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127:, another post he retained for his entire life. San Rocco was the most prestigious and wealthy of all the Venetian confraternities, and second only to San Marco itself in the splendour of its musical establishment. Some of the most renowned singers and instrumentalists in Italy performed there and a vivid description of its musical activity survives in the travel memoirs of the English writer
229:
could be heard with perfect clarity at distant points. Thus instrumentation which looks strange on paper, for instance, a single string player set against a large group of brass instruments, can be made to sound, in San Marco, in perfect balance. A fine example of these techniques can be seen in the scoring of
119:
left the post; following his uncle's death the following year he took the post of principal composer as well. Also after his uncle's death, he began editing much of the older man's music, which would otherwise have been lost; Andrea evidently had had little inclination to publish his own music, but
192:
Though
Gabrieli composed in many of the forms current at the time, he preferred sacred vocal and instrumental music. All of his secular vocal music is relatively early in his career; he never wrote lighter forms, such as dances; and later he concentrated on sacred vocal and instrumental music that
228:
may have made use of it first, at least in Venice), Gabrieli pioneered the use of carefully specified groups of instruments and singers, with precise directions for instrumentation, and in more than two groups. The acoustics were and are such in the church that instruments, correctly positioned,
240:. These pieces show much influence of his uncle's style in the use of dialogue and echo effects. There are low and high choirs and the difference between their pitches is marked by the use of instrumental accompaniment. The motets published in Giovanni's 1597
193:
exploited sonority for maximum effect. Among the innovations credited to him â and while he was not always the first to use them, he was the most famous of his period to do so â were dynamics; specifically notated instrumentation (as in the famous
92:
from the 1560s until his death in 1585. Giovanni may indeed have been brought up by his uncle, as is implied by the dedication to his 1587 book of concerti, in which he described himself as "little less than a son" to his uncle.
219:
or instrumental group will first be heard on one side, followed by a response from the musicians on the other side; often there was a third group situated on a stage near the main altar in the centre of the church. While this
214:
Like composers before and after him, he would use the unusual layout of the San Marco church, with its two choir lofts facing each other, to create striking spatial effects. Most of his pieces are written so that a
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and others helped transport the transitional early
Baroque music north to Germany, a trend that decisively affected subsequent music history. The productions of the German Baroque, culminating in the music of
35:
158:
Gabrieli was increasingly ill after about 1606, at which time church authorities began to appoint deputies to take over duties he could no longer perform. He died in 1612 in Venice, of complications from a
183:
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1716:
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developed the model almost to its limits. In these motets, instruments are an integral part of the performance, and only the choirs marked "Capella" are to be performed by singers for each part.
267:. "Alleluia" refrains provide refrains within the structure, forming rondo patterns in the motets, with close dialogue between choirs and soloists. In particular, one of his best-known pieces,
244:
seem to move away from this technique of close antiphony towards a model in which musical material is not simply echoed, but developed by successive choral entries. Some motets, such as
134:
San Marco had a long tradition of musical excellence and
Gabrieli's work there made him one of the most noted composers in Europe. The vogue that began with his influential volume
184:
322:
A collection of: 45 motets for 6, 7, 8, 10, 12, 14, 15 or 16 voices; 14 canzonas in 8, 10, 12 or 15 musical lines; and two sonatas, one in 8 musical lines, the other in 12.
56:/1557 â 12 August 1612) was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the
1208:
914:
830:
273:, is a showcase of such polychoral techniques, making use of four separate groups of instrumental and singing performers, underpinned by the omnipresent organ and
3384:
563:"voci, per sonar con ogni sorte di instrumenti, con il basso per lâorgano (musical parts, to sound on all sorts of instruments, with bass by means of the organ)â
290:'Concerti di Andrea, et di Giovanni Gabrieli, organisti della Serenissima Signori di Venetia': A collection of 77 works, the majority of which are by the uncle,
263:
style as a result. There are sections purely for instruments â called "Sinfonia" â and small sections for soloists singing florid lines, accompanied simply by a
138:(1597) was such that composers from all over Europe, especially from Germany, came to Venice to study. Evidently, he also instructed his new pupils to study the
896:
1396:
84:
and went to Venice shortly before
Giovanni's birth. While not much is known about Giovanni's early life, he probably studied with his uncle, the composer
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Canzon
Septimi Toni No. 2, a piece for two antiphonal choirs of four instruments each; original instruments unspecified, but often played with eight
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1201:
1080:
Giovanni
Gabrieli (ca. 1555â1612): a Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts
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108:; most likely he stayed there until about 1579. Lassus was to be one of the principal influences on the development of his musical style.
813:"Trombone Area: Brass: Academic Departments: Departments, Offices & Services: Jacobs School of Music: Indiana University Bloomington"
565:. Published posthumously in 1615. (â )Note that numbering as published (Roman system) does not quite agree with the Charteris catalogue.
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style, and which spread quickly to northern Europe, both by the report of visitors to Venice and by
Gabrieli's students, who included
967:"Canzoni per sonare con ogni sorte di stromenti (Raverii, Alessandro) - IMSLP/Petrucci Music Library: Free Public Domain Sheet Music"
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Giovanni's opinion of it was sufficiently high that he devoted much of his own time to compiling and editing it for publication.
