Knowledge (XXG)

Griot

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722: 690: 710: 1232: 423:, meaning that most of them only marry fellow griots, and pass on the storytelling tradition down the family line. In the past, a family of griots would accompany a family of kings or emperors, who were superior in status to the griots. All kings had griots, and all griots had kings, and most villages also had their own griot. A village griot would relate stories of topics including births, deaths, marriages, battles, hunts, affairs, and other life events. 48: 584:
term that has come under increasing attack as a distortion of the social structure in the region. In the worst case, that difference meant burial for griots in trees rather than in the ground in order to avoid polluting the earth (Conrad and Frank 1995:4-7). Although these traditions are changing, griots and people of griot heritage still find it difficult to marry outside of their social group." This discrimination is now deemed illegal.
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The West African griot is a troubadour, the counterpart of the medieval European minstrel... The griot knows everything that is going on... He is a living archive of the people's traditions... The virtuoso talents of the griots command universal admiration. This virtuosity is the culmination of long
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BBK: I am more comfortable with the word "djali" because it has a connotation of rebellion. The word "djali" may be referring to a court, but it is also the voice of the people and of the past. But I think there is a difference between, on the one hand, the griot who glorifies the court,... and the
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Instead of writing history books, oral historians tell stories of the past that they have memorized. Sometimes there are families of historians, and the oral histories are passed down from one generation to the next. Telling a story out loud allows the speaker to use poetic and musical conventions
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Despite the authority of griots and the perceived power of their songs, griots are not treated as positively in West Africa as may be assumed. Thomas A. Hale wrote, "Another is an ancient tradition that marks them as a separate people categorized all too simplistically as members of a 'caste', a
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So the word, Griot, the poet, musician, historian, story teller, is getting known all over the world. Though "French" as transmitted "symbol", it is the best known for the W. African Djali (or Djeli, but Djeli ya, also means the Djali's act, his "getting down" to take us up and
430:, with the narrative accompanied by a musical instrument. They are an essential part of many West African events such as weddings, where they sing and share family history of the bride and groom. It is also their role to settle disputes and act as 36: 571:
was a historian, advisor, arbitrator, praise singer (patronage), and storyteller. They essentially served as history books, preserving ancient stories and traditions through song. Their tradition was passed down through generations. The name
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years of study and hard work under the tuition of a teacher who is often a father or uncle. The profession is by no means a male prerogative. There are many women griots whose talents as singers and musicians are equally remarkable.
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was a descendant and critic of the griot tradition. Though Diabaté argued that griots "no longer exist" in the classic sense, he believed the tradition could be salvaged through literature. His fiction and plays blend traditional
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If you are griot, you have to flow your history and your family, because we have such a long history. You have to be traditional and share your culture. Any country you go to, you share your family with
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MN: With a relative success, the word "djali" is replacing the word "griot", which is a French "Africanism". But wouldn't you say that the misnomer "griot" traditionally designates a keeper of history?
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Today, performing is one of the most common functions of a griot. Their range of exposure has widened, and many griots now travel internationally to sing and play the kora or other instruments.
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in case of conflicts. Respect for and familiarity with the griot meant that they could approach both parties without being attacked, and initiate peace negotiations between the hostile parties.
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Arabs, and many other smaller groups. There are other griots who have left their home country for another such as the United States or France and still maintain their role as a griot.
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singer interested in history and memory. Today you can pay a griot to sing your praise; you can make him say whatever you want. But one cannot pay the djali.
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In addition to being singers and social commentators, griots are often skilled instrumentalists. Their instruments include stringed instruments like the
1351: 2409: 2024: 2098: 848:'s Student African Drum Ensemble. His own band is titled the Super Ngewel Emsemble. Concerning the goals of modern-day griot, Paco has stated: 1681: 841: 1295: 1918: 1827: 1902: 1744: 1432: 1280: 206:
that entertain an audience. This has contributed to many oral histories surviving for hundreds of years without being written down.
