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Ancient Greek sculpture

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Alongside the natural shift towards naturalism, there was a shift in expression of the sculptures as well. Sculptures began expressing more power and energy during this time period. An easy way to see the shift in expressions during the Hellenistic period would be to compare it to the sculptures of
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required statues depicting the gods and heroes of Greece for their temples and public places. This made sculpture, like pottery, an industry, with the consequent standardisation and (some) lowering of quality. For these reasons, quite a few more Hellenistic statues survive to the present than those
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During this period, sculpture again experienced a shift towards increasing naturalism. Common people, women, children, animals, and domestic scenes became acceptable subjects for sculpture, which was commissioned by wealthy families for the adornment of their homes and gardens. Realistic figures of
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The Greeks thus decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was no distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude without any attachments
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in Greek). Some cult images were easy to see, and were what we would call major tourist attractions. The image normally took the form of a statue of the deity, originally less than life-size, then typically roughly life-size, but in some cases many times life-size, in marble or bronze, or in the
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and sanctuaries (as is frequently shown by inscriptions on the statues), or as markers for graves. Statues in the Archaic period were not all intended to represent specific individuals. They were depictions of an ideal—beauty, piety, honor or sacrifice. These were always depictions of young men,
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Funeral statuary evolved during this period from the rigid and impersonal kouros of the Archaic period to the highly personal family groups of the Classical period. These monuments are commonly found in the suburbs of Athens, which in ancient times were cemeteries on the outskirts of the city.
1786:, is highly sophisticated. Many xoana were retained and revered for their antiquity in later periods; they were often light enough to be carried in processions. Many of the Greek statues well known from Roman marble copies were originally temple cult images, which in some cases, such as the 928:
Although some of them depict "ideal" types—the mourning mother, the dutiful son—they increasingly depicted real people, typically showing the departed taking his dignified leave from his family. This is a notable increase in the level of emotion relative to the Archaic and Geometrical eras.
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for all or parts (faces and hands) of the figure, and probably gems and other materials, but were much less common, and only fragments have survived. Many statues were given jewellery, as can be seen from the holes for attaching it, and held weapons or other objects in different materials.
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and executed by Phidias or under his direction, and considered to be the greatest of the Classical Sculptures), are lost, although smaller copies (in other materials) and good descriptions of both still exist. Their size and magnificence prompted rivals to seize them in the
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bronzes, as seen in the shorter more triangular face and slightly advancing left leg. This is sometimes seen as anticipating the greater expressive freedom of the 7th century BC and, as such, the Mantiklos figure is referred to in some quarters as proto-Daedalic.
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The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male
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Another notable change is the burgeoning of artistic credit in sculpture. The entirety of information known about sculpture in the Archaic and Geometrical periods are centered upon the works themselves, and seldom, if ever, on the sculptors. Examples include
1508: 1438:. The depiction is unusually sensual for depictions of the Egyptian goddess, as well as being uncharacteristically detailed and feminine, marking a combination of Egyptian and Hellenistic forms around the time of Alexander the Great's conquest of Egypt. 306:
laments, "If only I could shed my beauty and assume an uglier aspect/The way you would wipe color off a statue." Some well-preserved statues still bear traces of pigments and archaeologists can reconstruct what they may have originally looked like.
1735:. Access to the cella varied, but apart from the priests, at the least some of the general worshippers could access the cella some of the time, though sacrifices to the deity were normally made on altars outside in the temple precinct ( 1308:
The transition from the Classical to the Hellenistic period occurred during the 4th century BC. Greek art became increasingly diverse, influenced by the cultures of the peoples drawn into the Greek orbit, by the conquests of
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Ancient Greek sculptures were originally painted in multiple colors; they only appear colorless today because the original pigments have deteriorated. References to painted sculptures are found in classical literature, including in
581:). The kore was also common; Greek art did not present female nudity (unless the intention was pornographic) until the 4th century BC, although the development of techniques to represent drapery is obviously important. 440:
inscription reading "Mantiklos offered me as a tithe to Apollo of the silver bow; do you, Phoibos , give some pleasing favour in return". Apart from the novelty of recording its own purpose, this sculpture adapts the formulae of
523:, the Greeks began again to carve in stone. Free-standing figures share the solidity and frontal stance characteristic of Eastern models, but their forms are more dynamic than those of Egyptian sculpture, as for example the 584:
As with pottery, the Greeks did not produce sculpture merely for artistic display. Statues were commissioned either by aristocratic individuals or by the state, and used for public memorials, as offerings to temples,
347:. The statue was constructed in parts, before being dismembered and buried in two separate graves. The centaur has an intentional mark on its knee, which has led researchers to postulate that the statue might portray 189:
sculptures, usually large, with the head and exposed flesh parts in marble but the clothed parts in wood. As bronze always had a significant scrap value very few original bronzes have survived, though in recent years
885:(474 BC), which demonstrates a transition to more naturalistic sculpture. From about 500 BC, Greek statues began increasingly to depict real people, as opposed to vague interpretations of myth or entirely fictional 1088: 2403:Μαντικλος μ' ανεθεκε ϝεκαβολοι αργυροτοχσοι τας {δ}δε|κατας· τυ δε Φοιβε διδοι χαριϝετταν αμοιϝ," transliterated as "Mantiklos m’ anetheke wekaboloi argyrotokhsoi tas dekatas; tu de Phoibe didoi khariwettan amoiw" 278:
While the pigments originally present on most sculptures from the era have worn away, Greek sculptures were originally painted. This experimental color restoration shows what a statue of a Trojan archer from the
1052: 424:). The repertory of this bronze work is not confined to standing men and horses, however, as vase paintings of the time also depict imagery of stags, birds, beetles, hares, griffins and lions. There are no 1570: 1343:
men and women of all ages were produced, and sculptors no longer felt obliged to depict people as ideals of beauty or physical perfection. At the same time, new Hellenistic cities springing up in
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have been excavated. Cult images generally held or wore identifying attributes, which is one way of distinguishing them from the many other statues of deities in temples and other locations.
1597: 702: 561:). More of the musculature and skeletal structure is visible in this statue than in earlier works. The standing, draped girls have a wide range of expression, as in the sculptures in the 385:, and freestanding figures or groups. Such bronzes were made using the lost-wax technique probably introduced from Syria, and are almost entirely votive offerings left at the Hellenistic 185:
Both marble and bronze are easy to form and very durable; as in most ancient cultures there were no doubt also traditions of sculpture in wood about which we know very little, other than
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using ivory plaques for the visible parts of the body and gold for the clothes, around a wooden framework. The most famous Greek cult images were of this type, including the
538:. This expression, which has no specific appropriateness to the person or situation depicted, may have been a device to give the figures a distinctive human characteristic. 492: 2628:, Institute of Classical Studies, School of Advanced Study, University of London, Bulletin of the Institute of Classical Studies, Monograph, BICS Supplement 138 (London). 1426:
represented a syncretism between Greek art and the visual expression of Buddhism. Discoveries made since the end of the 19th century surrounding the (now submerged)
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The Classical Period also saw an increase in the use of statues and sculptures as decorations of buildings. The characteristic temples of the Classical era, such as the
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were all stylistically similar. Graduations in the social stature of the person commissioning the statue were indicated by size rather than artistic innovations.
