Knowledge (XXG)

Giuseppi Logan

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music, however, and when he did his first session, resulting from the October Revolution , Milford Graves and he filed through the studio and as they walked in to record, Giuseppi turned to me and said "if you rob me, I'll kill you." Milford was mortified—he had asked me to record Giuseppi—I'd given him a record date and he threatened me with death. At one point, I was standing with the engineer in the control room, and I thought the piece they were playing was stunningly beautiful. It sounded totally spontaneous, as if they were ad-libbing and commenting like a gorgeous conversation. Suddenly, I heard a 'thwuuunk', and I realized that the tape had run out. The engineer and I were so absorbed, we hadn't been paying attention. I thought "oh God, this remarkable thing is lost. It was interrupted in the middle, and it's gone." Richard Alderson was the engineer, and he got on the intercom and said "Giuseppi, the tape ran out." Without a pause, Giuseppi said "take it back to before where it stopped and we'll take it from there." So he did, he wound it back and played some bars of it and took down the record button, and they resumed exactly what they were doing—there was no way of telling where one or the other ended. It was unreal.
245:, Giuseppi Logan was 'studying' with me, meaning: he wanted to know certain things, and I needed an alto player, so he played all of my concerts, and occasionally I would let him have some of his things played in the group. He had a great deal of difficulty with getting people to play his music. I think at the time I was the only trumpet player who could play his music, and I loved playing it. No one sounded in an ensemble like Giuseppi. He held his head back all the way, explaining once, 'This way my throat is completely open,' so he could have more air coming through his windpipe. He used to pride himself on playing up to the fourth octave on alto. The things that made him different as an improvisor were the way he placed his notes, that sound he got, and then what the others in his group played behind him. His pieces were very attractive for those reasons. Giuseppi had his own points of view about music, which is what this music is supposed to be about. We got along. 267:
saw him, but I don't know. I wouldn't say that he is still alive. That was the latest on him. I last saw Giuseppi Logan in the Seventies and he wasn't in good shape. He was in the streets. He is a question mark whether he is still alive. Hopefully, he is. I was the one who told Bernard Stollman (founder of ESP) about Giuseppi Logan. I met Bernard Stollman through the New York Art Quartet. He wanted to record me and in turn, I told Giuseppi that I have some time because I'm a young guy and instead of me taking this record date and being the leader, I gave him the record date and so he took the record date. It was 1965 when we did that together.
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The reports that I've received is that he is still alive. He was spotted up in Harlem, New York. That's what people say. I don't know. I was approached to go up to Harlem to seek him out. Somebody spotted him in a hotel on 125th Street and I haven't had the opportunity to do that. Someone said they
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Giuseppi was doing an awful lot of drugs—he burned out, well, actually, he flipped out and never came back. I think that helps explain what happened to Giuseppi. Also, he was mentally ill to some degree and he attacked me once, just randomly. He would assault people without any warning; I loved his
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In October 2011, Logan recorded six songs with "a group of younger experimental musicians"; as of April 2012, he was still living in New York and performing as a street musician. At some point around 2011 he was shot and ended up in a home in Far Rockaway, Queens. ref: The Devil's Horn seen on SKY
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Beset with personal problems, Logan vanished from the music scene in the early 1970s and for over three decades his whereabouts were unknown; however, in 2008 he was filmed by a Christian mission group just after he had returned to New York after years in and out of institutions in the Carolinas.