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199:); and massive forces arrayed in multiple, spatially separated groups, an idea which was to be the genesis of the Baroque
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131:. Much of his music was written specifically for that location, although he probably composed even more for San Marco.
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1996:
915:"Concerti di Andrea, et di Gio. Gabrieli (...) a 6, 7, 8, 10, 12, et 16 (Andrea and Giovanni Gabrieli) - ChoralWiki"
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1981:
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933:"Sacrae symphoniae, Liber 1 (Gabrieli, Giovanni) - IMSLP/Petrucci Music Library: Free Public Domain Sheet Music"
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Gabrieli's first motets were published alongside his uncle Andrea's compositions in his 1587 volume of
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There seems to be a distinct change in
Gabrieli's style after 1605, the year of publication of
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Canzon septimi toni no. 2: Sacrae symphoniae, Venice, 1597, for eight-part brass choir
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Gabrieli's career rose further when he took the additional post of organist at the
1054:
Bryant, David. "Gabrieli, Giovanni." In Grove Music Online. Oxford Music Online,
950:
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1110:
Ongaro, Giulio, et al. "Venice." In Grove Music Online. Oxford Music Online,
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1905:
1037:, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980.
294:, but also containing some of the younger Gabrieli's polychoral motets.
111:
By 1584 he had returned to Venice, where he became principal organist at
155:, were founded on this strong tradition, which had its roots in Venice.
146:
to their home countries, but also the more intimate style of madrigals;
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Giovanni
Gabrieli: A Guide to the Performance of His Instrumental Music
554:
80:. He was one of five children, and his father came from the region of
3241:
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1925:
1112:
http://www.oxfordmusiconline.com/subscriber/article/grove/music/41311
1056:
http://www.oxfordmusiconline.com/subscriber/article/grove/music/40693
558:
97:
81:
77:
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525:, and others. The first four and the 27th and 28th are by Gabrieli.
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464:
Canzon sudetta accommodata per concertar con lâOrgano a 10, Ch.181
216:
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being written in Italy, so not only did they carry back the grand
34:
1007:
Giovanni
Gabrieli and the Music of the Venetian High Renaissance.
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2905:
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2166:
1378:
1190:
1051:. In Early Music, Vol. 3, No. 1 (Jan. 1975), pp. 25â32.
955:. Alessandro Raverii. 6 June 2018 – via Google Books.
479:
Kyrie (tertius), Ch.45 (Ch.43â45 are a single composition)
344:
Motet "Exaudi Deus orationem meam" (Psalm 55) a 7, Ch.12
494:
Canzon per sonar septimi & octavi toni a 12, Ch.182
1136:
Venetian Instrumental Music, from Gabrieli to Vivaldi.
811:
indiana.edu, IU Office of Creative Services, iuweb @.
634:
Sacrae Symphoniae II (written nlt. 1612, publ. 1615)
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Plaudite, psallite, jubilate Deo omnis terra, Ch.41
985:"Canzoni e Sonate (1615), C. - Details - AllMusic"
629:Sonata (XXI) per tre violini e basso (a 4), Ch.214
544:Canzon (XXVIII) a 8 "Sol sol la sol fa mi", Ch.191
383:Motet "Sancta et immaculata virginitas" a 8, Ch.25
549:Canzoni et sonate (written nlt. 1612, publ. 1615)
259:, and Gabrieli's compositions are in a much more
770:"G.Gabrieli Music for San Rocco (record review)"
347:Motet "Sancta Maria succurre miseris" a 7, Ch.13
1035:The New Grove Dictionary of Music and Musicians
952:Canzoni per sonare con ogni sorte di stromenti
335:Motet "Miserere mei Deus" (Psalm 51) a 6, Ch.9
2178:
1390:
1202:
8:
829:: CS1 maint: multiple names: authors list (
521:A collection of 36 short works by Gabrieli,
458:Canzon per sonar duodecimi toni a 10, Ch.179
455:Canzon per sonar duodecimi toni a 10, Ch.178
452:Canzon per sonar duodecimi toni a 10, Ch.177
446:Motet "Hodie Christus natus est" a 10, Ch.40
419:Canzon per sonar duodecimi toni a 8, Ch.174
2185:
2171:
2163:
1397:
1383:
1375:
1209:
1195:
1187:
461:Canzon in echo duodecimi toni Ă 10, Ch.180
434:Motet "Deus qui beatum Marcum" a 10, Ch.36
1160:International Music Score Library Project
1124:. New York, W.W. Norton & Co., 1954.
1068:. New York, W.W. Norton & Co., 1947.
1023:London, J.M. Dent & Sons Ltd, 1975.
561:for 3, 5, 6, 7, 8, 10, 12, 14, 15 and 22
541:Canzon (XXVII) a 8 "Fa sol la re", Ch.190
413:Canzon per sonar septimi toni a 8, Ch.172
410:Canzon per sonar septimi toni a 8, Ch.171
1047:Bartlett, Clifford & Holman, Peter.
1009:London: Oxford University Press, 1979.
449:Canzon per sonar primi toni a 10, Ch.176
1033:Arnold, Denis. "Giovanni Gabrieli," in
882:
880:
748:
497:Canzon per sonar noni toni a 12, Ch.183
407:Canzon per sonar primi toni a 8, Ch.170
380:Motet "O Jesu mi dulcissime" a 8, Ch.24
822:
754:
752:
416:Canzon per sonar noni toni a 8, Ch.173
332:Motet "Beata es virgo Maria" a 6, Ch.8
3385:Musicians from the Republic of Venice
690:Motet "Surrexit Christus" a 11, Ch.66
529:Canzon (I) a 4 "La spiritata", Ch.186
341:Benedixisti Domine terram tuam, Ch.11
7:
1138:New York, Dover Publications, 1994.
