Give Up - Knowledge (XXG)

636:, the Death Cab for Cutie album released the same year, Gibbard lyrically explores distance and "the ability of relationships to survive ." Gibbard noted that "District", "Brand New Colony", and "This Place is a Prison" were the only strictly autobiographical songs: "Everything else is just kind of daydreaming and coming up with ideas for songs that aren't necessarily based in reality, and I think that was a lot more fun for me to do because I'd never really done that before," he said in 2002. Alexia Loundras of the BBC observed that the album offers a melancholy but hopeful sentiment. Portions of 1596:

in 2006—"Turn Around" and "A Tattered Line of String"—before determining the project should remain in the past. Both tracks, and the bulk of the rest of the band's recorded output, feature on a bonus disc of the tenth anniversary reissue of the album. As for the future of another album, both musicians have considered it unlikely. Gibbard said that the moment captured something special: "It was just this moment that was very inspired and unique." Tamborello concurred: " came together in such a natural way that I feel like if it happens again, it has to feel like that, and maybe that's impossible."

356: 396:, with whom he'd released two albums. Gibbard, meanwhile, had released three albums with his indie rock outfit Death Cab, who were based in Seattle, Washington. The band nearly disbanded after an argument on tour in October 2001; after returning home, the group decided to take a brief hiatus, setting the stage for a side-project. Though the pair did not initially connect on a personal level in a strong sense—with Gibbard more sociable and Tamborello often reserved—they continued to collaborate. Gibbard suggested the two release an 477: 4439: 897: 1455:

to larger rooms to accommodate more fans—the final Los Angeles date of the trek switched from a 300-seat room to a 1500-capacity. "You could really see physical proof of the album getting popular as we went across the country," Tamborello recalled. The Postal Service toured for five weeks in the U.S. throughout April–May 2003, and two overseas in Europe that June. "It was a really fun tour, and then we all went back to our day jobs. Things kind of got crazy after that," Gibbard recalled.

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of the last songs the duo completed in June 2002. Its genesis came together "incredibly quickly," according to Gibbard, who felt it "seemingly came out of nowhere. It did feel that there was some sort of spiritual transcendence happening and the song being beamed down to me." For Gibbard, the song was a thematic departure from his more melancholy subject matter: "I think 'Such Great Heights' is the first time I've ever written a positive love song," he told

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dubbed his home studio "Computerworld". Gibbard, who had always found writing music to be more difficult than composing lyrics, found the arrangement particularly appealing. "It was really great to get a little package every month or two – 'Two new songs!'" he noted in 2002. "Sometimes I'd say, 'I want to move that part and this part,' and it was really fun to have such autonomy in the writing; I could pretty much do whatever I wanted."

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or three songs per month. As Gibbard did not know Tamborello very well, he was nervous he would not respond to his contributions positively. "I really thought he was gonna be like, 'How dare you do this to my songs?'" he said. Initially, Tamborello was challenged by Gibbard's vocal suggestions. "When you're just writing the music, you come up with your own vocal melodies. But Ben's ideas were totally different," he told the

1370: 1464: 1443:, was the opening act on the inaugural tour. All five musicians, plus their merchandise manager, toured in one van and slept in one motel room together. Gibbard looked back with humor on touring in such close quarters with people who were largely strangers to him. He acknowledged that with typical bands, touring could sometimes grow tiresome. Instead, he equated the band's initial tour to a 1414:

it began airing. Gibbard shared a statement on the duo's official site, calling it a "shot-for-shot re-creation" and claiming disappointment that it "was executed without our consultation or consent." Apple later promoted the "Such Great Heights" clip on the main page of the iTunes Music Store, prompting it to become the most-downloaded video on the site for a time, ahead of videos by

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could continue to use the name if it agreed to promote the actual U.S. Postal Service. The album was then sold on the USPS's official website, and its music used in advertisements. The two also performed at the annual USPS convention in Washington, D.C. in November 2004. Tamborello, in an interview with

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remarked that "like any worthy match, the coming together gives each aspect assets that they'd be wont to find otherwise", concluding that the album "integrates the human and the humanoid to give soundtrack to the disconnected, yet earnest escapades of contemporary emotional life." In a retrospective

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player and walk around his neighborhood, humming melodies to the music. He also carried a notebook to compile his ideas, which he would use when home to write lyrics. Gibbard would then manipulate the recordings on his laptop, augmenting the beats with additional guitar, keyboards, and live drums. He

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had trouble explaining the project to promoters; Gibbard noted that the only selling points were that it featured members of Death Cab and Rilo Kiley. Despite this, The Postal Service sold out half of the venues they first performed at. As the album grew in popularity, some venues had to be switched

1413:

scientists working in a sterile, futuristic laboratory." Both the TV spot and music video were helmed by the directorial team of Josh Melnick and Xander Charity, who were approached by Apple to re-create the video. All parties failed to inform Gibbard and Tamborello, or Sub Pop, until one day before

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letter citing tarnishing and dilution of their trademark. The band initially considered renaming themselves. Gibbard traveled to Los Angeles and met with representatives for the agency to come to a consensus. In the end, the duo inked a licensing agreement with the agency; the deal specified the duo

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and the German record label Morr Music. Gibbard wrote "Such Great Heights" as a love song for a girl he was interested in at the time. He noted that the relationship ended rather quickly, rendering the song's meaning rather pointless. The song came together late in the recording process, and was one

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Tamborello, operating from his L.A. home studio he called Dying Songs, contributed more-or-less finished bed tracks. The first two songs he sent developed into "Brand New Colony" and "The District Sleeps Alone Tonight", which were completed over the course of a week. The pair worked at a pace of two

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still stands as the Postal Service's only album. From its genesis, its creators intended it as a one-off experiment. Still, Gibbard and Tamborello continued to collaborate in the intervening years, this time sending their music to one another using the Internet. The duo completed two original songs

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division. He proposed that they release a full-length album as opposed to an EP, noting that the former received more attention than the latter. "If you're going to do it, do a full album," he told the duo. "People will review it, and you can sell it for three times as much." The duo signed a joint

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By this time, the project's principal members had moved on to other projects, and their newfound mainstream success came as a surprise. For the music industry, its success was also unexpected; Paoletta viewed it one of "2004's biggest surprises." Kiewel was initially convinced the album could sell

531:

Though the initial press release for the album states that it was completed in ten months, other sources claim it was completed in half that time. Gibbard flew to Los Angeles only twice during the production of the album. The first was to oversee Lewis's contribution, and also record additional

640:

were inspired by the break-up of what Gibbard called his "first real adult relationship." The split occurred because of how much time Gibbard devoted to music. Afterwards, his former partner relocated to Washington, D.C., which inspired "The District Sleeps Alone Tonight".

