255:, Albrecht made four works referring to the seasons. In an interview with art historian Anne Kirker noted that she conceived the exhibition as 'taking a room with four rooms and putting one work on each of them. So you're in an environment, moving from the door to around the room, looking at the work and out the same door again.' In the same article Albrecht noted that she worked with the hemisphere form for most of the 1980s but series of collages made in 1987 and exhibited in 1988 showed the 'disintegration' of this form and the introduction of new forms, specifically the oval.
248:: the artists has said 'I knew I wanted the hemisphere in 1981. I went to Dunedin with quadrants, the hemisphere happened in the studio, I put the quadrants together. I wanted to break out of the rectangle and the square, and to introduce a curve.' In 1992 Albrecht described the importance of the curved form in her work, describing it as having 'a sensuousness and a female-relatedness that I can't describe in any other way. It had a generosity about it that the angular stretcher didn't have'.
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form and began looking at the landscape, her garden, and arranging natural objects on coloured backgrounds. From 1970 she also began to use thinned acrylic rather than oil on canvas, which allowed her to paint more freely, and unprimed canvases that allowed the pigment to soak into the raw fabric, mimicking the watercolour work she enjoyed.
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Albrecht's early work, during art school and the years immediately following, was figurative: 'the protagonist always a woman, and the woman was often nude'. Albrecht's work in the 1960s was also more autobiographical than any later painting. In the early 1970s
Albrecht turned away from the human
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In 1980, after a year spent travelling in Europe and the United States, Albrecht produced works that directly referenced
European painters and the history of art rather than her surroundings, with titles such as
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During the 1970s
Albrecht's work became more and more abstracted, although it often still began with observations of the landscape, making studies in places like Auckland's West Coast and
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Albrecht received grants from the QE II Arts foundation in 1976, 1978 and 1986, and travelled and worked extensively in the United States. In 1981, Albrecht was awarded the
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Edward
Hanfling, 'Rectangles, Rediscoveries & Radiance: Gretchen Albrecht on Continuity & Change',
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in 1943, the daughter of Reuben John and Joyce
Winifred Fairburn (née Grainger) Albrecht. She attended
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in 1971 encouraged
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artists. Albrecht has also expanded her work into oval metal sculpture since the early 2000s.
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Albrecht's work is held in all major New
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240:. Albrecht first worked in the hemisphere form while living in Dunedin in 1981 as the
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1093:"Queen's Birthday honours list 2000 (including special list for East Timor)"
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220:. Her mature style appeared at this time, with her distinctive use of the
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Kirker, Anne (Spring 1993). "Gretchen
Albrecht: A Study in Abstraction".
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Francis Pound, 'Albrecht's
Hemispheres – The Realms of Connotation',
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1067:"Gretchen Albrecht, On Copper at Two Rooms, Auckland, New Zealand"
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236:, or oval motifs on standard rectangle canvases, which she calls
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In the collection of the Museum of New
Zealand Te Papa Tongarewa
438:, EXPO (@ Seville; toured to Leiden, Madrid, Zamora, BArcelona,
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281:. Today, Albrecht splits her time between Auckland and London.
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1095:. Department of the Prime Minister and Cabinet. 5 June 2000
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Gretchen Albrecht & Eve Armstrong, Making Arrangements,
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Treasures from the Museum of New Zealand Te Papa Tongarewa
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Gretchen Albrecht: between paint and nature: five decades
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137:, graduating in 1963 with an honours degree in painting.
114:(born 7 May 1943) is a New Zealand painter and sculptor.
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Brownson, Ron; Kisler, Mary; Fletcher, Bronwyn (2002).
623:, Auckland: Auckland Art Gallery and Godwit Press, 2002
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Distance Looks Our Way – 10 Artists from New Zealand
949:. Auckland: Auckland Art Gallery and Godwit Press.
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AFTERnature: Gretchen Albrecht: A Survey – 23 Years
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AFTERnature: Gretchen Albrecht: A Survey – 23 Years
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AFTERnature: Gretchen Albrecht: A Survey – 23 Years
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1114:Arts Foundation of New Zealand Award for Patronage
861:Not Just Passing Through: the Making of Mt Roskill
1184:Documentary about Gretchen Albrecht, NZ On Screen
808:Museum of New Zealand Te Papa Tongarewa (2005).
1632:People educated at Mount Roskill Grammar School
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475:Crossing the divide: a painter makes prints"",
664:In 2007 Albrecht received a donation from the
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737:'Gretchen Albrecht: The old age of Modernism'
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1602:Companions of the New Zealand Order of Merit
1179:the artist at Paper Graphica, with interview
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613:, Auckland: Random Century New Zealand, 1991
16:New Zealand painter and sculptor (born 1943)
655:Companion of the New Zealand Order of Merit
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195:' large abstract acrylic paintings at the
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626:Michelle Leggott and Gretchen Albrecht,
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702:Museum of New Zealand Te Papa Tongarewa
637:, Arrowtown: Nadene Milne Gallery, 2009
458:Museum of New Zealand Te Papa Tongarewa
1622:20th-century New Zealand women artists
191:.' An exhibition of American painter
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917:Gill, Linda; Pound, Francis (1986).
