582:
604:
689:
626:
670:
521:
113:
704:
560:
716:
311:
651:
294:
43:
540:
279:
1154:
581:
603:
407:
Goltzius brought to an unprecedented level the use of the "swelling line", where the burin is manipulated to make lines thicker or thinner to create a tonal effect from a distance. He also was a pioneer of the "dot and lozenge" technique, where dots are placed in the middle of lozenge-shaped spaces
387:
At the age of 21, Goltzius married a widow eight or nine years his senior. Her money enabled him to establish an independent business at
Haarlem, but the marriage itself was unhappy. Feeling that the unpleasant atmosphere at home had affected his health, he found it advisable in 1590 to make a tour
688:
403:
His portraits, though mostly miniatures, are masterpieces of their kind, both on account of their exquisite finish and as fine studies of individual characters. Of his larger heads, his life-size self-portrait is probably the most striking example.
270:, Goltzius "was the last professional engraver who drew with the authority of a good painter and the last who invented many pictures for others to copy". In the middle of his life he also began to produce paintings.
1375:
625:
669:
703:
520:
384:, founded an art academy in Haarlem in emulation of those in France and Bologna, where the human figure could be studied from life and artists could meet to discuss both practice and aesthetics.
422:'s paintings, thus increasing the fame of the latter – and his own. Goltzius began painting at the age of forty-two; some of his paintings can be found in Vienna. He also executed a few
559:
650:
803:
715:
369:
Goltzius had a malformed right hand from a fire when he was a baby (his drawing of it is at right), which turned out to be especially well-suited to holding the
1174:
967:
1169:
1309:
1360:
112:
947:
1385:
1297:
469:
836:
846:
539:
342:
when he was 3 years old. After studying painting on glass for some years under his father, he learned engraving from the Dutch polymath
1345:
997:
589:
506:
1355:
1192:
915:
86:
64:
501:
1380:
1370:
1240:
310:
1365:
920:
617:
446:
343:
1350:
373:; "by being forced to draw with the large muscles of his arm and shoulder, he mastered a commanding swing of the line".
636:
595:
487:
478:
293:
975:
266:, lauded for his sophisticated technique, technical mastership and "exuberance" of his compositions. According to
31:
1340:
808:
225:
57:
51:
780:
660:
400:. He returned to Haarlem in August 1591, considerably improved in health, and worked there until his death.
335:
68:
460:
455:
419:
298:
1335:
1330:
381:
679:
632:
473:
423:
331:
323:
137:
1285:
880:
263:
209:
411:
Hollstein credits 388 prints to him, with a further 574 by other printmakers after his designs.
141:
1266:
1236:
1188:
842:
415:
370:
358:, where he remained based for the rest of his life. In the same town, he was also employed by
199:
145:
1202:
862:
830:
785:
641:
566:
377:
1047:
1207:
1072:
871:
526:
327:
925:
695:
Diua Dei genitrix, et cura fielelis Iosepf. Omnia pa fcentem pa feunt hatea fibus efcis.
278:
1229:
492:
355:
283:
267:
234:
170:
1324:
1165:
1160:
1022:
482:
464:
833:'s account to mean that he engraved with his right hand and drew with his left. See
789:
427:
397:
359:
1205:(June 2014). "An Interpretation of Four Woodcut Landscapes by Hendrick Goltzius".
952:
303:
775:
439:
243:
181:
1097:
450:
185:
1122:
968:"Past Exhibitions, 2003: Prints from the Leo Steinberg Collection, Part 1"
611:
363:
339:
255:
251:
1178:. Vol. 12 (11th ed.). Cambridge University Press. p. 227.
884:
866:
17:
389:
351:
319:
286:
259:
247:
189:
166:
546:
496:
347:
242:; January or February 1558 – 1 January 1617) was a German-born Dutch
829:
Mayor (1971), no. 418. Other writers take his friend and biographer
867:"An Interpretation of Four Woodcut Landscapes by Hendrick Goltzius"
314:
Print reflecting an allegoric representation of work and diligence.