473:. The two were relative strangers from distinctly different musical backgrounds; "It was like having to work on the album and make friends at the same time," he admitted. Tamborello admitted he expected the album to be more experimental than it turned out to be. 536:

process. Both musicians mixed the album in Tamborello's bedroom; he noted that it was simply too involved a process to conduct via the mail. Ironically, despite the final name they chose for the project, they did not use the United States Postal Service as a

1492:

in Spain. Tamborello noted in an interview that the original laptop he had employed in the album's making had over time failed, and he had to piece together the original stems from various external hard drive backups. The tour ended with an appearance at

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chart, a ranking that only measured in-store purchases. Sub Pop offered a free download of the song on their official website, which had been downloaded over nine million times by August 2005; over four million users downloaded the song from the label's

644:"The District Sleeps Alone Tonight" opens with a series of moody, deep-sounding chords designed to emulate the sound of an organ—an edited version of a K2000RS preset called NeoProfit. The first half of the song's drum programming was inspired by the 515:

airport. She recorded her contributions over a period of several days; on the final LP, over half of the album's track listing features her backing vocals, which were recorded in Tamborello's bedroom. Additional recording on the LP took place at

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by touring that year. Nick Harmer, bassist of Death Cab for Cutie, joined the trio on the trek, managing the group and the visual accompaniment that was projected behind their performance. Rjyan Claybrook Kidwell, touring under the stage name

1475:

In 2013, The Postal Service reunited in celebration of the album's tenth anniversary, performing to larger crowds at much bigger venues than a decade prior. Lewis joined the band for all of the dates, which also added Laura Burhenn from

381:, which features several guest vocalists. The LP featured the duo's first collaboration, with the song "(This Is) The Dream of Evan and Chan". The pair had met through Tamborello's roommate, Pedro Benito, who was in the indie rock group 553:

was one of the "cheapest records Sub Pop ever made." Though he withheld the final number, he revealed the project had a very small budget, and that when combined, the five LPs the label distributed that year cost less than $ 50,000.

739:." In its first four months of release, it moved between 2,000 and 3,000 units per week. During the week of Christmas in 2003, the LP had its overall best sales, selling 9,000 copies in a week. Through their relationship with the 857:

chart until thirteen months after its release, which was credited to its slow-building online buzz and licensing in TV commercials. During its initial release, the album peaked at number 114. It spent 111 weeks altogether on the

764:

Michael Paolettta broke down that sixty percent of its sales at that time came from retail chains, thirty percent through independent record shops, and the remaining ten percent from "mass merchants and nontraditional sellers."

1327:

for AllMusic, Heather Phares opined that while the album does not measure up to either Gibbard or Tamborello's main projects, it is nonetheless "far more consistent and enjoyable than might be expected." Michaelangelo Matos of

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first began to garner mainstream interest. It has been considered "one of the touchstones of a new generation of indie music." It was suggested that its success was a reaction to more heavy or aggressive indie rock, such as

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was released with little promotion—its creators embarked on a brief tour, but otherwise returned to their main projects. Despite this, the album grew in popularity steadily in the ensuing years, bolstered by the singles

433: 768:"Such Great Heights" was the album's first single, released as a physical, four-track CD single in January 2003. The duo both jokingly referred to it as "the hit" of the album when writing it. The disc charted on 609:'s Heather Phares both commented on the contrasts between the "cool, clean synths" and Gibbard's vocal melodies. Nearly every synthesized element on the album uses the K2000RS, a sampler produced by 335:". By the end of its first decade, it had sold 1.2 million copies in the U.S., making it Sub Pop's second-biggest selling album in its history. It also courted a trademark battle with the 367:(Jimmy Tamborello). Gibbard rose to prominence in the early 2000s as frontman of the indie rock band Death Cab for Cutie, while Tamborello gained a cult following as a pioneer of contemporary 1320:

praised the album's "staying power" and felt that "Gibbard's delicate voice matches the subtle electro arrangements far more precisely than it does the folky guitars of his real group".

1497:

in Chicago. Gibbard announced that the Lollapalooza after-show, performed at local club the Metro, would be the last Postal Service performance, formally ending the band's career.

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stands as the duo's only studio album. In 2013, the group briefly reunited for an anniversary tour and reissue of the album. In 2023, the band embarked on a 20th anniversary tour.

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Gibbard and Tamborello came from distinctly different musical backgrounds, and did not know each other well. Tamborello—then based outside Los Angeles—came up as a member of the

1343:, Matt LeMay called the album "a pretty damned strong record, and one with enough transcendent moments to forgive it its few substandard tracks and ungodly lyrical blunders". 4379: 3918: 3575: 2686: 532:

vocals. The duo came to feel that Gibbard's original demo vocals were better, and they discarded much of the new vocal takes. The second trip was to be involved in the

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described the album as "a cuddly little new wave reverie" and wrote that "Tamborello's delightful pings and whistles fit Gibbard's whimsy perfectly." Devon Powers of

613:. The device came with bass and synthesizer presets, though Tamborello would significantly alter each preset to make it more original. His computer at the time was a 917:

between 10–20,000 copies, though Tamborello "scoffed" at the idea. It became Sub Pop's second biggest-selling album in their history, second only to Nirvana's

292:, Washington, and Tamborello, who resided in Los Angeles, California. The duo named the project for their working method: the pair would send demos on burned 4468: 3977: 3394: 3889: 3545: 385:, a band that had toured with Death Cab. When Gibbard stayed at their apartment for several days, Tamborello recruited him to contribute to the album. 4383: 3342: 2481: 832: 3053: 2090: 1485: 979:

considered "a testament to its ongoing popularity and influence." The tenth anniversary reissue of the album reached a new peak of number 45 on the

528:, a member of Death Cab, had purchased the studio two years prior. Walla recorded the live accompaniment, and guested on piano on "Nothing Better". 2984: 2752: 589:'s Brian Wallace described the sound of the album as a collision between "moody indie rock with the manipulated samples, keyboards and beats of 4067: 2942:"Albums of the Aughts No. 20: "Transatlanticism" by Death Cab for Cutie (with two-for-the-price-of-one bonus, "Give Up" by The Postal Service)" 2442: 4198: 2915: 3710: 3120: 304:". Tamborello was responsible for the programming, while Gibbard wrote lyrics, provided vocals, and contributed additional instrumentation. 975:

Over a decade past its release, the RIAA certified the album platinum in the U.S., indicating over one million copies sold. Chris Payne of

267:, who also records under the name Dntel. Gibbard rose to prominence in the early 2000s as frontman of Death Cab, while Tamborello gained a 1480:

on vocals and keyboards. The tour ran between April and August 2013 worldwide, upgrading from club capacity to arenas, such as New York's

4042: 4588: 2573:"The Postal Service's 'Give Up': An oral history of the indie side project that became an aughties touchstone – and a platinum seller" 727:

in the following years. The LP arrived with virtually no promotion; besides the ensuing tour, there was "little mainstream press, and

1544:. In addition to the younger indie fanbase, the album also connected with older listeners, who appreciated its synth-pop influences. 1512:; a remixed live album of the same name was later issued in 2020. In addition, the Creators Project (a partnership between Intel and 4540: 3861: 1628: 1394:, said the affair seemed "depressing" at first, but ended up "kind of fun". They performed only two songs, and briefly met with the 836: 791:

aided in boosting its profile; both were simultaneously popular, with Iron & Wine's version used in the film and soundtrack for

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in 1963. "Nothing Better" is a duet with Wood, and functions as a conversation between the two. The track was directly inspired by

617:, which was not sufficiently powerful enough to record audio with. Tamborello used it as a sequencer, controlling the K2000RS with 4146: 4461: 4406: 4224: 1766:

was released on November 9, 2004, and featured a bonus 12" of B-sides, covers and remixes, all of which can also be found on the

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wrote that "Ben Gibbard radiates claustrophobia, so the shut-in synth-pop of this side project fits him like a leotard", calling

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Mitchell, Justin (director); Gibbard, Ben (interview); Tamborello, Jimmy (interview); Lewis, Jenny (interview) (July 25, 2013).

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chart; in total, it logged over 90 weeks on the chart. It was number two album for that chart's year-end ranking for 2004, with

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electronica." Programmed elements are accentuated with acoustic guitars and live drums. Critics compared it to the eighties

4016: 4358: 3962: 2603: 2466: 377: 281: 3338: 3694: 1382: 1374: 1074: 882: 336: 3754: 4454: 2941: 755:. Megan Jasper, then the general manager at the label, estimated that Best Buy moved the most product of the three. 4583: 4547: 1706: 928: 511:. She excitedly agreed to join the project, and the two met for the first time when she picked Gibbard up from the 332: 222: 355: 3985: 831:. Within two years of its debut, "Such Great Heights" was certified gold for sales of over 500,000 copies by the 787:

began playing "Such Great Heights", which bolstered the album's popularity. An acoustic rendition of the tune by

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on burned CD-Rs. Gibbard would pick up the disc from Sub Pop's corporate office and return to his home in the

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with a former lover. "We Will Become Silhouettes" centers on an impending apocalypse. It was inspired by a

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was generally well received by music critics. It holds a score of 79 out of 100 on review aggregate site

279:. The two first collaborated with the song "(This Is) The Dream of Evan and Chan", for Dntel's debut LP, 4310: 4292: 4274: 4252: 3514: 871: 546: 457: 415:. Tony Kiewel, who had gone to college with Tamborello, had recently began working for Sub Pop in their 3305: 476: 4314: 4296: 4278: 4260: 3749: 3715: 2384: 2366: 2348: 2184: 1884: 1509: 1409:, that shared similarities with the "Such Great Heights" music video. The two both share imagery of " 1299: 1124: 1086: 757: 705: 689: 517: 296:'s through the mail, adding elements until songs were complete. The LP's sound contrasts manipulated 3270: 363:

The Postal Service is a collaboration between singer-songwriter Ben Gibbard and electronic musician

3981: 3866: 2887: 1391: 1186: 793: 512: 260: 2782: 669:, "where it's a song about being in love and how it's rad, rather than having your heart broken." 628:

Lyrically, the album touches on themes of love, as well as fame, history, and friendship. On both

4533: 4477: 3030: 2655: 2380: 1643: 886: 859: 802: 453: 328: 248: 196: 165: 56: 3606: 2814: 4094: 3956: 3839: 3634: 3496: 3462: 3432: 3375: 3251: 3221: 3192: 3154: 2154: 1759: 1578:

as the record label's most popular act in the early aughts. Gibbard has remarked that between

1537: 1532: 1309: 1274: 961: 948: 940: 932: 931:", backed with a new song, "Be Still My Heart". The single charted best in Canada, where as a 823: 814: 673: 585:

is considered a combination of indie rock and electronic music—dubbed by some "indietronica".

382: 1434:

The Postal Service—consisting of Gibbard, Tamborello, and Lewis—promoted the 2003 release of

3830: 2985:"Ben Gibbard Talks Death Cab's Almost Breakup and the "Obvious" Advice He Should Have Taken" 2612: 2248: 2109: 2075: 1843: 1584: 1386: 1317: 927:

gold in February 2005; that month, the band released a third and final single from the LP, "

748: 685: 614: 571: 521: 297: 37: 3778: 3320: 3300: 2362: 1489: 1481: 1423: 1419: 1136: 935:

single the songs reached number seven on the national charts. Domestically, it was a mild

863: 681: 602: 508: 393: 157: 3220:. Vol. 115, no. 6. Nielsen Business Media, Inc. February 15, 2003. p. 56. 1566:

represented Sub Pop's second biggest-selling album in its history, only behind Nirvana's

4438: 3431:. Vol. 117, no. 6. Nielsen Business Media, Inc. February 5, 2005. p. 28. 3020: 2229: 1828: 1546: 1440: 788: 598: 412: 408: 368: 268: 179: 3665: 2916:"The Postal Service talks about resurrecting a band from the dead after 10 long years" 4577: 4417: 3894: 3834: 3084: 3023:(director); Gibbard, Ben (interview); Tamborello, Jimmy (interview) (April 9, 2013). 2882: 2854: 2723:

Hirway, Hrishikesh (interviewer); Tamborello, Jimmy (interviewee) (January 1, 2014).