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The Classical period saw a revolution of Greek sculpture, sometimes associated by historians with the popular culture surrounding the introduction of
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statues in Greek styles. These are attributed to Greek converts to Buddhism, many of whom are known to have settled in Goa during Hellenistic times.
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expressing humility. The sculptures of the Hellenistic period however saw greater expressions of power and energy as demonstrated in the
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portraits, and to have also developed a technique of casting from existing statues. He came from a family of sculptors and his brother,
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and stone: the Archaic (from about 650 to 480 BC), Classical (480–323 BC) and Hellenistic. At all periods there were great numbers of
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as that year's Olympic boxing champion. In the Archaic Period, the most important sculptural form was the kouros (See for example
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had only slight differences in treatment to one of that year's Olympic boxing champion. The statue, originally single but by the
534:, both in the Louvre, Paris). After about 575 BC, figures such as these, both male and female, began wearing the so-called 4331: 4191: 4186: 3463: 889:, although the style in which they were represented had not yet developed into a realistic form of portraiture. The statues of 565:. Their drapery is carved and painted with the delicacy and meticulousness common in the details of sculpture of this period. 5715: 4356: 2867: 2565: 5267: 5710: 4760: 4276: 4196: 3894: 3604: 2055: 1373:
Some of the best known Hellenistic sculptures are the Winged Victory of Samothrace (2nd or 1st century BC), the statue of
432:(Boston 03.997) of the early 7th century BC found in Thebes. The figure is that of a standing man with a pseudo- 5683: 4212: 3666: 2275:(2008). "The Polychromy of Ancient Greek Sculpture". In Panzanelli, Roberta; Schmidt, Eike D.; Lapatin, Kenneth (eds.). 1492: 1410:
Following the conquests of Alexander the Great, Greek culture spread as far as India, as revealed by the excavations of
1315: 810: 728: 485: 178: 2526:. panajim Goa: Gazetteer Dept., Govt. of the Union Territory of Goa, Daman and Diu, 1979. 1979. pp. (see page 70). 2377:, 1988, details how the term had a variety of meanings in the ancient world not necessarily to do with the cult objects 332:. No such statues survive, and the descriptions of them are vague, despite the fact that they were probably objects of 244: 4738: 4346: 4222: 3884: 3838: 3793: 3569: 3258: 2348: 2126: 2008: 5277: 336:
for hundreds of years. The first piece of Greek statuary to be reassembled since is probably the Lefkandi Centaur, a
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of an unknown sitter, with inlaid eyes, Hellenistic period, 1st century BC, found in Lake Palestra of the Island of
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ranging in age from adolescence to early maturity, even when placed on the graves of (presumably) elderly citizens.
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was used in the Archaic period, but thereafter, except in areas of modern Italy with no local marble, only for
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It is commonly thought that the earliest incarnation of Greek sculpture was in the form of wooden or ivory
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in Athens, both colossal statues now completely lost. Fragments of two chryselephantine statues from
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had also absorbed much of the Greek tradition—and an increasing proportion of its products as well.
355:' arrow. If so, it would be the earliest known depiction of myth in the history of Greek sculpture. 5350: 5320: 4708: 4603: 4598: 4035: 3350: 3263: 3233: 3187: 2950: 1886: 1310: 1255: 1063: 945: 5743: 5567: 5464: 5370: 5014: 4931: 4819: 4321: 4145: 3661: 3641: 3498: 3369: 3253: 3048: 2975: 2553: 2422: 2316: 1957: 1783: 1653: 1645: 1463: 1423: 1400: 860: 409: 191: 105: 274: 5642: 5229: 4778: 4626: 4578: 4422: 4391: 4336: 4253: 4130: 4002: 3823: 3656: 3609: 3549: 3423: 3405: 3381: 3363: 3273: 3268: 2919: 2832: 2581: 2561: 2472: 2282: 2272: 1929: 1896: 1657: 1404: 1284: 832: 774: 770: 709: 578: 550: 470: 417: 199: 76: 50: 2466: 135:, roughly the 5th and 4th centuries BC, monumental sculpture was composed almost entirely of 5572: 5104: 5069: 4886: 4743: 4621: 4508: 4503: 3828: 3783: 3614: 3521: 3137: 2970: 2955: 2945: 2440: 2191: 2156: 2141: 2026: 1891: 1787: 1753: 1707: 1626: 1562: 1546: 1211: 1207: 1199: 1187: 987: 982: 959: 693: 656: 641: 546: 359: 280: 250: 221: 132: 34: 5612: 2492: 1866: 5587: 5345: 5133: 4946: 4688: 4554: 4486: 3813: 3411: 3393: 3301: 3278: 3152: 3063: 3023: 2960: 2392: 2101: 1949: 1802: 1798: 1790:, can be credibly identified. A very few actual originals survive, for example the bronze 1775:
was a primitive and symbolic image, usually in wood, some perhaps comparable to the Hindu
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Greek Sculpture: Function, Materials, and Techniques In the Archaic and Classical Periods
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The debt of archaic Greek sculpture to Egyptian canons was recognized in Antiquity: see
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is said to have been the first to use plaster molds taken from living people to produce
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Family group on a grave marker from Athens, National Archaeological Museum, Athens
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Greek Sculpture: The Late Classical Period and Sculpture In Colonies and Overseas
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Gazetteer of the Union Territory Goa, Daman and Diu: district gazetteer, Volume 1
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the most highly prized. The ores for bronze were also relatively easy to obtain.
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The term xoanon and the ascriptions are both highly problematic. A.A. Donohue's
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The Afterlives of Greek Sculpture: Interaction, Transformation, and Destruction
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was another composite form, this time a cost-saving one with a wooden body. A
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The Language of the Muses: The Dialogue Between Roman and Greek Sculpture
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Masterpieces of Greek Sculpture: A Series of Essays On the History of Art
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Greek Large-Scale Bronze Statuary: The Late Archaic and Classical Periods
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The Color of Life: Polychromy in Sculpture from Antiquity to the Present
1323:. New centres of Greek culture, particularly in sculpture, developed in 120: 5647: 5637: 5592: 5582: 5577: 5562: 5552: 5537: 5532: 5419: 5307: 5297: 5176: 5151: 5146: 5119: 5114: 5094: 5084: 5074: 5039: 5029: 5019: 4971: 4961: 4936: 4906: 4901: 4896: 4871: 4524: 4306: 3967: 3957: 3716: 3686: 3676: 3671: 3651: 3646: 3526: 3473: 3387: 3182: 3172: 3162: 3157: 3147: 2413:
CAHN, HERBERT A.; GERIN, DOMINIQUE (1988). "Themistocles at Magnesia".