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label. A 1965 press release from ESP-Disk indicates that a third album was planned, but never released, possibly due to Logan's increasingly erratic behavior. This title was supposed to have been ESP-1018,
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Vintage footage of Logan comprises a short film by Edward English. Anecdotes about the man are scarce, but those that exist illustrate his influence over those he worked with. Several of these are below.
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On April 6, 2009, Logan performed, with a group, at Local 269 in NYC as part of the RUCMA performance series. Later that year he appeared in the short documentary film
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and Francois Grillot. In April 2010, this group performed a concert in Philadelphia with Dave Miller playing for Warren Smith at the Ars Nova Workshop
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Around this same time filmmaker Suzannah Troy made the first of many short films of Logan practicing in his preferred hangout,
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by David Gutiérrez Camps, where his music improvisations formed the soundtrack of the film.
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Logan played alto and tenor saxophone, bass clarinet, flute, piano and
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at the age of 12. At the age of 15 he began playing with
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Logan died on April 17, 2020, at a nursing facility in
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Deaths from the COVID-19 pandemic in New York (state)
198:'s band and toured with and appeared on records by 108: 98: 74: 60: 45: 40: 21: 178:before forming his own quartet made up of pianist 228:The Giuseppi Logan Chamber Ensemble in Concert 596:"Giuseppi Logan Is Currently Active In Music" 8: 405:(Impulse!, 1966) (also released as part of 18: 502:Dixonia: A Bio-Discography of Bill Dixon 194:joined the group. Logan was a member of 459: 694:"Giuseppi Logan And The Great Mystery" 515:"Bernard Stollman: The ESP-Disk Story" 468:"The Moody Men Who Play The New Music" 426:The Business of Here: Live at Roulette 126:(May 22, 1935 – April 17, 2020) was a 533:"A Fireside Chat with Milford Graves" 7: 796:21st-century American male musicians 791:20th-century American male musicians 771:American jazz multi-instrumentalists 190:. After Pullen's departure, pianist 781:21st-century multi-instrumentalists 776:20th-century multi-instrumentalists 213:record label and later appeared on 298:announcing his return to music on 14: 756:Jazz musicians from Pennsylvania 623:"Giuseppi Logan’s Second Chance" 485:Giuseppi Logan by Edward English 448:The Complete ESP-Disk Recordings 29: 806:21st-century American musicians 801:20th-century American musicians 639:Chinen, Nate (18 April 2020). 1: 716:CrĂ©pon, Pierre (April 2020). 16:American musician (1935–2020) 751:Musicians from Philadelphia 822: 766:Avant-garde jazz musicians 718:"Giuseppi Logan 1935–2020" 382:(Improvising Beings, 2013) 372:The Giuseppi Logan Project 361:The Giuseppi Logan Quintet 345:The Giuseppi Logan Quartet 294:In 2010, Logan released a 130:musician, originally from 262:Milford Graves on Logan: 146:and later studied at the 28: 677:English, Edward (1966). 568:, David GutiĂ©rrez Camps. 278:Signal to Noise Magazine 148:New England Conservatory 374:(Mad King Edmund, 2012) 300:Tompkins Square Records 166:. He collaborated with 692:Lavelle, Matt (2018). 679:"Giuseppi Logan, 1966" 269: 260: 247: 41:Background information 35:Giuseppi Logan in 2010 379:...And They Were Cool 264: 255: 243: 241:Bill Dixon on Logan: 698:No Sound Left Behind 523:, November 21, 2005. 323:Far Rockaway, Queens 274:Tompkins Square Park 466:Robert Ostermann, 627:The New York Times 601:2018-11-18 at the 284:in February 2009. 282:Bowery Poetry Club 186:and percussionist 607:Ars Nova Workshop 577:Clifford Allen, 565:Water in the Boat 539:, April 30, 2003. 513:Clifford Allen, 472:National Observer 289:Water in the Boat 118: 117: 813: 761:ESP-Disk artists 727: 712: 710: 709: 700:. Archived from 688: 656: 655: 653: 651: 636: 630: 629:, April 6, 2012. 616: 610: 592: 586: 585:, April 8, 2010. 