144:"Essentially an eclectic, Ridout yet did not lack for individuality. His music, though intensely felt, is prevailingly sunny and affirmative; it eschews the 'doom and gloom' manner and self-conscious profundity of much 20th-century concert fare. Ridout liked fun in music and could not easily resist concluding a work with a 'good tune'. He saw no need to strive for ever-new styles, or for a progress through styles, or for the role of musical inventor; style for him was a means of communication, not the 'message' itself. In this aloofness from contemporary conformity, Ridout may be perceived to be more original than many innovators and one of the determined communicators of his day."
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and the UK premiere of his Two Etudes for String
Orchestra. This was Ridout's first visit to England and arguably the peak of his career. His Etudes were followed by a young Radu Lupu playing Schumann's Piano Concerto.
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from 1949 to 1958. He was also highly involved with the
Toronto Gilbert & Sullivan Society of which he was made an honorary vice-president.
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He contributed articles to numerous
Canadian music publications, notably serving as the assistant editor of both
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76:. He then taught on the conservatory faculty from 1940 to 1948. He left there to join the faculty at
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48:, the first Surveyor General of Upper Canada during the administration of Lieutenant Governor
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As a composer, Ridout is chiefly remembered for his symphonic and choral works.
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630:, Pathetic Ballad for soprano, children's chorus and piano (1979); words by
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436:, Cantiones Mysticae No.2 for soprano, trumpet and string orchestra (1962)
129:'s program notes. As a conductor he served as the music director of the
694:"Simcoe Day a fine excuse to celebrate Toronto composer Godfrey Ridout"
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467:, Melodrama for female narrator and 9 instruments (1984); text from
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for soprano or tenor and orchestra (1965); words by Bruce
Attridge
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for the
Toronto Symphony Orchestra's first ever concert at the
60:. During his time at the Toronto University, he was a pupil of
186:, Opera in 3 acts for television (1976); libretto by John Reid
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for unison children's chorus and piano (or orchestra) (1967)
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for unison children's chorus and piano (or orchestra) (1967)
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for unison children's chorus and piano (or orchestra) (1967)
454:, Song Cycle for tenor and piano quintet (1980); words from
80:, where he taught until 1982. Among his notable pupils were
152:, after making alterations suggested by TSO music director
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for mixed chorus and orchestra (1964); words by J. E. Ward
125:(1942–1943). From 1973 to 1984 he was the author of the
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for mixed chorus and orchestra (1960); Latin words by
520:, Christmas Chorus for soprano and mixed chorus (1959)
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We'll Rant and We'll Roar: The Ryans and the
Pittmans
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for mixed chorus (1958); words by W. H. Le
Messurier
670:Chronological list of Canadian classical composers
427:for voice and piano or orchestra (1953); words by
792:Academic staff of The Royal Conservatory of Music
526:for mixed chorus and orchestra (1960); text from
156:. In 1961, he composed one of his notable works,
577:for mixed chorus and orchestra (1966); words by
448:for voice and piano or chamber orchestra (1967)
303:for violin, piano and string orchestra (1974)
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639:for mixed chorus and organ (1980); words by
568:for mixed chorus and organ (1964); words by
797:Academic staff of the University of Toronto
742:Godfrey Ridout at the Canadian Music Centre
624:for mixed chorus (1976); words by John Reid
315:for solo brass quintet and orchestra (1980)
334:for violin, cello, and wind quintet (1968)
586:for narrator, chorus and orchestra (1967)
807:20th-century Canadian conductors (music)
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253:, Variations on a Well-known Tune (1975)
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340:for flute, clarinet and bassoon (1982)
787:The Royal Conservatory of Music alumni
612:, 3 Partsongs for mixed chorus (1968)
556:for soprano and women's chorus (1960)
309:for viola and string orchestra (1980)
297:for viola and string orchestra (1938)
28:– 24 November 1984 in Toronto) was a
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649:, Old French Tune for women's chorus
263:No Mean City: Scenes from Childhood
566:A General Invitation to Praise God
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535:for mixed chorus and piano (1960)
496:for mixed chorus and organ (1952)
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357:Three Preludes on Scottish Tunes
122:Canadian Review of Music and Art
72:(organ and counterpoint) at its
812:20th-century Canadian composers
692:Terauds, John (6 August 2012).