2177: 1818: 1749: 1736: 1554: 1530: 1328: 1303: 1292: 1231: 933: 348: 1403:(late 3rd century), thought to have been roughly the same size as the 1360:
the Classical period. The classical period had sculptures such as the
828: 261:), a remarkably weather-preserved bronze statue of a Greek athlete in 5617: 5547: 5527: 5489: 5355: 5161: 5054: 4991: 4981: 4926: 4544: 4529: 4125: 4110: 4085: 4080: 4065: 3726: 3721: 3488: 3468: 3212: 3202: 3197: 3068: 3028: 3018: 3003: 2112: 1839: 1834: 1830: 1776: 1772: 1761: 1581: 1558: 1515: 1446: 1280: 1183: 1160: 967: 909: 894: 848: 713: 586: 570: 542: 455: 413: 405: 401: 374: 329: 284: 215: 170: 166: 151:
and southern Italy, contained abundant supplies of fine marble, with
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on early-to-middle geometric sculpture, until the appearance of the
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The Ancient View of Greek Art: Criticism, History, and Terminology
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Understanding Greek Sculpture: Ancient Meanings, Modern Readings
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Classical Bronzes: The Art and Craft of Greek and Roman Statuary
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Ancient Greek Portrait Sculpture: Contexts, Subjects, and Styles
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Three types of figures prevailed—the standing nude male youth (
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survives. Modern scholarship identifies three major stages in
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Gravestone of a woman with her child slave attending to her,
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Athenian cavalryman Dexileos fighting a naked hoplite in the
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Portraits of the Ptolemies: Greek Kings As Egyptian Pharaohs
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The Oxford Encyclopedia of Ancient Greece and Rome, Volume 1
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and the end of the aristocratic culture associated with the
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Faces of Power: Alexander's Image and Hellenistic Politics
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in the workshop of a sculptor working on a marble horse,
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figurines. The territories of ancient Greece, except for
936:, known to have overseen the design and building of the 2682:
The Emergence of the Classical Style In Greek Sculpture
2850:, lecture by professor Kenney Mencher, Ohlone College 83:. Late Hellenistic bronze statue of a mounted jockey, 2854:
Sideris A., Aegean Schools of Sculpture in Antiquity
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in eastern Afghanistan, and the civilization of the
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in 1928. The figure is more than 2 m in height.
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Madison: University of Wisconsin Press, 1997. 2605:Greek Sculpture: The Archaic Period: A Handbook 2267: 2265: 2263: 2261: 2259: 2257: 340:sculpture found on the island of Euboea, dated 198:has added a few spectacular finds, such as the 2803:. Los Angeles: Getty Research Institute, 2006. 2787:Greek Sculpture: Its Spirit and Its Principles 2761:. Cambridge: Cambridge University Press, 2013. 2719:. Cambridge: Cambridge University Press, 1986. 2705:. Cambridge: Cambridge University Press, 1996. 2691:. Cambridge: Cambridge University Press, 2001. 2635:. Cambridge: Cambridge University Press, 2006. 1393:(about 230 BC), and the monumental group 817:, examples of proto classic bronze sculpture, 108:often in groups was the dominant form, though 2875: 2799:Winckelmann, Johann Joachim, and Alex Potts. 2698:. New York: Cambridge University Press, 2006. 2684:. Chicago: University of Chicago Press, 2010. 2656:. New York: Cambridge University Press, 2017. 2063: 1467:, a bronze statue originally thought to be a 8: 2649:. Cambridge: Harvard University Press, 2006. 2342: 2340: 2338: 1098:, 4th century BC bronze statue, possibly by 545:, plural kouroi), the standing draped girl ( 5669: 5387: 4839: 4830: 4811: 4571: 4474: 4264: 4240: 3757: 3744: 3451: 3120: 3091: 2935: 2911: 2882: 2868: 2860: 2796:. New York: Parkstone International, 2012. 2768:. Austin: University of Texas Press, 2002. 2663:. Los Angeles: J. Paul Getty Museum, 2008. 2607:. New York: Oxford University Press, 1978. 2070: 2056: 1845: 750:, Athens, authorized replica, original in 2775:. New Haven: Yale University Press, 1990. 2712:. New Haven: Yale University Press, 1974. 2670:. Ithaca: Cornell University Press, 1996. 2592:http://www.ancientgreece.com/s/Sculpture/ 2511:http://www.ancientgreece.com/s/Sculpture/ 1234:in the summer of 394 BC, probably in the 527:and Torso of Hera (Early Archaic period, 420:statuette (for example, NY Met. 21.88.24 2731:Fourth-Century Styles In Greek Sculpture 2677:. London: Bristol Classical Press, 2012. 2375:Xoana and the origins of Greek sculpture 1794:(2.35 metres high, including a helmet). 