 1825, during which he also scored spectacular successes in France in the 1825/26 season in opera by
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
80: 546: 316:, which was "written for the preternaturally gifted young tenor Giovanni Battista Rubini" whom the composer had heard singing the Prince in 's 362: 504: 469: 455: 439: 411: 404: 395: 589: 288: 427:; Preface by Francesco Speranza. Bergamo: Industrie grafiche Cattaneo Bergamo. (Commemorative Conference of 28 October 1954) 93:
Content in this edit is translated from the existing Italian Knowledge (XXG) article at ]; see its history for attribution.
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in a later day. His ringing and expressive coloratura dexterity in the highest register of his voice, the
360:"Last of a Breed: Giovanni Battista Rubini Ruled as the Paragon of Virtuoso Tenors, King of the High F's" 37: 331: 281: 123: 579: 574: 185: 312:
Osborne 1990, p. 71: Osborne notes in regard to an aria from Rossini's 1821 "pastoral cantata",
445: 500: 465: 451: 435: 407: 400: 263: 248: 235: 157: 84: 484: 420:. Comune di Romano di Lombardia: Cassa Rurale ed Artigiana di Calcio e di Covo, Vol. I – II. 243: 239:. He divided his time between Paris (in the Autumn and Winter) and London (in the Spring). 229: 165: 153: 359: 366: 211: 193: 176: 267: 223: 568: 390: 386: 139: 259: 425:
Giovan Battista Rubini nel Centenario della Morte (7 aprile 1794-3 marzo 1854)
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and whose singing he described as "singing which you can feel in your soul".
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The Great Singers: From the Dawn of Opera to Caruso, Callas and Pavarotti
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during the same season, then travelled to London with the Irish composer
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Giovanni Battista Rubini and the Bel Canto Tenors: History and Technique
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to the source of your translation. A model attribution edit summary is
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Pleasants, Henry (1993). "Giovanni Battista Rubini (1794–1854)".
399:, Vol. Four, pp. 79–80. London: Macmillan Publishers, Inc. 66: 18: 416:
Cassinelli, Bruno; Antonio Maltempi; Mario Pozzoni (1996),
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Il Cigno di Romano. Giovan Battista Rubini. Re Dei Tenore.
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La Scuola Libera di Canto Lirico Giovan Battista Rubini
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BĂ©rgamo, Committee for the Centenary celebrations 1954.
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a machine-translated version of the Italian article.
464:, Ithaca, New York: Northeastern University Press. 134:(7 April 1794 – 3 March 1854) was an Italian 287:Rubini was admitted as an honorary member of the 533:Giovanni Battista Rubini: An Abridged Biography 434:, Triquarterly/Northwestern University Press. 87:accompanying your translation by providing an 49:Click for important translation instructions. 36:expand this article with text translated from 284:for a further round of operatic engagements. 200:. His first appearance as singer was 1814 in 8: 516:Zucker, Stefan, "Giovanni Battista Rubini", 536:. Escola Livre de Canto Lirico G. B. Rubini 99:{{Translated|it|Giovanni Battista Rubini}} 600:Chamber singers of the Emperor of Austria 541:Institutions relating to Rubini's career 389:(1998), "Rubini, Giovanni Battista" in 595:19th-century Italian male opera singers 305: 270:. The four appeared together again in 547:Circolo Amici della Lirica G.B. Rubini 520:, Volume 46, No. 12, February 13, 1982 354: 352: 350: 605:Male singers from the Austrian Empire 358:Zucker, Stefan, (February 13, 1982), 7: 499:. New York: Simon & Schuster. 