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sometime around 1850, eventually being appointed professor of harmony in 1859; a position he held until his death in Naples four year later.
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125:(26 February 1814 - 4 February 1863) was an Italian composer. He is best known for his operas which followed in the same vein of
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363:, opera tragica in 4 acts, libretto by G. Giachetti, Naples, Teatro San Carlo, 26 September 1849
239:, opera buffa in 2 acts, libretto by A. Passaro, Naples, Real Collegio di Musica, carnival 1834
382:, commedia lirica in 3 acts, libretto by G.S. Giannini, Naples, Teatro Nuovo, 29 December 1851
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388:, opera semiseria in 3 acts, libretto by L.E. Bardare, Naples, Teatro Nuovo, 8 May 1853
369:, opera semiseria in 2 acts, libretto by M. d’Arienzo, Naples, Teatro Nuovo, March 1850
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of 1834. He quickly gained a great deal of popularity with the Naples public with
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As a composer Lillo primarily composed music for the stage. His first opera,
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for four voices and orchestra, premiered to a warm reception in 1834.
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Around 1840 Lillo was appointed joint music director of the
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Le disgrazie di un bel giovane, ossia Il zio e il nipote
204:(1839). The pinnacle of his success came with his only
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La moglie per 24 ore, ossia L’ammalato di buona salute
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La moglie per 24 ore, ossia L’ammalato di buona salute
424:The New Grove Dictionary of Music and Musicians
157:where he studied harmony and counterpoint with
349:Il cavaliere di San Giorgio, ossia Il mulatto
329:, Naples, Teatro del Fondo, 30 September 1840
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315:, dramma per musica in 1 atto, libretto by
118:Giuseppe Lillo. Portrait by Roberto Focosi.
309:, Florence, Teatro La Pergola, spring 1840
351:, opera semiseria in 2 acts, libretto by
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341:, tragedia lirica in 2 acts, libretto by
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295:, opera seria in 2 acts, libretto by
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169:. His first composition, a
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297:Salvatore Cammarano
293:Il conte di Chalais
267:Rosmunda in Ravenna
225:Naples Conservatory
217:Teatro di San Carlo
202:Il conte di Chalais
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327:Leopoldo Tarantini
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