480:for soprano and oboe; words by
346:for brass and percussion (1984)
328:for string quartet, Op.4 (1949)
150:Two Etudes for String Orchestra
16:Canadian composer and conductor
233:La Prima Ballerina: Suite No.2
227:La Prima Ballerina: Suite No.1
160:and on March 13, 1974, was in
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410:, 4 Variations on a theme by
772:Canadian classical composers
446:Folk Songs of Eastern Canada
379:Two Hymn Tune Improvisations
221:La Prima Ballerina: Overture
590:J'ai cueilli' la belle rose
205:for string orchestra (1946)
44:Ridout was a descendant of
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665:List of Canadian composers
622:Spirit Is Flesh This Night
596:I'll Give My Love an Apple
148:In 1946, Ridout conducted
127:Toronto Symphony Orchestra
727:The Canadian Encyclopedia
647:Whence Is This Fragrance?
508:for women's chorus (1954)
138:The Canadian Encyclopedia
660:Canadian classical music
628:The Faithless Nelly Gray
575:When Age and Youth Unite
332:Introduction and Allegro
209:Music for a Young Prince
469:Roughing It in the Bush
802:Musicians from Toronto
637:Holy Is the True Light
610:The Domage of the Wise
603:She's Like the Swallow
440:In Memoriam Anne Frank
239:Frivolités Canadiennes
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131:Eaton Operatic Society
616:The Dream of the Rood
251:George III His Lament
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74:Conservatory of Music
54:University of Toronto
32:composer, conductor,
554:Two Christmas Carols
518:The Shepherd's Watch
313:Concerto Grosso No.2
140:describes him thus:
584:The Christmas Story
533:J'entends le moulin
166:Royal Festival Hall
698:Ludwig van Toronto
543:St. Thomas Aquinas
425:Cantiones Mysticae
408:Ontario Variations
338:A Birthday Fantasy
276:Partita accademica
78:Toronto University
50:John Graves Simcoe
643:and Sarum Diurnal
641:Jeremias Gotthelf
548:Sainte Marguerite
456:Poetical Sketches
363:Prelude for Organ
106:Alfred Strombergs
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64:(conducting),
52:. He attended
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68:(piano), and
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58:John Beckwith
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46:Thomas Ridout
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701:. Retrieved
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560:Four Sonnets
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367:Four Sonnets
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762:1984 deaths
757:1918 births
632:Thomas Hood
482:T. S. Eliot
452:The Seasons
289:Concertante
257:Kids' Stuff
751:Categories
676:References
429:John Donne
307:Ballade II
282:Tafelmusik
203:Two Etudes
191:Orchestral
98:Ben McPeek
524:The Dance
506:Ave Maria
478:Two Songs
215:Fall Fair
158:Fall Fair
654:See also
326:Movement
30:Canadian
344:Fanfare
295:Ballade
245:Jubilee
26:Toronto
703:12 May
500:Esther
488:Choral
414:(1979)
404:Presto
400:(1958)
394:(1957)
381:(1977)
375:(1969)
369:(1968)
359:(1959)
284:(1976)
278:(1969)
265:(1983)
259:(1978)
247:(1973)
241:(1973)
235:(1967)
229:(1967)
223:(1967)
217:(1961)
211:(1959)
199:(1939)
162:London
108:, and
465:Exile
419:Vocal
406:from
386:Piano
373:March
351:Organ
178:Opera
56:with
705:2019
365:for
270:Band
725:at
471:by
458:by
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713:^
696:.
684:^
112:.
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707:.
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