512:Omnes gentes plaudite manibus, Ch.52
1101:Life and Works of Giovanni Gabrieli
717:Motet "Quem vidistis pastores" a 14
428:Domine exaudi orationem meam, Ch.34
353:Domine exaudi orationem meam, Ch.15
329:Exaudi Domine, justitiam meam, Ch.7
224:style had been extant for decades (
641:. Published posthumously in 1615.
310:40.) Angelus ad pastores ait a 12
307:37.) Deus meus ad te de luce a 10
16:Italian composer (c1554/1557-1612)
14:
3425:Burials at Santo Stefano (church)
3405:Venetian School (music) composers
3225:historically informed performance
569:Canzon prima (item I) a 5, Ch.195
3420:Italian male classical composers
3343:
3334:
3333:
2146:
2137:
2136:
1672:Giovanni Pierluigi da Palestrina
1166:Free scores by Giovanni Gabrieli
1156:Free scores by Giovanni Gabrieli
1105:American Institute of Musicology
897:"Giovanni Gabrieli - ArkivMusic"
639:Sacrae symphoniae Liber secundus
620:Sonata (item XVIII) a 14, Ch.211
506:Jubilate Deo, omnis terra, Ch.51
338:O quam suavis est, Domine, Ch.10
326:Motet "Cantate Domino" a 6, Ch.6
180:
60:, at the time of the shift from
1089:. W.W. Norton & Co., 1980.
509:Canzon quarti toni a 15, Ch.185
500:Sonata octavi toni a 12, Ch.184
431:Motet "Maria virgo" a 10, Ch.35
389:Exultate justi in Domino, Ch.27
377:Angelus Domini descendit, Ch.23
368:Jam non-dicam vos servos, Ch.20
356:Jubilate Deo, omnis terr, Ch.16
313:77.) Sacri di Giove augei a 12
3380:17th-century Italian composers
678:Litania Beatae Mariae Virginis
608:Canzon (item XIV) a 10, Ch.207
605:Sonata (item XIII) a 8, Ch.206
443:Quis est iste qui venit, Ch.39
1:
3400:Italian Renaissance composers
2726:
2528:
2350:
2215:
1415:List of Renaissance composers
1114:(accessed 22 September 2009).
1058:(accessed 22 September 2009).
861:Selfridge-Field, p. 81, p. 99
374:Domine, Dominus noster, Ch.22
298:9.) Inclina Domine aurem a 6
50:
39:Tomb of Giovanni Gabrieli in
3395:17th-century Venetian people
3390:16th-century Venetian people
1170:Choral Public Domain Library
437:Surrexit Pastor bonus, Ch.37
350:O Domine Jesu Christe, Ch.14
304:33.) O magnum mysterium a 8
3440:17th-century male musicians
3435:Pupils of Orlande de Lassus
3415:Italian classical musicians
422:Sonata pian e forte, Ch.175
398:In te Domine speravi, Ch.30
365:Laudate nomen Domini, Ch.19
100:to study with the renowned
3456:
2045:Petrus Phalesius the Elder
1860:English Virginalist School
1107:, 1967 (Armen Carapetyen).
1087:A History of Western Music
702:Suscipe clementissime Deus
617:Canzon (XVII) a 12, Ch.210
491:Regina cĆli, lĂŠtare, Ch.49
359:Misericordias Domin, Ch.17
125:Scuola Grande di San Rocco
25:
21:Giovanni Gabrielli (actor)
18:
3430:Pupils of Andrea Gabrieli
3410:Italian Baroque composers
3313:
2203:List of Baroque composers
2200:
2116:
1827:Jan Pieterszoon Sweelinck
1412:
1359:Venetian polychoral style
1134:Selfridge-Field, Eleanor,
720:Motet "In ecclesiis" a 14
623:Sonata (XIX) a 15, Ch.212
614:Canzon (XVI) a 12, Ch.209
590:Canzon (VIII) a 8, Ch.202
517:Canzoni per sonare (1608)
386:Diligam te, Domine, Ch.26
301:19.) Ego dixi Domine a 7
257:Quinto libro di madrigali
144:Venetian polychoral style
1342:Giulio Cesare Martinengo
1177:free recordings of songs
1122:Music in the Renaissance
1066:Music in the Baroque Era
626:Sonata (XX) a 22, Ch.213
611:Canzon (XV) a 10, Ch.208
602:Canzon (XII) a 8, Ch.205
587:Canzon (VII) a 7, Ch.201
575:Canzon (III) a 6, Ch.197
535:Canzon (III) a 4, Ch.188
440:Judica me, Domine, Ch.38
425:Benedicam Dominum, Ch.33
401:Jubilemus singuli, Ch.31
318:Sacrae Symphoniae (1597)
28:Giovanni Maria Gabrielli
26:Not to be confused with
19:Not to be confused with
1855:English Madrigal School
768:Knighton, Tess (1997).