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In 2006, the duo courted further publicity when they shared their discomfort with an

1236: 936: 854: 744: 724: 665: 397: 2544: 1369: 4333: 3812: 2451: 2169: 2094: 1575: 1501: 1494: 1468: 1463: 1451: 1198: 901: 736: 732: 622: 575: 538: 533: 301: 272: 145: 109: 3488: 3424: 3243: 3180: 3146: 4498: 4488: 3740: 3495:. Vol. 116, no. 52. Nielsen Business Media, Inc. p. YE-56–YE-78. 2625: 2288: 2279: 2128: 2113: 1869: 1559: 1551: 1541: 1294: 798: 720: 701: 697: 693: 525: 500: 496: 484: 372: 317: 313: 276: 256: 101: 43: 375:. In 2001, Tamborello released his first album under the Dntel moniker, titled 4434: 3639: 3024: 2819: 2649: 1513: 1410: 1402: 1334: 1290: 1014: 953: 818: 504: 389: 340: 3500: 3466: 3436: 3379: 3255: 3225: 3196: 3158: 2724: 3744: 2616: 2214: 1813: 1571: 659: 650: 621:. He would program the drum patterns in the computer. He also used an Apple 119: 114: 4429: 4354: 3153:. Vol. 117, no. 34. Nielsen Business Media, Inc. pp. 11–12. 3054:"Death Cab for Cutie's Ben Gibbard Deconstructs the Science of Songwriting" 3670: 3519: 2297: 1669: 1555: 1037: 752: 645: 606: 594: 492: 309: 300:

and keyboards with live guitar and drums—a sound some have described as "

288:

The album is a long-distance collaboration between Gibbard, who lived in

359:

A promotional photo of Gibbard and Tamborello, shot by Brian Tamborello.

4423: 4412: 3579: 3461:. Vol. 117, no. 19. Nielsen Business Media, Inc. p. 34. 3374:. Vol. 116, no. 13. Nielsen Business Media, Inc. p. 64. 3250:. Vol. 117, no. 34. Nielsen Business Media, Inc. p. 18. 3191:. Vol. 116, no. 32. Nielsen Business Media, Inc. p. 34. 2966:

Fusilli, Jim (January 21, 2004). "The Lonesome Lyrics of Ben Gibbard".

2199: 810: 806: 784: 780: 775: 728: 461: 404: 289: 252: 150: 90: 862:

chart, peaking at number three, and also peaked at number four on its

4446: 4248: 4246: 2142:"The District Sleeps Alone Tonight" (DJ Downfall Persistent Beat Mix) 1857:"The District Sleeps Alone Tonight" (DJ Downfall Persistent Beat Mix) 1516:) produced a 15-minute documentary on the tour and the album, titled 1415: 870:

spent nineteen non-consecutive weeks at the top of the publication's

3951:. February 8, 2005. Archived from the original on November 12, 2005. 1447:, noting that the six were largely having fun and drinking heavily. 1500:

The following year, the band released a feature-length documentary

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also routinely topping the platform's Top Electronic Albums chart.

255:. The Postal Service was a collaboration between singer-songwriter 4493: 3607:"Such Great Heights: The Postal Service's 'Give Up' Goes Platinum" 2269: 1462: 1406: 1368: 895: 561: 542: 475: 431: 364: 354: 264: 51: 4199:"The Postal Service Announce 'Everything Will Change' Live Album" 3576:"Postal Service's Give Up Goes Gold, iTunes Exclusive, And More!" 3321:"The Postal Service's Single Pushes Them to 'Such Great Heights'" 2726:

Episode 1: The Postal Service – The District Sleeps Alone Tonight

4275:"The Postal Service Chart History (Top Dance/Electronic Albums)" 965: 909: 743:, Sub Pop began to carry the album at larger retailers, such as 618: 562: 437: 293: 4450: 2753:"Postal Service Tale: Indie Rock, Snail Mail and Trademark Law" 1554:

observed in 2013 that the album was influential on groups like

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at number 104 on its list of the 200 best albums of the 2000s.

432: 3795: 3711:"The Postal Service, 'Give Up': Classic Track-By-Track Review" 3121:"The Postal Service, 'Give Up': Classic Track-By-Track Review" 2621: 1174: 586: 470: 4380:"American album certifications – Postal Service – Give Up" 4330:"Canadian album certifications – Postal Service – Give Up" 3919:"Loose Cannon: The Postal Service and the Letter of the Law" 1307:"the near-perfect pop record that's eluded his main group." 403:

Tamborello had contacts at famed Seattle-based record label

4355:"British album certifications – Postal Service – Give Up" 4043:"10 Years Later, a Onetime Side Project With Outsize Clout" 2687:"Death Cab Singer Goes Postal With Electronic Side Project" 1591:

Though the album was by all accounts immensely successful,

1484:. The group also performed at several festivals, including 987:

had sold over 1.1 million units in the United States.

801:'s. The original version was licensed for commercials for 566:

Tamborello, seen here in 2006, composed the beats using a

723:—its reaction was initially muted, but grew steadily via 4068:"The Postal Service Set First Headline Tour in 10 Years" 839:", the album's second single, peaked at number 3 on the 4311:"The Postal Service Chart History (Independent Albums)" 4293:"The Postal Service Chart History (Heatseekers Albums)" 1398:. He noted that "Everyone was sort-of in on the joke." 4225:"Ben Gibbard Ranks Death Cab for Cutie's Eight Albums" 4095:"The Postal Service Deliver Full Summer Tour Schedule" 783:

page. In January 2004, influential L.A. radio station

452:, sending Gibbard, living north in Seattle, pieces of 2501:

Sales+streaming figures based on certification alone.

708:, where he felt convinced the world was soon to end. 4009:"Such Great Lows: Postal Service Upset over TV Spot" 1588:, "I’ve never had a more creatively inspired year." 448:

involved Tamborello, based in the L.A. community of

247:

is the sole studio album by American electronic duo

4557: 4525: 4507: 1911: 1903: 1792: 1784: 1618: 1610: 178: 156: 144: 128: 100: 79: 71: 63: 50: 30: 3635:"Give Up by The Postal Service Reviews and Tracks" 2272:– keyboards, synthesizers, programming, accordion 420:record deal with Sub Pop, and work on what became 3515:"The Postal Service – Awards (Billboard Singles)" 1467:Laura Burhenn, Lewis, Tamborello, and Gibbard at 923:, which was released in 1989. The RIAA certified 885:." Sales of the album and singles on the nascent 491:The album has several guest musicians, including 3489:"Postal Service Puts Stamp on Charts with Debut" 3452:"Postal Service Puts Stamp on Charts with Debut" 625:, a small laptop computer, to record the album. 3825: 3823: 2843: 2841: 2839: 2837: 2497:Shipments figures based on certification alone. 956:to helm the song's music video. Both clips for 308:also features guest appearances from vocalists 259:, best-known for his work with indie rock band 2718: 2716: 2714: 2712: 1092: 797:, as well as in television advertisements for 4462: 3629: 3627: 483:includes guest vocals from singer-songwriter 8: 4173:"The Postal Service: Everything Will Change" 3395:"Game Knocked Down by Guys from Mississippi" 2876: 2874: 2872: 2808: 2806: 2804: 1605:All tracks are written by The Postal Service 1293:, indicating "generally favorable reviews". 1242: 1204: 1142: 1042: 4147:"The Postal Service Say Goodbye in Chicago" 3659: 3657: 2213:"We Will Become Silhouettes" (performed by 1812:"We Will Become Silhouettes" (performed by 1405:commercial, advertising a partnership with 692:". In "Clark Gable", named after the famed 549:. Kiewel remarked in a 2013 interview that 460:. He would insert the CD into his portable 25:2003 studio album by the Postal Service 4469: 4455: 4447: 4437: 3546:"Postal Service Album Keeps on Delivering" 2651:The Postal Service: Some Idealistic Future 2430: 2397: 2315: 994: 36: 27: 4384:Recording Industry Association of America 4121:"The Postal Service adds U.S. tour dates" 3482: 3480: 3478: 3476: 3343:Recording Industry Association of America 833:Recording Industry Association of America 524:neighborhood, during the spring of 2002. 4036: 4034: 3698:. No. 176. March 2003. p. 100. 3539: 3537: 2534: 2532: 2530: 2528: 2526: 2524: 2522: 2520: 2518: 2091:Against All Odds (Take a Look at Me Now) 1897: 1778: 1607: 654:(1997), while the second half, with its 3757:from the original on September 30, 2020 3487:Paoletta, Michael (December 25, 2004). 3393:Montgomery, James (February 16, 2005). 3237: 3235: 3174: 3172: 3170: 3168: 3114: 3112: 3110: 3108: 3106: 3104: 3102: 3015: 3013: 3011: 3009: 3007: 3005: 2909: 2907: 2905: 2848:Matos, Michaelangelo (March 25, 2003). 2783:"Breaking & Entering: Going Postal" 2746: 2744: 2681: 2679: 2677: 2675: 2673: 2597: 2595: 2593: 2514: 2493: 2276:, electric drums, production, glitching 4564:"(This Is) The Dream of Evan and Chan" 4007:Montgomery, James (January 23, 2006). 3954: 3816:. No. 202. May 2003. p. 112. 3033:from the original on December 12, 2021 3026:The Postal Service: In Their Own Words 2777: 2775: 2773: 2658:from the original on December 12, 2021 2566: 2564: 2562: 2560: 2558: 2556: 2554: 1531:was released during a period in which 1508:, filmed during a stop of the tour in 4197:Legaspi, Althea (November 18, 2020). 3835:"Consumer Guide: Edges of the Groove" 3782:. No. 114. May 2003. p. 98. 3735: 3733: 3544:Perez, Rodrigo (September 16, 2004). 2983:Carlick, Stephen (November 6, 2012). 2643: 2641: 2639: 2637: 2635: 1373:The project attracted the ire of the 1023: 1000: 704:phase Gibbard went through after the 658:pattern, was inspired by the work of 495:, a solo artist formerly of the band 440:through the mail to create the album. 407:, best-known for releasing albums by 7: 4093:McGovern, Kyle (February 19, 2013). 3363:Paoletta, Michael (March 27, 2004). 3319:Wawzenek, Bryan (January 19, 2018). 3179:Paoletta, Michael (August 7, 2004). 2604:"BBC – Collective – Postal Service, 2539:Hawthorne, Marc (November 1, 2002). 1570:(1989). The Postal Service eclipsed 983:200 in April 2013. As of that year, 251:, released on February 18, 2003, by 4253:"The Postal Service Chart History ( 3605:Martins, Chris (November 1, 2012). 3582:. February 18, 2005. Archived from 3052:McCartney, Kelly (April 19, 2015). 2602:Loundras, Alexia (April 25, 2003). 2228:"Such Great Heights" (performed by 2074:"Suddenly Everything Has Changed" ( 1920:"The District Sleeps Alone Tonight" 1842:"Suddenly Everything Has Changed" ( 1827:"Such Great Heights" (performed by 1094: 900:Sales of the album on the emerging 541:; the CDs were sent through either 424:began in earnest in December 2001. 3862:"The 200 Best Albums of the 2000s" 3709:Payne, Chris (February 19, 2013). 3304:. January 13, 2004. Archived from 3271:"Aging album maintains high sales" 3119:Payne, Chris (February 19, 2013). 2914:Ingraham, Nathan (July 25, 2013). 487:, who sings on half of its tracks. 14: 4541:The District Sleeps Alone Tonight 4171:Bloom, Dave (November 25, 2014). 