139:, portraying several musical facades, were extremely well received by the public and were sung in a number of concerts during his lifetime. This prompted several musicians to approach Gopalakrishna Bharathi. The musicians would express his vision for a new kirtana and Bharathi would always oblige and compose a song to fit the musician's requirement.
483:
by introducing elements from
Marathi performance practice and elements of dance, made it one of his masterpieces. Many adaptations appeared, including stage plays and three film versions. Individual songs of Gopalakrishna Bharathi became popular with Carnatic musicians. Later, Bharata Natyam dancers,
116:
exponents and scholars in
Sanskrit. After losing his parents at an early age, he worked as a cook in a temple. He then met Govinda Yati, who taught him Hindu scripture, and then the musician Ramdas, who taught him Hindustani music. Gopalakrishna started his professional career after finding a patron
528:
investigations led him to conclude that the cause was in fact
Bharathi. Curious, he decided to pay a visit personally to one of Bharathi's concerts. Cisse was so impressed by Bharathi's performance that he decided to help him publish his work as a book. This eventually led to the publication of
174:, he yearned to visit Chidambaram the greatest of Siva temples. He greatly feared that caste prejudice would prevent him from entering the temple, but his devotion overcame this obstacle, and he obtained his desire, becoming physically merged with Siva in a blaze of light. Bharati's version of
527:
were so popular in
Karaikal that several government officials would sleep at work after spending the whole night listening to his performances. Karaikal was then a French colony and the official Cisse decided to conduct an inquiry into the reason behind the inefficiency of his employees. His
182:. He included many forms of Tamil regional music and is praised for his ability to capture dialect and popular expression. The eminent Tamil literary scholar, Meenakshisundaram Pillai, however, criticised him for deviating from historical facts of the story, and for grammatical lapses.
669:
479:, as performed by Bharathi, proved very popular and he published it in his lifetime. The highly regarded Thanjavur Krishna Bhagavatar, who developed the art of
146:, a genre of religious story-telling with music that was popular in Tamil Nadu in the 19th and early 20th centuries before the advent of film, especially the
763:
768:
84:
wrote two sources for
Bhaarati's life: a biography of the composer and his own autobiography, which contains references to Bharathi, who was his
499:
The story of
Nandanar, as Bharati developed it, had considerable resonance with the Nationalist movement in India. Nandanar was an untouchable (
773:
570:
699:
604:
112:
village, near
Mayavaram where he lived almost his entire life. His father, grandfather, and great-grandfather were all
748:
423:
382:
334:
541:
515:, captured the mood and paralleled the aspirations of Indian nationalists yearning for independence from Britain.
349:
167:
445:
81:
733:
758:
753:
503:), and M. K. Gandhi, among others, saw his story as expressing the plight and aspirations of India's
109:
327:
654:
590:
416:
101:
696:
566:
493:
703:
279:
690:
561:
Mahabharati, Sangit (2010). "Gopālakriṣhṇa Bhārati". In Late Pandit Nikhil Ghosh (ed.).
430:
389:
341:
300:
64:
whom he is said to have met, and who asked him whether he had composed anything in the
46:
34:
17:
742:
485:
293:
187:
127:
247:
222:
97:
41:) (1810–1896) was a Tamil poet and a composer of Carnatic music. He composed the K
512:
636:
622:
608:
586:
727:
708:
Carnatic music notation for few Tamil, Telugu, English songs at VK's website:
650:
147:
105:
61:
721:
714:
Palem
Gopalakrishna Carnatic music section with notations for Telugu songs:
409:
715:
53:) Nandanar Charitram, two other works in this genre, and many independent
450:
286:
163:
496:
as
Nandanar (with music direction by Papanasam Sivan) remains popular.
348:
Though listed as a composition of
Bharati, this is commonly attributed
375:
368:
320:
734:
https://www.angelfire.com/musicals/musically_urs/notation_link.html
508:
171:
113:
709:
670:"Sleeping Employees,a French official:The saga of a Tamil opera"
240:
732:
Carnatic music notation page links at Musically Urs's website:
178:
is a masterly development of the story narrated in Sekkizhar's
507:
s. Others argue that Nandanar, with his burning desire to see
697:
http://www.ecse.rpi.edu/Homepages/shivkuma/music/index.html
623:"sabhApatikku vEre daivam samAnamAgumA - MS Subbulakshmi"
637:"sabhApatikku vEre daivam samAnamAgumA - OS Thyagarajan"
563:
The Oxford Encyclopaedia of the Music of India, Vol. 1
68:; Bharathi composed overnight one of his most popular
492:. The album of the film version starring the singer
565:. New Delhi: Oxford University Press. p. 375.