699:Misericordia tua Domine
584:Canzon (VI) a 7, Ch.200
578:Canzon (IV) a 6, Ch.198
572:Canzon (II) a 6, Ch.196
538:Canzon (IV) a 4, Ch.189
532:Canzon (II) a 4, Ch.187
362:Beati immaculati, Ch.18
3278:Common practice period
1697:TomĂĄs Luis de Victoria
1501:Oswald von Wolkenstein
843:Selfridge-Field, p. 81
714:Confitebor tibi Domine
581:Canzon (V) a 7, Ch.199
395:Ego sum qui sum, Ch.29
189:
96:Giovanni also went to
88:, who was employed at
43:
3200:British Baroque music
1717:Transition to Baroque
1662:Pierre de Manchicourt
675:Benedictus es Dominus
669:Attendite popule meus
473:Kyrie (primus), Ch.43
174:
76:Gabrieli was born in
41:Santo Stefano, Venice
38:
2618:Jacquet de La Guerre
2548:Bodin de Boismortier
1747:Girolamo Frescobaldi
1554:CristĂłbal de Morales
1078:Charteris, Richard.
886:Arnold, Grove (1980)
758:Bryant, Grove online
657:O Jesu mi dulcissime
654:Sancta et immaculata
523:Girolamo Frescobaldi
503:Nunc dimittis, Ch.50
470:Virtute magna, Ch.42
196:Sonata pian' e forte
179:. Synthesized sound:
3210:early music revival
2781:Frederick the Great
1865:Florentine Camerata
1837:Composition schools
1496:Gaspar van Weerbeke
1316:Girolamo Dalla Casa
1312:(c.1554âafter 1610)
1181:UmeÄ Akademiska Kör
1085:Grout, Donald Jay.
735:Magnificat 17 vocum
723:Magnificat 14 vocum
711:Magnificat 12 vocum
660:Hodie completi sunt
648:Congratulamini mihi
2510:TorrejĂłn y Velasco
2060:Thomas Vautrollier
2040:Ottaviano Petrucci
2015:Pierre Attaingnant
2005:Hieronymus Andreae
1812:Michael Praetorius
1797:Claudio Monteverdi
1787:Giovanni de Macque
1782:Luzzasco Luzzaschi
1752:Alfonso Fontanelli
1642:Francisco Guerrero
1617:Antonio de CabezĂłn
1529:Thomas Crecquillon
1511:Middle (1470â1530)
1491:Johannes Tinctoris
1431:Alexander Agricola
1364:St Mark's Basilica
1304:Vincenzo Bellavere
901:www.arkivmusic.com
852:Grout, pp. 289â291
666:Deus in nomine tuo
645:Exultavit cor meum
392:Hoc tegitur, Ch.28
371:Beati omnes, Ch.21
190:
113:St Mark's Basilica
90:St Mark's Basilica
44:
3357:
3356:
3319:Renaissance music
2987:Baroque orchestra
2160:
2159:
1757:Giovanni Gabrieli
1584:Philippe Verdelot
1481:Johannes Ockeghem
1423:Early (1400â1470)
1406:Renaissance music
1372:
1371:
1323:Giovanni Gabrieli
1280:Annibale Padovano
1274:Baldassare Donato
1082:. New York, 1996.
1062:Bukofzer, Manfred
817:music.indiana.edu
553:Collection of 16
488:Magnificat, Ch.48
404:Magnificat, Ch.32
242:Sacrae Symphoniae
186:
136:Sacrae symphoniae
102:Orlando de Lassus
47:Giovanni Gabrieli
3447:
3347:
3337:
3336:
3252:polychoral style
3167:sonata da chiesa
2728:
2530:
2352:
2217:
2187:
2180:
2173:
2164:
2150:
2140:
2139:
2020:Vittorio Baldini
1997:Music publishing
1772:Hans Leo Hassler
1727:Gregorio Allegri
1682:Cipriano de Rore
1657:Vicente Lusitano
1652:Orlando di Lasso
1607:Jacques Arcadelt
1574:Pierre de la Rue
1569:Josquin des Prez
1549:Clément Janequin
1544:Antoine de FĂ©vin
1534:Antonius Divitis
1476:Johannes Martini
1451:Guillaume Du Fay
1399:
1392:
1385:
1376:
1336:Giovanni Bassano
1267:Gioseffo Zarlino
1260:Cipriano de Rore
1254:Nicola Vicentino
1211:
1204:
1197:
1188:
993:
992:
981:
975:
974:
963:
957:
956:
947:
941:
940:
929:
923:
922:
911:
905:
904:
893:
887:
884:
875:
868:
862:
859:
853:
850:
844:
841:
835:
834:
828:
820:
808:
802:
801:
786:
780:
779:
765:
759:
756:
732:Exaudi me Domine
696:O gloriosa virgo
599:Canzon (XI)â a 8
593:Canzon (IX)â a 8
205:Hans Leo Hassler
188:
187:
104:at the court of
55:
52:
3455:
3454:
3450:
3449:
3448:
3446:
3445:
3444:
3360:
3359:
3358:
3353:
3330:
3326:Classical music
3322:
3309:
3266:
3262:Galant Schemata
3176:
3075:concerto grosso
2996:
2975:
2847:
2840:
2717:
2553:G. B. Bononcini
2519:
2344:
2213:
2205:
2196:
2191:
2161:
2156:
2133:
2125:
2112:
2064:
2050:Girolamo Scotto
2035:Antonio Gardano
1991:
1930:
1884:
1831:
1822:Heinrich SchĂŒtz
1817:Philippe Rogier
1767:Orlando Gibbons
1719:
1715:
1706:
1702:Giaches de Wert
1692:Christopher Tye
1647:Claude Le Jeune
1637:Claude Goudimel
1632:Nicolas Gombert
1627:Andrea Gabrieli
1622:Jacobus Clemens
1593:
1589:Adrian Willaert
1519:Martin Agricola
1505:
1441:Antoine Busnois
1436:Gilles Binchois
1417:
1408:
1403:
1373:
1368:
1347:
1310:Girolamo Diruta
1247:Andrea Gabrieli
1233:Adrian Willaert
1220:
1218:Venetian School
1215:
1152:
1019:Arnold, Denis.
