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406:, and was opened in a ceremony in September 2015. This work provided an important source of earned income for Poet in the City in 2015. Associated with this work, Henderson has also been involved in high-level advocacy for innovative approaches to public art, including an active role in the 2014 Farrell Review of Architecture and the Built Environment, writing the official essay in support of its findings, and continues to work with BEAM in promoting new approaches to the commissioning of public art.
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delivered a programme of over 30 cross-arts events and original arts commissions during 2014–17 that featured opera, classical and rock music, theatre, film, sculpture and other art forms, as well as poetry and literature. Henderson has also been responsible for developing a new business model for the arts centred on the development of new sources of earned income, and for devising a new form of investment bond suitable as a means of attracting investment to arts organisation.
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225:, to which it was affiliated. However, he became increasingly interested in the opportunities it presented to reach out to new audiences for poetry and to access new sources of funding to support poetry education. Establishing Poet in the City as a separate charity in 2006, he obtained substantial sponsorships for it, including sponsorships from leading brands such as
41:, committed to cross-arts commissioning and to championing a new funding model for the arts. Henderson has also been involved in many other arts-related initiatives including the development of a public art consultancy, the creation of an international arts network and a campaign to create a new investment fund for the arts.
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Fund over the insistence on the part of some its funders that investment in arts organisations should also achieve so-called "social outcomes". He continues to campaign for the original funds that he proposed in 2010, a limited profit fund designed to help arts organisations to make money from their existing assets and
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in 1873. Henderson persuaded the owner, Michael Corby, to leave the property as a legacy gift in his will. The
Rimbaud and Verlaine Foundation was created to take advantage of this gift, and with the long-term goal of establishing a European-style "poetry house" at the property, providing a cultural
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on the eve of the auction of the manuscript. The event was attended by, amongst others, the ambassadors of all the main countries associated with the manuscript, Spain, Cuba and Mexico. In order that the event should be bipartisan in nature, he invited Poet in the City, a project founded in 1998 by
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As an elected member of the
Culture Forum in 2010, Henderson played an important part in developing innovative ideas for the funding of the arts, including an influential paper which led directly to the establishment in 2014 of an Arts Impact Fund. However, Graham Henderson parted company with the
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the
Foundation decided to use the poets as an inspiration for a wider mission to champion the arts, create new sources of earned income, and provide platforms for talented up-and-coming artists across many different art forms. Becoming Chief Executive of the new Foundation in April 2014, Henderson
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As part of his role in championing the idea of the "poetry house" as a new and streamlined business model for the arts, Henderson created an international collaboration, bringing together seven "poetry houses" in six different
European countries. Kindred Spirits seeks to promote international
114:, the first sponsored exhibition to take place at this venue. In 2004 he launched The Company of Adventurers Ltd in an attempt to raise funding for independent arts and cultural documentary films. And in 2005 he was responsible for arranging the translation and publication of
469:. The programme, held for the first time in 2015, brings together leaders to experiment and take risks, to explore new business models and ways of working and to develop innovative organisational cultures. Henderson now runs the
489:(1907–1977). In particular, Patočka's ideas for "putting soul in the city", and of recapturing the relationship between the arts and social capital building (and between culture and political engagement) characteristic of the
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commissions. After organising Poet in the City's successful transition to a new chief executive in April 2014, he remained as a trustee of the charity, and as its public art consultant, until April 2016.
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break from legal practice in 2000–01 to become a consultant in the specialist travel business in which he created and marketed specialist dance and music activity holidays for both Dance
Holidays Ltd and
419:. Henderson argues that investment which allows arts organisations to develop their sources of earned income will release a great deal of entrepreneurial activity in the arts, particularly amongst
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In 2015 Henderson was selected, along with 17 other leaders from the arts, cultural and museums sectors, to be part of a new residential programme, Oxford
Cultural Leaders, delivered by
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City of London lawyers, to present the event on his behalf. The success of the event led
Rosamund McCarthy, its founder and first chair, to invite Henderson to run Poet in the City.
