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by Philip J. Bone, The Guitar and
Mandolin, biographies of celebrated players and composers for these instruments, London: Schott and Co., 1914,
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while residing in Paris, which met with great success throughout France, being the most popular of its period.
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as a mandolin virtuoso and was highly esteemed, both as a performer and teacher. He published his
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were exceedingly popular in France, and they were republished in Paris in 1775 and 1780.
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whose date and place of birth are unknown. In 1764 he made his appearance in
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98:, comĂ©die en deux actes, mĂȘlĂ©es d'ariettes par M. Davesne (Paris, 1775)
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92:, comĂ©die en deux actes et en prose mĂȘlĂ©e d'ariettes (Paris, 1774)
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This article is a lightly edited copy of the one titled
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104:avec accompagnement de deux violons et basse
152:International Music Score Library Project
66:). These works were commissioned by the
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208:19th-century Italian male musicians
193:18th-century Italian male musicians
183:Italian Classical-period composers
108:Non, laisse moi, laisse moi, Lucas
58:in one act (with the storyline or
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148:Free scores by Giovanni Cifolelli
96:Airs détachés de Perin et Lucette
188:18th-century Italian composers
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203:Italian male opera composers
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43:His chief works were the
198:Italian opera composers
178:Italian music educators
64:Nicolas-Ătienne Framery
37:Method for the mandolin
54:, the former being an
26:virtuoso and dramatic
173:Italian male writers
168:Italian mandolinists
72:Pierre and Lucette
20:Giovanni Cifolelli
90:Pierre et Lucette
68:Comedie Italienne
52:Pierre et Lucette
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102:Ariette nouvelle
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129:Cifolelli
60:libretto
28:composer
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154:(IMSLP)
150:at the
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78:Works
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