1545:Fragment of a marble relief depicting a 752:National Archaeological Museum of Athens 668:National Archaeological Museum of Athens 559:National Archaeological Museum of Athens 2217: 2167: 2091: 1857: 1451: 996: 596: 1434:include a 4th-century BC depiction of 1127:National Archaeological Museum, Athens 1104:National Archaeological Museum, Athens 1044:National Archaeological Museum, Athens 851:. Found by fishermen off the coast of 218:was sometimes used for the hair only. 85:National Archaeological Museum, Athens 2509:Stele, R. Web. 24 November 2013. < 2460: 2458: 1656:leaves, in Hellenistic style, inside 1230:. Dexileos was killed in action near 7: 5283:Illicitanus Limin/Portus Illicitanus 2754:. New York: Thames and Hudson, 1996. 2747:. New York: Thames and Hudson, 1991. 2724:The Archaic Style In Greek Sculpture 2647:Greek Architecture and Its Sculpture 2621:. New York: Thames and Hudson, 1995. 1387:(mid-2nd century BC), the 2560:, Penguin, 1986 (reprint of 1972), 2347:Prisco, Jacopo (30 November 2017). 1711:statue at the original size in the 1660:, 1st–2nd century CE. Buner, Swat, 994:, where they were later destroyed. 920:, roughly half of which are in the 351:, presumably kneeling wounded from 49:is the main surviving type of fine 2703:Personal Styles In Greek Sculpture 2701:Palagia, Olga, and J. J. Pollitt. 2614:. London: Thames and Hudson, 1985. 1833:. (The Roman story was related in 1603:Female head incorporating a vase ( 819:Museo Nazionale della Magna Grecia 53:as, with the exception of painted 25: 2745:Hellenistic Sculpture: A Handbook 2590:Stele, R. Web. 24 November 2013. 2580:, Oxford University Press, 2010, 2315:Gurewitsch, Matthew (July 2008). 990:period, and both were removed to 515:Inspired by the monumental stone 381:. The bronzes are chiefly tripod 5752: 5742: 5733: 5732: 2740:. Oxford: Clarendon Press, 1988. 2184: 2170: 2148: 2134: 2119: 2094: 1865: 1740:specially prestigious form of a 1673: 1638: 1619: 1596: 1569: 1538: 1507: 1484: 1454: 1238:, or in a proximate engagement. 1219: 1171: 1134: 1111: 1087: 1075: 1051: 1027: 999: 769:'s head and female head, with a 758: 736: 701: 675: 649: 622: 599: 436:form, underneath which lies the 287:may have originally looked like. 5753: 2801:History of the Art of Antiquity 2773:Greek Sculpture: An Exploration 2471:. Frontline Books. p. 43. 1514:Sepulchral monument of a dying 311:Development of Greek sculptures 2726:. 2nd ed. Chicago: Ares, 1993. 1580:head of a young man, found in 845:National Archaeological Museum 1: 3354: 3341: 3322: 3305: 2642:. London: W. Heinemann, 1895. 1825:and which was later taken to 1681: 1608: 1585: 1149: 1012: 784: 744: 721: 686: 660: 634: 607: 528: 505: 478: 363: 341: 255: 4482:Funeral and burial practices 3667:Military of Mycenaean Greece 2838:Resources in other libraries 2722:Ridgway, Brunilde Sismondo. 2465:Hutchinson, Godfrey (2014). 1493:Winged Victory of Samothrace 1316:Winged Victory of Samothrace 729:Delphi Archaeological Museum 486:Delphi Archaeological Museum 224:sculptures, used for temple 179:Staatliche Antikensammlungen 2738:Hellenistic Royal Portraits 1058:So-called Venus Braschi by 214:and decoration. Plaster or 5795: 4406:Greek Revival architecture 2717:Art In the Hellenistic Age 2652:Kousser, Rachel Meredith. 2391:February 27, 2005, at the 1935:Ancient Greek architecture 1666:Victoria and Albert Museum 1297: 979:Statue of Athena Parthenos 891:Harmodius and Aristogeiton 799: 563:Acropolis Museum of Athens 517:sculpture of ancient Egypt 459: 453: 369:) were chiefly terracotta 71:Greek terracotta figurines 5728: 5679: 5668: 4829: 4810: 4574: 4477: 4263: 4239: 3814:Attalid kings of Pergamon 3760: 3756: 3743: 3622:Antigonid Macedonian army 3454: 3119: 3090: 2934: 2910: 2897: 2833:Resources in your library 2497:www.atticinscriptions.com 2355:. CNN. Cable News Network 2323:. Smithsonian Institution 2032:Modern Greek architecture 1746:Statue of Zeus at Olympia 1591:, Antikensammlung Berlin. 1356:of the Classical period. 1206:), early 4th century BC, 975:Statue of Zeus at Olympia 879:('counterpose'), and the 802:Classical Greek sculpture 2750:Spivey, Nigel Jonathan. 2468:Sparta: Unfit for Empire 2415:The Numismatic Chronicle 5779:Ancient Greek sculpture 2819:Ancient Greek sculpture 2764:Stanwick, Paul Edmund. 2536:(see Pius Melkandathil, 1945:Ancient Greek sculpture 1742:Chryselephantine statue 1652:with devotees, holding 1549:, 3rd century BC, from 1240:Grave Stele of Dexileos 843:, c. 460 BC, 835:, thought to be either 477:of the Archaic period, 462:Archaic Greek Sculpture 390:Panhellenic sanctuaries 228:and luxury works, used 212:architectural sculpture 3848:Artists & scholars 3763:List of ancient Greeks 3400:Second Athenian League 3249:Greco-Bactrian Kingdom 3074:Ancient Greek colonies 2042:Contemporary Greek art 1716: 1713:Parthenon in Nashville 1295: 1268: 856: 825: 512: 489: 288: 266: 182: 128: 88: 59:ancient Greek painting 38: 4967:Sybaris on the Traeis 3692:Sacred Band of Thebes 3432:(c. 300 BC–c. 300 AD) 2946:Cycladic civilization 1998:Post-Byzantine Greece 1940:Ancient Greek pottery 1727:normally contained a 1721:ancient Greek temples 1704: 1300:Hellenistic sculpture 1274: 1258: 1182:inside a shell; from 1144:vase in the shape of 831: 813: 800:Further information: 495: 469: 454:Further information: 324:, first described by 277: 270:Painting of sculpture 247: 165: 123: 79: 55:ancient Greek pottery 32: 4492:mythological figures 4213:Ancient Greek tribes 3338:Peloponnesian League 2689:The Parthenon Frieze 2638:Furtwängler, Adolf. 2624:Dafas, K. A., 2019. 2421:: 20 & Plate 3. 