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49:. These books became milestones in the writing of film history. Hendricks was the first motion picture specialist to lecture in the Sunday series at the
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ABierstadt; an essay and catalogue to accompany a retrospective exhibition of the work of Albert
Bierstadt. Fort Worth: Amon Carter Museum . 48 pp.
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Philadelphia: Pennsylvania
Academy of the Fine Arts, 1969. 78 pp. The Photographs of Thomas Eakins. New York: Grossman Publishers, 1972. 214 pp.
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Beginnings of the
Biograph: The Story of the Invention of the Mutoscope and the Biograph and their Supplying Camera
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133:. New York: H. N. Abrams . Published in association with the Amon Carter Museum of Western Art. 360 pp.
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who should be attributed with the invention of the first device for cinema screenings, but in fact
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Albert
Bierstadt, 1830-1902 : September 15-October 10, 1972. New York: M. Knoedler . 26 pp.
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Hendricks then began a series on books on painters and photographers. He published works about
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At the time of his death, Hendricks was engaged in writing a book about the art of
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After his death
Hendricks bequeathed two major collections to the
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followed shortly after in 1964. In 1966, Hendricks published,
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Gordon
Hendricks Motion Picture History Papers, ca. 1895-1970
115:. New York: Beginnings of the American Film, 1964. 78 pp.
109:. Berkeley: University of California Press, 1961. 216 pp.
64:, in which he called Muybridge the father of the cinema.
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In 1975 he authored a work, republished in 2001, about
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Eadweard
Muybridge: The Father of the Motion Picture
145:. New York: Grossman Publishers, 1975. 271 pp.
139:. New York: Grossman Publishers, 1974. 367 pp.
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151:. New York: H. N. Abrams, 1979. 345 pp.
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