30:
This article is about the painter and engraver. For more uses, see
1159:
This article incorporates text from a publication now in the
838:
Shaping the
Netherlandish Canon: Karel Van Mander's Schilder-Boeck
393:
309:
292:
277:
27:
German-born Dutch printmaker, draftsman and painter (1558–1617)
36:
709:
A Foxglove in Bloom, 1592, pen and brown ink on laid paper.
408:
created by cross-hatching to further refine tonal shading.
396:, where he acquired an intense admiration for the works of
1376:
Emigrants from the Holy Roman Empire to the Dutch
Republic
594:(Without Ceres and Bacchus, Venus Would Freeze), 1600–03,
972:
Blanton Museum of Art: The
University of Texas at Austin
1185:
Prints and People: A Social
History of Printed Pictures
414:
In his command of the burin, Goltzius is said to rival
1048:"Collections Object : Landscape with a Waterfall"
898:
896:
894:
804:"Allegorische voorstelling van de rijkdom en de vlijt"
1231:
205:
195:
177:
152:
126:
103:
1228:
442:will have a group of Goltzius's many engravings.
282:Goltzius's drawing of his right hand, collection
1187:. New York City: Metropolitan Museum of Art.
362:to engrave a set of prints of the history of
8:
1235:. New York: The Metropolitan Museum of Art.
841:. University of Chicago Press. p. 59.
587:
111:
100:
87:Learn how and when to remove this message
902:
426:. He was the stepfather of the engraver
376:In the 1580s, Goltzius with his friends
50:This article includes a list of general
758:
735:
697:, 1589, pen and black ink on laid paper
516:
776:"Way to Happiness: Work and Diligence"
326:or Millebrecht, a village then in the
350:. In 1577 he moved with Coornhert to
233:
224:
7:
1002:University of Michigan Museum of Art
470:University of Michigan Museum of Art
1298:"Goltzius engravings: Metamorfosis"
200:Use of the burin tool for engraving
1127:Fine Arts Museums of San Francisco
590:Sine Cerere et Baccho friget Venus
507:Fine Arts Museums of San Francisco
56:it lacks sufficient corresponding
25:
1310:"Goltzius engravings: Apóstoles"
1152:
1102:Los Angeles County Museum of Art
714:
702:
687:
668:
649:
624:
602:
580:
558:
538:
519:
502:Los Angeles County Museum of Art
430:. He died, aged 58, in Haarlem.
302:(1616) in the collection of the
41:
1361:People from the Duchy of Cleves
1023:"Hendrick Goltzius (1558–1617)"
916:"Collection: Hendrick Goltzius"
479:The Metropolitan Museum of Art
1:
1386:17th-century German engravers
921:Museum Boijmans Van Beuningen
618:Museum Boijmans Van Beuningen
570:
447:Museum Boijmans Van Beuningen
344:Dirck Volckertszoon Coornhert
118:
1286:"Works on Hendrick Goltzius"
235:[ˈɦɛndrɪkˈxɔltsijʏs]
226:[ˈhɛndʁɪkˈɡɔltsi̯ʊs]
1227:Liedtke, Walter A. (1984).
254:. He was the leading Dutch
163:1 January 1617 (aged 58–59)
1402:
1052:Philadelphia Museum of Art
1027:Metropolitan Museum of Art
835:Melion, Walter S. (1991).
596:Philadelphia Museum of Art
488:Philadelphia Museum of Art
330:, now in the municipality
29:
1346:Dutch Golden Age painters
851:– via Google Books.
614:Jan Govertsen van der Aer
110:
32:Goltzius (disambiguation)
1356:Dutch Mannerist painters
1183:Mayor, A. Hyatt (1971).
809:Ghent University Library
418:. He made engravings of
1254:. Munich: Hirmer. 2024.
1175:Encyclopædia Britannica
781:Yale University Library
661:National Gallery of Art
550:(1588) from the series
318:Goltzius was born near
71:more precise citations.