575: 569: 561: 555: 546: 540: 530: 524: 511: 505: 498: 492: 486: 481: 475: 464: 450:(ESP-Disk, 2005) 444:(ESP-Disk, 1966) 251:Bernard Stollman 111: 81: 55: 53: 33: 19: 821: 820: 816: 815: 814: 812: 811: 810: 731: 730: 715: 707: 705: 691: 676: 670:discography at 664: 659: 649: 647: 638: 637: 633: 617: 613: 603:Wayback Machine 594:Elliott Sharp, 593: 589: 576: 572: 562: 558: 547: 543: 531: 527: 512: 508: 499: 495: 484: 482: 478: 474:, June 7, 1965. 465: 461: 457: 428:(Cadence, 2012) 420:'s Nation of We 389: 366:Tompkins Square 340: 335: 296:comeback record 196:Byard Lancaster 172:Pharoah Sanders 160: 121: 109: 83: 79: 51: 49: 36: 24: 17: 12: 11: 5: 819: 817: 809: 808: 803: 798: 793: 788: 783: 778: 773: 768: 763: 758: 753: 748: 743: 733: 732: 729: 728: 713: 689: 674: 668:Giuseppi Logan 663: 662:External links 660: 658: 657: 631: 611: 587: 583:All About Jazz 570: 556: 541: 537:All About Jazz 525: 520:All About Jazz 506: 493: 476: 458: 456: 453: 452: 451: 445: 430: 429: 413: 412: 388: 385: 384: 383: 375: 369: 357: 349: 339: 336: 334: 331: 202:. He recorded 188:Milford Graves 159: 156: 124:Giuseppi Logan 120:Musical artist 119: 116: 115: 112: 106: 105: 100: 96: 95: 82:(aged 84) 78:April 17, 2020 76: 72: 71: 62: 58: 57: 47: 43: 42: 38: 37: 34: 26: 25: 23:Giuseppi Logan 22: 15: 13: 10: 9: 6: 4: 3: 2: 818: 807: 804: 802: 799: 797: 794: 792: 789: 787: 784: 782: 779: 777: 774: 772: 769: 767: 764: 762: 759: 757: 754: 752: 749: 747: 744: 742: 739: 738: 736: 725: 724: 719: 714: 704:on 2018-03-17 703: 699: 695: 690: 686: 685: 680: 675: 673: 669: 666: 665: 661: 646: 642: 635: 632: 628: 624: 620: 615: 612: 608: 604: 600: 597: 591: 588: 584: 580: 574: 571: 567: 566: 560: 557: 554: 550: 545: 542: 538: 534: 529: 526: 522: 521: 516: 510: 507: 503: 497: 494: 491: 487: 480: 477: 473: 469: 463: 460: 454: 449: 446: 443: 440: 439: 438: 437: 436: 427: 424: 423: 422: 421: 419: 410: 409: 404: 403: 399: 398: 397: 396: 395: 386: 381: 380: 376: 373: 370: 367: 363: 362: 358: 355: 354: 350: 347: 346: 342: 341: 337: 332: 330: 328: 324: 319: 315: 313: 309: 305: 301: 297: 292: 290: 285: 283: 279: 275: 268: 263: 259: 254: 252: 246: 242: 239: 235: 233: 229: 224: 220: 216: 212: 208: 205: 201: 197: 193: 189: 185: 181: 177: 173: 169: 165: 157: 155: 153: 149: 145: 141: 137: 133: 129: 125: 113: 107: 104: 101: 97: 94: 90: 86: 77: 73: 70: 66: 63: 59: 48: 44: 39: 32: 27: 20: 721: 706:. 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Retrieved 645:www.wbgo.org 644: 634: 626: 614: 606: 590: 582: 573: 564: 559: 544: 536: 528: 518: 509: 501: 496: 479: 471: 462: 447: 442:College Tour 441: 435:Patty Waters 432: 431: 425: 415: 414: 406: 400: 394:Roswell Rudd 391: 390: 377: 371: 359: 351: 343: 320: 316: 312:Warren Smith 308:Dave Burrell 304:Matt Lavelle 293: 288: 286: 277: 270: 265: 261: 256: 248: 244: 240: 236: 227: 219:Roswell Rudd 200:Patty Waters 192:Dave Burrell 168:Archie Shepp 161: 136:Pennsylvania 132:Philadelphia 123: 122: 110:Years active 85:Far Rockaway 80:(2020-04-17) 69:Pennsylvania 65:Philadelphia 56:May 22, 1935 746:2020 deaths 741:1935 births 619:John Leland 500:Ben Young, 418:Steve Swell 356:(ESP, 1966) 348:(ESP, 1965) 333:Discography 249:ESP-Disk's 184:Eddie GĂłmez 144:Earl Bostic 735:Categories 708:2020-04-20 455:References 402:Everywhere 387:As sideman 253:on Logan: 182:, bassist 180:Don Pullen 176:Bill Dixon 52:1935-05-22 338:As leader 158:Biography 152:free jazz 114:1940–2020 723:The Wire 650:18 April 599:Archived 504:, p. 72. 411:in 1998) 327:COVID-19 232:The Fugs 223:Impulse! 215:an album 211:ESP-Disk 209:for the 93:New York 684:YouTube 672:Discogs 553:YouTube 490:YouTube 368:, 2010) 221:on the 154:scene. 318:Arys. 207:albums 99:Genres 89:Queens 61:Origin 549:Video 433:With 416:With 408:Mixed 392:With 325:from 302:with 140:reeds 652:2020 353:More 174:and 164:oboe 128:jazz 103:Jazz 75:Died 46:Born 551:on 488:on 217:by 204:two 737:: 720:. 696:. 681:. 643:. 625:, 621:, 605:, 581:, 535:, 517:, 470:, 329:. 310:, 306:, 234:. 170:, 134:, 91:, 87:, 67:, 726:. 711:. 687:. 654:. 609:. 364:( 54:) 50:(

Index


Philadelphia
Pennsylvania
Far Rockaway
Queens
New York
Jazz
jazz
Philadelphia
Pennsylvania
reeds
Earl Bostic
New England Conservatory
free jazz
oboe
Archie Shepp
Pharoah Sanders
Bill Dixon
Don Pullen
Eddie GĂłmez
Milford Graves
Dave Burrell
Byard Lancaster
Patty Waters
two
albums
ESP-Disk
an album
Roswell Rudd
Impulse!

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