4119:Young, Alex (February 19, 2013). 3945:"Give Up: Postal Service Band CD" 3450:Paoletta, Michael (May 7, 2005). 3269:Luhn, Alec (September 21, 2005). 3242:Martens, Todd (August 20, 2005). 3147:"Sub Pop's Commercial Resurgence" 2751:Sisario, Ben (November 6, 2004). 2571:Anderson, Kyle (April 19, 2013). 1772:The District Sleeps Alone Tonight 1629:The District Sleeps Alone Tonight 1361:as the decade's 86th best album. 1244: 1206: 1144: 1044: 837:The District Sleeps Alone Tonight 741:Alternative Distribution Alliance 436:The pair sent one another burned 210:The District Sleeps Alone Tonight 4319:. Retrieved September 17, 2015. 4301:. Retrieved September 17, 2015. 4283:. Retrieved September 17, 2015. 4265:. Retrieved September 17, 2015. 4145:Baltin, Steve (August 5, 2013). 3145:Morris, Chris (April 10, 2004). 2881:LeMay, Matt (February 9, 2003). 1263: 1258: 1253: 1248: 1243: 1225: 1220: 1215: 1210: 1205: 1163: 1158: 1153: 1148: 1143: 1113: 1108: 1103: 1098: 1093: 1063: 1058: 1053: 1048: 1043: 3921:. DirectMag.com. Archived from 3810:"The Postal Service: Give Up". 3793:"The Postal Service: Give Up". 3776:"The Postal Service: Give Up". 3692:"The Postal Service: Give Up". 3296:"POSTAL SERVICE ADDED on KROQ!" 2813:Powers, Devon (April 3, 2003). 2693:. April 4, 2003. Archived from 1899:10th Anniversary Deluxe Edition 881:Paoletta characterizing it as " 503:, then known for her work with 4041:Pareles, Jon (June 16, 2013). 3890:"100 Best Albums of the 2000s" 3666:"Give Up – The Postal Service" 3078:Flicker, Jonah (May 7, 2012). 2168:"We Will Become Silhouettes" ( 1904: 1785: 1611: 1488:and Sasquatch! stateside, and 1385:(USPS) served the band with a 1377:, who threatened legal action. 946:in early 2005. Sub Pop tapped 939:, peaking at number 82 on the 444:The production process behind 1: 4359:British Phonographic Industry 3978:"Interview: Jimmy Tamborello" 2940:Chapin, Bill (May 17, 2009). 2883:"The Postal Service: Give Up" 2815:"The Postal Service: Give Up" 378:Life Is Full of Possibilities 282:Life Is Full of Possibilities 271:as a pioneer of contemporary 4223:Ozzi, Dan (August 9, 2018). 3870:. October 2, 2009. p. 5 3339:"Gold & Platinum – RIAA" 2419: 2391: 2373: 2355: 2337: 1986:"We Will Become Silhouettes" 1668:"Nothing Better" (featuring 1383:United States Postal Service 1375:United States Postal Service 817:. The song was the original 337:United States Postal Service 3244:"Q&A: Jonathan Poneman" 2345:Top Dance/Electronic Albums 2063:"There's Never Enough Time" 2041:"A Tattered Line of String" 1801:"There's Never Enough Time" 883:the little album that could 4610: 4548:We Will Become Silhouettes 2541:"The Postal Service – Bio" 1707:We Will Become Silhouettes 960:attracted rotation on the 929:We Will Become Silhouettes 696:, Gibbard sings of making 676:, the man responsible for 343:. Despite its popularity, 333:We Will Become Silhouettes 228:Released: February 8, 2005 223:We Will Become Silhouettes 15: 4589:The Postal Service albums 4484: 3961:: CS1 maint: unfit URL ( 3181:"Postal Service Delivers 2494: 2479: 2464: 2449: 2441: 2438: 2435: 2410: 2378: 2360: 2342: 2328: 2224: 2209: 2194: 2179: 2164: 2149: 2138: 2123: 2104: 2085: 2070: 2059: 2048: 2037: 2026: 2015: 2004: 1993: 1982: 1971: 1960: 1949: 1938: 1927: 1916: 1908: 1879: 1864: 1853: 1838: 1823: 1808: 1797: 1789: 1738: 1727: 1716: 1701: 1690: 1679: 1664: 1653: 1638: 1623: 1615: 1031: 1028: 1008: 1005: 672:"Sleeping In" alludes to 236: 189: 174: 86:Dying Songs (Los Angeles) 35: 2729:(Podcast). Song Exploder 2198:"Recycled Air" (Live on 1997:"This Place Is a Prison" 1720:"This Place Is a Prison" 846:The LP did not debut on 520:, a studio in Seattle's 428:Recording and production 18:Give Up (disambiguation) 3425:"Top Electronic Albums" 3211:"Hot 100 Singles Sales" 2969:The Wall Street Journal 2946:Jackson Citizen Patriot 2255:, additional keyboards 2251:– lead vocals, guitars 841:Hot Dance Singles Sales 694:twentieth-century actor 570:sampler connected to a 2127:"Such Great Heights" ( 1868:"Such Great Heights" ( 1518:Some Idealistic Future 1506:Everything Will Change 1472: 1459:Tenth anniversary tour 1378: 913: 719:has been considered a 712:Commercial performance 611:Kurzweil Music Systems 579: 488: 441: 360: 316:, as well as musician 215:Released: July 8, 2003 75:December 2001 and 2002 4019:on September 14, 2014 2153:"Be Still My Heart" ( 1466: 1372: 899: 872:Top Electronic Albums 827:, and appears on its 776:Hot 100 Singles Sales 565: 479: 458:Capitol Hill district 435: 358: 4125:Consequence of Sound 3750:Entertainment Weekly 3586:on February 26, 2005 3556:on February 19, 2019 3080:"Such Great Heights" 2577:Entertainment Weekly 2172:'s Not Scared Remix) 1931:"Such Great Heights" 1510:Berkeley, California 1381:In August 2003, the 1300:Entertainment Weekly 1125:Entertainment Weekly 996:Professional ratings 706:September 11 attacks 400:(EP) of their work. 16:For other uses, see 3925:on February 7, 2009 3405:on October 20, 2019 2432: 2052:"Be Still My Heart" 1900: 1781: 1424:The Black Eyed Peas 997: 518:the Hall of Justice 339:and a dispute with 261:Death Cab for Cutie 4534:Such Great Heights 4478:The Postal Service 4074:. February 3, 2013 4047:The New York Times 3917:Richard H. Levey. 