1005:Arnold, Denis.
1002:
1000:Further reading
997:
996:
983:
982:
978:
965:
964:
960:
949:
948:
944:
931:
930:
926:
913:
912:
908:
895:
894:
890:
885:
878:
870:Ongaro et al.,
869:
865:
860:
856:
851:
847:
842:
838:
821:
810:
809:
805:
792:. 6 June 2018.
788:
787:
783:
767:
766:
762:
757:
750:
745:
729:O quam gloriosa
726:Salvator noster
651:Ego dixi Domine
636:
596:Canzon (X)â a 8
551:
519:
320:
292:Andrea Gabrieli
288:
286:Concerti (1587)
283:
226:Adrian Willaert
209:Heinrich SchĂŒtz
181:
169:
167:Music and style
148:Heinrich SchĂŒtz
115:in 1585, after
86:Andrea Gabrieli
74:
58:Venetian School
53:
31:
24:
17:
12:
11:
5:
3453:
3451:
3443:
3442:
3437:
3432:
3427:
3422:
3417:
3412:
3407:
3402:
3397:
3392:
3387:
3382:
3377:
3372:
3362:
3361:
3355:
3354:
3352:
3351:
3341:
3323:
3315:
3314:
3311:
3310:
3308:
3307:
3306:
3305:
3300:
3295:
3290:
3280:
3274:
3272:
3268:
3267:
3265:
3264:
3259:
3254:
3249:
3247:notes inégales
3244:
3239:
3234:
3229:
3228:
3227:
3222:
3217:
3207:
3202:
3197:
3196:
3195:
3184:
3182:
3178:
3177:
3175:
3174:
3169:
3164:
3159:
3154:
3149:
3144:
3139:
3134:
3129:
3124:
3119:
3114:
3113:
3112:
3107:
3102:
3097:
3092:
3087:
3077:
3072:
3067:
3062:
3057:
3056:
3055:
3050:
3040:
3035:
3030:
3025:
3020:
3015:
3010:
3004:
3002:
2998:
2997:
2995:
2994:
2992:Basso continuo
2989:
2983:
2981:
2977:
2976:
2974:
2973:
2968:
2963:
2958:
2953:
2948:
2943:
2938:
2933:
2928:
2923:
2918:
2913:
2908:
2903:
2898:
2893:
2888:
2883:
2878:
2873:
2868:
2863:
2858:
2852:
2850:
2842:
2841:
2839:
2838:
2833:
2828:
2823:
2818:
2813:
2808:
2803:
2798:
2793:
2788:
2783:
2778:
2773:
2768:
2763:
2758:
2753:
2748:
2743:
2738:
2732:
2730:
2719:
2718:
2716:
2715:
2710:
2705:
2700:
2695:
2690:
2685:
2680:
2675:
2670:
2665:
2660:
2655:
2650:
2645:
2640:
2635:
2630:
2625:
2623:Leclair l'aßné
2620:
2615:
2610:
2605:
2600:
2595:
2590:
2585:
2580:
2575:
2570:
2565:
2560:
2555:
2550:
2545:
2540:
2534:
2532:
2521:
2520:
2518:
2517:
2512:
2507:
2502:
2497:
2492:
2487:
2482:
2477:
2472:
2467:
2462:
2457:
2452:
2447:
2442:
2437:
2432:
2427:
2422:
2417:
2412:
2407:
2402:
2397:
2392:
2387:
2382:
2377:
2375:H. I. F. Biber
2372:
2367:
2362:
2356:
2354:
2346:
2345:
2343:
2342:
2337:
2332:
2327:
2322:
2317:
2312:
2307:
2302:
2297:
2292:
2287:
2282:
2277:
2272:
2267:
2262:
2257:
2252:
2247:
2242:
2237:
2232:
2227:
2221:
2219:
2207:
2206:
2201:
2198:
2197:
2192:
2190:
2189:
2182:
2175:
2167:
2158:
2157:
2155:
2154:
2144:
2126:
2122:Medieval music
2118:
2117:
2114:
2113:
2111:
2110:
2109:
2108:
2103:
2098:
2093:
2088:
2078:
2072:
2070:
2066:
2065:
2063:
2062:
2057:
2055:Tielman Susato
2052:
2047:
2042:
2037:
2032:
2030:Valerio Dorico
2027:
2022:
2017:
2012:
2007:
2001:
1999:
1993:
1992:
1990:
1989:
1984:
1979:
1974:
1969:
1964:
1959:
1954:
1949:
1944:
1938:
1936:
1932:
1931:
1929:
1928:
1923:
1918:
1913:
1908:
1903:
1898:
1892:
1890:
1886:
1885:
1883:
1882:
1877:
1872:
1870:Franco-Flemish
1867:
1862:
1857:
1852:
1847:
1841:
1839:
1833:
1832:
1830:
1829:
1824:
1819:
1814:
1809:
1804:
1799:
1794:
1789:
1784:
1779:
1774:
1769:
1764:
1762:Carlo Gesualdo
1759:
1754:
1749:
1744:
1739:
1734:
1732:Thomas Campion
1729:
1723:
1721:
1708:
1707:
1705:
1704:
1699:
1694:
1689:
1684:
1679:
1677:Costanzo Porta
1674:
1669:
1667:Hans Neusidler
1664:
1659:
1654:
1649:
1644:
1639:
1634:
1629:
1624:
1619:
1614:
1609:
1603:
1601:
1595:
1594:
1592:
1591:
1586:
1581:
1576:
1571:
1566:
1561:
1556:
1551:
1546:
1541:
1539:Costanzo Festa
1536:
1531:
1526:
1524:Antoine Brumel
1521:
1515:
1513:
1507:
1506:
1504:
1503:
1498:
1493:
1488:
1483:
1478:
1473:
1468:
1466:Heinrich Isaac
1463:
1458:
1456:John Dunstaple