1981:Byzantine Iconoclasm 1859:History of Greek art 1705:Reproduction of the 1445:, India, were found 1396:Laocoön and His Sons 1368:Jockey of Artemision 1363:Charioteer of Delphi 1264:(Late Hellenistic), 1261:Laocoön and His Sons 1190:, discovered in the 1157:Ancient Agora Museum 1155:; on display in the 882:Charioteer of Delphi 367: 900 to 700 BC 81:Jockey of Artemision 63:monumental sculpture 4604:Tunnel of Eupalinos 4599:Theatre of Dionysus 4223:Ancient Macedonians 3839:Tyrants of Syracuse 3351:Amphictyonic League 2951:Minoan civilization 2771:Stewart, Andrew F. 2666:Mattusch, Carol C. 1377:from the island of 1311:Alexander the Great 946:Aphrodite of Knidos 904:in Athens, and the 358:The forms from the 304:eponymous character 5278:Menestheus's Limin 4932:Pandosia (Lucania) 4820:Greek colonisation 4182:Athenian statesmen 3943:Diogenes of Sinope 3804:Kings of Macedonia 3794:Kings of Commagene 3662:Macedonian phalanx 3642:Hellenistic armies 3390:(c. 424–c. 395 BC) 3254:Indo-Greek Kingdom 2976:Hellenistic Greece 2785:von Mach, Edmund. 2570:Gagarin, Michael, 2288:978-0-89-236-918-8 2273:Brinkmann, Vinzenz 1958:Greco-Buddhist art 1902:Protogeometric art 1843:and other works.) 1784:Palaikastro Kouros 1717: 1658:Corinthian columns 1464:Hellenistic Prince 1424:Greco-Buddhist art 1401:Colossus of Rhodes 1296: 1269: 857: 826: 513: 490: 482: 580 BC 430:Mantiklos "Apollo" 289: 267: 192:marine archaeology 183: 129: 106:Hellenistic period 89: 39: 5766: 5765: 5724: 5723: 5664: 5663: 5660: 5659: 5656: 5655: 5230:Iberian Peninsula 5162:Lipara/Meligounis 5128: 5127: 4806: 4805: 4802: 4801: 4779:Cypriot syllabary 4670: 4669: 4579:Athenian Treasury 4563: 4562: 4235: 4234: 4231: 4230: 3824:Ptolemaic dynasty 3784:Archons of Athens 3739: 3738: 3735: 3734: 3610:Athenian military 3591: 3590: 3424:League of Corinth 3406:Thessalian League 3382:Chalcidian League 3364:Acarnanian League 3274:Ptolemaic Kingdom 3086: 3085: 3082: 3081: 2814:Library resources 2659:Marvin, Miranda. 2080: 2079: 1956: 1930:Ancient Greek art 1925:Archaic Greek art 1897:Mycenaean pottery 1687:(early period of 1405:Statue of Liberty 1064:Knidian Aphrodite 918:Parthenon Marbles 833:Artemision Bronze 771:kalos inscription 743:Euthydikos Kore. 710:Siphnian Treasury 579:Biton and Kleobis 551:Strangford Apollo 532: 660–580 BC 471:Kleobis and Biton 200:Artemision Bronze 51:ancient Greek art 16:(Redirected from 5786: 5756: 5755: 5746: 5736: 5735: 5670: 5388: 4887:Heraclea Lucania 4840: 4831: 4812: 4572: 4504:Twelve Olympians 4475: 4265: 4241: 3829:Seleucid dynasty 3809:Kings of Paionia 3758: 3745: 3615:Scythian archers 3522:Graphe paranomon 3452: 3359: 3356: 3346: 3343: 3327: 3324: 3314: 3310: 3307: 3121: 3092: 2971:Classical Greece 2956:Mycenaean Greece 2936: 2912: 2884: 2877: 2870: 2861: 2736:Smith, R. 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2824: 2823: 2812: 2811: 2809: 2808:External links 2806: 2805: 2804: 2797: 2790: 2783: 2776: 2769: 2762: 2755: 2748: 2741: 2734: 2727: 2720: 2713: 2706: 2699: 2692: 2685: 2678: 2671: 2664: 2657: 2650: 2645:Jenkins, Ian. 2643: 2636: 2629: 2622: 2615: 2608: 2599: 2596: 2595: 2594: 2588: 2572:Elaine Fantham 2568: 2549: 2546: 2543: 2542: 2529: 2515: 2502: 2484: 2477: 2454: 2445: 2432: 2405: 2396: 2379: 2366: 2334: 2294: 2287: 2253: 2244: 2235: 2226: 2216: 2215: 2213: 2210: 2209: 2208: 2200: 2197: 2196: 2195: 2190: 2183: 2181: 2176: 2169: 2165: 2162: 2161: 2160: 2154: 2147: 2145: 2140: 2133: 2131: 2129:over a peplos. 2125: 2118: 2116: 2100: 2093: 2089: 2086: 2084: 2081: 2078: 2077: 2075: 2074: 2067: 2060: 2052: 2049: 2048: 2045: 2044: 2039: 2034: 2029: 2023: 2020: 2019: 2016: 2015: 2012: 2011: 2006: 2000: 1997: 1996: 1993: 1992: 1989: 1988: 1986:Macedonian art 1983: 1978: 1972: 1969: 1968: 1965: 1964: 1961: 1960: 1952: 1947: 1942: 1937: 1932: 1927: 1922: 1916: 1914:Ancient Greece 1913: 1912: 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Attic Greek 764: 757: 755: 742: 735: 733: 716:, depicting a 708:Frieze of the 707: 700: 698: 681: 674: 672: 655: 648: 646: 628: 621: 619: 605: 598: 498:Sabouroff head 460:Main article: 451: 448: 317: 314: 312: 309: 271: 268: 117: 114: 47:ancient Greece 24: 14: 13: 10: 9: 6: 4: 3: 2: 5791: 5780: 5777: 5776: 5774: 5759: 5751: 5749: 5745: 5741: 5739: 5731: 5730: 5727: 5717: 5714: 5712: 5709: 5707: 5704: 5702: 5699: 5697: 5694: 5690: 5687: 5686: 5685: 5682: 5681: 5678: 5671: 5667: 5649: 5646: 5644: 5641: 5639: 5636: 5634: 5631: 5629: 5626: 5624: 5621: 5619: 5616: 5614: 5611: 5609: 5606: 5604: 5601: 5599: 5596: 5594: 5591: 5589: 5586: 5584: 5581: 5579: 5576: 5574: 5571: 5569: 5566: 5564: 5561: 5559: 5556: 5554: 5551: 5549: 5546: 5544: 5541: 5539: 5536: 5534: 5531: 5529: 5526: 5524: 5521: 5520: 5518: 5512: 5506: 5503: 5501: 5498: 5496: 5493: 5491: 5488: 5486: 5483: 5481: 5478: 5476: 5473: 5471: 5468: 5466: 5463: 5461: 5458: 5456: 5453: 5451: 5448: 5446: 5443: 5441: 5438: 5436: 5433: 5431: 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3700: 3698: 3695: 3693: 3690: 3688: 3685: 3683: 3680: 3678: 3675: 3673: 3670: 3668: 3665: 3663: 3660: 3658: 3655: 3653: 3650: 3648: 3645: 3643: 3640: 3638: 3635: 3633: 3630: 3628: 3625: 3623: 3620: 3616: 3613: 3612: 3611: 3608: 3606: 3603: 3602: 3600: 3598: 3594: 3584: 3581: 3579: 3576: 3575: 3573: 3571: 3567: 3561: 3558: 3556: 3553: 3551: 3548: 3547: 3545: 3543: 3539: 3533: 3530: 3528: 3525: 3523: 3520: 3518: 3515: 3513: 3510: 3508: 3505: 3504: 3502: 3500: 3496: 3490: 3487: 3485: 3482: 3480: 3477: 3475: 3472: 3470: 3467: 3465: 3462: 3460: 3457: 3456: 3453: 3450: 3448: 3444: 3437: 3434: 3431: 3428: 3425: 3422: 3419: 3416: 3413: 3410: 3407: 3404: 3401: 3398: 3395: 3392: 3389: 3386: 3383: 3380: 3377: 3376:Delian League 3374: 3371: 3368: 3365: 3362: 3352: 3349: 