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299:", and "Monkey Man", were excluded. The final versions of the Lillywhite songs are generally considered to be less dark and more polished in comparison to their 2000 counterparts. Some tracks, such as "Grey Street" featured new lyrics, while others were presented in different arrangements or included new sections. "Bartender", already a concert staple, appears in shortened form on the album, being cut from ten to eight minutes. 3073: 702: 657: 619: 614: 581: 576: 543: 498: 493: 264:, on twelve new tracks. However, due to trepidation from band members and the label over the dark nature of the recordings, the direction of the project shifted and the band started a collaboration with Ballard. While the band originally intended to complete the already-written songs with Ballard, a nine-day songwriting session between lead vocalist and guitarist 697: 692: 687: 652: 647: 642: 637: 609: 604: 599: 571: 566: 561: 538: 533: 528: 488: 483: 478: 460: 455: 450: 445: 440: 342:
described as lyrically revolving around "the trail of indignities left behind following the breakdown of a relationship." "You Never Know" makes use of shifting, complex time signatures. Despite featuring lyrics in earlier versions, "Kit Kat Jam" appears on the album as an instrumental. Matthews has
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similarly praised the band's new interpretations of the songs in comparison to their Lillywhite counterparts, saying the album is "such a fascinatingly different take on (mostly) the same material that it almost whets your appetite for a third rendering." The magazine also highlighted the increased
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praised the simplified arrangements of some tracks, stating that " suggests a new lesson is starting to take hold: Sometimes simplicity is the best route to the heart of the song." The review listed "Grace is Gone" and "Digging a Ditch" as highlights, praising the former's evocation of "the haunted
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instead. Matthews felt that the environment in which the songs were recorded contributed to the dour atmosphere, describing the material as "sad bastard songs". Additionally, a period of increased drinking for Matthews further emphasized the dark tone of the sessions and the material. The band felt
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later stating: "The Lillywhite sessions should’ve worked, but they didn’t, and who knows why? It just became a really hard and arduous process after a while. It felt like we weren’t going anywhere." These recordings would be leaked in March 2001 through the internet and are commonly referred to as
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was a commercial success, becoming the band's third straight number one album in the U.S., where the album sold over 621,700 copies in its first week of release. The album also topped the chart in Canada, with first-week sales exceeding 21,700 copies. The album would later be certified 2×
807:", and found Matthews' vocals on the title track to be "less playful" than on the earlier version, they found that the album as a whole "stretches Matthews thematically and vocally far beyond anything" from the album's predecessor. The review compared "Grey Street" to "the ardent 362:
While not spawning any commercial single releases, "Where Are You Going", "Grace is Gone" and "Grey Street" were released as promotional singles. "Where Are You Going" became the band's second top 40 hit in the U.S., peaking at number 39. It also reached the top of the
291:, the band returned to the studio to re-record the material from the 2000 sessions, now with Harris producing. Alongside the older material, two newer songs, "Where Are You Going" and "You Never Know" were recorded and included on the album, while three songs from 743:
awarded the album three stars out of four and stated that the recordings on the album "brighten the mood and tighten the arrangements" of the songs in comparison to the versions recorded with Lillywhite.
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described the album's closing track, "Bartender", as "one of the best songs he's ever written." Lyrically, the song covers a man's impending death and a look back at the meaning of one's life.
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described the finished songs as "shorter and tighter", and felt that the "gloss up" sound did not compromise the album's "soul-searching introspection".
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described the album's aesthetic as falling in between the "darker folk introspection" of the sessions with Lillywhite and the "pop" approach of
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was a critical and commercial success. It became the band's third straight number one album in the U.S., and also topped the chart in Canada. "
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of yesteryear", while considering the album overall to be "relatively demure" while "its themes are dark and its parables profound".
