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is that, for all of its pop-goes-clubbing bluster, it's also as psychedelic, where the devil's in the zillion little details zigzagging across the tracks" and that "there's not a lot here that will redefine your ideas of what dubstep or electronic music in general can do. For all of Rustie's skill as
534:
album cover, Whyte was shown various designer's portfolios by Warp. Whyte chose
Jonathan Zawada, as he felt it had a "'70s sci-fi art feel". After discussing ideas with Whyte, Zawada gave him the album cover in a few days. When asked about the album cover resembling two erect penises, Whyte responded
317:
and tape distortion plugins to get the tracks what he described as a "sort of warmth". Vocals on the album were done by Whyte on the track "Surph" while his girlfriend
Nightwave performed some of the backing vocals. Whyte described his music as trying to channel "good energy, just love and peace and
321:
The last six months of production were spent by Whyte "trying to glue everything together so it made sense as an album." This involved adding intros to some tracks and other motifs to "make it make more sense". Whyte created around one hundred tracks for the album and whittled down the album to a
509:
noted that the album's more traditional dubstep songs "won't sit still or do what they're supposed to". Specifically, "Crystal Echo" contains sped-up voices and melodies with a dubstep-styled bass while "Surph" used the bass drops related to dubstep but also includes what
Pitchfork describes as
990:
placed the album at number one on their list of "Top 100 Albums of the Decade So Far", describing the album as "full of exhilarating, ecstatic, thrilling, fun and sometimes downright silly songs" and "It's the sound of someone changing dance music by utterly disregarding dance music."
920:
gave the album an eight out of ten rating, finding that the album is "equally impressive is the fact that this formula (or lack thereof) never grows tired. Thirteen tracks of excess could easily have been a recipe for sighs, but instead it is consistently addictive and grin-inducing."
31:
913:
gave the album a five out of five rating, stating that "you get the impression that it's the point Rustie has been building up to for the last five years; an album made in relative isolation, with zero self-consciousness, shame or thought for trend behind it."
247:
in 2011. The album was produced and recorded between 2008 and 2010 by Whyte, partially in his father's home in
Glasgow, Scotland and partly in his own home in London, England. The album contains vocal work from Whyte as well as London based producer Nightwave.
300:
and in his home in London after Whyte had moved there. The album's music was developed with Whyte not having a strong idea for it, noting that he was "just making tracks and not really thinking too much of it as being an album". The album was created using
928:
described Whyte's music as "a little difficult to handle" but that the album "shows just the right amount of restraint to prevent total disarray. Even if the album weren't half as much fun as it is, that feat would be worthy of celebration in itself."
556:
A re-worked version of "Surph" was released as a single featuring
Nightwave on vocals in March 2012. In 2012, a re-worked version of the song "After Light" was released with Aluna Francis, the singer for United Kingdom-based R&B group
411:
shared the multiple genres view, finding that it integrated "the currently hip and terminally unhip – garish probes of '80s synth rock, beaten-to-a-pulp dance-pop, '90s rave, and bass music, to name four of several drawing points."
1483:
935:
noted that "songs like "Hover Traps," "Death
Mountain" and "All Nite" are, at their core, extremely primitive. But it's in the way that Rustie builds, deconstructs and sequences his songs that allows
939:
to work its way into your psyche" and that "after a couple of listens, one may come to the conclusion that Rustie might just be a one-trick-pony. But, man, that one trick is perfect."
973:
placed the album at ninth in their list of Best Albums of 2011 stating that the album was "the sound of uninhibited, unironic hands-in-the-air joy: banger after banger after banger."
1493:
980:
awarded Rustie with their First Album award, opining that "Rustie's music first attacks like a day-glo migraine, a couple of spins reveals an album imbued with real emotion."
258:. The track "Ultra Thizz" was released as a single in September 2011 before the album's release in October of the same year. Re-worked versions of the songs "Surph" and "
1447:
1272:
334:
in 2010. Several tracks originally planned for the album were described by Whyte as "a lot weirder and more ambient", but that Warp "didn't really want that".
2145:
387:
stated the songs on the album are "often jamming five or six recognisable influences into a single four-minute track." These included "glossy synths",
1811:
437:
326:
which Whyte described as a "long process" as he found it difficult having people critique the music he wanted to release. Prior to the release of
262:" were released as singles in 2012 with new vocalists. The album received critical acclaim and was listed as one of the best albums of 2011 by
545:
on vinyl, compact disc and digital download on 10 October 2011 in the United
Kingdom and 11 October in the United States. A launch party for
473:
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535:"Everyone says that! That's what I thought when I first saw it and I was like, 'Am I okay with that?' And, yeah, that's fine."