3339: 3336: 3333: 3332:Ionian League 3330: 3320: 3317: 3313: 560 BC 3303: 3300: 3299: 3297: 3295: 3290: 3286: 3280: 3277: 3275: 3272: 3270: 3267: 3265: 3262: 3260: 3257: 3255: 3252: 3250: 3247: 3245: 3242: 3240: 3237: 3235: 3232: 3231: 3229: 3225: 3219: 3216: 3214: 3211: 3209: 3206: 3204: 3201: 3199: 3196: 3194: 3191: 3189: 3186: 3184: 3181: 3179: 3176: 3174: 3171: 3169: 3166: 3164: 3161: 3159: 3156: 3154: 3151: 3149: 3146: 3144: 3141: 3139: 3136: 3134: 3131: 3130: 3128: 3126: 3122: 3118: 3111: 3108: 3106: 3103: 3101: 3098: 3097: 3093: 3089: 3075: 3072: 3070: 3067: 3065: 3062: 3060: 3057: 3055: 3054:Magna Graecia 3052: 3050: 3047: 3045: 3042: 3040: 3037: 3035: 3032: 3030: 3027: 3025: 3022: 3020: 3017: 3015: 3012: 3010: 3007: 3005: 3002: 3000: 2997: 2996: 2994: 2992: 2988: 2982: 2979: 2977: 2974: 2972: 2969: 2967: 2964: 2962: 2959: 2957: 2954: 2952: 2949: 2947: 2944: 2943: 2941: 2937: 2933: 2926: 2923: 2921: 2918: 2917: 2913: 2909: 2903: 2900: 2899: 2896: 2892: 2885: 2880: 2878: 2873: 2871: 2866: 2865: 2862: 2855: 2852: 2849: 2846: 2845: 2839: 2836: 2834: 2831: 2829: 2826: 2825: 2820: 2815: 2807: 2802: 2798: 2795: 2791: 2788: 2784: 2781: 2777: 2774: 2770: 2767: 2763: 2760: 2756: 2753: 2749: 2746: 2742: 2739: 2735: 2732: 2728: 2725: 2721: 2718: 2714: 2711: 2707: 2704: 2700: 2697: 2693: 2690: 2686: 2683: 2679: 2676: 2672: 2669: 2665: 2662: 2658: 2655: 2651: 2648: 2644: 2641: 2637: 2634: 2630: 2627: 2623: 2620: 2616: 2613: 2609: 2606: 2602: 2601: 2597: 2593: 2589: 2587: 2586:9780195170726 2583: 2579: 2578: 2573: 2569: 2567: 2563: 2559: 2555: 2552: 2551: 2547: 2539: 2533: 2530: 2525: 2519: 2516: 2512: 2506: 2503: 2498: 2494: 2488: 2485: 2480: 2478:9781848322226 2474: 2470: 2469: 2461: 2459: 2455: 2449: 2446: 2442: 2436: 2433: 2428: 2424: 2420: 2416: 2409: 2406: 2400: 2397: 2394: 2390: 2387: 2383: 2380: 2376: 2370: 2367: 2354: 2350: 2343: 2341: 2339: 2335: 2322: 2318: 2311: 2309: 2307: 2305: 2303: 2301: 2299: 2295: 2290: 2284: 2280: 2279: 2274: 2268: 2266: 2264: 2262: 2260: 2258: 2254: 2248: 2245: 2239: 2236: 2230: 2227: 2221: 2218: 2211: 2206: 2203: 2202: 2198: 2193: 2187: 2182: 2179: 2173: 2168: 2163: 2158: 2151: 2146: 2143: 2137: 2132: 2128: 2122: 2117: 2114: 2108: 2103: 2097: 2092: 2087: 2082: 2073: 2068: 2066: 2061: 2059: 2054: 2053: 2051: 2050: 2043: 2040: 2038: 2037:Munich School 2035: 2033: 2030: 2028: 2025: 2024: 2021:Modern Greece 2018: 2017: 2010: 2007: 2005: 2004:Cretan school 2002: 2001: 1995: 1994: 1987: 1984: 1982: 1979: 1977: 1976:Byzantine art 1974: 1973: 1967: 1966: 1959: 1953: 1951: 1948: 1946: 1943: 1941: 1938: 1936: 1933: 1931: 1928: 1926: 1923: 1921: 1920:Geometric art 1918: 1917: 1911: 1910: 1903: 1900: 1898: 1895: 1893: 1892:Mycenaean art 1890: 1888: 1885: 1883: 1880: 1879: 1873: 1872: 1868: 1864: 1863: 1860: 1856: 1852: 1848: 1847: 1844: 1842: 1841: 1836: 1832: 1828: 1824: 1820: 1816: 1812: 1808: 1804: 1800: 1795: 1793: 1789: 1785: 1782: 1778: 1774: 1770: 1765: 1763: 1759: 1755: 1751: 1747: 1743: 1738: 1734: 1730: 1726: 1725:Roman temples 1722: 1714: 1710: 1709: 1703: 1696: 1690: 1685: 100 BC 1676: 1671: 1667: 1663: 1659: 1655: 1651: 1647: 1641: 1636: 1632: 1628: 1622: 1617: 1606: 1599: 1594: 1589: 300 BC 1583: 1579: 1572: 1567: 1564: 1560: 1556: 1552: 1548: 1541: 1536: 1532: 1528: 1524: 1521: 1517: 1510: 1505: 1502: 1498: 1494: 1487: 1482: 1478: 1474: 1470: 1466: 1465: 1457: 1452: 1450: 1448: 1444: 1439: 1437: 1433: 1429: 1425: 1421: 1417: 1413: 1408: 1406: 1402: 1398: 1397: 1392: 1391: 1386: 1385: 1384:Venus de Milo 1381:known as the 1380: 1376: 1371: 1369: 1365: 1364: 1357: 1354: 1350: 1346: 1340: 1338: 1334: 1330: 1326: 1322: 1318: 1317: 1312: 1305: 1301: 1294: 1290: 1286: 1282: 1278: 1273: 1267: 1263: 1262: 1257: 1250: 1248: 1242:, 394-393 BC. 1241: 1237: 1233: 1229: 1222: 1217: 1213: 1209: 1205: 1201: 1197: 1193: 1189: 1185: 1181: 1174: 1169: 1166: 1162: 1158: 1153: 410 BC 1147: 1143: 1137: 1132: 1128: 1124: 1120: 1114: 1109: 1105: 1101: 1097: 1090: 1085: 1078: 1073: 1069: 1065: 1061: 1054: 1049: 1045: 1041: 1037: 1030: 1025: 1021: 1016: 480 BC 1010: 1009: 1002: 997: 995: 993: 989: 984: 980: 976: 971: 969: 965: 961: 957: 953: 951: 947: 943: 939: 935: 929: 925: 923: 919: 915: 911: 907: 903: 898: 896: 892: 888: 884: 883: 878: 877: 872: 871: 866: 862: 854: 850: 846: 842: 838: 834: 830: 824: 820: 816: 815:Riace bronzes 812: 807: 803: 795: 782: 779: 776: 772: 768: 761: 756: 753: 748: 490 BC 739: 734: 730: 725: 525 BC 719: 715: 711: 704: 699: 695: 690: 530 BC 684: 678: 673: 669: 664: 550 BC 658: 652: 647: 643: 638: 570 BC 632: 625: 620: 616: 611: 600 BC 602: 597: 595: 593: 588: 582: 580: 576: 572: 566: 564: 560: 556: 552: 548: 544: 539: 537: 536:archaic smile 526: 522: 518: 503: 499: 494: 487: 476: 472: 468: 463: 457: 449: 447: 444: 439: 435: 431: 427: 423: 419: 415: 411: 407: 403: 399: 395: 391: 388: 384: 380: 376: 372: 361: 356: 354: 350: 345: 920 BC 339: 335: 331: 327: 323: 315: 310: 308: 305: 302:in which the 301: 300: 295: 286: 282: 276: 269: 264: 259: 310 BC 253: 252: 246: 242: 239: 235: 231: 227: 223: 219: 217: 213: 209: 205: 204:Riace bronzes 201: 197: 193: 188: 180: 176: 172: 168: 164: 160: 158: 157:Parian marble 154: 150: 146: 142: 138: 134: 127: 122: 115: 113: 111: 107: 103: 99: 95: 86: 82: 78: 74: 72: 68: 64: 60: 56: 52: 48: 44: 36: 31: 27: 19: 5553:Dionysopolis 5523:Abonoteichos 5475:Pantikapaion 5065:Hybla Heraea 4449: 4401:Architecture 4357:Prostitution 4046:Aristophanes 3905:Philosophers 3875:Philosophers 3707:Spartan army 3438:(280–146 BC) 3426:(338–322 BC) 3420:(370–168 BC) 3408:(374–196 BC) 3402:(378–355 BC) 3384:(430–348 BC) 3378:(478–404 BC) 3372:(499–449 BC) 3059:Peloponnesus 2981:Roman Greece 2828:Online books 2818: 2800: 2793: 2786: 2779: 2772: 2765: 2758: 2751: 2744: 2737: 2730: 2723: 2716: 2709: 2702: 2695: 2688: 2681: 2674: 2667: 2660: 2653: 2646: 2639: 2632: 2625: 2618: 2611: 2604: 2598:Bibliography 2576: 2557: 2537: 2532: 2523: 2518: 2505: 2496: 2487: 2467: 2452:Gagarin, 403 2448: 2435: 2418: 2414: 2408: 2399: 2382: 2374: 2369: 2357:. Retrieved 2352: 2325:. Retrieved 2320: 2277: 2247: 2238: 2229: 2220: 1944: 1882:Cycladic art 1838: 1796: 1766: 1718: 1715:, Tennessee. 