656: 631:-like instrument with 21 strings. The xalam is a variation of the kora, and usually consists of fewer than five strings. Both have 2384: 1446: 2105: 1474: 2369: 1989: 1801: 27: 2364: 2121: 829: 2399: 2394: 1952: 249:", or the masculine singular term for "servant." Griots are more predominant in the northern portions of West Africa. 2240: 826:
from 1994 to 2003, was an internationally known advocate for the significance of the griot in West African society.
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ancestry, is based in Delaware and performs in the United States. Circa 2013, he performed in charity concerts for
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Griots also wrote stories that children enjoyed listening to. These stories were passed down to their children.
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Griots have the main responsibility for keeping stories of the individual tribes and families alive in the
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Guinea, circa 1905. Two griots accompany their lord, playing their instruments to announce his presence.
639:. The ngoni is also similar to these two instruments, with five or six strings. The balafon is a wooden 2299: 912:
tree in the Réserve de Bandia, Sénégal, forms a living mausoleum for the remains of famed local griots.
2404: 1069: 1033: 2359: 1496: 1119: 536: 242: 2168: 1696: 525: 2136: 1591: 1583: 1455: 1146: 1099: 909: 605: 2013:(in Portuguese). São Paulo: Editora Martins Fontes/Fundo Educativo Brasileiro. pp. 105–106. 1124: 1109: 1079: 922: 727:
Senegal, early 20th century. A Wolof leader and his griot. The griot is holding an xalam (lute).
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family of griots accompanied a higher-ranked family of warrior-kings or emperors, called
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Mande Music: Traditional and Modern Music of the Maninka and Mandinka of Western Africa
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Suso, Foday Musa, Philip Glass, Pharoah Sanders, Matthew Kopka, Iris Brooks (1996).
672:(which was noted by Ibn Baṭṭūṭah in 1353) may have originated in ancient Egypt. The 213:
and is often seen as a leader due to their position as an advisor to members of the
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Today, the term and spelling "djali" is often preferred, as noted by American poet
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Jablow, Alta (1984). "Gassire's Lute: A Reconstruction of Soninke Bardic Art".
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Many griots today live in many parts of West Africa and are present among the
416: 217:. As a result of the former of these two functions, they are sometimes called 1579: 528:, to advise him in his reign. Balla Fasséké is considered the founder of the 384:(blood). This is also the title given to griots in regions within the former 2259: 2152: 981: 976: 676:
is claimed to be the ancestor of the banjo. Another long-necked lute is the
640: 636: 431: 369: 222: 35: 1642: 1566:(2). Cambridge University Press, International African Institute: 190–210. 458: 904: 2232: 2208: 2176: 2074: 1948: 361: 388:. Though the term "griot" is more common in English, some, such as poet 1895:
Trade in the Senegambia Region: From the 12th to the Early 20th Century
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In African languages, griots are referred to by a number of names:
2160: 1290: 903: 881: 867: 754: 632: 616:(or n'ko in the Mandinka language). Other instruments include the 601: 491: 482:), at its height in the middle of the 14th century, extended from 457: 420: 334: 70: 60: 56: 34: 16:
Storyteller, singer, or musician of oral tradition in West Africa
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historian, storyteller, praise singer, poet, and/or musician.
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Griots at War: Conflict, Conciliation and Caste in Mande
643:, while the goje is a stringed instrument played with a 1617:"Storytelling traditions across the world: West Africa" 141: 1560:
Africa: Journal of the International African Institute
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Robotham, Donald; Kubik, Gerhard (27 January 2012).