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314:
2012:
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For Glass Swords, I initially had a lot weirder and more ambient stuff on there, but didn't really want that.
2232:
1985:
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1004:
567:
157:
2016:
344:"How does one categorise Rustie? Hip hop? Post-dubstep? Tropical house? Sci-fi trance? Ecstatic techno?"
1876:
1819:
292:
Whyte stated that he began working on the album in "2008 maybe" and worked on it for a two-year period.
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happiness and joy. That's what I want from my music, and that's what I want other people to feel."
244:
109:
30:
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music "doesn't adhere to any strict definition of genre beyond loose electronic". A reviewer for
306:
254:
is a musically diverse album that critics found hard to classify as anything specific other than
994:
Reflecting on the album in 2014, Whyte stated that he felt that he "went kind of quite crazy on
313:, keyboard, electric guitar and a microphone. To give the album an analogue sound, Whyte used
1850:
1484:"Top 10 Albums of 2011: Favourite (not 'The Best') of a strange but stupendous year of music"
549:
was held on 1 October 2011, which included a performance from Rustie along with DJ sets from
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with kitsch sounds and over-the-top silliness". Whyte stated that he wanted his next album
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116:
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447:. A song featuring vocals from Rustie and Nightwave and parts of various genres of music
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final selection of fourteen. These tracks were sent back and forth between himself and
175:
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Music critics described the album as spanning several subgenres of electronic music.
310:
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rating out of 100 to reviews from mainstream critics, the album has received an
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67:
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was shortlisted for the
Scottish Album of the Year Award in 2012. In 2014,
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and the title of "Ultra Thizz" references Bay Area slang for the drug
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953:
510:"pop-rave pianos, trance keyboards, and snippets of sugary R&B".
276:
240:
128:
121:
43:
1448:"Rustie on Speaking Animals' Languages and Recording at 30,000 Feet"
2086:
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38:
379:
described the influences of the album as being from video games,
892:
score of 82, indicating universal acclaim, based on 14 reviews.
478:
2333:
1812:"London album launch show & Boiler Room set now streaming"
1592:
1564:
925:
464:
384:
1273:"Rustie's Roots: Producer on Dirty Albums and Joyful Noises"
945:
referred to the album as "easy to admire but hard to love".
417:
1843:"'Surph' will be re-worked for a standalone single release"
2146:"2011 Music Critic Top Ten Lists [Updated Jan. 7]"
1588:"Rustie's 'Glass Swords,' Funk Rendered Big and Beautiful"
967:
as the third and second best albums of 2011 respectively.
2329:
497:
on "Hover Traps" "sounds like it was taken right off of
907:
can feel just as much like a "greatest bits" collage."
239:
by
Scottish producer Russell Whyte under his alias of
1806:
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561:, providing the vocals. Whyte's follow-up album to
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103:
87:
66:
58:
50:
37:
23:
2179:"Best albums of 2011, No 9: Rustie – Glass Swords"
2139:
2137:
1877:"Rustie: "After Light" [ft. AlungaGeorge]"
1446:Shepherd, Julianne Escobedo (18 September 2014).
1378:
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1374:
1372:
1370:
1368:
1366:
1266:
1586:Shepherd, Julianne Escobedo (12 December 2011).
1264:
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1256:
1254:
1252:
1250:
1248:
1246:
951:was listed on several critics' year-end lists.
342:
471:, namely "Hover Traps" samples the video game
2345:
2233:"Scottish Album of the Year 2012 – Shortlist"
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8:
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1335:
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1271:Shepherd, Julianne Escobedo (31 May 2012).
2352:
2338:
2330:
2260:"The 100 Best Albums of the Decade So Far"
1620:
1618:
1616:
898:stated that "One of the best things about
578:
518:A single of "Ultra Thizz" was released by
296:was recorded in Whyte's father's house in
29:
20:
1903:"Rustie Details New Album Green Language"
2058:
2056:
1019:
1306:"Dusted Reviews: Rustie - Glass Swords"
1242:
1181:
903:a sculptor of very 21st-century beats,
1515:
1513:
1511:
454:
383:and "big room dance music". while the
330:and any single, Whyte released the EP
2282:Fitzmaurice, Larry (21 August 2014).
2113:Sylvester, Daniel (11 October 2011).
1627:"Album Review: Rustie – Glass Swords"
1553:
1551:
1549:
1182:
617:
584:
7:
2207:"Guardian first album award: Rustie"
1958:"Reviews for Glass Swords by Rustie"
1875:Fitzmaurice, Larry (8 August 2012).
1008:to be different and "more serious".