96:Gopalakrishna Bharathi was born at Narimanam, near
726:CarMusTy Carnatic Music Typesetting Environment:
720:CFugue C++ API for Carnatic Music Programming:
605:"guruvaruLum tiruvaruLum - Nityasree Mahadevan"
587:"eppo varuvAro - Snehakottai Hari & Party"
488:, took up select pieces for interpretation as
8:
728:http://gopalakrishna.palem.in/CarMusTy.html
228:
195:in his compositions. These include famous
722:http://gopalakrishna.palem.in/CFugue.html
716:http://gopalakrishna.palem.in/music.html
125:Gopalakrishna Bharathi composed several
553:
532:, one of Bharati's most popular works.
657:from the original on 19 December 2021.
593:from the original on 19 December 2021.
27:Tamil poet and Carnatic music composer
695:Carnatic Music Krithi Audio Archive:
363:sabhApatikku vEre daivam samAnamAgumA
7:
80:. The great Tamil literary figure,
25:
764:People from Nagapattinam district
668:Kolappan, B. (23 December 2013).
769:19th-century classical composers
108:. A few years later he moved to
185:Gopalakrishna Bharati used the
60:Bharathi was a contemporary of
462:Part of the Nandanar Caritram.
1:
710:http://www.keylessonline.com/
100:. He spent his early days in
774:Musicians from British India
548:References & Audio Links
154:was based on the story of a
142:The Nandanar Caritram is a K
135:. Gopalakrishna Bharathi's
790:
542:List of Carnatic composers
50:
38:
702:11 December 2007 at the
404:Innamum sandeha padalamo
494:M. M. Dandapani Desikar
350:Gowri Shankara Stapathi
315:guruvaruLum tiruvaruLum
168:TirunAlaippOvAr NayanAr
651:"Thaa Thai Endraduvar"
31:Gopalakrishna Bharathi
18:Gopalakrishna Bharathi
170:. A great devotee of
131:on the principles of
82:U. V. Swaminatha Iyer
442:Tha Thai Endraduvar
611:on 2 February 2017.
472:Performance history
230:
176:NantanAr Carittiram
162:or 'untouchable'),
110:Anandathandavapuram
749:Carnatic composers
229:
78:Sabhaapatikku vERu
39:கோபாலகிருஷ்ண பாரதி
676:. Chennai, India.
572:978-0-19-565098-3
525:kathakalakshepams
469:
468:
117:named Annu Iyer.
16:(Redirected from
781:
678:
677:
665:
659:
658:
647:
641:
640:
633:
627:
626:
619:
613:
612:
607:. Archived from
601:
595:
594:
583:
577:
576:
558:
530:Nandan Caritiram
481:kathakalakshepam
477:Nandan Caritiram
231:
152:Nandan Caritiram
52:
40:
21:
789:
788:
784:
783:
782:
780:
779:
778:
739:
738:
704:Wayback Machine
687:
682:
681:
667:
666:
662:
649:
648:
644:
635:
634:
630:
621:
620:
616:
603:
602:
598:
585:
584:
580:
573:
560:
559:
555:
550:
538:
521:
474:
144:athakalakshepam
123:
94:
43:athakalakshepam
28:
23:
22:
15:
12:
11:
5:
787:
785:
777:
776:
771:
766:
761:
756:
751:
741:
740:
737:
736:
730:
724:
718:
712:
706:
693:
686:
685:External links
683:
680:
679:
660:
642:
628:
614:
596:
578:
571:
552:
551:
549:
546:
545:
544:
537:
534:
520:
517:
473:
470:
467:
466:
464:
459:
456:
453:
448:
446:Sindu Bhairavi
443:
439:
438:
436:
434:
427:
420:
413:
406:
400:
399:
395:
393:
386:
379:
372:
365:
359:
358:
354:
345:
338:
331:
324:
317:
311:
310:
306:
304:
297:
290:
283:
276:
270:
269:
264:
261:
256:
251:
244:
237:
180:Periya Puranam
166:known also as
122:
119:
93:
90:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
786:
775:
772:
770:
767:
765:
762:
760:
757:
755:
752:
750:
747:
746:
744:
735:
731:
729:
725:
723:
719:
717:
713:
711:
707:
705:
701:
698:
694:
692:
691:Carnatica.net
689:
688:
684:
675:
671:
664:
661:
656:
652:
646:
643:
638:
632:
629:
624:
618:
615:
610:
606:
600:
597:
592:
588:
582:
579:
574:
568:
564:
557:
554:
547:
543:
540:
539:
535:
533:
531:
526:
518:
516:
514:
510:
506:
502:
497:
495:
491:
487:
486:Balasaraswati
484:including T.
