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The second sequence shows how Glumov's diary was stolen. It was linked to the play by the actor running out of the stage to reappear on screen climbing along the building's facade up to the roof where he was picked by an airplane. Eventually, he jumped out of the airplane to fall into a car that
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as Glumov, in front of the same poster, and by shots of the main protagonists making comic faces. It has been argued that this could have been screened rather at the end of the play.
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in 1977, restored and included in various DVDs. There are some discussions as to whether the restored version has kept the original order of the different sequences.
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where the
Proletkult theatre productions were taking place, a few days before the première of the play and was screened during the live performance.
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The opening sequence starts with a shot of
Eisenstein removing his cap and bowing in front of the poster announcing the play, followed by a shot of
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brought him back to the front door of the theater. At the end of this sequence, the actor came back onstage, holding in his hand a film reel.
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suitable for the working class. Eisenstein therefore substantially transformed
Ostrovsky's play that he renamed plainly
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From “Lost” to “Found”: The “Rediscovery” of Sergei
Eisenstein’s Glumov’s Diary and its avant-garde context
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From “Lost” to “Found”: The “Rediscovery” of Sergei
Eisenstein’s Glumov’s Diary and its avant-garde context
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established one year before in 1922, the aim of this organisation was to create a new artistic
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The film is composed of three parts which were screened at different moments of the play.
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The third sequence shows metaphorically the contents of Glumov's Diary, using several
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and it marks
Eisenstein's transition from theatre stage director to film director.
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Considered lost during many years, Kino-Pravda n° 16, including
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The film was eventually included in number 16 of Dziga Vertov's
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was a short film produced as a part the theatre production of
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Spring Smiles of the
Proletkult (Vesennie ulybki Proletkulta)
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as consultant. The film was shot in April 1923 around the
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newsreel series, released on 21 May 1923 under the title
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supplied him with the necessary filmstock and appointed
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Following
Eisenstein's request at the beginning of 1923
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260:organisation. In the revolutionary context of the
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393:Review, synopsis and link to watch the film:
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256:that Eisenstein realised in 1923 for the
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254:(Na vsyakovo mudretsa dovolno prostoty)
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661:Films directed by Sergei Eisenstein
252:Enough Stupidity in Every Wise Man
184:Enough Stupidity in Every Wise Man
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352:Sergei M. Eisenstein as himself
226:reminiscent of early films by
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206:Eisenstein in Glumov's Diary
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224:stop motion substitutions
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496:22 December 2015 at the
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591:Romance sentimentale
367:as the Fascist clown
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81:Sergei M. Eisenstein
567:Battleship Potemkin
341:Grigori Aleksandrov
247:Alexander Ostrovsky
213:Grigori Aleksandrov
179:Alexander Ostrovsky
74:Grigori Aleksandrov
537:Films directed by
479:Glumov's Diary
396:"A cinema history"
373:as Milyukov-Mamaev
343:as Glumov/Golutvin
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275:Commedia dell'arte
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623:Ivan the Terrible
599:¡Que viva México!
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347:Aleksandr Antonov
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309:(Film Truth)
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122:Soviet Union
110:Running time
87:Release date
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671:Trick films
459:16 December
423:16 December
365:Ivan Pyryev
358:as Turusina
329:Krasnogorsk
319:Restoration
307:Kino-Pravda
270:The Wiseman
131:Silent film
60:Produced by
50:Directed by
646:1923 films
640:Categories
381:References
266:aesthetics
258:Proletkult
171:trick film
44:Full movie
626:(1944-46)
349:as Joffre
154:romanized
114:5 minutes
16:1923 film
494:Archived
232:fig sign
127:Language
70:Starring
287:Goskino
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145:Russian
119:Country
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618:(1938)
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586:(1929)
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559:Strike
554:(1923)
299:Moscow
168:silent
165:Soviet
401:2 May
484:IMDb
461:2015
425:2015
403:2020
335:Cast
192:Plot
98:1923
94:1923
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