1453:
1448:
1446:Loyset CompĂšre
1443:
1438:
1433:
1427:
1425:
1419:
1418:
1413:
1410:
1409:
1404:
1402:
1401:
1394:
1387:
1379:
1370:
1369:
1367:
1366:
1361:
1355:
1353:
1349:
1348:
1346:
1345:
1339:
1333:
1330:Giovanni Croce
1327:
1319:
1313:
1307:
1301:
1298:Gioseffo Guami
1295:
1292:Claudio Merulo
1289:
1286:Costanzo Porta
1283:
1277:
1271:
1263:
1257:
1251:
1243:
1237:
1228:
1226:
1222:
1221:
1216:
1214:
1213:
1206:
1199:
1191:
1185:
1184:
1173:
1163:
1151:
1150:External links
1148:
1147:
1146:
1132:
1118:Reese, Gustave
1115:
1108:
1099:Kenton, Egon.
1097:
1083:
1076:
1059:
1052:
1045:
1031:
1017:
1001:
998:
995:
994:
976:
958:
942:
924:
906:
888:
876:
874:, Grove online
863:
854:
845:
836:
803:
781:
760:
747:
746:
744:
741:
740:
739:
736:
733:
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724:
721:
718:
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712:
709:
706:
703:
700:
697:
694:
691:
688:
685:
682:
681:Deus Deus meus
679:
676:
673:
672:Cantate Domino
670:
667:
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661:
658:
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649:
646:
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530:
518:
515:
514:
513:
510:
507:
504:
501:
498:
495:
492:
489:
486:
485:Sanctus, Ch.47
483:
480:
477:
476:Christe, Ch.44
474:
471:
468:
465:
462:
459:
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453:
450:
447:
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330:
327:
319:
316:
315:
314:
311:
308:
305:
302:
299:
287:
284:
282:
279:
265:basso continuo
168:
165:
117:Claudio Merulo
73:
70:
15:
13:
10:
9:
6:
4:
3:
2:
3452:
3441:
3438:
3436:
3433:
3431:
3428:
3426:
3423:
3421:
3418:
3416:
3413:
3411:
3408:
3406:
3403:
3401:
3398:
3396:
3393:
3391:
3388:
3386:
3383:
3381:
3378:
3376:
3373:
3371:
3368:
3367:
3365:
3350:
3346:
3342:
3340:
3332:
3331:
3328:
3327:
3321:
3320:
3312:
3304:
3301:
3299:
3296:
3294:
3291:
3289:
3286:
3285:
3284:
3281:
3279:
3276:
3275:
3273:
3269:
3263:
3260:
3258:
3255:
3253:
3250:
3248:
3245:
3243:
3240:
3238:
3235:
3233:
3230:
3226:
3223:
3221:
3218:
3216:
3213:
3212:
3211:
3208:
3206:
3203:
3201:
3198:
3194:
3191:
3190:
3189:
3186:
3185:
3183:
3179:
3173:
3170:
3168:
3165:
3163:
3160:
3158:
3155:
3153:
3150:
3148:
3145:
3143:
3140:
3138:
3135:
3133:
3130:
3128:
3125:
3123:
3120:
3118:
3115:
3111:
3108:
3106:
3103:
3101:
3098:
3096:
3093:
3091:
3088:
3086:
3083:
3082:
3081:
3078:
3076:
3073:
3071:
3068:
3066:
3063:
3061:
3058:
3054:
3051:
3049:
3046:
3045:
3044:
3041:
3039:
3036:
3034:
3031:
3029:
3026:
3024:
3021:
3019:
3016:
3014:
3011:
3009:
3006:
3005:
3003:
3001:Musical forms
2999:
2993:
2990:
2988:
2985:
2984:
2982:
2978:
2972:
2969:
2967:
2964:
2962:
2959:
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2954:
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2944:
2942:
2939:
2937:
2934:
2932:
2929:
2927:
2924:
2922:
2919:
2917:
2914:
2912:
2909:
2907:
2904:
2902:
2899:
2897:
2894:
2892:
2889:
2887:
2884:
2882:
2879:
2877:
2874:
2872:
2869:
2867:
2864:
2862:
2859:
2857:
2854:
2853:
2851:
2849:
2843:
2837:
2834:
2832:
2829:
2827:
2824:
2822:
2819:
2817:
2814:
2812:
2809:
2807:
2804:
2802:
2799:
2797:
2796:Padre Martini
2794:
2792:
2789:
2787:
2784:
2782:
2779:
2777:
2774:
2772:
2769:
2767:
2764:
2762:
2759:
2757:
2754:
2752:
2749:
2747:
2744:
2742:
2741:C. P. E. Bach
2739:
2737:
2734:
2733:
2731:
2724:
2720:
2714:
2711:
2709:
2706:
2704:
2701:
2699:
2696:
2694:
2691:
2689:
2686:
2684:
2681:
2679:
2676:
2674:
2671:
2669:
2666:
2664:
2661:
2659:
2656:
2654:
2651:
2649:
2646:
2644:
2641:
2639:
2636:
2634:
2631:
2629:
2626:
2624:
2621:
2619:
2616:
2614:
2611:
2609:
2606:
2604:
2601:
2599:
2596:
2594:
2591:
2589:
2586:
2584:
2581:
2579:
2576:
2574:
2571:
2569:
2566:
2564:
2561:
2559:
2556:
2554:
2551:
2549:
2546:
2544:
2541:
2539:
2536:
2535:
2533:
2526:
2522:
2516:
2513:
2511:
2508:
2506:
2503:
2501:
2498:
2496:
2493:
2491:
2488:
2486:
2483:
2481:
2478:
2476:
2473:
2471:
2468:
2466:
2463:
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2357:
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2347:
2341:
2338:
2336:
2333:
2331:
2328:
2326:
2323:
2321:
2318:
2316:
2315:M. Praetorius
2313:
2311:
2308:
2306:
2303:
2301:
2298:
2296:
2293:
2291:
2288:
2286:
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2278:
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2261:
2258:
2256:
2253:
2251:
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2241:
2238:
2236:
2233:
2231:
2228:
2226:
2223:
2222:
2220:
2212:
2208:
2204:
2199:
2195:
2194:Baroque music
2188:
2183:
2181:
2176:
2174:
2169:
2168:
2165:
2153:
2149:
2145:
2143:
2135:
2134:
2131:
2130:
2129:Baroque music
2124:
2123:
2115:
2107:
2104:
2102:
2099:
2097:
2094:
2092:
2089:
2087:
2084:
2083:
2082:
2079:
2077:
2074:
2073:
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2058:
2056:
2053:
2051:
2048:
2046:
2043:
2041:
2038:
2036:
2033:
2031:
2028:
2026:
2023:
2021:
2018:
2016:
2013:
2011:
2010:Andrea Antico
2008:
2006:
2003:
2002:
2000:
1998:
1994:
1988:
1985:
1983:
1980:
1978:
1975:
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1953:
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1937:
1933:
1927:
1924:
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1579:John Taverner
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1564:Jacob Obrecht
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1344:(c.1561â1613)
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1338:(c.1558â1617)
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1326:(c.1555â1612)
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42:
37:
33:
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22:
3370:1550s births
3324:
3317:
3288:Architecture
3237:Folk baroque
3232:Figured bass
3205:counterpoint
3181:Other topics
3053:18th-century
3048:17th-century
2673:D. Scarlatti
2490:A. Scarlatti
2460:J. Pachelbel
2254:
2211:Transitional
2127:
2120:
2091:Architecture
2025:Jacob Bathen
1756:
1742:John Dowland
1612:William Byrd
1486:Leonel Power
1322:
1321:
1265:
1245:
1240:Jacques Buus
1231:
1172:(ChoralWiki)
1135:
1121:
1100:
1086:
1079:
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1048:
1034:
1020:
1006:
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979:
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945:
936:
927:
918:
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866:
857:
848:
839:
816:
806:
789:
784:
773:
763:
687:Iubilate Deo
638:
637:
562:
552:
520:
321:
289:
270:In Ecclesiis
268:
256:
250:
246:Omnes Gentes
245:
241:
237:
235:
231:In Ecclesiis
213:
194:
191:
161:kidney stone
157:
135:
133:
122:
110:
95:
75:
46:
45:
32:
3375:1612 deaths
3257:Style brisé
3193:Chamber pop
3188:Baroque pop
3132:grand motet
3105:passacaglia
2916:lautenwerck
2911:harpsichord
2881:double bass
2848:Instruments
2806:Mondonville
2638:A. Marcello
2568:F. Couperin
2515:VejvanovskĂœ
2465:J. Playford
2445:J.-B. Lully
2410:Charpentier
2365:d'Anglebert
2250:Frescobaldi
2214:and early (
2081:Renaissance
2076:Early music
1972:Netherlands
1952:Elizabethan
1807:Jacopo Peri
1777:Alonso Lobo
1737:John Cooper
1599:Late (1530)
1559:Jean Mouton
1471:Jean Japart
1461:Walter Frye
1294:(1533â1604)
1282:(1527â1575)
1276:(1525â1603)
1270:(1517â1590)
1021:Monteverdi.