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chart, giving them their seventh Triple A chart-topper. The song would also be featured on the soundtrack to the 2002 comedy film
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highlighted the contrast between the dark lyrical content and upbeat arrangements and compared it to the
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received positive reviews from critics, with many publications declaring it the band's best album yet.
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Puterbaugh, Parke (2004). "Dave Matthews Band". In Brackett, Nathan; Hoard, Christian (eds.).
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a step back from the band's first three albums, but also a vast improvement over
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and Ballard yielded new material that would be included on the much more upbeat
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air of a classic country murder ballad" and the latter's "hymnlike glow".
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in 2001, the band returned to the material, re-recording it with producer
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The nine songs originally from the sessions with Lillywhite appeared on
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Thane Kerner – art direction, design, digital collage portrait
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The album opens with the jazz-influenced title track, which
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music. In comparison to the much more pop-oriented sound of
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In the summer of 2000, the band worked with Lillywhite in
323:, the album harkens back to the band's familiar sound. 1946:. Vol. 18, no. 8. New York. pp. 107–08 2032:"Dave Matthews Band Chart History (Canadian Albums)" 1158:
Gary Ashley, Hannah Connors – photography assistance
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which were later scrapped. After the release of the
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is the fifth studio album by the American rock band
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It was released on July 16, 2002, through 2762:Everybody Wake Up (Our Finest Hour Arrives) 1775: 1773: 1600: 1598: 1596: 27:2002 studio album by Dave Matthews Band 2206: 2192: 2184: 2137:"Top Billboard 200 Albums – Year-End 2002" 1807: 1805: 1508:"Review: Dave Matthews Band, Busted Stuff" 1278: 1227: 1171: 1130:Erik Porter – bass & violin technician 389: 38: 29: 2167:Recording Industry Association of America 2073:"Top 200 Albums of 2002 (based on sales)" 1701:Recording Industry Association of America 1665: 1663: 1368: 1366: 1364: 1143:David J. Matthews – art direction, design 1607:"Dave Matthews Band: Back in the Groove" 1569: 1567: 1565: 1563: 1561: 1559: 1109:Jared Miller – assistant second engineer 843: 233:; the former peaked at number 39 on the 2537:Live at Folsom Field, Boulder, Colorado 2416:Live at Folsom Field, Boulder, Colorado 1928: 1926: 1924: 1671:"Dave Matthews busts up Canadian chart" 1501: 1499: 1497: 1495: 1493: 1440: 1438: 1329: 1311: 992: 170:Live at Folsom Field, Boulder, Colorado 1963: 1961: 1987:from the original on November 4, 2016 1155:Catherine Dee – art direction, design 1127:Robert Montgomery – guitar technician 993: 418: 395: 7: 1876:"Dave Matthews Band: Busted Stuff". 