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believes that it is the Vienna cameo that represents
Ptolemy and Arsinoe. As for the Saint Petersburg cameo, Pollitt argues that the sharply defined quality of the "neoclassical" workmanship indicates a later date than is commonly recognized. He identifies the figures as
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Set against the dark layer, their majestic white profiles, hers soft and feminine, his decisive and virile, are the embodiment of the authority that will bring prosperity to their subjects.
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also described as the "Gonzaga cameo", probably on assumption that it had not been stolen by the Swedes in 1648. This results in considerable confusion between the two.
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represented "in very generalized form so that they would simultaneously evoke the imagery of a
Ptolemaic cameo and, through it, the imagery of Alexander".
218:. There is little record of its subsequent history. It is assumed that the Queen took it with her to Italy, bequeathing it to her favourite, Cardinal
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326:, gained currency. To shore up the identification, it has been argued that the woman's head on the cameo is covered with a sort of bridal veil.
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141:, and many other famous couples of antiquity. The male figure on the cameo is clad in the attributes of Alexander, including a laurel-wreathed
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322:. Ptolemy was the first Hellenistic ruler to marry his sister; and it was at his court that the image of the twin deities,
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and offered Joséphine every assistance in his power. As a sign of gratitude she presented the cameo to the Tsar.
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191:, then in the employ of the Mantuan Duke, admired the Gonzaga cameo as the finest in existence. During the
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The cameo shows the profiles of a man and a woman which conceivably possess family likeness. This
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type of portrait, showing two superimposed profiles, is known from the coins issued by
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is a later addition masking that the cameo was, at some point, broken in half.
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Several years later the cameo resurfaced in the collection of Queen
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collection of antiquities, first described in a 1542 inventory of
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de
Grummond, Nancy T. (October 1974). "The Real Gonzaga Cameo".
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Since then, the so-called
Malmaison cameo has been kept in the
575:- a website dedicated to the cameo and its exhibition in
521:
Iconographic
Encyclopædia of Science, Literature, and Art
318:. Such portraits show Ptolemy with his sister and wife,
384:"Сто великих сокровищ // Камея Гонзага (Н. А. Ионина)"
97:variety cut out from the three layers of an Indian
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445:. The Hermitage Museum. Retrieved on 2009-05-15.
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195:, it was carried off by the imperial troops to
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155:represents a bearded head, probably that of
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245:. The invading French took it with them to
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207:. At the end of the conflict, the Swedes
163:is crowned by a snake which suggests the
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117:. The figures were later identified as
455:Птолемей II и Арсиноя (Камея Гонзага).
436:Portraits of Ptolemy II and Arsinoe II
378:
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357:
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418:. Cambridge University Press, 1986.
618:Archaeological discoveries in Italy
249:where it entered the collection of
211:and looted the imperial treasury.
603:Collection of the Hermitage Museum
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539:American Journal of Archaeology
523:. New York City, 1851. Page 24.
237:In 1794, the cameo was part of
257:. After Napoleon's downfall,
109:'s collection as representing
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628:War of the Mantuan Succession
193:War of the Mantuan Succession
508:Ancient Art and Its Remains
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416:Art in the Hellenistic Age
510:. London, 1852. Page 136.
199:and was preserved in the
30:The Gonzaga Cameo in the
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593:3rd-century BC artifacts
414:Pollitt, Jerome Jordan.
312:Ptolemy II Philadelphus
58:possibly 3rd century BC
623:Gonzaga art collection
506:Karl Gotfried Müller.
298:
362:Gonzaga Cameo history
259:Alexander I of Russia
203:treasury through the
139:Agrippina the Younger
573:www.cammeogonzaga.it
480:Scarisbrick, Diana.
263:Château de Malmaison
261:paid a visit to the
598:Roman Empire cameos
519:Johann Georg Heck.
216:Christina of Sweden
209:marched into Prague
131:Agrippina the Elder
119:Alexander the Great
488:2009-05-30 at the
441:2009-04-02 at the
367:2009-06-24 at the
613:Ptolemaic Kingdom
483:Life at Malmaison
329:J. J. Pollitt of
316:Hellenistic Egypt
301:Diana Scarisbrick
255:Empress Joséphine
241:'s collection in
205:Thirty Years' War
189:Peter Paul Rubens
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386:. Archived from
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274:Saint Petersburg
270:Hermitage Museum
224:Livio Odescalchi
67:Saint Petersburg
63:Present location
32:Hermitage Museum
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608:Hellenistic art
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497:, 5th Nov 2007.
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567:External links
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551:10.2307/502757
545:(4): 427–429.
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426:. Pages 23-24.
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390:on 2009-05-08
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308:capita jugata
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80:Gonzaga Cameo
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19:Gonzaga Cameo
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466:Ancient Rome
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392:. Retrieved
388:the original
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175:. The brown
159:. The man's
151:. His other
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87:engraved gem
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232:Innocent XI
84:Hellenistic
587:Categories
394:2009-05-15
346:References
320:Arsinoe II
226:, Duke of
157:Zeus Ammon
148:gorgoneion
127:Germanicus
282:Habsburgs
228:Bracciano
579:, Mantua
486:Archived
468:website.
439:Archived
365:Archived
336:Tiberius
251:Napoleon
177:necklace
123:Olympias
111:Augustus
99:sardonyx
288:Subject
243:Vatican
239:Pius VI
103:Gonzaga
93:of the
55:Created
50:11.8 cm
42:15.7 cm
559:502757
557:
495:Apollo
422:
278:Vienna
197:Vienna
187:Young
183:Owners
165:uraeus
143:helmet
71:Russia
39:Height
555:JSTOR
493:. //
340:Livia
276:. In
247:Paris
153:aegis
115:Livia
91:cameo
82:is a
47:Width
420:ISBN
338:and
253:and
173:Hera
171:and
169:Zeus
137:and
135:Nero
129:and
121:and
113:and
89:; a
78:The
547:doi
314:in
272:in
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543:78
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473:^
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397:.
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