247:(drums). Duvivier had taken over as the bassist in Powell's trio probably around a month before the recording. Davis indicated that the piece was entirely composed, while Mathieson suggested that the composition leaves "little scope for improvisation".
276:
was influenced by the more advanced harmonies used in "Glass
Enclosure" and other Powell compositions from the 1950s in his own writing of music. A Shorter biographer observed that, although "jazz musicians didn't start playing
193:, who went to the apartment one day, "There was a piano there and played me some new things. One piece really stood out. I asked him what he called it. He looked around the apartment and said, 'Glass Enclosure'."
265:
described it as "the best and most stimulatingly organized Bud original yet recorded and one that shows ... the potential of this musician for significant composition as well as influential interpretation".
1050:
594:
Years given are for the recording(s), not first release. Because Powell's discography features albums with the same title, record labels are identified to avoid any confusion.
269:
Davis suggested that "This piece has to be played Powell's way or not at all, which explains why it's so rarely performed." Powell himself also played the piece in public.
185:
jazz club in New York, and its manager was Powell's legal guardian. He kept Powell locked in an apartment to ensure that the pianist would play at the club. According to
909:
925:
200:: it could have been for the announcer's booth that was beside the stage at Birdland, "or maybe the invisible box that walled Bud off like a trapped mime."
1066:
1021:
798:
366:
547:
DeMotta, David J. (2015) The contributions of Earl "Bud" Powell to the modern jazz style. Doctoral dissertation, The City
University of New York.
706:
957:
754:
575:
1201:
698:
232:". It "runs through a sequence of abrupt changes of mood and direction", described by critic Kenny Mathieson as "disturbing, unsettling
524:
428:
311:
1082:
949:
1058:
770:
463:
838:
1074:
662:
165:
41:
281:
with any frequency until the 1960s, Bud Powell played a few on 'The Glass
Enclosure' in the early fifties" (Powell's 1951 "
1196:
181:
Powell had been in a mental institution until six months before the recording session. He was contracted to play at the
398:
846:
216:
wrote in the original album liner notes that "'Glass
Enclosure' is more or less in four movements: the first somewhat
208:"Glass Enclosure" is stylistically different from Powell's typical compositions, which were often more conventional
862:
814:
870:
778:
642:
568:
886:
786:
221:
355:
1136:
918:
634:
1168:
1150:
1115:
965:
878:
220:, the next a swinging format on two 10-bar phrases: then a pensive yet flowing movement with a stirring
670:
806:
730:
182:
1191:
1014:
973:
830:
822:
561:
228:
states that "'Glass
Enclosure' juxtaposes to harrowing effect an agitated blues riff and a ten-bar
937:
854:
482:
170:
1101:
1005:
993:
690:
530:
520:
424:
317:
307:
186:
160:
109:
502:
1029:
354:
233:
66:
1108:
978:
914:
714:
610:
467:
240:
213:
197:
129:
998:
982:
738:
1185:
942:
930:
678:
350:
273:
225:
460:
1122:
762:
361:
282:
278:
104:
1143:
654:
380:
262:
190:
135:
76:
1010:
746:
618:
584:
244:
156:
31:
986:
488:
389:
384:
791:
446:
257:
217:
117:
356:"Bud's Bubble: The pianist Bud Powell was mad even by bebop's standards"
169:
the following year. It was also released as one side of a single, with "
229:
224:-bass underline, followed by a reminder of the first movement". Author
196:
Alternative explanations for the title have been proposed by critic
534:
321:
209:
722:
239:
The musicians for the original performance were Powell (piano),
152:
81:
27:
557:
394:
553:
421:
Giant Steps: Bebop and the
Creators of Modern Jazz, 1945-65
385:"After a Painful Year, Bud Powell's Triumphant 1953 Return"
1051:
Earl Bud Powell, Vol. 1: Early Years of a Genius, 44–48
1160:
1093:
1040:
901:
600:
127:
115:
103:
87:
75:
65:
57:
49:
37:
26:
21:
481:
163:in 1953, which was released as part of the album
444:Hentoff, Nat (November 27, 1954). "Bud Powell".
159:. The first recording was Powell's version for
517:Footprints: The Life and Work of Wayne Shorter
365:. Vol. 277, no. 1. pp. 99–102.