474:The Legend of Zelda: Ocarina of Time
467:noted the pop culture references in
305:on a personal computer along with a
2080:Reynaldo, Shawn (10 October 2011).
1984:Macpherson, Alex (6 October 2011).
1625:McVeigh, Elliot (21 October 2011).
1390:. 30 September 2011. Archived from
14:
2144:Dietz, Jason (29 November 2011).
1782:Battan, Carrie (6 October 2011).
1696:Harvell, Jess (18 October 2011).
1304:LaBonte, Brad (11 October 2011).
838:
776:
738:
700:
638:
2309:"Glass Swords – Rustie: Credits"
1928:"Glass Swords by Rustie reviews"
1818:. 16 August 2011. Archived from
1482:Jones, Lucy (13 December 2011).
857:
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455:Problems playing this file? See
433:
282:Scottish Album of the Year Award
2177:Hancox, Dan (6 December 2011).
1986:"Rustie: Glass Swords – review"
1661:Ryce, Andrew (6 October 2011).
1413:Muggs, Joe (23 November 2011).
354:reviewer Lucy Jones on placing
18:2011 studio album by Rustie
2205:Jonze, Tim (9 February 2012).
1901:Minsker, Evan (23 June 2014).
1841:Murray, Robin (5 March 2012).
1023:
1016:All songs composed by Rustie.
1:
2231:Murray, Robin (17 May 2012).
1520:Gunn, Tam (11 October 2011).
1384:"Rustie interview: "My way.""
530:on 6 September 2011. For the
391:percussion and "fragments of
1560:"Rustie Glass Swords Review"
2477:
2456:Warp (record label) albums
2049:(216): 103. November 2011.
194:Released: 6 September 2011
2069:(175): 97. November 2011.
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553:, Nightwave and Spencer.
224:
185:
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135:
28:
2063:"Rustie: Glass Swords".
2043:"Rustie: Glass Swords".
1220:Jonathan Zawada – design
280:and shortlisted for the
1663:"Rustie – Glass Swords"
1344:"Glass Swords – Rustie"
2115:"Rustie: Glass Swords"
2082:"Rustie: Glass Swords"
1753:"Rustie: Glass Swords"
1698:"Rustie: Glass Swords"
1522:"Rustie: Glass Swords"
1415:"Rustie's Shy Effects"
1208:Mike Marsh – mastering
571:was released in 2014.
422:
358:into a specific genre.
346:
216:Released: 23 July 2012
421:
1784:"Rustie: "All Nite""
1763:on 20 September 2011
1460:on 20 September 2014
1217:– engineer, producer
580:Professional ratings
203:Released: March 2012
1816:Warp (record label)
1729:Warp (record label)
998:" and that he was "
581:
389:dirty south hip hop
2392:Evenifudontbelieve
2268:. 3 November 2014.
2094:on 11 October 2011
2015:(7 October 2011).
1534:on 30 October 2014
1211:Nightwave – vocals
884:, which assigns a
579:
575:Critical reception
423:
2451:2011 debut albums
2436:
2435:
1496:on 8 January 2012
1200:Adapted from the
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2421:Related Articles
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1668:Resident Advisor
1658:
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1644:
1639:on 7 August 2020
1635:. Archived from
1632:Drowned in Sound
1622:
1611:
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1608:
1606:
1601:on 22 March 2014
1597:. Archived from
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1530:. Archived from
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1492:. Archived from
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1456:. Archived from
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1423:. Archived from
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1394:on 22 March 2014
1380:
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1339:
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1321:
1312:. Archived from
1301:
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1290:
1281:. Archived from
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1185:
1116:"Death Mountain"
1025:
1020:
917:Drowned in Sound
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585:Aggregate scores
582:
541:was released by
528:digital download
526:single and as a
490:Resident Advisor
484:Drowned in Sound
440:
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381:progressive rock
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2022:The Irish Times
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1933:AnyDecentMusic?
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1427:on 9 March 2012
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1342:Kellman, Andy.
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1310:Dusted Magazine
1303:
1302:
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1286:
1285:on 14 July 2014
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1198:
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1000:taking the piss
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731:The Irish Times
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599:AnyDecentMusic?
