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Gillis van Valckenborch

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146: 71: 19: 124: 43:, end March or 1 April 1622) was a Flemish painter and draughtsman who spent most of his career in Germany. He was a member of the van Valckenborch dynasty of painters who painted mainly landscapes. Unlike his family members, he is mainly known for his large-scale compositions with many swirling figures depicting scenes from ancient history or mythology. While his landscape drawings evidence his interest in landscape art no landscape paintings have been attributed to him. 96:
or 1597 Gillis van Valckenborch married Barbara van Hilden of Frankfurt. The couple had many children of whom their son Gillis the younger became a painter. Gillis the elder was accepted as a burgher of Frankfurt am Main on 24 February 1597. Just like his brother Frederik he was required to undergo a theological test before he was admitted as a burgher since they were suspected of being
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in the presentation of the forms and in the brushwork, which interprets motifs and models of northern Mannerism. It is not entirely clear what the pendant paintings depict, whether it is some historical event, or that they have some moral meaning such as fire as punishment for the sinners carousing
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have been attributed to van Valckenborch based on the traditional record Valkenburg, with which the paintings were catalogued in the Landesbildergalerie in Graz, on the style, and also on the motif. The paintings show close affinity with Gillis' signed painting of "The Rescuing of the Israelites in
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Gillis van Valckenborch received his earliest training in Antwerp possibly from his brother Frederik. It is believed Gillis and his brother Frederik travelled to Italy in 1590–1592, although there is no evidence for this trip other than a drawing of an Italian landscape by Gillis. On 4 October 1596
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Many name variations: Gillis van Valckenborch (I), Aegidius van Falckenburg (I), Gillis van Falckenburg (I), Aegidius van Valckenborch (I), Aegidius van Valckenborgh (I), Gillis van Valckenborgh (I), Aegidius van Valckenburg (I), Gillis van Valckenburg (I), Aegidius van Valkenburg (I), Egidius van
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Gillis van Valckenborch painted biblical and mythological scenes and figures, as well as protagonists from Greek and Roman history set in landscapes. Gillis van Valckenborch's many large-scale compositions are populated by an abundance of dynamic figures. Most of his surviving works are on large
92:, which was a German imperial outpost. The van Valckenborchs thrived in their new home town, quickly establishing themselves as authorities in the arts. They had an important influence on the artistic developments in Frankfurt am Main. 134:
canvases of an oblong format, a type also favoured by his uncle Lucas. A characteristic feature of his work is the lively colouring, for which he primarily used pink and light blue hues. He often returned to the theme of the
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is one of his fully signed paintings. His known oeuvre of about 40 works has been attributed on the basis of his few signed paintings. He worked in a late
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Gillis van Valckenborch was born into a well-known family of artists. Fourteen known painters are recorded in the family history. Of these, his father
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Alexander Wied and Hans Devisscher. "Valckenborch, van." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 February 2016
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in the tavern in one of the paintings. That fire was one of his favourite motifs is testified by a lost painting said to have depicted
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Alexander Wied, "Marten van Valckenborch I" Grove Art Online. Oxford Art Online. Oxford University Press. Web. 26 February 2016
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Hans Devisscher. "Valckenborch, van." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 26 February 2016