14: 396:The New Grove Dictionary of Opera 289:Accademia Filarmonica di Bologna 23: 585:People from Romano di Lombardia 555:(Romano di Lombardia, Bergamo) 192:at twelve years of age at the 97:You may also add the template 1: 252:(1826) and continued until 138:, as famous in his time as 110:Knowledge (XXG):Translation 621: 418:Rubini: L’uomo e L’artista 242:His special relation with 61:Machine translation, like 495:Pleasants, Henry (1985), 460:Osborne, Richard (1990), 432:Voices in a Mask: Stories 38:the corresponding article 430:Green, Geoffrey (2008), 180:Giovanni Battista Rubini 132:Giovanni Battista Rubini 127:Giovanni Battista Rubini 590:Italian operatic tenors 207:Le lagrime d'una vedova 108:For more guidance, see 553:Fondazione G.B. Rubini 540: 509:Traini, Carlo (1954), 444:Marek, Dan H. (2013), 423:Gara, EugĂŞnio (1968), 181: 128: 332:The Record of Singing 282:Michael William Balfe 179: 126: 81:copyright attribution 373:, Volume 46, No. 12. 188:, Rubini began as a 16:Italian opera singer 489:10.1093/oq/10.2.101 450:, Scarecrow Press 344:Green 2008, p. 167. 186:Romano di Lombardia 365:2014-02-24 at the 182: 129: 89:interlanguage link 264:Antonio Tamburini 249:Bianca e Fernando 236:La donna del lago 158:Gaetano Donizetti 121: 120: 50: 46: 612: 492: 374: 356: 345: 342: 336: 329:Scott, Michael, 327: 321: 310: 244:Vincenzo Bellini 154:Vincenzo Bellini 100: 94: 67:Google Translate 48: 44: 27: 26: 19: 620: 619: 615: 614: 613: 611: 610: 609: 565: 564: 543: 527: 477:Opera Quarterly 474: 378: 377: 367:Wayback Machine 357: 348: 343: 339: 328: 324: 314:La riconoscenza 311: 307: 297: 212:Pietro Generali 194:Teatro Riccardi 174: 117: 116: 115: 98: 92: 51: 45:(November 2023) 28: 24: 17: 12: 11: 5: 618: 616: 608: 607: 602: 597: 592: 587: 582: 577: 567: 566: 563: 562: 556: 550: 542: 539: 538: 537: 526: 525:External links 523: 522: 521: 514: 507: 493: 483:(2): 101–104. 472: 458: 442: 428: 421: 414: 387:Budden, Julian 376: 375: 346: 337: 322: 318:La cenerentola 304: 303: 296: 293: 277:Marino Faliero 268:Luigi Lablache 224:La Cenerentola 173: 170: 119: 118: 114: 113: 106: 95: 73: 70: 59: 52: 33: 32: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 617: 606: 603: 601: 598: 596: 593: 591: 588: 586: 583: 581: 578: 576: 573: 572: 570: 560: 557: 554: 551: 548: 545: 544: 535: 534: 530:Gori, HĂ©lio, 529: 528: 524: 519: 515: 512: 508: 506: 505:0-671-42160-3 502: 498: 494: 490: 486: 482: 478: 473: 471: 470:1-55553-088-5 467: 463: 459: 457: 456:9780810886674 453: 449: 448: 443: 441: 440:0-8101-5209-6 437: 433: 429: 426: 422: 419: 415: 413: 412:1-56159-228-5 409: 406: 405:0-333-73432-7 402: 398: 397: 392: 391:Stanley Sadie 388: 385: 384: 383: 382: 372: 368: 364: 361: 355: 353: 351: 347: 341: 338: 334: 333: 326: 323: 319: 315: 309: 306: 302: 301: 294: 292: 290: 285: 283: 279: 278: 273: 269: 265: 261: 257: 256: 251: 250: 245: 240: 238: 237: 232: 231: 226: 225: 220: 215: 213: 209: 208: 203: 199: 195: 191: 187: 178: 171: 169: 167: 161: 159: 155: 151: 150: 145: 141: 140:Enrico Caruso 137: 133: 125: 111: 107: 104: 96: 90: 86: 82: 78: 74: 71: 68: 64: 60: 57: 54: 53: 47: 41: 39: 34:You can help 30: 21: 20: 532: 517: 510: 496: 480: 476: 461: 446: 431: 424: 417: 394: 380: 379: 370: 340: 330: 325: 317: 313: 308: 299: 298: 286: 275: 260:Giulia Grisi 253: 247: 241: 234: 228: 222: 216: 205: 183: 162: 147: 143: 131: 130: 85:edit summary 76: 43: 35: 580:1854 deaths 575:1794 births 561:in Brazil. 246:began with 569:Categories 518:Opera News 371:Opera News 295:References 255:I puritani 40:in Italian 393:, (Ed.), 272:Donizetti 190:violinist 149:bel canto 103:talk page 363:Archived 184:Born in 166:dynamics 144:tenorino 79:provide 462:Rossini 381:Sources 219:Rossini 198:Bergamo 152:era of 101:to the 83:in the 42:. 503:  468:  454:  438:  410:  403:  233:, and 230:Otello 172:Career 300:Notes 202:Pavia 136:tenor 63:DeepL 501:ISBN 466:ISBN 452:ISBN 436:ISBN 408:ISBN 401:ISBN 266:and 156:and 77:must 75:You 56:View 485:doi 274:'s 210:by 204:in 196:in 65:or 571:: 481:10 479:. 369:, 349:^ 262:, 227:, 214:. 160:. 491:. 487:: 112:. 105:.

Index

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Knowledge (XXG):Translation

tenor
Enrico Caruso
bel canto
Vincenzo Bellini
Gaetano Donizetti
dynamics

Romano di Lombardia
violinist
Teatro Riccardi
Bergamo
Pavia
Le lagrime d'una vedova
Pietro Generali
Rossini
La Cenerentola
Otello
La donna del lago
Vincenzo Bellini
Bianca e Fernando

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