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music, however, and when he did his first session, resulting from the
October Revolution , Milford Graves and he filed through the studio and as they walked in to record, Giuseppi turned to me and said "if you rob me, I'll kill you." Milford was mortified—he had asked me to record Giuseppi—I'd given him a record date and he threatened me with death. At one point, I was standing with the engineer in the control room, and I thought the piece they were playing was stunningly beautiful. It sounded totally spontaneous, as if they were ad-libbing and commenting like a gorgeous conversation. Suddenly, I heard a 'thwuuunk', and I realized that the tape had run out. The engineer and I were so absorbed, we hadn't been paying attention. I thought "oh God, this remarkable thing is lost. It was interrupted in the middle, and it's gone." Richard Alderson was the engineer, and he got on the intercom and said "Giuseppi, the tape ran out." Without a pause, Giuseppi said "take it back to before where it stopped and we'll take it from there." So he did, he wound it back and played some bars of it and took down the record button, and they resumed exactly what they were doing—there was no way of telling where one or the other ended. It was unreal.
245:, Giuseppi Logan was 'studying' with me, meaning: he wanted to know certain things, and I needed an alto player, so he played all of my concerts, and occasionally I would let him have some of his things played in the group. He had a great deal of difficulty with getting people to play his music. I think at the time I was the only trumpet player who could play his music, and I loved playing it. No one sounded in an ensemble like Giuseppi. He held his head back all the way, explaining once, 'This way my throat is completely open,' so he could have more air coming through his windpipe. He used to pride himself on playing up to the fourth octave on alto. The things that made him different as an improvisor were the way he placed his notes, that sound he got, and then what the others in his group played behind him. His pieces were very attractive for those reasons. Giuseppi had his own points of view about music, which is what this music is supposed to be about. We got along.
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saw him, but I don't know. I wouldn't say that he is still alive. That was the latest on him. I last saw
Giuseppi Logan in the Seventies and he wasn't in good shape. He was in the streets. He is a question mark whether he is still alive. Hopefully, he is. I was the one who told Bernard Stollman (founder of ESP) about Giuseppi Logan. I met Bernard Stollman through the New York Art Quartet. He wanted to record me and in turn, I told Giuseppi that I have some time because I'm a young guy and instead of me taking this record date and being the leader, I gave him the record date and so he took the record date. It was 1965 when we did that together.
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The reports that I've received is that he is still alive. He was spotted up in Harlem, New York. That's what people say. I don't know. I was approached to go up to Harlem to seek him out. Somebody spotted him in a hotel on 125th Street and I haven't had the opportunity to do that. Someone said they
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Giuseppi was doing an awful lot of drugs—he burned out, well, actually, he flipped out and never came back. I think that helps explain what happened to
Giuseppi. Also, he was mentally ill to some degree and he attacked me once, just randomly. He would assault people without any warning; I loved his
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In
October 2011, Logan recorded six songs with "a group of younger experimental musicians"; as of April 2012, he was still living in New York and performing as a street musician. At some point around 2011 he was shot and ended up in a home in Far Rockaway, Queens. ref: The Devil's Horn seen on SKY
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Beset with personal problems, Logan vanished from the music scene in the early 1970s and for over three decades his whereabouts were unknown; however, in 2008 he was filmed by a
Christian mission group just after he had returned to New York after years in and out of institutions in the Carolinas.
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label. A 1965 press release from ESP-Disk indicates that a third album was planned, but never released, possibly due to Logan's increasingly erratic behavior. This title was supposed to have been ESP-1018,
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Vintage footage of Logan comprises a short film by Edward
English. Anecdotes about the man are scarce, but those that exist illustrate his influence over those he worked with. Several of these are below.
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On April 6, 2009, Logan performed, with a group, at Local 269 in NYC as part of the RUCMA performance series. Later that year he appeared in the short documentary film
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by David Gutiérrez Camps, where his music improvisations formed the soundtrack of the film.
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Logan played alto and tenor saxophone, bass clarinet, flute, piano and
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579:"Giuseppi Logan: Giuseppi Logan: The Giuseppi Logan Quintet"
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at the age of 12. At the age of 15 he began playing with
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Logan died on April 17, 2020, at a nursing facility in
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Deaths from the COVID-19 pandemic in New York (state)
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405:(Impulse!, 1966) (also released as part of
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502:Dixonia: A Bio-Discography of Bill Dixon
194:joined the group. Logan was a member of
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694:"Giuseppi Logan And The Great Mystery"
515:"Bernard Stollman: The ESP-Disk Story"
468:"The Moody Men Who Play The New Music"
426:The Business of Here: Live at Roulette
126:(May 22, 1935 – April 17, 2020) was a
533:"A Fireside Chat with Milford Graves"
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791:20th-century American male musicians
771:American jazz multi-instrumentalists
190:. After Pullen's departure, pianist
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213:record label and later appeared on
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756:Jazz musicians from Pennsylvania
623:"Giuseppi Logan’s Second Chance"
485:Giuseppi Logan by Edward English
448:The Complete ESP-Disk Recordings
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806:21st-century American musicians
801:20th-century American musicians
639:Chinen, Nate (18 April 2020).
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716:Crépon, Pierre (April 2020).
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718:"Giuseppi Logan 1935–2020"
382:(Improvising Beings, 2013)
372:The Giuseppi Logan Project
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146:and later studied at the
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677:English, Edward (1966).
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166:. He collaborated with
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41:Background information
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323:Far Rockaway, Queens
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627:The New York Times
601:2018-11-18 at the
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282:Bowery Poetry Club
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565:Water in the Boat
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110:Years active
85:Far Rockaway
80:(2020-04-17)
69:Pennsylvania
65:Philadelphia
56:May 22, 1935
746:2020 deaths
741:1935 births
619:John Leland
500:Ben Young,
418:Steve Swell
356:(ESP, 1966)
348:(ESP, 1965)
333:Discography
249:ESP-Disk's
184:Eddie GĂłmez
144:Earl Bostic
735:Categories
708:2020-04-20
455:References
402:Everywhere
387:As sideman
253:on Logan:
182:, bassist
180:Don Pullen
176:Bill Dixon
52:1935-05-22
338:As leader
158:Biography
152:free jazz
114:1940–2020
723:The Wire
650:18 April
599:Archived
504:, p. 72.
411:in 1998)
327:COVID-19
232:The Fugs
223:Impulse!
215:an album
211:ESP-Disk
209:for the
93:New York
684:YouTube
672:Discogs
553:YouTube
490:YouTube
368:, 2010)
221:on the
154:scene.
318:Arys.
207:albums
99:Genres
89:Queens
61:Origin
549:Video
433:With
416:With
408:Mixed
392:With
325:from
302:with
140:reeds
652:2020
353:More
174:and
164:oboe
128:jazz
103:Jazz
75:Died
46:Born
551:on
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