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363:, the greatest Venetian dramatist, only the San Luca and the Malibran still put on spoken drama, and his desertion of the Grimani for the Vendramins at San Luca in 1752 was a major event in the theatrical history of the period, ushering in perhaps his finest period, in which as well as his comedies, he played a significant role in the development of the
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All the main
Venetian theatres were owned by important patrician families; combining business with pleasure in the Italian, if not European, city with the most crowded and competitive theatrical culture. When most opera in Europe was still being put on by courts, "economic prospects and a desire for
314:
exhibitionistic display", as well a decline in their traditional overseas trading, attracted the best
Venetian families to invest in the theatre during the 17th century.
231:, where he set up his refined collection of antiques, including sculptures, marbles, vases, bronzes and gems, some of which he inherited from his uncle.
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367:. The Vendramins, who had considerable direct involvement in the management of the theatre, however they did not take their involvement as far as
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Cardinal
Domenico Grimani was a noted art collector. Many ancient sculptures were found on land the family had purchased on the
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74:: (1557–1628), bishop of Torcello 1587–1622, Apostolic Nuncio to Florence 1605–1616, Patriarch of Aquileia 1622–1628
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359:, which still thrives as the city's main theatre for plays, now in a building of the 1720s. In the age of
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80:: (1461–1523) son of Antonio, Cardinal and Patriarch of Aquileia, owner of the Grimani Breviary
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53:. They were active in trade, politics and later the ownership of theatres and opera-houses.
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134:) in 1728, as recorded on a mural monument on the defensive wall of Corfu Town built by him.
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ca. 1515–1520 and by 1520 owned, though possibly not originally commissioned, by
Cardinal
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152:(1825–1896) Chief Judge of the British Supreme Consular Court at Constantinople and
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Illuminating the
Renaissance: The Triumph of Flemish Manuscript Painting in Europe
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86:(1506–1593) nephew of Domenico, was an Italian bishop and Patriarch of Aquileia.
17:
400:
Perry, Marilyn. "Cardinal
Domenico Grimani's Legacy of Ancient Art to Venice",
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Povoledo, Elisabetta. "The
Grimanis of Venice Share Their Treasures Again",
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433:, Getty Museum/Royal Academy of Arts, pp. 420-424 & passim, 2003,
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Giorgio
Grimani (fl. 1728), commander of the Venetian Fleet (Latin:
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121:(1545–1614) dogaressa of Venice by marriage to Doge Marino Grimani
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92:: (1517–1529) nephew of Domenico, bishop and Patriarch of Aquileia
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216:, once site of an ancient Roman bath and garden. He founded the
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was descended from the
Grimani family on his mother's side.
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The
Grimani were dominant, owning what is now called the
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The following structures are associated with the family:
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Lorenzo Bianconi, Giorgio Pestelli, Lydia G. Cochrane;
243:Miniature depicting the month December, from the
453:, p.16 ff, 1998, University of Chicago Press,
402:Journal of the Warburg and Courtauld Institutes
305:, contributed some of their finest work to it.
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227:, nephew of Cardinal Domenico, expanded the
371:, who was a cardinal and opera librettist.
154:British Supreme Court for China and Japan
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229:Palazzo Grimani di Santa Maria Formosa
349:, founded in 1622, later renamed the
293:. Several leading artists, including
274:is a key work in the late history of
218:Venice National Archaeological Museum
7:
489:, 1995, Cambridge University Press,
337:, still the main opera house. The
27:Prominent Venetian patrician family
451:Opera Production and Its Resources
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429:T Kren & S McKendrick (eds),
329:theatre, and other houses. The
124:Giovanni Grimani: translator of
484:The Cambridge Guide to Theatre
323:Teatro San Giovanni Grisostomo
299:Master of James IV of Scotland
146:(d. 1792), dogaressa 1789–1792
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68:: (1434–1523), Doge 1521–1523
389:File:Corfuvenetianblazon.jpg
353:, and since 1875 called the
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61:Notable members included:
196:San Francesco della Vigna
119:Morosina Morosini-Grimani
49:family, including three
279:illuminated manuscripts
262:Long in the library of
281:. It was produced in
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190:Palazzo Civran Grimani
170:Villa Gazzotti Grimani
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404:, Volume 41, Number 1
309:Theatre entrepreneurs
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184:Grand Canal of Venice
150:Edmund Grimani Hornby
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341:owned the important
235:The Grimani Breviary
34:Grimani coat of arms
268:Biblioteca Marciana
84:Giovanni VI Grimani
417:The New York Times
343:Teatro di San Luca
321:, then called the
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144:Elisabetta Grimani
132:Classis Praefectus
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347:Teatro Vendramin
291:Domenico Grimani
249:Gerard Horenbout
245:Grimani Breviary
225:Giovanni Grimani
194:Grimani Chapel:
140:, Doge 1741–1752
115:: Doge 1595–1606
96:Vincenzo Grimani
78:Domenico Grimani
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180:Palazzo Grimani
172:: (Vicenza, by
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72:Antonio Grimani
66:Antonio Grimani
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57:Notable members
51:Doges of Venice
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365:opera buffa
109:(1652–1710)
459:0226045900
387:See image
161:Structures
107:librettist
339:Vendramin
335:La Fenice
264:San Marco
253:Alexander
220:in 1523.
126:Vitruvius
47:patrician
512:Category
504:worldcat
272:breviary
266:and the
198:, Venice
174:Palladio
100:Cardinal
44:Venetian
331:Veniers
276:Flemish
223:Bishop
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487:p. 433
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333:owned
297:, the
287:Bruges
375:Notes
283:Ghent
251:with
104:opera
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455:ISBN
435:ISBN
301:and
285:and
255:and
102:and
38:The
345:or
182:: (
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20:)
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