1706: 1689:Roman Greece 1551:Panticapaeum 1533:, 250-100 BC 1527:Etruscan art 1462: 1440: 1409: 1394: 1388: 1382: 1372: 1361: 1358: 1341: 1314: 1307: 1259: 1246: 1019: 1006: 972: 954: 930: 926: 899: 880: 876:contrapposto 874: 868: 864: 858: 806:Severe style 718:Gigantomachy 631:Moschophoros 591: 583: 567: 540: 514: 474: 426:inscriptions 387:civilization 357: 322:cult statues 319: 297: 290: 263:Contrapposto 248: 220: 184: 130: 90: 57:, almost no 40: 26: 5701:Place names 5613:Salmydessus 5435:Kalos Limen 5415:Chersonesus 5405:Borysthenes 5110:Tauromenion 4922:Metapontion 4684:Proto-Greek 4637:Erechtheion 4632:Athena Nike 4594:Philippeion 4423:Mathematics 4394:and science 4277:Agriculture 4141:Stesichorus 4051:Bacchylides 4041:Archilochus 3928:Antisthenes 3918:Anaximander 3890:Seven Sages 3880:Playwrights 3860:Geographers 3855:Astronomers 3682:Pezhetairos 3309: 1100 3289:Federations 3188:Megalopolis 3125:City states 3100:City states 2443:, i.98.5–9. 2251:Cook, 75–76 2242:Cook, 74–76 2233:Cook, 74–75 2105: [ 1697:Cult images 1420:Indo-Greeks 1251:Hellenistic 1008:Kritios Boy 956:Lysistratus 870:Kritios Boy 683:Peplos Kore 521:Mesopotamia 502:portraiture 226:cult images 181:(Inv. 2650) 173:red-figure 5603:Polemonion 5480:Phanagoria 5450:Kimmerikon 5445:Kerkinitis 5430:Hermonassa 5420:Dioscurias 5316:Aspalathos 5263:Kalathousa 5238:Akra Leuke 5167:Phoenicusa 4952:Scylletium 4937:Poseidonia 4857:Brentesion 4744:Pamphylian 4739:Macedonian 4657:Samothrace 4642:Hephaestus 4589:Long Walls 4568:Structures 4509:Underworld 4455:Technology 4418:Literature 4352:Philosophy 4317:Euergetism 4206:By culture 4151:Thucydides 3993:Pythagoras 3988:Protagoras 3978:Parmenides 3963:Heraclitus 3948:Empedocles 3938:Democritus 3923:Anaximenes 3913:Anaxagoras 3865:Historians 3358: 595 3345: 550 3326: 800 3311: – c. 3239:Cappadocia 3044:Ionian Sea 3034:Hellespont 2999:Aegean Sea 2566:0140218661 2554:Cook, R.M. 2548:References 1887:Minoan art 1729:cult image 1648:frieze of 1612: 325 1578:terracotta 1523:terracotta 1520:polychrome 1497:The Louvre 1473:Attalus II 1412:Ai-Khanoum 1390:Dying Gaul 1325:Alexandria 1319:, and the 1194:cemetery, 1192:Phanagoria 1142:Terracotta 1100:Praxiteles 1068:Glyptothek 1060:Praxiteles 1040:Diadumenos 1036:Polyclitus 1011:. Marble, 942:Praxiteles 788: 520 778:red-figure 692:, Athens, 666:, Athens, 640:, Athens, 615:Kerameikos 613:, Athens, 509: 550 418:equestrian 338:terracotta 334:veneration 187:acrolithic 177:, 480 BC, 145:terracotta 5689:in Epirus 5638:Trapezous 5583:Mesambria 5568:Eupatoria 5538:Apollonia 5533:Anchialos 5495:Theodosia 5465:Nymphaion 5455:Myrmekion 5425:Gorgippia 5381:Black Sea 5366:Tragurion 5351:Nymphaion 5336:Epidauros 5331:Epidamnos 5321:Apollonia 5298:Zacynthos 5220:Ptolemais 5214:Apollonia 5187:Cyrenaica 5177:Therassía 5172:Strongyle 5152:Ereikousa 5075:Leontinoi 5015:Apollonia 4892:Hipponion 4689:Mycenaean 4652:Parthenon 4584:Lion Gate 4487:Mythology 4450:Sculpture 4413:Astronomy 4347:Pederasty 4322:Festivals 4307:Education 4187:Lawgivers 4156:Timocreon 4136:Sophocles 4131:Simonides 4106:Philocles 4101:Panyassis 4096:Mimnermus 4061:Herodotus 4056:Euripides 4026:Aeschylus 3973:Leucippus 3933:Aristotle 3712:Strategos 3578:Synedrion 3532:Ostracism 3512:Areopagus 3464:Free city 3259:Macedonia 3143:Byzantion 3049:Macedonia 3014:Cyrenaica 2991:Geography 2925:Geography 2558:Greek Art 2353:CNN style 1955:see also: 1807:palladium 1758:Parthenon 1432:Heracleum 1375:Aphrodite 1279:: l to r 1180:Aphrodite 1066:, Munich 1022:, Athens. 988:Byzantine 938:Parthenon 914:pediments 902:Parthenon 861:democracy 796:Classical 781:aryballos 767:Ethiopian 511:-525 BCE. 438:hexameter 383:cauldrons 371:figurines 326:Pausanias 316:Geometric 294:Euripides 234:leaf form 208:limestone 116:Materials 43:sculpture 5773:Category 5738:Category 5716:Theatres 5643:Tripolis 5578:Kerasous 5573:Heraclea 5505:Tyritake 5460:Nikonion 5371:Thronion 5293:Salauris 5248:Emporion 5205:Berenice 5195:Balagrae 5147:Euonymos 5120:Tyndaris 5105:Syracuse 5100:Selinous 5070:Kamarina 5025:Casmenae 5010:Akrillai 4927:Neápolis 4862:Caulonia 4843:Mainland 4774:Linear B 4769:Linear A 4699:Dialects 4676:Language 4470:Religion 4428:Medicine 4362:Religion 4327:Folklore 4312:Emporium 4287:Clothing 4282:Calendar 4166:Xenophon 4161:Tyrtaeus 4146:Theognis 4121:Polybius 4116:Plutarch 4091:Menander 4071:Hipponax 3998:Socrates 3953:Epicurus 3799:Diadochi 3697:Sciritae 3657:Hetairoi 3632:Ballista 3597:Military 3560:Gerousia 3550:Ekklesia 3517:Ecclesia 3499:Athenian 3447:Politics 3360:–279 BC) 3347:–366 BC) 3328:–389 BC) 3264:Pergamon 3234:Bithynia 3227:Kingdoms 3168:Pergamon 3110:Military 3105:Politics 2902:Timeline 2427:42668124 2389:Archived 2224:Cook, 19 2205:Meniskos 2199:See also 1851:a series 1849:Part of 1815:Diomedes 1811:Odysseus 1769:acrolith 1662:Pakistan 