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759:'Gretchen Albrecht: The Early Years'
551:I come out of surgery looking golden
657:, for services to painting, in the
642:Gretchen Albrecht: A luminous shade
526:Gretchen Albrecht: A Luminous Shade
1169:the artist at Nadene Milne Gallery
1164:Gretchen Albrecht official website
1016:"Interview with Gretchen Albrecht"
743:22, Summer 1981–82, pp. 22–23
633:James Ross and Gretchen Albrecht,
606:, Wanganui: Sarjeant Gallery, 1986
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781:, Wellington: Te Papa Press, 2009
690:Victoria University of Wellington
418:Waikato Museum of Art and History
327:Contemporary New Zealand Painting
947:Gretchen Albrecht: Illuminations
644:, Auckland: Globe Editions, 2012
640:Edward Hanfling and James Ross,
630:, Auckland: Holloway Press, 2006
621:Gretchen Albrecht: Illuminations
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495:Gretchen Albrecht: Illuminations
347:10 Years of New Zealand Painting
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1174:the artist at Fishers Fine Arts
1004:Gretchen Albrecht Official Site
203:1980s and onwards: mature style
1042:"Gretchen Albrecht: Returning"
668:Award for Patronage recipient
666:Arts Foundation of New Zealand
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923:. Whanganui: Sarjeant Gallery
812:. Te Papa Press. p. 77.
748:'Seven Painters/The Eighties'
726:'Gretchen Albrecht paintings'
715:Gretchen Albrecht: Paintings'
659:2000 Queen's Birthday Honours
721:6, June/July 1977, p. 9
544:Gretchen Albrecht: On Copper
505:Gretchen Albrecht: Returning
357:New Zealand's Women Painters
128:Mount Roskill Grammar School
732:19, Autumn 1981, p. 12
468:Govett-Brewster Art Gallery
429:Govett-Brewster Art Gallery
367:Seven Painters/The Eighties
275:Frances Hodgkins Fellowship
251:For a 1985 solo project at
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1130:Sarjeant Gallery Whanganui
863:(2nd ed.). Auckland:
509:Dunedin Public Art Gallery
218:Lunette (for Fra Angelico)
1637:New Zealand women artists
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653:Albrecht was appointed a
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351:Auckland City Art Gallery
341:Auckland City Art Gallery
337:New Zealand Painting 1965
331:Auckland City Art Gallery
258:She has been compared to
253:Auckland City Art Gallery
232:canvases, what she calls
146:Art school and early work
1225:Frances Hodgkins Fellows
765:26, 1983, pp. 36–37
754:28, 1983, pp. 34–38
165:Table-Cloth with Curtain
135:Elam School of Fine Arts
118:Early life and education
67:Elam School of Fine Arts
1046:City Gallery Wellington
840:. 8 May 1943. p. 1
649:Awards and recognitions
513:City Gallery Wellington
489:City Gallery Wellington
444:City Gallery Wellington
242:Frances Hodgkins Fellow
1607:Elam Art School alumni
865:Puketāpapa Local Board
686:University of Auckland
528:, Tauranga Art Gallery
268:abstract expressionist
132:University of Auckland
1561:Emily Hartley-Skudder
775:William McAloon (ed)
546:, Two Rooms, Auckland
521:Michal Lett, Auckland
122:Albrecht was born in
1617:People from Onehunga
1612:New Zealand painters
1150:Gretchen Albrecht CV
859:Reidy, Jade (2013).
682:Auckland Art Gallery
583:adding missing items
499:Auckland Art Gallery
448:Manawatu Art Gallery
440:Auckland Art Gallery
407:National Art Gallery
391:, artist project at
306:adding missing items
197:Auckland Art Gallery
1375:Siegfried Koglmeier
1369:Shona Rapira Davies
1237:Michael Illingworth
1126:"Gretchen Albrecht"
788:126, Summer 2010–11
628:Journey to Portugal
279:University of Otago
264:Helen Frankenthaler
246:University of Otago
1555:Sorawit Songsataya
1531:Campbell Patterson
1393:Peter Gibson Smith
581:; you can help by
562:Major publications
425:Signature of Place
304:; you can help by
224:, which she calls
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1381:Christine Webster
1339:Michael Armstrong
1321:Gretchen Albrecht
874:978-1-927216-97-2
757:Priscilla Pitts,
611:Gretchen Albrecht
602:James Ross (ed),
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382:Dowse Art Gallery
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285:Major exhibitions
262:and particularly
238:Roses in the Snow
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1073:. 21 March 2019
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708:Further reading
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1501:Nick Austin
1465:Sarah Munro
1447:Sara Hughes
1435:Ava Seymour
1387:Neil Frazer
1333:Joanna Paul
1327:Chris Booth
1135:23 November
676:Collections
670:Jenny Gibbs
260:Mark Rothko
226:Hemispheres
210:After Piero
177:Storm Swell
85:Color Field
1586:Categories
1547:2020–2021
1471:Ben Cauchi
1441:Scott Eady
1429:Jim Speers
1249:Derek Ball
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891:Q116775081
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590:March 2015
579:incomplete
557:, Auckland
539:, Auckland
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313:March 2015
302:incomplete
266:and other
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48:7 May 1943
44:1943-05-07
1071:ocula.com
883:889931177
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1077:21 March
927:14 March
887:Wikidata
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834:"Births"
772:38, 1986
533:Colloquy
389:Seasonal
189:Penumbra
130:and the
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