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As public art consultant for Poet in the City, between 2014 and 2016, Graham
Henderson created important new sources of income for the arts. In 2015, working in partnership with
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cultural exchange and to develop new business and funding models for the arts, as well as being an arts network and a vehicle for celebrating a shared
European culture.
297:. Incubated inside of Poet in the City, the Foundation was launched as a separate organisation and as a registered charity in 2014. However, rather than just be a small
493:, have been much used by Henderson in his own championship of the arts. As of 2018 he is involved in a project, working in partnership with the Jan PatoÄŤka Archive in
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In 2002, Graham
Henderson was the solicitor in charge of the high-profile case concerning ownership of the manuscript of the famous poetry collection
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a collected edition of poems by the Cuban poet Regino E Boti, known as "the poet of Guantanamo", which was published by Mango Publications.
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in 2010. Between 2006 and 2014, Henderson led on programming over 50 high-profile poetry events every year in London and
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network for all those who have passed through the programme, encouraging them to continue to meet and to collaborate.
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Erin Plunkett, to publish, for the first time, an English-language edition of the philosopher’s selected works.
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arts organisations, and will lead to a much more resilient funding basis for the arts sector as a whole.
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Initially Henderson continued to run Poet in the City as a project of the
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and in seeking an innovative new funding model for arts organisations.
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based in London. He is best known for developing the arts organisation
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lawyer at one of the largest law firms based in the City of London,
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Henderson has been interested for many years in the ideas of the
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Henderson has long championed the arts as an important source of
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Rimbaud and Verlaine Foundation § International connections
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In 2007, Henderson became involved in the campaign to save the
1207:"A Manifesto for the Public Arts: The Arts, People and Place"
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Graham Henderson was an active board member of the journal
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riverside, the sculpture was commissioned to celebrate the
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163:. The case was a success for Henderson and his law firm,
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Kindred Spirits – The European Poetry House Network
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in 1936. This case resulted in a 10-day trial at the
37:. In 2014 he launched a second arts organisation, the
1153:"Putting soul in the city – towards a manifesto"
1000:"Putting soul in the city – towards a manifesto"
863:"Are the arts compatible with the pursuit of profit?"
828:"1117354 – Poet in the City: Charity overview"
341:, and as a fundamental building block of a healthy
320:Delegates attending Kindred Spirits conference in
293:and educational resource for the residents of the
194:8 Royal College Street in 2007, before restoration
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85:Graham Henderson’s career has spanned both the
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888:"Arts Council Funding for Poet in the City"
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970:"Rimbaud and Verlaine embark on a journey"
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1471:"The Rimbaud And Verlaine Foundation"
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998:Henderson, Graham (3 December 2015).
398:. Enjoying a central position on the
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659:. London: The Company of Adventurers
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1445:"Jan Patoçka and care for the soul"
1097:Flood, Alison (28 September 2015).
595:Henderson, Graham (26 March 2015).
266:The Rimbaud and Verlaine Foundation
1293:Henderson, Graham (11 June 2012).
1181:"The Arts and Place Working Group"
1132:: This is Our Town. September 2015
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803:"120 Years of Poet in the City"
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151:'s militia at the start of the
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597:"Recognising our true value"
564:"Welcome to Kindred Spirits"
436:Modern Poetry in Translation
428:Modern Poetry in Translation
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382:Richmond upon Thames Council
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22:Portrait of Graham Henderson
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1002:. London: Knowledge Quarter
747:"Talking Wall Street Blues"
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217:investment pitch document
169:conditional fee agreement
53:in 1964, was educated at
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684:Cuba Solidarity Campaign
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295:London Borough of Camden
45:Early life and education
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778:Bates Wells Braithwaite
716:"Tussle for a treasure"
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1515:31 March 2018 at the
1216:: BEAM. 25 April 2016
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1022:"New Business Model"
714:(19 November 2002).
680:"Poet of Guantanamo"
467:SaĂŻd Business School
456:University of Oxford
452:SaĂŻd Business School
404:2015 Rugby World Cup
247:Arts Council England
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143:by the Spanish poet
774:"Rosamund McCarthy"
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