1654:plantain 1650:Gandhara 1614:-300 BC. 1605:lekythos 1477:Pergamon 1469:Seleucid 1430:city of 1418:and the 1353:Anatolia 1333:Pergamum 1148:' head, 1146:Dionysus 1123:Lysippos 1034:Copy of 977:and the 964:Lysippos 960:lost-wax 837:Poseidon 790:–510 BC. 775:janiform 575:Heracles 443:oriental 434:daedalic 353:Herakles 196:trawling 153:Pentelic 124:Natural 102:Heracles 5758:Outline 5711:Temples 5648:Zaliche 5628:Thèrmae 5618:Sesamus 5588:Odessos 5563:Cytorus 5558:Cotyora 5308:Illyria 5273:Mainake 5268:Kypsela 5157:Hycesia 5115:Thermae 5095:Segesta 5085:Messana 5040:Helorus 5020:Calacte 5000:Akragas 4962:Sybaris 4947:Rhegion 4902:Krimisa 4852:Alision 4761:Writing 4734:Locrian 4724:Epirote 4694:Homeric 4627:Artemis 4614:Temples 4555:Olympia 4525:Eleusis 4460:Theatre 4445:Pottery 4372:Warfare 4367:Slavery 4302:Economy 4297:Cuisine 4292:Coinage 4269:Society 4254:Culture 4249:Society 4197:Tyrants 4036:Alcaeus 4018:Authors 3968:Hypatia 3958:Gorgias 3895:Writers 3717:Toxotai 3687:Sarissa 3677:Peltast 3672:Phalanx 3652:Hoplite 3647:Hippeis 3570:Macedon 3542:Spartan 3527:Heliaia 3474:Proxeny 3183:Larissa 3178:Kerkyra 3173:Eretria 3163:Miletus 3158:Ephesus 3153:Corinth 3148:Chalcis 3069:Taurica 2939:Periods 2920:History 2178:Chlamys 2083:Drapery 1819:citadel 1756:in the 1750:Phidias 1737:temenos 1731:in the 1555:Taurica 1531:Tuscana 1329:Antioch 1304:Phidias 1293:Oceanus 1232:Corinth 934:Phidias 910:friezes 895:tyranny 617:Museum. 587:oracles 450:Archaic 394:Olympia 379:ivories 375:bronzes 349:Cheiron 131:By the 110:reliefs 5748:Portal 5696:People 5684:Cities 5623:Sinope 5608:Rhizos 5598:Phasis 5548:Bathus 5543:Athina 5528:Amisos 5490:Tanais 5485:Pityus 5410:Charax 5361:Pharos 5356:Orikon 5253:Helike 5243:Alonis 5210:Cyrene 5142:Didyme 5055:Himera 5030:Catana 4992:Sicily 4982:Thurii 4977:Terina 4942:Pixous 4897:Hydrus 4872:Croton 4704:Aeolic 4622:Aphaea 4545:Dodona 4530:Delphi 4499:Temple 4175:Others 4126:Sappho 4111:Pindar 4086:Lucian 4081:Ibycus 4066:Hesiod 4003:Thales 3771:Rulers 3750:People 3727:Xyston 3722:Xiphos 3583:Koinon 3489:Tyrant 3479:Stasis 3469:Koinon 3269:Pontus 3244:Epirus 3213:Sparta 3203:Rhodes 3198:Megara 3193:Thebes 3138:Athens 3064:Pontus 3029:Epirus 3019:Cyprus 3004:Aeolis 2816:about 2584:  2564:  2475:  2425:  2359:15 May 2327:15 May 2285:  2142:Chiton 2127:Pallas 2113:diplax 2088:Female 1853:on the 1840:Aeneid 1835:Virgil 1831:Aeneas 1781:Minoan 1777:lingam 1773:xoanon 1762:Delphi 1748:, and 1582:Tarent 1559:Crimea 1516:Adonis 1447:Buddha 1351:, and 1281:Nereus 1184:Attica 1161:Athens 981:(both 968:Sicyon 940:, and 865:kouroi 849:Athens 714:Delphi 592:Kouroi 571:Apollo 543:kouros 475:kouroi 456:Kouros 422:online 414:Sparta 412:, and 406:Athens 402:Delphi 400:, and 377:, and 285:Aegina 216:stucco 167:Athena 149:Sicily 141:bronze 137:marble 126:marble 98:Apollo 67:bronze 5706:Stoae 5674:Lists 5593:Oinòe 5516:coast 5514:South 5500:Tyras 5470:Olbia 5440:Kepoi 5393:coast 5391:North 5384:basin 5326:Aulon 5288:Rhode 5200:Barca 5090:Naxos 5045:Henna 5005:Akrai 4972:Taras 4957:Siris 4917:Medma 4912:Locri 4877:Cumae 4867:Chone 4845:Italy 4751:Koine 4729:Ionic 4719:Doric 4714:Attic 4535:Delos 4433:Music 4076:Homer 4031:Aesop 3983:Plato 3885:Poets 3555:Ephor 3507:Agora 3484:Tagus 3459:Boule 3208:Samos 3133:Argos 3039:Ionia 3024:Doris 3009:Crete 2423:JSTOR 2212:Notes 2109:] 1805:, a " 1799:Greek 1733:cella 1631:Delos 1529:from 1501:Paris 1471:, or 1379:Melos 1349:Syria 1345:Egypt 1289:Giant 1285:Doris 555:Anafi 553:from 410:Argos 398:Delos 330:xoana 299:Helen 238:ivory 175:kylix 171:Attic 5633:Tium 5400:Akra 5341:Issa 5035:Gela 4907:Laüs 4882:Elea 4540:Dion 4392:Arts 4382:Wine 4008:Zeno 3605:Wars 2792:--. 2778:--. 2757:--. 2743:--. 2729:--. 2715:--. 2617:--. 2610:--. 2582:ISBN 2562:ISBN 2513:> 2473:ISBN 2361:2018 2329:2018 2283:ISBN 2164:Male 1827:Rome 1823:Troy 1813:and 1801:and 1767:The 1723:and 1719:All 1547:Kore 1491:The 1461:The 1436:Isis 1337:Rome 1302:and 1287:, a 1094:The 973:The 841:Zeus 804:and 629:The 547:kore 519:and 496:The 265:pose 249:The 236:and 230:gold 202:and 155:and 94:nude 41:The 4337:Law 2419:148 1837:'s 1829:by 1821:of 1797:In 1752:'s 1607:), 1561:), 1475:of 1443:Goa 1441:In 1159:in 966:of 839:or 765:An 573:or 392:of 328:as 296:'s 194:or 139:or 100:or 96:of 65:in 45:of 5775:: 3355:c. 3342:c. 3323:c. 3306:c. 2556:, 2540:.) 2495:. 2457:^ 2417:. 2351:. 2337:^ 2319:. 2297:^ 2256:^ 2107:fr 1682:c. 1664:. 1609:c. 1586:c. 1584:, 1553:, 1525:, 1518:, 1499:, 1422:. 1370:. 1347:, 1331:, 1327:, 1291:, 1283:, 1210:, 1202:, 1186:, 1150:c. 1125:, 1102:, 1042:, 1038:' 1018:. 1013:c. 952:. 924:. 847:, 821:, 785:c. 783:, 745:c. 727:, 722:c. 720:, 712:, 687:c. 685:, 661:c. 659:, 635:c. 608:c. 529:c. 506:c. 504:, 484:. 479:c. 473:, 408:, 396:, 373:, 364:c. 342:c. 283:, 256:c. 5216:) 5212:( 3353:( 3340:( 3321:( 3315:) 3304:( 3291:/ 2883:e 2876:t 2869:v 2499:. 2481:. 2429:. 2363:. 2331:. 2291:. 2071:e 2064:t 2057:v 1691:) 1668:. 1633:. 1557:( 1214:. 1198:( 1129:. 1106:. 1070:. 1046:. 731:. 696:. 670:. 644:. 488:. 362:( 254:( 87:. 20:)

Index

Greek sculpture

Parthenon Frieze
sculpture
ancient Greece
ancient Greek art
ancient Greek pottery
ancient Greek painting
monumental sculpture
bronze
Greek terracotta figurines

Jockey of Artemision
National Archaeological Museum, Athens
nude
Apollo
Heracles
Hellenistic period
reliefs

marble
classical period
marble
bronze
terracotta
Sicily
Pentelic
Parian marble

Athena

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