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Gordon Onslow Ford

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34: 102: 176:, was a Victorian sculptor. At the age of 11, he began painting landscapes under the guidance of his uncle. Following the death of his father at age 14, he was sent to the Royal Naval College at Dartmouth. The ocean affected him deeply and his early works depicted ocean scenes. The metaphor of taking a "voyage" later became an important aspect of his paintings. 476:
Fine Arts from the university in 1997. His paintings are in the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, the Tate Britain, de Young Museum, Oakland Museum of California, San Francisco Museum of Modern Art, and the Los Angeles County Museum of Art. In 2010, Francis M. Naumann Fine Art showed
200:, was an accomplished draftsman and was making small drawings on the side. Onslow Ford, with his keen sense of seeing, admired Matta's drawings as "the most exciting images" he had seen in Paris. He encouraged Matta to continue with his drawings, which eventually inspired Matta to shift his direction from architecture to painting. 270:
At the outset of World War II, the Society for the Preservation of European Culture invited Onslow Ford to join the surrealists in New York. Onslow Ford, one of the few surrealists who was an English speaker, was invited to give a series of lectures at the New School for Social Research and organized
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In the 1990s,Onslow Ford has had several retrospectives and solo exhibitions in the United States, Germany, Chile, and Spain. In 1996, he inaugurated the John F. Kennedy University Arts and Consciousness Gallery and M.F.A. program in Berkeley, California, and received an honorary doctorate degree in
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In 1989, he met Fariba Bogzaran, an artist, lucid dream researcher, and faculty member at John F. Kennedy University. They began a series of dialogues on arts and consciousness. In her research, Bogzaran found a connection between Onslow Ford's paintings, lucid dreaming, and meditation. Onslow Ford
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Onslow Ford and Matta became close friends, meeting and traveling frequently. They developed an ongoing dialogue about their ideas on art and metaphysics. They were also inspired by the 1937 exhibit of Mathematical Objects in Paris in which one aspect of the Mathematical Object was visible while
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Indians and located on the shores of Lake Patzcuaro. While living there, they created, studied, and learned the native way of living and participated in some native ceremonies. They stayed in constant connection with Wolfgang Paalen with Johnson assisting Paalen in editing his journal
420:(1952–57). This entrance into Asian thought and practice had a profound influence on his paintings. Buddhist teachings of the Void and Emptiness as well as the practice of calligraphy initiated him into an exploration of the depths of the Mind and its images. 392:
and converted into their studios. For many years the ferryboat was an inspiring haven for painters and artists and became a small cultural center on the waterfront. In 1951, Onslow Ford with his friends Wolfgang Paalen,
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While in the Navy, Onslow Ford visited Paris several times. In 1937, he resigned as a naval officer and moved to Paris to pursue painting full-time. He studied with AndrĂ© L’hote for five weeks and studied with
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Onslow Ford met the American writer Jacqueline Johnson at his lectures in New York and they married in 1941. That same year, they moved to Mexico where he had previously visited his surrealist friends
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In the summer of 1939, Onslow Ford rented a chateau at Chemilleu near the border of Switzerland, and invited several of his friends to stay for a couple of months. Among the friends were André Breton,
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cofounded the nonprofit organization Lucid Art Foundation in order to explore the relationship between art, consciousness, and nature through art exhibitions, publications, and seminars for artists.
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In 1938, André Breton invited Onslow Ford to join the surrealist group in Paris and attend their meetings in Café deux Magots. Onslow Ford then became friends with Pierre Mabille,
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In 1957, Onslow Ford and Johnson acquired a large body of virgin woodlands in the hills of Inverness, California. Ten years later they gave the majority of the land to the
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as well as contributing writings for the journal. During their stay they were also visited by many Surrealist friends including
258:. They spent the summer painting, exchanging ideas and reading poetry. They were visited regularly by their friend and neighbor 416:) in San Francisco. Around this time he also met the venerable Zen master Hodo Tobase of the Soto Zen sect and began studying 1542: 1375: 432:
for the sake of preserving it. At this time, Onslow Ford began writing and, in 1964, he published his first book entitled
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Onslow Ford died peacefully in his home on 9 November 2003. He was 90. He left his legacy to the Lucid Art Foundation.
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four important surrealist shows in 1941. Those lectures and exhibitions are said to have influenced artists such as
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among others. His love of painting also led him to collect paintings and frequently visit the studios of
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In the early 1950s, Onslow Ford was introduced to Asian philosophy and studied Hinduism with
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in 1912 to a family of artists, Onslow Ford began painting at an early age. His grandfather,
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for a short time. He continued visiting LĂ©ger, bringing his work to him often for critique.
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Images of the Lucid Mind: A Phenomenological Study of Lucid dreaming and Modern Painting
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as the fertile soil where their new ideas would have a chance to grow. While in
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In 1947, Onslow Ford and Johnson moved to California, choosing the
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While living in San Francisco, Onslow Ford met the Greek poet
27: 631: 524:"Gordon Onslow Ford: Paintings and Works on Paper: 1939–1951" 436:. Johnson died in 1976 as he was working on his second book, 583: 306:
For six years (1941–1947) Onslow Ford and Johnson lived in
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Gordon Onslow Ford: Paintings and Works on Paper 1939-1951
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another aspect was left to the imagination of the viewer.
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Lucid Art Foundation - Founded by Onslow Ford and others
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collaborated with her on several of his books including
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Gordon Onslow Ford, 90, A Parisian Surrealist Painter
367:, he was invited to give a retrospective show at the 371:(1948). The title of the exhibit and the catalogue, 1439: 1348: 1045: 669: 254:, Yves Tanguy, Roberto Matta, Esteban Frances, and 148: 140: 132: 120: 108: 92: 412:at the newly formed Asian Academy (now called the 647: 8: 547:, Francis M. Naumann Fine Art, New York, NY. 1482:London International Surrealist Exhibition 654: 640: 632: 100: 89: 382:and together they acquired the ferryboat 78:Learn how and when to remove this message 1477:Exposition Internationale du SurrĂ©alisme 414:California Institute of Integral Studies 41:This article includes a list of general 1538:Artists from the San Francisco Bay Area 607:Review of 2010 New York Solo Exhibition 492: 478:Paintings and Works on Paper: 1939-1951 279:, and others who would go on to create 503:. The Solomon R. Guggenheim Foundation 7: 463:In 1998, Onslow Ford, Bogzaran, and 310:, a remote village populated by the 16:For the 19th-century sculptor, see 192:Soon he met the Chilean architect 47:it lacks sufficient corresponding 14: 1431:The Surrealist Group in Stockholm 373:Towards a New Subject in Painting 599:of 2010 New York Solo Exhibition 343:, William Fett, Pierre Mabille, 32: 196:. Matta, who was working with 1: 1376:Bureau of Surrealist Research 442:Oakland Museum of California 168:Born in the English town of 522:Yau, John (November 2010). 369:San Francisco Museum of Art 303:who were all living there. 23:American artist (1912–2003) 1559: 1533:British surrealist artists 554:1995. 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Index

Edward Onslow Ford
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André Breton
Wendover
Edward Onslow Ford
Fernand LĂ©ger
Roberto Matta
Le Corbusier
André Breton
Yves Tanguy
Esteban Frances
Wolfgang Paalen
Max Ernst
Victor Brauner
Picasso
MirĂł
de Chirico
André Masson
Jacqueline Lamba
Kay Sage
Gertrude Stein
Jackson Pollock
Robert Motherwell
Abstract Expressionism
Wolfgang Paalen

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