569:
8:
1067:The Complete Blue Note and Roost Recordings
1022:Dizzy Gillespie and the Double Six of Paris
910:Cootie Williams and His Orchestra 1941–1944
576:
562:
554:
345:
343:
341:
339:
337:
335:
333:
331:
18:
926:New York Journeyman – Complete Recordings
505:. dothemath. Retrieved September 1, 2014.
255:Reviewing Powell's original recording in
470:. ESP-Disk. Retrieved September 1, 2014.
450:. Vol. 21, no. 23. p. 13.
414:
412:
410:
408:
401:from the original on December 21, 2020.
304:Glass Enclosure: The Life of Bud Powell
294:
36:
25:
799:'Round About Midnight at the Blue Note
369:from the original on August 14, 2020.
7:
958:Sonny Stitt/Bud Powell/J. J. Johnson
302:Groves, Alan; Shipton, Alyn (1993).
699:Piano Interpretations by Bud Powell
14:
1083:The Complete Bud Powell on Verve
1059:The Best of Bud Powell on Verve
771:The Essen Jazz Festival Concert
1075:The Complete RCA Trio Sessions
663:The Amazing Bud Powell, Vol. 2
480:Shanley, Mike (July 3, 2014).
166:The Amazing Bud Powell, Vol. 2
42:The Amazing Bud Powell, Vol. 2
1:
950:J. J. Johnson's Jazz Quintets
891:
461:"Bud Powell – Birdland 1953"
285:" also used lydian chords).
483:"Bud Powell: Birdland 1953"
306:. Bloomsbury. p. 127.
204:Composition and performance
1218:
1202:Compositions by Bud Powell
419:Mathieson, Kenny (2012) .
71:WOR Studios, New York City
863:Holidays in Edenville, 64
591:
515:Mercer, Michelle (2004).
871:The Return of Bud Powell
779:A Portrait of Thelonious
650:(Mercury/Verve, 1950–51)
643:The Genius of Bud Powell
839:Relaxin' at Home, 61–64
787:A Tribute to Cannonball
279:Lydian augmented chords
151:") is a composition by
16:1954 song by Bud Powell
635:The Amazing Bud Powell
503:"Crossing the Channel"
1151:Una Noche con Francis
1116:Parisian Thoroughfare
1033:(Dexter Gordon, 1963)
966:One Night in Birdland
879:Award at Birdland, 64
674:(Norgran/Verve, 1956)
807:At the Golden Circle
251:Reception and legacy
1197:American jazz songs
1015:the Jazz Messengers
974:Jazz at Massey Hall
831:Bud Powell in Paris
826:(split album, 1963)
823:Americans in Europe
707:Blues in the Closet
149:The Glass Enclosure
938:Dexter Rides Again
855:The Invisible Cage
671:Bud Powell's Moods
648:Bud Powell's Moods
466:2014-09-03 at the
383:(March 24, 2014).
171:I Want to Be Happy
1179:
1178:
1102:Bouncing with Bud
1006:Paris Jam Session
994:Mingus at Antibes
815:Bouncing with Bud
755:The Scene Changes
731:Swingin' with Bud
691:The Lonely One...
628:Piano Solos, No.2
161:Blue Note Records
147:" (occasionally "
141:
140:
22:"Glass Enclosure"
1209:
1030:Our Man in Paris
893:
614:(Roost, 1947–53)
578:
571:
564:
555:
548:
545:
539:
538:
512:
506:
500:
494:
493:
485:
477:
471:
458:
452:
451:
441:
435:
434:
416:
403:
402:
377:
371:
370:
358:
353:(January 1996).
