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is entitled 'Alcibiades and
Glycera'. This is not meant to be a portrait of any of the historical Glyceras, for the identification is only nominal, acting as a thin classical veneer for the image's erotic or pornographic intent. These engraving's titles usually use a historically verified pair of
103:(between 329 BC and 324 BC), Harpalus obtained Glycera using funds derived from his office. In return for her Harpalus sent grain to Athens and guaranteed their citizenship rights.
153:), but that is not the case here - Glycera is 4th century BC whilst Alcibiades is 5th century BC - making the veneer here even thinner than usual.
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114:, and later returned to Athens, where she allegedly became the love of the poet Menander.
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in the second half of the 4th century BC. After the death of his previous mistress
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Transactions and
Proceedings of the American Philological Association
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30:) (the sweet one) was a popular name often used for
162:Post, L.A.; "Woman's Place in Menander's Athens",
51:. (Athen. xiii. pp. 586, 595, 605, &c.)
16:Popular name often used for Hellenistic hetaerae
43:The daughter of Thalassis and the mistress of
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106:She accompanied Harpalus in his escape from
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69:. (Hor. Carm. i. 19. 30. iii. 19.29.)
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166:, Vol. 71, 1940, pp. 420–459
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80:in Caracci's engravings for
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27:
205:Greek female prostitutes
126:'Glycera and Alcibiades'
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195:Ancient Athenian women
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130:One of the images of
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91:Harpalus's mistress
138:'s engravings for
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190:Ancient Athenians
136:Agostino Carracci
95:Originating from
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132:sexual positions
54:The mistress of
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170:Ancient Library
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65:A favourite of
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72:Nominally,
39:, held by:
32:Hellenistic
184:Categories
101:Pythionice
74:Alcibiades
58:, born in
118:Fictional
112:Alexander
200:Hetairai
49:Menander
45:Harpalus
36:hetaerae
157:Sources
56:Pausias
28:Γλυκέρα
20:Glycera
151:Aeneas
141:I Modi
97:Athens
83:I Modi
67:Horace
60:Sicyon
176:Notes
110:with
108:India
149:and
147:Dido
47:and
134:in
76:'s
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22:(
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