693:Exaudi Deus
62:Renaissance
54: 1554
3364:Categories
3271:Background
3157:recitative
3065:concertato
3033:canzonetta
2896:fortepiano
2871:clavichord
2821:Sammartini
2801:MysliveÄek
2761:Boccherini
2751:W. F. Bach
2746:J. C. Bach
2543:J. S. Bach
2470:H. Purcell
2390:Cabanilles
2305:Monteverdi
2280:Kapsberger
2270:O. Gibbons
2265:C. Gibbons
2260:V. Galilei
2240:J. Dowland
2230:G. Caccini
2106:Philosophy
2101:Literature
2069:Background
1935:Traditions
1911:Magnificat
1901:Intermedio
1845:Burgundian
1175:Listen to
775:Gramophone
743:References
684:Vox Domini
261:homophonic
253:Monteverdi
222:polychoral
201:concertato
3303:Sculpture
3220:ensembles
3215:festivals
3110:sarabande
3038:capriccio
2980:Ensembles
2811:L. Mozart
2713:de Zumaya
2648:Pergolesi
2628:Locatelli
2613:Heinichen
2598:Gorczycki
2593:Geminiani
2573:Delalande
2495:Stradella
2450:M. Marais
2430:Froberger
2395:Carissimi
2385:Buxtehude
2340:Sweelinck
1921:Offertory
1850:Colorists
1712:Mannerism
1225:Composers
971:imslp.org
937:imslp.org
738:Buccinate
177:trombones
153:J.S. Bach
140:madrigals
72:Biography
3339:Category
3316: â
3298:Painting
3162:ricercar
3137:madrigal
3117:fantasia
3085:courante
3070:concerto
3043:chaconne
2936:recorder
2861:carillon
2831:Telemann
2776:Corrette
2771:F. Brixi
2756:F. Benda
2688:Telemann
2653:Pisendel
2603:Graupner
2538:Albinoni
2475:Reincken
2440:Legrenzi
2425:Diletsky
2349:Middle (
2255:Gabrieli
2142:Category
2119: â
1982:Portugal
1906:Madrigal
1880:Venetian
1352:See also
1318:(d.1601)
1306:(d.1587)
989:AllMusic
825:cite web
275:continuo
238:Concerti
68:idioms.
3329:â
3283:Baroque
3152:prelude
3090:gavotte
3060:chorale
3028:canzona
3018:cantata
2971:violone
2951:trumpet
2946:theorbo
2941:sackbut
2876:cornett
2856:bassoon
2846:Musical
2786:Galuppi
2708:Zelenka
2698:Vivaldi
2683:Tartini
2658:Porpora
2643:Pepusch
2583:Fischer
2558:Caldara
2505:Torelli
2500:Strozzi
2420:Corelli
2400:Cavalli
2370:Bassani
2325:Scheidt
2275:d'India
2225:Allegri
2132:â
1962:Germany
1942:British
1168:in the
1162:(IMSLP)
1158:at the
798:9514606
708:Sanctus
555:canzoni
66:Baroque
3349:Portal
3242:monody
3100:minuet
3013:ballet
2966:violin
2901:guitar
2816:Quantz
2723:Galant
2678:Seixas
2668:Rameau
2663:Quantz
2608:Handel
2563:Campra
2480:Sabini
2455:Muffat
2415:Clarke
2360:Amodei
2335:SchĂŒtz
2330:Schein
2300:Merula
2295:Michna
2245:Franck
2235:Coelho
2152:Portal
1977:Poland
1957:France
1947:Cyprus
1926:Pavane
1720:c.1600
1142:
1128:
1093:
1072:
1041:
1027:
1013:
872:Venice
796:
559:sonate
557:and 5
98:Munich
82:Carnia
78:Venice
3293:Dance
3172:suite
3147:opera
3127:fugue
3122:folia
3095:gigue
3080:dance
3023:canon
2961:viola
2931:organ
2891:flute
2866:cello
2826:Soler
2791:Hasse
2766:Boyce
2729:1720)
2703:Weiss
2693:Vinci
2633:Lotti
2578:Fasch
2531:1700)
2435:Kerll
2405:Cesti
2353:1650)
2320:Rossi
2290:Lawes
2285:Landi
2218:1600)
2096:Dance
1987:Spain
1967:Italy
1896:Carol
1875:Roman
1179:from
705:Kyrie
281:Works
217:choir
3142:mass
3008:aria
2956:viol
2926:oboe
2921:lute
2906:harp
2886:drum
2836:Zach
2736:Arne
2525:Late
2485:Sanz
2380:Blow
2310:Peri
1916:Mass
1714:and
1140:ISBN
1126:ISBN
1091:ISBN
1070:ISBN
1039:ISBN
1025:ISBN
1011:ISBN
831:link
794:OCLC
207:and
2588:Fux
2086:Art
255:'s
64:to
3366::
2727:c.
2529:c.
2351:c.
2216:c.
1120:.
1103:.
1064:.
987:.
969:.
935:.
917:.
899:.
879:^
827:}}
823:{{
815:.
772:.
751:^
277:.
233:.
211:.
163:.
51:c.
2725:(
2527:(
2186:e
2179:t
2172:v
1398:e
1391:t
1384:v
1210:e
1203:t
1196:v
1183:.
991:.
973:.
939:.
921:.
903:.
833:)
819:.
800:.
778:.
49:(
30:.
23:.
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