3833:(March 23, 2004). 3743:(March 14, 2003). 3365:"Over the Counter" 3308:on April 14, 2004. 2757:The New York Times 2547:on March 29, 2003. 2431: 2381:Independent Albums 2363:Heatseekers Albums 2183:"Nothing Better" ( 2008:"Brand New Colony" 1898: 1883:"Nothing Better" ( 1779: 1768:Such Great Heights 1731:"Brand New Colony" 1644:Such Great Heights 1473: 1396:Postmaster General 1379: 995: 991:Critical reception 914: 887:iTunes Music Store 860:Independent Albums 605:'s Matt LeMay and 580: 489: 454:instrumental music 442: 361: 329:Such Great Heights 249:The Postal Service 197:Such Great Heights 166:The Postal Service 57:the Postal Service 4584:2003 debut albums 4571: 4570: 3840:The Village Voice 3831:Christgau, Robert 3695:Alternative Press 3664:Phares, Heather. 3275:The Badger Herald 2628:on June 18, 2003. 2507: 2506: 2502: 2498: 2424: 2423: 2396: 2395: 2300:– backing vocals 2282:– backing vocals 2259:, electric piano 2239: 2238: 1894: 1893: 1749: 1748: 1538:the White Stripes 1533:independent music 1450:Initially, their 1310:The Village Voice 1284: 1283: 1275:The Village Voice 1075:Alternative Press 949:Napoleon Dynamite 821:to medical drama 815:Kaiser Permanente 690:Don't You Want Me 674:Lee Harvey Oswald 656:four on the floor 383:the Jealous Sound 240: 239: 67:February 18, 2003 4601: 4558:Related articles 4494:Jimmy Tamborello 4471: 4464: 4457: 4448: 4441: 4395: 4394: 4392: 4390: 4376: 4370: 4369: 4367: 4365: 4351: 4345: 4344: 4342: 4340: 4326: 4320: 4308: 4302: 4290: 4284: 4272: 4266: 4250: 4241: 4240: 4238: 4236: 4220: 4214: 4213: 4211: 4209: 4194: 4188: 4187: 4185: 4183: 4168: 4162: 4161: 4159: 4157: 4142: 4136: 4135: 4133: 4131: 4116: 4110: 4109: 4107: 4105: 4090: 4084: 4083: 4081: 4079: 4064: 4058: 4057: 4055: 4053: 4038: 4029: 4028: 4026: 4024: 4015:. Archived from 4004: 3998: 3997: 3995: 3993: 3988:on April 6, 2008 3984:. Archived from 3973: 3967: 3966: 3960: 3952: 3941: 3935: 3934: 3932: 3930: 3914: 3908: 3907: 3905: 3903: 3886: 3880: 3879: 3877: 3875: 3858: 3852: 3851: 3849: 3847: 3827: 3818: 3817: 3807: 3801: 3800: 3790: 3784: 3783: 3773: 3767: 3766: 3764: 3762: 3737: 3728: 3727: 3725: 3723: 3706: 3700: 3699: 3689: 3683: 3682: 3680: 3678: 3661: 3652: 3651: 3649: 3647: 3631: 3622: 3621: 3619: 3617: 3602: 3596: 3595: 3593: 3591: 3572: 3566: 3565: 3563: 3561: 3552:. Archived from 3541: 3532: 3531: 3529: 3527: 3511: 3505: 3504: 3484: 3471: 3470: 3456: 3447: 3441: 3440: 3421: 3415: 3414: 3412: 3410: 3401:. Archived from 3390: 3384: 3383: 3369: 3360: 3354: 3353: 3351: 3349: 3335: 3329: 3328: 3316: 3310: 3309: 3292: 3286: 3285: 3283: 3281: 3266: 3260: 3259: 3239: 3230: 3229: 3215: 3207: 3201: 3200: 3176: 3163: 3162: 3142: 3136: 3135: 3133: 3131: 3116: 3097: 3096: 3094: 3092: 3075: 3069: 3068: 3066: 3064: 3058:Medium. Cuepoint 3049: 3043: 3042: 3040: 3038: 3017: 3000: 2999: 2997: 2995: 2980: 2974: 2973: 2963: 2957: 2956: 2954: 2952: 2937: 2931: 2930: 2928: 2926: 2911: 2900: 2899: 2897: 2895: 2878: 2867: 2866: 2864: 2862: 2845: 2832: 2831: 2829: 2827: 2810: 2799: 2798: 2796: 2794: 2779: 2768: 2767: 2765: 2763: 2748: 2739: 2738: 2736: 2734: 2720: 2707: 2706: 2704: 2702: 2697:on April 4, 2016 2683: 2668: 2667: 2665: 2663: 2645: 2630: 2629: 2624:. Archived from 2599: 2588: 2587: 2585: 2583: 2568: 2549: 2548: 2543:. Archived from 2536: 2500: 2496: 2465:United Kingdom ( 2433: 2398: 2316: 2307: 2303: 2294: 2285: 2275: 2270:Jimmy Tamborello 2266: 2262: 2258: 2254: 2249:Benjamin Gibbard 2110:Grow Old with Me 2076:The Flaming Lips 2019:"Natural Anthem" 1953:"Nothing Better" 1906: 1901: 1844:The Flaming Lips 1787: 1782: 1780:Bonus vinyl disc 1742:"Natural Anthem" 1613: 1608: 1585:Transatlanticism 1582:and Death Cab's 1387:cease and desist 1318:Robert Christgau 1315: 1268: 1267: 1266: 1262: 1261: 1257: 1256: 1252: 1251: 1247: 1246: 1230: 1229: 1228: 1224: 1223: 1219: 1218: 1214: 1213: 1209: 1208: 1168: 1167: 1166: 1162: 1161: 1157: 1156: 1152: 1151: 1147: 1146: 1118: 1117: 1116: 1112: 1111: 1107: 1106: 1102: 1101: 1097: 1096: 1068: 1067: 1066: 1062: 1061: 1057: 1056: 1052: 1051: 1047: 1046: 1001:Aggregate scores 998: 889:were high, with 880: 852: 829:first soundtrack 774: 763: 749:Virgin Megastore 733:college stations 686:the Human League 634:Transatlanticism 615:Macintosh Quadra 572:Macintosh Quadra 265:Jimmy Tamborello 229: 226: 216: 213: 203: 200: 140: 139: 135: 40: 28: 4609: 4608: 4604: 4603: 4602: 4600: 4599: 4598: 4574: 4573: 4572: 4567: 4553: 4521: 4503: 4480: 4475: 4424:Sub Pop Records 4413:Sub Pop Records 4403: 4398: 4388: 4386: 4378: 4377: 4373: 4363: 4361: 4353: 4352: 4348: 4338: 4336: 4328: 4327: 4323: 4309: 4305: 4291: 4287: 4273: 4269: 4251: 4244: 4234: 4232: 4222: 4221: 4217: 4207: 4205: 4196: 4195: 4191: 4181: 4179: 4170: 4169: 4165: 4155: 4153: 4144: 4143: 4139: 4129: 4127: 4118: 4117: 4113: 4103: 4101: 4092: 4091: 4087: 4077: 4075: 4066: 4065: 4061: 