1381:16th-century engravers
676:Hercules Killing Cacus
588:
338:. His family moved to
336:North Rhine-Westphalia
315:
307:
290:
1371:Renaissance engravers
790:10079/digcoll/2313441
765:Mayor (1971), no. 420
461:Blanton Museum of Art
456:Rijksmuseum Amsterdam
420:Bartholomeus Spranger
313:
299:Lot and his Daughters
296:
281:
134:January/February 1558
1366:Artists from Haarlem
1267:"Goltzius, Hendrick"
784:. 1 September 2023.
424:chiaroscuro woodcuts
382:Cornelis van Haarlem
346:, who then lived in
1351:Dutch male painters
1129:. 21 September 2018
1123:"Hendrick Goltzius"
998:"Hendrick Goltzius"
948:"Hendrick Goltzius"
680:chiaroscuro woodcut
663:, Washington, D.C.
552:The four disgracers
1314:Coleccion de Verda
1302:Coleccion de Verda
1271:Web Gallery of Art
1098:"Hendrik Goltzius"
1073:"Hendrik Goltzius"
722:The Great Hercules
434:Public collections
316:
308:
291:
264:Northern Mannerism
210:Northern Mannerism
1252:Careers by Design
1203:Cohn, Marjorie B.
1170:Goltzius, Hendrik
863:Cohn, Marjorie B.
565:Engraving of the
218:Hendrick Goltzius
215:
214:
146:Holy Roman Empire
105:Hendrick Goltzius
97:
96:
89:
16:(Redirected from
1393:
1317:
1305:
1293:
1281:
1279:
1277:
1255:
1246:
1234:
1216:
1198:
1179:
1158:
1156:
1155:
1139:
1138:
1136:
1134:
1119:
1113:
1112:
1110:
1108:
1094:
1088:
1087:
1085:
1083:
1069:
1063:
1062:
1060:
1058:
1044:
1038:
1037:
1035:
1033:
1019:
1013:
1012:
1010:
1008:
994:
988:
987:
985:
983:
974:. Archived from
964:
958:
957:
944:
938:
937:
935:
933:
928:on 22 March 2016
924:. Archived from
912:
906:
900:
889:
888:
859:
853:
852:
831:Karel van Mander
827:
821:
820:
818:
816:
800:
794:
793:
772:
766:
763:
746:
740:
718:
706:
691:
672:
653:
642:National Gallery
628:
610:Portrait of the
606:
593:
584:
575:
572:
567:Farnese Hercules
562:
542:
531:The Roman Heroes
523:
380:and the painter
237:
232:
228:
223:
162:
160:
120:
115:
101:
92:
85:
81:
78:
72:
67:this article by
58:inline citations
45:
44:
37:
21:
1401:
1400:
1396:
1395:
1394:
1392:
1391:
1390:
1341:Dutch engravers
1321:
1320:
1308:
1296:
1284:
1275:
1273:
1265:
1262:
1250:
1243:
1226:
1223:
1221:Further reading
1208:Print Quarterly
1201:
1195:
1182:
1168:, ed. (1911). "
1164:
1153:
1151:
1148:
1143:
1142:
1132:
1130:
1121:
1120:
1116:
1106:
1104:
1096:
1095:
1091:
1081:
1079:
1071:
1070:
1066:
1056:
1054:
1046:
1045:
1041:
1031:
1029:
1021:
1020:
1016:
1006:
1004:
996:
995:
991:
981:
979:
978:on 22 July 2015
966:
965:
961:
946:
945:
941:
931:
929:
914:
913:
909:
901:
892:
872:Print Quarterly
861:
860:
856:
849:
848:978-0-226519593
834:
828:
824:
814:
812:
802:
801:
797:
774:
773:
769:
764:
760:
755:
750:
749:
741:
737:
732:
725:
719:
710:
707:
698:
692:
683:
673:
664:
657:The Fall of Man
654:
645:
629:
620:
612:Shell Collector
607:
598:
585:
576:
573:
563:
554:
543:
534:
527:Horatius Cocles
524:
515:
436:
328:Duchy of Julich
276:
230:
221:
173:
164:
158:
156:
148:
142:Duchy of Jülich
135:
133:
132:
122:
117:Self-portrait (
106:
93:
82:
76:
73:
63:Please help to
62:
46:
42:
35:
28:
23:
22:
15:
12:
11:
5:
1399:
1397:
1389:
1388:
1383:
1378:
1373:
1368:
1363:
1358:
1353:
1348:
1343:
1338:
1333:
1323:
1322:
1319:
1318:
1306:
1294:
1282:
1261:
1260:External links
1258:
1257:
1256:
1248:
1241:
1222:
1219:
1218:
1217:
1199:
1193:
1180:
1166:Chisholm, Hugh
1147:
1144:
1141:
1140:
1114:
1089:
1077:British Museum
1064:
1039:
1014:
989:
959:
939:
907:
890:
854:
847:
822:
795:
767:
757:
756:
754:
751:
748:
747:
734:
733:
731:
728:
727:
726:
720:
713:
711:
708:
701:
699:
693:
686:
684:
674:
667:
665:
655:
648:
646:
630:
623:
621:
608:
601:
599:
586:
579:
577:
564:
557:
555:
544:
537:
535:
525:
518:
514:
511:
510:
509:
504:
499:
493:British Museum
490:
485:
476:
467:
458:
453:
435:
432:
356:Dutch Republic
284:Teylers Museum
275:
272:
268:A. Hyatt Mayor
213:
212:
207:
203:
202:
197:
196:Known for
193:
192:
179:
175:
174:
171:Dutch Republic
165:
154:
150:
149:
136:
131:Hendrick Goltz
130:
128:
124:
123:
116:
108:
107:
104:
95:
94:
49:
47:
40:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1398:
1387:
1384:
1382:
1379:
1377:
1374:
1372:
1369:
1367:
1364:
1362:
1359:
1357:
1354:
1352:
1349:
1347:
1344:
1342:
1339:
1337:
1334:
1332:
1329:
1328:
1326:
1315:
1311:
1307:
1303:
1299:
1295:
1291:
1287:
1283:
1272:
1268:
1264:
1263:
1259:
1253:
1249:
1244:
1238:
1233:
1232:
1225:
1224:
1220:
1215:(2): 144–155.
1214:
1210:
1209:
1204:
1200:
1196:
1194:0-691-00326-2
1190:
1186:
1181:
1177:
1176:
1171:
1167:
1162:
1161:public domain
1150:
1149:
1145:
1128:
1124:
1118:
1115:
1103:
1099:
1093:
1090:
1078:
1074:
1068:
1065:
1053:
1049:
1043:
1040:
1028:
1024:
1018:
1015:
1003:
999:
993:
990:
977:
973:
969:
963:
960:
955:
954:
949:
943:
940:
927:
923:
922:
917:
911:
908:
904:
903:Chisholm 1911
899:
897:
895:
891:
886:
882:
878:
874:
873:
868:
865:(June 2014).
864:
858:
855:
850:
844:
840:
839:
832:
826:
823:
811:
810:
805:
799:
796:
791:
787:
783:
782:
777:
771:
768:
762:
759:
752:
745:
739:
736:
729:
723:
717:
712:
705:
700:
696:
690:
685:
681:
677:
671:
666:
662:
658:
652:
647:
643:
639:
638:
634:
627:
622:
619:
615:
613:
605:
600:
597:
592:
591:
583:
578:
568:
561:
556:
553:
549:
548:
541:
536:
532:
528:
522:
517:
512:
508:
505:
503:
500:
498:
494:
491:
489:
486:
484:
483:New York City
480:
477:
475:
471:
468:
466:
462:
459:
457:
454:
452:
448:
445:
444:
443:
441:
433:
431:
429:
425:
421:
417:
412:
409:
405:
401:
399:
395:
391:
385:
383:
379:
374:
372:
367:
365:
361:
357:
353:
349:
345:
341:
337:
333:
329:
325:
321:
312:
305:
301:
300:
295:
288:
285:
280:
273:
271:
269:
265:
261:
258:of the early
257:
253:
249:
245:
241:
236:
227:
219:
211:
208:
204:
201:
198:
194:
191:
187:
183:
180:
178:Occupation(s)
176:
172:
168:
155:
151:
147:
143:
139:
129:
125:
114:
109:
102:
99:
91:
88:
80:
70:
66:
60:
59:
53:
48:
39:
38:
33:
19:
1313:
1301:
1289:
1274:. Retrieved
1270:
1251:
1247:(see index).