482:
478:
471:
465:
463:
460:
457:
454:
452:
449:
447:
444:
441:
440:
437:
435:
433:
432:
428:
426:
425:
421:
419:
418:
414:
412:
411:
407:
405:
402:
401:
398:
396:
394:
392:
391:
387:
385:
384:
380:
378:
377:
373:
371:
370:
366:
364:
361:
360:
357:
355:
353:
351:
346:
344:
343:
339:
337:
336:
332:
330:
329:
325:
323:
322:
318:
316:
313:
312:
309:
307:
305:
303:
302:
298:
296:
295:
291:
289:
288:
284:
282:
281:
277:
275:
274:eppo varuvAro
272:
271:
268:
265:
262:
260:
257:
255:
252:
250:
249:
245:
243:
242:
238:
236:
233:
232:
227:
225:
224:
218:
214:
210:
206:
202:
198:
194:
193:Gopalakrishna
190:
189:
183:
181:
177:
173:
169:
165:
161:
157:
153:
149:
145:
140:
138:
134:
130:
129:
120:
118:
115:
111:
107:
103:
99:
91:
89:
87:
83:
79:
75:
71:
67:
63:
58:
56:
51:கதாகாலக்ஷேபம்
48:
44:
36:
32:
19:
673:
663:
645:
631:
617:
609:the original
599:
581:
562:
556:
529:
524:
522:
504:
500:
498:
489:
480:
476:
475:
461:
429:
422:
415:
408:
403:
397:
388:
381:
374:
367:
362:
356:
347:
340:
333:
328:Khanda Chapu
326:
319:
314:
308:
299:
292:
285:
278:
273:
266:
258:
253:
246:
239:
234:
223:Devagandhari
220:
216:
212:
208:
204:
200:
196:
192:
191:(signature)
186:
184:
179:
175:
159:
155:
151:
143:
141:
136:
132:
126:
124:
121:Compositions
98:Nagapattinam
95:
85:
77:
73:
69:
65:
59:
54:
42:
30:
29:
759:1896 deaths
754:1810 births
519:Publication
513:Chidambaram
267:Audio Links
235:Composition
74:rUpaka tALa
66:raga AbhOgi
743:Categories
523:Bharati's
417:Misrachapu
205:raga manji
106:Thiruvarur
102:Mudikondan
92:Early life
88:in music.
62:Thyagaraja
674:The Hindu
410:Keeravani
201:arukalamo
700:Archived
655:Archived
591:Archived
536:See also
490:abhinaya
259:Language
217:nneramam
164:Nandanar
156:paraiyAr
280:Jonpuri
215:) and E
209:aruvaro
148:talkies
133:advaita
104:, near
569:
458:Tamil
455:Kriti
376:Rupaka
369:Abhogi
321:Abhogi
199:like V
197:kritis
137:kritis
128:kritis
55:kritis
509:Shiva
505:dalit
501:dalit
431:Tamil
424:Kriti
390:Tamil
383:Kriti
342:Tamil
335:Kriti
301:Tamil
294:Kriti
263:Notes
221:raga
188:mudra
160:dalit
114:veena
72:s in
70:kriti
47:Tamil
35:Tamil
567:ISBN
254:Type
248:Tala
241:Raga
226:).
213:sama
207:), V
172:Siva
86:guru
511:at
451:Adi
287:Adi
745::
672:.
653:.
589:.
150:.
76:,
57:.
49::
37::
639:.
625:.
575:.
352:.
219:(
211:(
203:(
158:(
45:(
33:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.