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such as a Diana, a
Susanna, an Evangelist, the History of Esther and Ahasverus and two busts of Christ und Mary. These history paintings typically take the form of portrait-style depiction of a saint or a biblical or mythological figure. An example is the
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Théophile Thoré, Études sur les peintres hollandais et flamands. Galerie d’Arenberg à Bruxelles : avec le catalogue complet de la collection par W. Bürger, Paris, J. Renouard, 1859, in-8°, 185-V p., pp. 88–89.
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He had a brilliant and powerful palette in which the browns dominate. His later works are characterised by soft transitions and a blueish tone in the wrists and neck of his subjects.
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There are 70 known works by him which are mostly painted on panel. A series of nine family portraits are part of the collection of the
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on the city council of
Cologne. Geldorp was a successful portrait painter working for the aristocracy and other prominent patrons.
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who was mainly active in
England was his son. The painter Melchior Geldorp who worked in Cologne was probably his son or nephew.
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32:(1553–1618) was a Flemish Renaissance artist who was active in Germany where he distinguished himself through his
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123:(Sotheby's London sale of 2 May 2018 lot 27), which shows Venus in the form of a portrait of a semi-nude woman.
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209:. In: Allgemeine Deutsche Biographie (ADB). Volume 8, Duncker & Humblot, Leipzig 1878, pp. 531–533
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Geldorp was mainly a painter of individual and group portraits. Van Mander also mentions some
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Name variations: Gortzius
Gelsdorp, Gortzius Gualdorp, Gortzius Geldrop, Gortzius Geldorp
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with the Duke who was participating in peace negotiations with the
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Circle of
Gortzius Geldorp (Leuven 1533 – 1618 Cologne),
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Geldorp became court painter to the Duke of Terra Nova,
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