1697:"Gold & Platinum – Busted Stuff" 1532: 1530: 1528: 1411: 1409: 1407: 1405: 1403: 1401: 1245:Canadian Albums (Nielsen SoundScan) 1152:– art direction, design, photography 2349:Big Whiskey & the GrooGrux King 2050:"Dave Matthews Band Chart History ( 527: 439: 1974:"Dave Matthews Band, Busted Stuff" 1817:"Dave Matthews Band: Busted Stuff" 1643:"Dave Matthews Band Chart History" 1539:"Dave Matthews Band: Busted Stuff" 1537:Thompson, Stephen (29 July 2002). 1344:"Dave Matthews Band: Busted Stuff" 1342:Tranter, Nikki (28 October 2002). 1118:Jonathan Adler – assistant editor 25: 1896:The New Rolling Stone Album Guide 1124:Henry Luniewski – drum technician 686: 636: 598: 560: 477: 3072: 3071: 2498:The Best of What's Around Vol. 1 2451:Live at Mile High Music Festival 2006:Leas, Ryan (24 September 2018). 1506:Cinquemani, Sal (24 July 2002). 775:. In a retrospective review for 700: 695: 690: 685: 655: 650: 645: 640: 635: 617: 612: 607: 602: 597: 579: 574: 569: 564: 559: 541: 536: 531: 526: 496: 491: 486: 481: 476: 458: 453: 448: 443: 438: 3116:Jazz albums by American artists 1848:Kuipers, Dean (July 14, 2002). 1605:Fricke, David (8 August 2002). 1445:Billboard Staff (7 June 2002). 1416:Willman, Chris (19 July 2002). 1229:Year-end chart performance for 2975:Dave Matthews and Tim Reynolds 852: 1: 2572:Europe 2009 – Across the Pond 1173:Weekly chart performance for 1133:David Saull – horn technician 1078: – additional guitar on 629:The Rolling Stone Album Guide 2321:Before These Crowded Streets 2307:Under the Table and Dreaming 1216: 1202: 3053:2004 Chicago River incident 2970:Dave Matthews & Friends 1373:Heller, Greg (2001-07-09). 837:; all music is composed by 3132: 2062:. Retrieved May 10, 2021. 2040:. Retrieved May 10, 2021. 1850:"A Little Too Comfortable" 1721:Moss, Corey (2 May 2002). 1574:Kot, Greg (16 July 2002). 833:All lyrics are written by 253: 3096:Dave Matthews Band albums 3069: 2395:Live at Red Rocks 8.15.95 2221: 1312: 1297: 1289: 1286: 1283: 1260: 1252: 1244: 1239: 1236: 1207: 1190: 1183: 1180: 1163:Charts and certifications 1103:John Nelson – engineering 982: 971: 960: 949: 938: 927: 916: 905: 890: 875: 864: 856: 426: 423: 403: 400: 370:Adult Alternative Airplay 262:Charlottesville, Virginia 145: 37: 2544:The Central Park Concert 2423:The Central Park Concert 1781:Erlewine, Stephen Thomas 767:presence of saxophonist 295:, "Sweet Up and Down", " 225:", "Grace is Gone" and " 3059:The Lillywhite Sessions 3047:The Lillywhite Sessions 2934:Anyone Seen the Bridge? 821:The Lillywhite Sessions 805:The Lillywhite Sessions 781:Stephen Thomas Erlewine 752:The Lillywhite Sessions 293:The Lillywhite Sessions 281:The Lillywhite Sessions 256:The Lillywhite Sessions 63:July 16, 2002 3031:Awards and nominations 2981:Live at Luther College 347:Commercial performance 2678:Don't Drink the Water 2565:Live at Piedmont Park 2472:Live at Wrigley Field 2465:Live in New York City 2444:Live at Piedmont Park 1086:Production personnel: 1026: – bass guitar, 311:combines elements of 287:After the release of 254:Further information: 3061:(Ryley Walker album) 2558:Weekend on the Rocks 2530:The Videos 1994–2001 2437:Weekend on the Rocks 2370:Walk Around the Moon 1901:Simon & Schuster 1422:Entertainment Weekly 1070:Additional musicians 771:in comparison to on 763:Entertainment Weekly 508:Entertainment Weekly 391:Professional ratings 18:Grace Is Gone (song) 2776:Funny the Way It Is 2727:Where Are You Going 2685:Stay (Wasting Time) 2388:Remember Two Things 2356:Away from the World 2117:on December 4, 2003 1938:"Bartender's Blues" 1733:on November 5, 2023 1280: 1233: 1177: 1012:Dave Matthews Band: 896:Where Are You Going 848: 392: 231:promotional singles 229:" were released as 223:Where Are You Going 81:(Sausalito, Calif.) 