347:
326:
325:
299:
132:
120:
99:
98:
94:
19:
1217:
1216:
1212:
1211:
1210:
1208:
1207:
1206:
1182:
1181:
1180:
1175:
1156:
1130:Glass Enclosure
1109:Tempus Fugue-it
1089:
1042:
1036:
979:Dizzy Gillespie
915:Cootie Williams
897:
715:Strictly Powell
611:Bud Powell Trio
602:
596:
587:
582:
552:
551:
546:
542:
527:
514:
513:
509:
501:
497:
479:
478:
474:
468:Wayback Machine
459:
455:
443:
442:
438:
431:
418:
417:
406:
379:
378:
374:
349:
348:
329:
314:
301:
300:
296:
291:
253:
241:George Duvivier
214:Leonard Feather
206:
198:Kevin Whitehead
179:
145:Glass Enclosure
128:
116:
96:
92:
91:
61:August 14, 1953
38:from the album
17:
12:
11:
5:
1215:
1213:
1205:
1204:
1199:
1194:
1184:
1183:
1177:
1176:
1174:
1173:
1169:Round Midnight
1164:
1162:
1158:
1157:
1155:
1154:
1147:
1140:
1133:
1126:
1119:
1112:
1105:
1097:
1095:
1091:
1090:
1088:
1087:
1079:
1071:
1063:
1055:
1046:
1044:
1038:
1037:
1035:
1034:
1026:
1018:
1002:
999:Charles Mingus
990:
983:Charlie Parker
970:
962:
954:
946:
934:
922:
905:
903:
899:
898:
896:
895:
883:
875:
867:
859:
851:
843:
835:
827:
819:
811:
803:
795:
783:
775:
767:
759:
751:
743:
739:Bud Plays Bird
735:
727:
719:
711:
703:
695:
687:
684:Bud Powell '57
675:
667:
659:
651:
639:
631:
615:
606:
604:
598:
597:
592:
589:
588:
583:
581:
580:
573:
566:
558:
550:
549:
540:
526:978-1585423538
525:
507:
495:
472:
453:
436:
430:978-0862418595
429:
404:
393:(transcript).
372:
351:Davis, Francis
327:
313:978-1871478266
312:
293:
292:
290:
287:
252:
249:
205:
202:
178:
175:
139:
138:
133:
125:
124:
121:
113:
112:
107:
101:
100:
89:
85:
84:
79:
73:
72:
69:
63:
62:
59:
55:
54:
51:
47:
46:
35:
34:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1214:
1203:
1200:
1198:
1195:
1193:
1190:
1189:
1187:
1171:
1170:
1166:
1165:
1163:
1159:
1152:
1148:
1145:
1141:
1138:
1134:
1131:
1127:
1124:
1120:
1117:
1113:
1110:
1106:
1103:
1099:
1098:
1096:
1092:
1085:
1084:
1080:
1077:
1076:
1072:
1069:
1068:
1064:
1061:
1060:
1056:
1053:
1052:
1048:
1047:
1045:
1039:
1032:
1031:
1027:
1024:
1023:
1019:
1016:
1012:
1008:
1007:
1003:
1000:
996:
995:
991:
988:
984:
980:
976:
975:
971:
968:
967:
963:
960:
959:
955:
952:
951:
947:
944:
943:Dexter Gordon
940:
939:
935:
932:
931:Frank Socolow
928:
927:
923:
920:
916:
912:
911:
907:
906:
904:
900:
889:
888:
884:
881:
880:
876:
873:
872:
868:
865:
864:
860:
857:
856:
852:
849:
848:
844:
841:
840:
836:
833:
832:
828:
825:
824:
820:
817:
816:
812:
809:
808:
804:
801:
800:
796:
793:
789:
788:
784:
781:
780:
776:
773:
772:
768:
765:
764:
760:
757:
756:
752:
749:
748:
744:
741:
740:
736:
733:
732:
728:
725:
724:
720:
717:
716:
712:
709:
708:
704:
701:
700:
696:
693:
692:
688:
685:
681:
680:
679:Jazz Original
676:
673:
672:
668:
665:
664:
660:
657:
656:
652:
649:
645:
644:
640:
637:
636:
632:
629:
625:
621:
620:
616:
613:
612:
608:
607:
605:
599:
595:
590:
586:
579:
574:
572:
567:
565:
560:
559:
556:
544:
541:
536:
532:
528:
522:
518:
511:
508:
504:
499:
496:
491:
490:
484:
476:
473:
469:
465:
462:
457:
454:
449:
448:
440:
437:
432:
426:
423:. Canongate.