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54:10 October 2011
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2384:Green Language
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1853:on 19 May 2015
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1316:on 5 July 2019
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1175:"Crystal Echo"
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1039:"Glass Swords"
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2158:on 1 May 2012
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1725:"Ultra Thizz"
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1184:Total length:
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1153:"Ice Tunnels"
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1105:"Ultra Thizz"
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1072:"Hover Traps"
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191:"Ultra Thizz"
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2376:Glass Swords
2375:
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2316:. Retrieved
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2211:The Guardian
2210:
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2188:. Retrieved
2184:The Guardian
2182:
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2160:. Retrieved
2156:the original
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2092:the original
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2020:
2013:Carroll, Jim
2007:
1995:. Retrieved
1991:The Guardian
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1674:14 September
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1637:the original
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1314:the original
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1283:the original
1276:
1199:
1127:"Cry Flames"
1050:"Flash Back"
1015:
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996:Glass Swords
995:
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982:Glass Swords
981:
978:The Guardian
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405:trance music
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252:Glass Swords
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237:studio album
232:Glass Swords
231:
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179:
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149:Glass Swords
148:
147:
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39:Studio album
24:Glass Swords
15:
2411:After Light
1939:28 December
1558:Gibb, Roy.
1140:After Light
1083:"City Star"
559:AlunaGeorge
315:compressors
307:MIDI guitar
260:After Light
211:After Light
141:Sunburst EP
80:future bass
2445:Categories
2151:Metacritic
1963:Metacritic
1320:5 February
1164:"All Nite"
886:normalised
882:Metacritic
609:Metacritic
457:media help
399:, classic
288:Production
131:chronology
75:Electronic
2293:26 August
2288:Pitchfork
1912:24 August
1907:Pitchfork
1881:Pitchfork
1788:Pitchfork
1703:Pitchfork
1431:24 August
1204:credits.
1196:Personnel
976:In 2012,
895:Pitchfork
807:Pitchfork
524:12" vinyl
506:Pitchfork
495:slap bass
397:UK garage
284:in 2012.
62:2008–2010
2413:" (2012)
2318:19 March
2313:AllMusic
2284:"Rustie"
2244:19 March
2216:19 March
2190:19 March
2162:20 March
2126:19 March
2120:Exclaim!
2017:"Rustie"
1997:20 March
1969:19 March
1886:20 March
1857:19 March
1826:19 March
1793:20 March
1767:19 March
1734:19 March
1709:19 March
1605:20 March
1571:19 March
1538:19 March
1398:19 March
1355:19 March
1349:AllMusic
1289:20 March
1225:See also
1202:AllMusic
1094:"Globes"
960:The Wire
932:Exclaim!
632:AllMusic
551:Darkstar
500:Seinfeld
409:AllMusic
332:Sunburst
271:The Wire
117:Producer
59:Recorded
51:Released
41: by
2403:Singles
1061:"Surph"
963:placed
890:average
565:titled
514:Release
481:. Both
479:ecstasy
429:"Surph"
393:dubstep
303:Ableton
298:Glasgow
200:"Surph"
176:Singles
162:(2014)
153:(2011)
144:(2010)
2395:(2015)
2387:(2014)
2379:(2011)
2368:Albums
2361:Rustie
1420:Mixmag
1215:Rustie
1031:Length
954:Mixmag
812:8.0/10
626:Rating
623:Source
613:82/100
603:7.5/10
593:Rating
590:Source
277:Mixmag
241:Rustie
129:Rustie
122:Rustie
88:Length
44:Rustie
2238:Clash
2098:3 May
2087:XLR8R
2066:Uncut
2028:3 May
1847:Clash
1388:Dummy
1237:Notes
1188:42:14
1028:Title
942:Uncut
869:XLR8R
831:Uncut
824:4.0/5
522:as a
338:Style
178:from
105:Label
68:Genre
2320:2014
2295:2014
2265:Fact
2246:2014
2218:2013
2192:2013
2164:2014
2128:2014
2100:2019
2046:Mojo
2030:2019
1999:2014
1971:2014
1941:2019
1914:2014
1888:2014
1859:2014
1828:2013
1795:2014
1769:2013
1757:Warp
1736:2013
1711:2014
1676:2020
1645:2020
1607:2014
1595:Hive
1573:2014
1540:2014
1527:Fact
1502:2020
1466:2014
1433:2014
1400:2014
1357:2014
1322:2019
1291:2014
1278:Spin
1178:3:22
1167:3:08
1156:1:17
1145:3:42
1130:3:48
1119:3:24
1108:3:59
1097:2:46
1086:3:08
1075:3:00
1064:4:33
1053:3:47
1042:2:20
987:Fact
957:and
924:The
910:Fact
874:9/10
769:Mojo
681:Fact
674:8/10
543:Warp
520:Warp
487:and
403:and
376:Fact
366:Spin
324:Warp
274:and
245:Warp
110:Warp
1593:MTV
1565:BBC
1172:13.
1161:12.
1150:11.
1135:10.
1024:No.
926:BBC
880:At
686:5/5
503:".
465:MTV
407:".
385:BBC
2447::
2311:.
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2274:^
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95::
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