1230:
1212:
1206:
1184:
1173:
1131:. Retrieved
1126:
1117:
1105:. Retrieved
1101:
1092:
1080:. Retrieved
1076:
1067:
1055:. Retrieved
1051:
1042:
1030:. Retrieved
1026:
1017:
1005:. Retrieved
1001:
992:
980:. Retrieved
976:the original
971:
962:
951:
942:
930:. Retrieved
926:the original
919:
910:
876:
870:
857:
837:
825:
813:. Retrieved
807:
798:
779:
770:
761:
743:
738:
721:
694:
675:
656:
631:
609:
551:
545:
530:
437:
428:Jacob Matham
413:
410:
406:
402:
398:Michelangelo
386:
375:
368:
360:Philip Galle
317:
297:
239:
217:
216:
98:
83:
74:
55:
1336:1617 deaths
1331:1558 births
953:Rijksmuseum
932:1 September
574: 1598
440:print rooms
438:Most major
304:Rijksmuseum
262:period, or
69:introducing
1325:Categories
1242:0870993569
1133:12 January
1107:12 January
1082:12 January
1057:12 January
1032:12 January
1007:12 January
879:(2): 149.
753:References
378:van Mander
244:printmaker
182:Printmaker
159:1617-01-01
52:references
1276:19 August
815:2 October
474:Ann Arbor
451:Rotterdam
274:Biography
248:draftsman
186:draftsman
77:June 2023
885:23766633
659:, 1616,
644:, London
640:, 1612,
616:, 1603,
388:through
364:Lucretia
340:Duisburg
256:engraver
121:1593–94)
18:Goltzius
1290:PubHist
1163::
1146:Sources
982:17 July
744:Hendrik
637:Antiope
633:Jupiter
529:, from
513:Gallery
390:Germany
354:in the
352:Haarlem
332:Brüggen
320:Viersen
287:Haarlem
260:Baroque
252:painter
238:; born
222:German:
190:painter
167:Haarlem
65:improve
1239:
1191:
1157:
883:
845:
724:, 1589
682:, 1588
547:Icarus
533:, 1586
497:London
465:Austin
348:Cleves
324:Bracht
250:, and
231:Dutch:
138:Bracht
54:, but
881:JSTOR
730:Notes
416:Dürer
394:Italy
371:burin
240:Goltz
206:Style
1278:2008
1237:ISBN
1213:XXXI
1189:ISBN
1135:2021
1109:2021
1084:2021
1059:2021
1034:2021
1009:2021
984:2015
934:2014
877:XXXI
843:ISBN
817:2020
678:, a
635:and
153:Died
127:Born
1172:".
786:hdl
742:or
392:to
334:in
322:in
1327::
1312:.
1300:.
1288:.
1269:.
1211:.
1125:.
1100:.
1075:.
1050:.
1025:.
1000:.
970:.
950:.
918:.
893:^
875:.
869:.
806:.
778:.
571:c.
569:,
495:,
481:,
472:,
463:,
449:,
366:.
246:,
229:,
188:,
184:,
169:,
144:,
140:,
119:c.
1316:.
1304:.
1292:.
1280:.
1245:.
1197:.
1137:.
1111:.
1086:.
1061:.
1036:.
1011:.
986:.
956:.
936:.
905:.
887:.
819:.
792:.
788::
306:.
289:.
220:(
161:)
157:(
90:)
84:(
79:)
75:(
61:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.