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Giulio Campi

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31: 302: 272: 152:, "His numerous paintings are grandly and reverently conceived, freely drawn, vigorously coloured, lofty in style, and broadly handled. He was animated in all his work by a deep piety." 148:
of Cremona" for his influence, since Campi was as influential during the Renaissance in Cremona as the latter was on the Baroque school of Bologna. According to the 1913
166:. This painting is regarded as his masterpiece; the Catholic Encyclopedia praises it as "masterly in the freedom of its drawing and in the splendour of its color." 292: 349: 385: 390: 287: 395: 410: 312: 354:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Campi (see index) 346:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Campi (see index) 380: 341: 30: 405: 400: 163: 196: 158: 125:— distantly related to him — he combined a Lombard and Roman traditions. He collaborated on some works with 114: 203: 317: 149: 375: 370: 170: 130: 211: 126: 145: 122: 186: 103: 83: 364: 306: 283: 278: 219: 87: 181:
and in the church of Saint Margaret's, in his native town. These include:
82:(1502 – 5 March 1572) was an Italian painter and architect. His brothers 99: 50: 351:
Painters of reality: the legacy of Leonardo and Caravaggio in Lombardy
210:
He was involved in the reconstruction and decoration of the church of
174: 110: 305: This article incorporates text from a publication now in the 277:
This article incorporates text from a publication now in the
178: 118: 98:
The eldest of a family of prominent painters, Campi was born at
326:
Freedberg, Sydney J. (1993). Pelican History of Art (ed.).
113:, he studied painting, architecture, and modelling under 214:
in Cremona. An altar-piece in San Sigismondo and his
121:, became an ardent student of the antique, and like 169:Many of his fresco works are housed in churches of 133:, with whom Campi may also have received training. 69: 57: 43: 21: 249: 247: 321:. Vol. 3. New York: Robert Appleton Company. 106:(1475–1536) taught him the first lessons in art. 8: 296:(11th ed.). Cambridge University Press. 155:When he was twenty-seven, Giulio executed a 18: 238: 231: 7: 253: 330:. Penguin Books. pp. 583–586. 14: 315:". In Herbermann, Charles (ed.). 300: 270: 29: 386:16th-century Italian architects 343:The engravings of Giorgio Ghisi 391:Italian Renaissance architects 311:Hunt, Leigh Harrison (1908). " 1: 396:16th-century Italian painters 90:were also renowned painters. 411:Italian Renaissance painters 328:Painting in Italy, 1500-1600 202:the frescoes in the dome of 136:He died in Cremona in 1572. 36:Portrait of Ottavio Farnese 427: 28: 381:Architects from Cremona 293:Encyclopædia Britannica 193:Descent from the Cross 159:Sts Celsus and Nazarus 157:Virgin and Child with 406:Painters from Cremona 401:Italian male painters 318:Catholic Encyclopedia 150:Catholic Encyclopedia 144:Campi is called the " 131:Boccaccio Boccaccino 216:Labours of Hercules 162:for the church of 127:Camillo Boccaccino 218:were engraved by 146:Ludovico Carracci 77: 76: 418: 331: 322: 304: 303: 297: 276: 274: 273: 257: 251: 242: 236: 33: 19: 426: 425: 421: 420: 419: 417: 416: 415: 361: 360: 358: 338: 325: 310: 301: 286:, ed. (1911). " 282: 271: 269: 266: 261: 260: 252: 245: 237: 233: 228: 142: 96: 65: 62: 53: 48: 39: 24: 17: 16:Italian painter 12: 11: 5: 424: 422: 414: 413: 408: 403: 398: 393: 388: 383: 378: 373: 363: 362: 356: 355: 347: 337: 336:External links 334: 333: 332: 323: 298: 284:Chisholm, Hugh 265: 262: 259: 258: 243: 230: 229: 227: 224: 208: 207: 200: 197:San Sigismondo 190: 187:The Chess Game 141: 138: 95: 92: 84:Vincenzo Campi 75: 74: 71: 67: 66: 63: 59: 55: 54: 49: 45: 41: 40: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 423: 412: 409: 407: 404: 402: 399: 397: 394: 392: 389: 387: 384: 382: 379: 377: 374: 372: 369: 368: 366: 359: 353: 352: 348: 345: 344: 340: 339: 335: 329: 324: 320: 319: 314: 308: 307:public domain 299: 295: 294: 289: 288:Campi, Giulio 285: 280: 279:public domain 268: 267: 263: 255: 250: 248: 244: 240: 239:Chisholm 1911 235: 232: 225: 223: 221: 220:Giorgio Ghisi 217: 213: 205: 201: 198: 194: 191: 189: 188: 184: 183: 182: 180: 176: 172: 167: 165: 161: 160: 153: 151: 147: 139: 137: 134: 132: 129:, the son of 128: 124: 120: 117:. He visited 116: 115:Giulio Romano 112: 107: 105: 102:. His father 101: 93: 91: 89: 88:Antonio Campi 85: 81: 72: 68: 60: 56: 52: 46: 42: 37: 32: 27: 20: 357: 350: 342: 327: 316: 313:Giulio Campi 291: 234: 215: 209: 204:San Girolamo 192: 185: 168: 164:Sant'Abondio 156: 154: 143: 135: 109:In 1522, in 108: 97: 80:Giulio Campi 79: 78: 61:5 March 1572 35: 23:Giulio Campi 376:1572 deaths 371:1502 births 365:Categories 264:References 212:Santa Rita 199:at Cremona 123:Bernardino 70:Occupation 254:Hunt 1908 206:at Mantua 94:Biography 104:Galeazzo 309::  281::  171:Cremona 100:Cremona 64:Cremona 51:Cremona 275:  175:Mantua 111:Mantua 73:artist 226:Notes 179:Milan 140:Works 119:Rome 86:and 58:Died 47:1502 44:Born 290:". 195:in 367:: 246:^ 222:. 177:, 173:, 256:. 241:. 38:.

Index


Cremona
Vincenzo Campi
Antonio Campi
Cremona
Galeazzo
Mantua
Giulio Romano
Rome
Bernardino
Camillo Boccaccino
Boccaccio Boccaccino
Ludovico Carracci
Catholic Encyclopedia
Sts Celsus and Nazarus
Sant'Abondio
Cremona
Mantua
Milan
The Chess Game
San Sigismondo
San Girolamo
Santa Rita
Giorgio Ghisi
Chisholm 1911


Hunt 1908
public domain
Chisholm, Hugh

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