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Magnificat. Vita e opere di
Francesco Durante (prima edizione) Sosio Capasso - Giuseppe Ottavio Pittoni, nato a Rieti nel 1657, fu polifonista famoso e maestro della cappella Vaticana; mise in partitura le opere del Palestrina; suo capolavoro è il Dixit a 16 voci in 4 cori. Si spense a Roma nel
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also included solo sections and concertante instrumental parts. It is said that his immense facility allowed him to compose the parts of a 16-voice mass separately, without use of a score. To modern ears and eyes these compositions may seem dull and even repetitious. However, given typical
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211:, and varied vocal colors – even the homophonic works must have made a strong impression in the highly reverberative church interiors of Rome. At the end of his life he was preparing a mass for twelve choirs, left incomplete at his death. He was buried in the Pitoni family vault in the
38:, 1 February 1743) was an Italian organist and composer. He became one of the leading musicians in Rome during the late Baroque era, the first half of the 18th century.
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Several volumes of his unpublished autograph compositions are in the library of the
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His contributions to liturgical music in Rome were profound as composer, organist,
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performance practices in the early 18th century – vocal ornamentation ("
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Pitoni’s early works are brilliant examples of his genius in the Roman
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215:, where he had served for some 66 years. His best known work is the
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style of
Palestrina. In later years he moved toward more
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In 1677 he returned to Rome for a lifelong appointment as
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Taken to Rome as an infant, he began vocal study with
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Aggiunte alle Regole di contrappunto di Giulio Belli
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Notitia de contrapuntisti e de compositori di musica
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240:(Mss Rome, Conservatorio di Musica S Cecilia)
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232:(Rome, c1690); ed. F. Luisi (Bologna, 1989)
50:at the age of five and sang in the choir of
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397:International Music Score Library Project
78:he began intensive study of the works of
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236:(c1725); ed. C. Ruini (Florence, 1988)
393:Free scores by Giuseppe Ottavio Pitoni
383:Free scores by Giuseppe Ottavio Pitoni
58:he sang and studied counterpoint with
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453:18th-century Italian male musicians
342:A Dictionary of Music and Musicians
207:location for polychoral elements,
113:(from 1719, immediately following
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354:Herbermann, Charles, ed. (1912).
428:Italian male classical composers
316:"Pitoni, Giuseppe Ottavio"
203:"), instrumental participation,
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125:in Rome. For the chapter of
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230:Guida armonica … libro primo
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413:Italian Baroque composers
66:at Santa Maria Maggiore,
336:"Pitoni, Giuseppe"
131:Cardinal Pietro Ottoboni
23:Giuseppe Ottavio Pittoni
433:Italian Roman Catholics
322:Encyclopædia Britannica
171:esaminatori dei maestri
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238:Regole di contrappunto
192:elements. His use of
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363:Catholic Encyclopedia
357:"Joseph Pitoni"
347:Macmillan and Company
277:Gerhard Schmidt-Gaden
213:Basilica of San Marco
127:San Lorenzo in Damaso
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54:from age eight. At
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119:maestro di cappella
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167:maestro di capella
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