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Galos did not perform in public and her music was typically published under the pseudonym C. Galos. For many years there was debate regarding whether Galos was male or female. Music historians disagreed over what the composer's first name was, with suggestions from
Celestino to Charles, based on the
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have subsequently been discovered under the names "Giselle Galos" and "Madmoiselle
Giselle Galos", finally confirming the composer's full name.
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Galos' pieces are composed of stock salon clichés and often appear in collections of famous piano pieces.
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who is responsible for composing two popular pieces of
125:(in Spanish). Vol. 711. Editorial Musica Moderna.
65:"C. Galos" pseudonym. Early publications of Galos'
54:(Nocturne, Op. 24). Both pieces are in the form of
84:C. Galos: Le Chant du Berger, 3rd Nocturne, Op. 17
79:C. Galos: Le Lac de Côme (Lake Como), 6th Nocturne
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106:. Vol. 22. Novello, Ewer & Co.
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218:. You can help Knowledge (XXG) by
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142:Viaf.org. Retrieved on 2011-03-19.
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270:French women classical composers
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36:French
28:Galas
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