156: 219: 123: 161: 113: 56: 88:, Marten moved with his family from the Spanish-occupied Spanish Netherlands to the more liberal environment of 84:, Marten van Valckenborch moved to Antwerp in the 1560s. Like many other families in the region who had become 52: 60: 139: 390: 385: 186:
Valkenburg (I), Gillis van Valkenburg (I), Aegidius van Walckenburg (I), Gillis van Walckenburg (I)
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achieved notable fame as painters. The van Valckenborch family was particularly known in the
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Gillis van Valckenborch left only seven fully signed and dated paintings. His
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Gillis van Valckenborch (Antwerp c. 1570–1622 Frankfurt am Main),
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Two pendant works depicting a scene of a fire in a village in the
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in the Nationaal Biografisch Woordenboek, IV, p. 849
142:and the movement of international Mannerism. 8: 144: 69: 17: 178: 312: 310: 308: 215: 213: 334:The wedding of Neptune and Amphitrite 237: 235: 233: 231: 203:Netherlands Institute for Art History 194: 192: 7: 352:at the National Gallery of Slovenia 160:the stadium of Alexandria" in the 14: 222:The marriage of Peleus and Thetis 75:The marriage of Peleus and Thetis 364: 61:Lucas van Valckenborch the elder 1: 396:Flemish Renaissance painters 157:National Gallery of Slovenia 432: 162:Herzog Anton Ulrich Museum 114:Herzog Anton Ulrich Museum 347:Gillis van Valckenborch, 332:Gillis van Valckenborch, 285:Gillis van Valckenborch, 220:Gillis van Valckenborch, 150:Temple of Sybil in Tivoli 57:Frederik van Valckenborch 55:(1535-1612), his brother 406:Draughtsmen from Antwerp 401:Flemish history painters 67:for landscape painting. 33:Egidius van Valckenborch 371:Gillis van Valckenborch 300:Gillis van Valckenborch 243:Gillis van Valckenborch 199:Gillis van Valckenborch 53:Marten van Valckenborch 29:Gillis van Valckenborch 416:Artists from Frankfurt 319:The Return of Jephthah 152: 130: 77: 25: 23:The Return of Jephthah 411:Painters from Antwerp 373:at Wikimedia Commons 148: 140:Bartholomeus Spranger 126: 73: 21: 287:Banquet of the Gods 167:The Burning of Troy 65:Spanish Netherlands 153: 131: 110:Defeat of Sanherib 78: 26: 369:Media related to 349:Fire in a village 136:Feast of the Gods 128:Fire in a Village 90:Frankfurt am Main 41:Frankfurt am Main 423: 368: 353: 344: 338: 329: 323: 314: 303: 297: 291: 282: 276: 273: 267: 264: 258: 255: 249: 248: 239: 226: 217: 208: 207: 196: 187: 183: 98:Gnesio-Lutherans 80:Originally from 431: 430: 426: 425: 424: 422: 421: 420: 376: 375: 362: 357: 356: 345: 341: 330: 326: 315: 306: 298: 294: 283: 279: 274: 270: 265: 261: 256: 252: 246: 240: 229: 218: 211: 205: 197: 190: 184: 180: 175: 106: 49: 12: 11: 5: 429: 427: 419: 418: 413: 408: 403: 398: 393: 388: 378: 377: 361: 360:External links 358: 355: 354: 339: 324: 304: 292: 277: 268: 259: 250: 227: 209: 188: 177: 176: 174: 171: 105: 102: 59:and his uncle 48: 45: 13: 10: 9: 6: 4: 3: 2: 428: 417: 414: 412: 409: 407: 404: 402: 399: 397: 394: 392: 389: 387: 384: 383: 381: 374: 372: 367: 359: 351: 350: 343: 340: 336: 335: 328: 325: 321: 320: 313: 311: 309: 305: 301: 296: 293: 289: 288: 281: 278: 272: 269: 263: 260: 254: 251: 244: 241:K. Goossens, 238: 236: 234: 232: 228: 224: 223: 216: 214: 210: 204: 200: 195: 193: 189: 182: 179: 172: 170: 168: 163: 158: 151: 147: 143: 141: 137: 129: 125: 121: 119: 115: 111: 103: 101: 99: 93: 91: 87: 83: 76: 72: 68: 66: 62: 58: 54: 46: 44: 42: 39:1570 – 38: 34: 30: 24: 20: 16: 363: 348: 342: 337:at Sotheby's 333: 327: 322:at Dorotheum 318: 302:at Sotheby's 295: 290:at Dorotheum 286: 280: 271: 262: 253: 242: 221: 181: 166: 154: 149: 135: 132: 127: 109: 107: 94: 79: 74: 50: 32: 28: 27: 22: 15: 391:1622 deaths 386:1570 births 225:at Lempertz 380:Categories 247:(in Dutch) 206:(in Dutch) 86:Calvinists 118:Mannerist 201:at the 120:style. 112:in the 37:Antwerp 82:Leuven 173:Notes 104:Work 47:Life 31:or 382:: 307:^ 230:^ 212:^ 191:^ 35:(

Index


Antwerp
Frankfurt am Main
Marten van Valckenborch
Frederik van Valckenborch
Lucas van Valckenborch the elder
Spanish Netherlands

Leuven
Calvinists
Frankfurt am Main
Gnesio-Lutherans
Herzog Anton Ulrich Museum
Mannerist

Bartholomeus Spranger

National Gallery of Slovenia
Herzog Anton Ulrich Museum


Gillis van Valckenborch
Netherlands Institute for Art History


Gillis van Valckenborch, The marriage of Peleus and Thetis



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