4051: 4049: 4040: 4039: 4032: 4022: 4020: 4006: 4005: 4001: 3991: 3989: 3982:Pitchfork Media 3975: 3974: 3970: 3953: 3943: 3942: 3938: 3928: 3926: 3916: 3915: 3911: 3901: 3899: 3898:. July 18, 2011 3888: 3887: 3883: 3873: 3871: 3860: 3859: 3855: 3845: 3843: 3829: 3828: 3821: 3809: 3808: 3804: 3792: 3791: 3787: 3775: 3774: 3770: 3760: 3758: 3739: 3738: 3731: 3721: 3719: 3708: 3707: 3703: 3691: 3690: 3686: 3676: 3674: 3663: 3662: 3655: 3645: 3643: 3633: 3632: 3625: 3615: 3613: 3604: 3603: 3599: 3589: 3587: 3574: 3573: 3569: 3559: 3557: 3543: 3542: 3535: 3525: 3523: 3513: 3512: 3508: 3486: 3485: 3474: 3454: 3449: 3448: 3444: 3423: 3422: 3418: 3408: 3406: 3392: 3391: 3387: 3367: 3362: 3361: 3357: 3347: 3345: 3337: 3336: 3332: 3318: 3317: 3313: 3294: 3293: 3289: 3279: 3277: 3268: 3267: 3263: 3241: 3240: 3233: 3213: 3209: 3208: 3204: 3178: 3177: 3166: 3144: 3143: 3139: 3129: 3127: 3118: 3117: 3100: 3090: 3088: 3077: 3076: 3072: 3062: 3060: 3051: 3050: 3046: 3036: 3034: 3021:Scharpling, Tom 3019: 3018: 3003: 2993: 2991: 2982: 2981: 2977: 2965: 2964: 2960: 2950: 2948: 2939: 2938: 2934: 2924: 2922: 2913: 2912: 2903: 2893: 2891: 2880: 2879: 2870: 2860: 2858: 2847: 2846: 2835: 2825: 2823: 2812: 2811: 2802: 2792: 2790: 2789:. June 11, 2003 2781: 2780: 2771: 2761: 2759: 2750: 2749: 2742: 2732: 2730: 2722: 2721: 2710: 2700: 2698: 2685: 2684: 2671: 2661: 2659: 2647: 2646: 2633: 2601: 2600: 2591: 2581: 2579: 2570: 2569: 2552: 2538: 2537: 2516: 2512: 2499: 2480:United States ( 2443:Certified units 2429: 2405: 2323: 2314: 2312:Chart positions 2305: 2301: 2292: 2283: 2273: 2264: 2260: 2256: 2253:(1, 2, 3, 5, 9) 2252: 2245: 2240: 2230:Iron & Wine 1895: 1829:Iron & Wine 1750: 1602: 1526: 1490:Primavera Sound 1482:Barclays Center 1461: 1445:honeymoon phase 1432: 1420:Jessica Simpson 1367: 1313: 1264: 1259: 1254: 1249: 1226: 1221: 1216: 1211: 1164: 1159: 1154: 1149: 1114: 1109: 1104: 1099: 1064: 1059: 1054: 1049: 993: 878: 864:Top Heatseekers 850: 789:Iron & Wine 772: 761: 714: 682:John F. Kennedy 680:U.S. President 603:Pitchfork Media 560: 509:Omaha, Nebraska 430: 353: 263:, and musician 253:Sub Pop Records 232: 227: 220: 219: 214: 207: 206: 201: 194: 193: 170: 137: 133: 132: 124: 96: 89:Computerworld ( 59: 46: 26: 21: 12: 11: 5: 4607: 4605: 4597: 4596: 4594:Sub Pop albums 4591: 4586: 4576: 4575: 4569: 4568: 4566: 4565: 4561: 4559: 4555: 4554: 4552: 4551: 4544: 4537: 4529: 4527: 4523: 4522: 4520: 4519: 4511: 4509: 4505: 4504: 4502: 4501: 4496: 4491: 4485: 4482: 4481: 4476: 4474: 4473: 4466: 4459: 4451: 4443: 4442: 4426: 4415: 4402: 4401:External links 4399: 4397: 4396: 4371: 4346: 4321: 4303: 4285: 4267: 4242: 4215: 4189: 4163: 4137: 4111: 4085: 4059: 4030: 3999: 3968: 3936: 3909: 3881: 3853: 3819: 3802: 3799:. May 3, 2003. 3785: 3768: 3729: 3701: 3684: 3653: 3623: 3597: 3567: 3533: 3506: 3472: 3442: 3416: 3385: 3355: 3330: 3311: 3287: 3261: 3231: 3202: 3164: 3137: 3098: 3070: 3044: 3001: 2975: 2972:. p. D13. 2958: 2932: 2901: 2868: 2833: 2800: 2769: 2740: 2708: 2669: 2631: 2589: 2550: 2513: 2511: 2508: 2505: 2504: 2492: 2491: 2488: 2485: 2477: 2476: 2473: 2470: 2462: 2461: 2458: 2455: 2447: 2446: 2440: 2437: 2428: 2427:Certifications 2425: 2422: 2421: 2418: 2408: 2407: 2402: 2394: 2393: 2390: 2376: 2375: 2372: 2358: 2357: 2354: 2340: 2339: 2336: 2326: 2325: 2320: 2313: 2310: 2309: 2308: 2295: 2286: 2284:(1, 3, 5–7, 9) 2277: 2267: 2244: 2241: 2237: 2236: 2233: 2226: 2222: 2221: 2218: 2211: 2207: 2206: 2203: 2196: 2192: 2191: 2188: 2181: 2177: 2176: 2173: 2166: 2162: 2161: 2158: 2151: 2147: 2146: 2143: 2140: 2136: 2135: 2132: 2125: 2121: 2120: 2117: 2106: 2102: 2101: 2098: 2087: 2083: 2082: 2079: 2072: 2068: 2067: 2064: 2061: 2057: 2056: 2053: 2050: 2046: 2045: 2042: 2039: 2035: 2034: 2031: 2028: 2024: 2023: 2020: 2017: 2013: 2012: 2009: 2006: 2002: 2001: 1998: 1995: 1991: 1990: 1987: 1984: 1980: 1979: 1976: 1973: 1969: 1968: 1965: 1964:"Recycled Air" 1962: 1958: 1957: 1954: 1951: 1947: 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556: 429: 426: 413:Sleater-Kinney 352: 349: 269:cult following 238: 237: 234: 233: 231: 230: 217: 204: 202:Released: 2003 190: 187: 186: 176: 175: 172: 171: 169: 168: 162: 160: 154: 153: 148: 142: 141: 130: 126: 125: 123: 122: 117: 112: 106: 104: 98: 97: 95: 94: 87: 83: 81: 77: 76: 73: 69: 68: 65: 61: 60: 55: 48: 47: 41: 33: 32: 24: 13: 10: 9: 6: 4: 3: 2: 4606: 4595: 4592: 4590: 4587: 4585: 4582: 4581: 4579: 4563: 4562: 4560: 4556: 4549: 4545: 4542: 4538: 4535: 4531: 4530: 4528: 4524: 4518: 4517: 4513: 4512: 4510: 4508:Studio albums 4506: 4500: 4497: 4495: 4492: 4490: 4487: 4486: 4483: 4479: 4472: 4467: 4465: 4460: 4458: 4453: 4452: 4449: 4445: 4440: 4436: 4432: 4431: 4427: 4425: 4421: 4420: 4416: 4414: 4410: 4409: 4405: 4404: 4400: 4385: 4381: 4375: 4372: 4360: 4356: 4350: 4347: 4335: 4331: 4325: 4322: 4318: 4317: 4312: 4307: 4304: 4300: 4299: 4294: 4289: 4286: 4282: 4281: 4276: 4271: 4268: 4264: 4263: 4258: 4256: 4249: 4247: 4243: 4230: 4226: 4219: 4216: 4204: 4203:Rolling Stone 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