422:
415:
413:
411:
409:
405:
400:
396:
392:
391:
386:
382:
376:
373:
368:
364:
363:
357:
352:
346:
344:
342:
340:
338:
336:
334:
332:
328:
323:
319:
315:
309:
305:
298:
295:
288:
286:
284:
280:
275:
274:Wayne Shorter
270:
267:
264:
260:
259:
250:
248:
246:
242:
237:
235:
231:
227:
226:Francis Davis
223:
219:
215:
211:
203:
201:
199:
194:
192:
188:
184:
176:
174:
172:
168:
167:
162:
158:
154:
150:
146:
137:
134:
131:
126:
122:
119:
114:
111:
108:
106:
102:
90:
86:
83:
80:
78:
74:
70:
68:
64:
60:
56:
52:
48:
45:
43:
40:
33:
29:
20:
1167:
1129:
1123:Un Poco Loco
1094:Compositions
1081:
1073:
1065:
1057:
1049:
1043:and box sets
1041:Compilations
1028:
1020:
1004:
992:
972:
964:
956:
948:
936:
924:
908:
887:Ups 'n Downs
885:
877:
869:
861:
853:
845:
837:
829:
821:
813:
805:
797:
785:
777:
769:
763:Bud in Paris
761:
753:
745:
737:
729:
721:
713:
705:
697:
689:
683:
677:
669:
661:
653:
647:
641:
633:
627:
623:
617:
609:
603:or co-leader
593:
543:
516:
510:
498:
487:
475:
456:
445:
439:
420:
388:
381:Gross, Terry
375:
362:The Atlantic
360:
303:
297:
283:Un Poco Loco
272:Saxophonist
271:
268:
256:
254:
243:(bass), and
238:
207:
195:
180:
164:
148:
144:
142:
44:
39:
1144:Bud on Bach
902:With others
655:Inner Fires
624:Piano Solos
519:. Penguin.
263:Nat Hentoff
191:Alfred Lion
136:Alfred Lion
130:Producer(s)
118:Composer(s)
1192:1954 songs
1186:Categories
1011:Art Blakey
985:, Mingus,
747:Time Waits
619:Jazz Giant
585:Bud Powell
535:2004058845
322:2001028002
289:References
245:Art Taylor
177:Background
157:Bud Powell
123:Bud Powell
32:Bud Powell
1086:(1949–56)
1078:(1956–57)
1070:(1947–63)
1062:(1949–55)
1054:(1944–48)
987:Max Roach
961:(1949–50)
850:(1961–64)
842:(1961–64)
766:(1959–60)
742:(1957–58)
686:(1954–55)
638:(1949–51)
630:(1949–50)
601:As leader
489:JazzTimes
390:Fresh Air
261:, critic
212:numbers.
189:producer
187:Blue Note
110:Blue Note
1153:" (1964)
1146:" (1957)
1139:" (1955)
1137:Mediocre
1132:" (1953)
1125:" (1951)
1118:" (1951)
1111:" (1949)
1104:" (1946)
919:Classics
847:Eternity
792:Don Byas
464:Archived
447:DownBeat
399:Archived
367:Archived
258:DownBeat
234:fantasia
218:maestoso
183:Birdland
155:pianist
58:Recorded
50:Released
1161:Related
1017:, 1959)
1001:, 1960)
989:, 1953)
945:, 1946)
933:, 1945)
921:, 1944)
794:, 1961)
230:fanfare
1172:(1986)
1025:(1963)
969:(1950)
953:(1946)
882:(1964)
874:(1964)
866:(1964)
858:(1964)
834:(1963)
818:(1962)
810:(1962)
802:(1961)
782:(1961)
774:(1960)
758:(1958)
750:(1958)
734:(1957)
726:(1957)
718:(1956)
710:(1956)
702:(1955)
694:(1955)
666:(1953)
658:(1953)
533:
523:
427:
320:
310:
88:Length
67:Studio
894:1965)
790:(and
222:bowed
210:bebop
105:Label
77:Genre
1013:and
723:Bud!
531:LCCN
521:ISBN
425:ISBN
318:LCCN
308:ISBN
153:jazz
82:Jazz
53:1954
28:Song
395:NPR
236:".
173:".
30:by
1188::
981:,
917:,
892:c.
529:.
486:.
407:^
397:.
387:.
359:.
330:^
316:.
97:21
1149:"
1142:"
1135:"
1128:"
1121:"
1114:"
1107:"
1100:"
1009:(
997:(
977:(
941:(
929:(
913:(
890:(
682:/
646:/
626:/
622:/
577:e
570:t
563:v
537:.
492:.
433:.
324:.
143:"
95::
93:2
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.