3106:RCA Records albums 3002:Live at Radio City 2896:Pantala Naga Pampa 2608:What Would You Say 2523:Listener Supported 2490:Compilation albums 2402:Listener Supported 2215:Dave Matthews Band 2085:on August 12, 2004 1829:on August 13, 2004 1279: 1228: 1172: 844: 839:Dave Matthews Band 390: 386:Critical reception 191:Dave Matthews Band 139:Dave Matthews Band 53:Dave Matthews Band 3083: 3082: 3009:Live in Las Vegas 2861:Lie in Our Graves 2713:The Space Between 2622:Typical Situation 1971:(July 23, 2002). 1855:Los Angeles Times 1321: 1320: 1316: 1272: 1271: 1221: 1220: 1003: 1002: 964:"Digging a Ditch" 835:David J. Matthews 727:Workingman's Dead 709: 708: 520:Los Angeles Times 182: 181: 178: 177: 16:(Redirected from 3123: 3111:Jazz-rock albums 3075: 3074: 3019:Related articles 2988:True Reflections 2814:Featured singles 2671:Tripping Billies 2208: 2201: 2194: 2185: 2178: 2177: 2175: 2173: 2159: 2153: 2152: 2150: 2148: 2143:. 2 January 2013 2133: 2127: 2126: 2124: 2122: 2113:. Archived from 2101: 2095: 2094: 2092: 2090: 2081:. Archived from 2069: 2063: 2047: 2041: 2029: 2023: 2022: 2020: 2018: 2003: 1997: 1996: 1994: 1992: 1976: 1965: 1956: 1955: 1953: 1951: 1930: 1919: 1918: 1899:(4th ed.). 1890: 1884: 1883: 1873: 1867: 1866: 1864: 1862: 1845: 1839: 1838: 1836: 1834: 1809: 1800: 1799: 1797: 1795: 1777: 1768: 1767: 1765: 1763: 1749: 1743: 1742: 1740: 1738: 1729:. Archived from 1718: 1712: 1711: 1709: 1707: 1693: 1687: 1686: 1684: 1682: 1673:. 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Lessard 1021: 1008: 1005: 1001: 1000: 997: 991: 990: 987: 984: 980: 979: 976: 973: 969: 968: 965: 962: 958: 957: 954: 951: 947: 946: 943: 940: 936: 935: 932: 929: 925: 924: 921: 918: 914: 913: 910: 907: 903: 902: 899: 892: 888: 887: 884: 877: 873: 872: 869: 868:"Busted Stuff" 866: 862: 861: 858: 855: 831: 829: 826: 707: 706: 682: 674: 673: 670: 662: 661: 632: 624: 623: 594: 586: 585: 556: 548: 547: 523: 515: 514: 511: 503: 502: 473: 465: 464: 435: 429: 428: 425: 421: 420: 416: 415: 412: 406: 405: 402: 398: 397: 387: 384: 348: 345: 304: 301: 251: 248: 213:Stephen Harris 180: 179: 176: 175: 166: 157: 143: 142: 135: 134: 132:Stephen Harris 129: 123: 122: 117: 111: 110: 99: 95: 94: 89: 83: 82: 76: 72: 71: 61: 57: 56: 51: 44: 43: 35: 34: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 3128: 3117: 3114: 3112: 3109: 3107: 3104: 3102: 3099: 3097: 3094: 3093: 3091: 3078: 3068: 3062: 3060: 3056: 3054: 3051: 3049: 3048: 3044: 3042: 3039: 3037: 3036:Coran Capshaw 3034: 3032: 3029: 3027: 3024: 3023: 3021: 3017: 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Index

Grace Is Gone (song)

Studio album
Dave Matthews Band
Record Plant
Genre
Jazz rock
Label
RCA
Producer
Stephen Harris
Dave Matthews Band
Live in Chicago 12.19.98 at the United Center
Live at Folsom Field, Boulder, Colorado
Dave Matthews Band
RCA Records
Steve Lillywhite
Glen Ballard
Everyday
Stephen Harris
Where Are You Going
Grey Street
promotional singles
Billboard
Hot 100
The Lillywhite Sessions
Charlottesville, Virginia
Dave Matthews
Boyd Tinsley
The Lillywhite Sessions

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