543:. In traditional culture, no griot can be without a 93: 26:"Praise singer" redirects here. For other uses, see 2251: 2128: 87: 1745:"Dover Citywide Black History Month events on tap" 1475:"Reflections on Oral Traditions: from Griot/Djali" 1973:. Bloomington, Indiana: Indiana University Press. 1883:(in French). Paris: Éditions Présence Africaine. 893:performing songs from the oral tradition of the 2009:; Davis, Curtis W. "Novas vozes para o homem". 1960:Griots and Griottes: Masters of Words and Music 1947:. Chicago Studies in Ethnomusicology; includes 1425:Griots and Griottes: Masters of Words and Music 446: 1331:(in French). No. 19. Kanjamadi. p. 7 1322:"Les Recherches linguistiques de l'école N'ko" 372: 352: 253: 153: 147: 130: 122: 2106: 8: 2000:Jali Kunda: Griots of West Africa and Beyond 1643:"Manny Ansar: A cultural Caravan for Peace" 1427:, Indiana University Press (1998), p. 176, 1407:. Regional Office for Education in Africa, 182: 174: 64: 2113: 2099: 2091: 1503:(Interview). Interviewed by Niang, Mamadou 1495:Bakupa-Kanyinda, Balufu (1 January 2003). 660:: "West African plucked lutes such as the 293: 1419: 1417: 1400: 1398: 46: 1312: 685: 555:can loan his griot to another jatigi. 1796: 1794: 1792: 551:can be without a griot. However, the 111: 7: 1320:Faya Ismael Tolno (September 2011). 1296:Sub-Saharan African music traditions 419:professionally specialised group or 373: 353: 254: 142: 2087:(the art of Jeli, or being a griot) 844:in Chicago. As of 2023, Paco leads 462:Griots of Sambala, king of Médina ( 294: 2122:FESPACO Étalon de Yennenga winners 2037:The Maninka and Mandinka Jali/Jeli 1529:"Djali: Djelimakan Kanoute – Mali" 588:Musical instruments used by griots 14: 1281:The Griot Museum of Black History 2047:Keita: The Heritage of the Griot 1984:. Paris: Maisonneuve et Larose. 1670:. Brooklyn: Lawrence Hill Books. 1244: 1230: 720: 708: 688: 330:. Some of these may derive from 158:in French spelling); also spelt 83: 2410:Culture of the African diaspora 1447:Research in African Literatures 2077:is African-American news from 28:Praise singer (disambiguation) 1: 1879:Diabaté, Massa Makan (1985). 1668:African Music, A People's Art 1666:Bebey, Francis (1969, 1975). 1007:Alhaji Dodou Nying Koliyandeh 818:, head of the Association of 506:). The empire was founded by 442:African Music, A People's Art 415:Historically, Griots form an 233:The word may derive from the 209:The griot is a repository of 2042:The Ancient Craft of Jaliyaa 1982:Les griots wolofs du Sénégal 1969:Hoffman, Barbara G. (2001). 1897:, Sunrise Publishers, 2004, 1695:(2): 249–278. Archived from 1554:Panzacchi, Cornelia (1994). 1953:University of Chicago Press 1917:Brown, Diana (March 2003). 1501:African Film Festival, Inc. 1350:Ho, Ro (15 November 2012). 2428: 2033:Catherine A. Salmons, 2004 627:The kora is a long-necked 494:) to West Africa (today's 440:writes about the griot in 25: 18: 1937:10.1525/aa.2003.105.1.192 1893:Sonko-Godwin, Patience, 1725:. Encyclopedia Britannica 1381:Bambara/Dioula Dictionary 532:that exists to this day. 265:in southern Mande areas, 261:in northern Mande areas, 229:Etymology and terminology 2185:Histoire d'une rencontre 2027:Catherine Lavender, 2000 1964:Indiana University Press 1962:. Bloomington, Indiana: 1958:Hale, Thomas A. (1998). 1943:Charry, Eric S. (2000). 1680:Hale, Thomas A. (1997). 703:(lute) behind two women. 403:and Congolese filmmaker 2324:The Mercy of the Jungle 1924:American Anthropologist 1832:Silver Spring, MD Patch 842:SOS Children's Villages 657:Encyclopædia Britannica 183: 175: 167: 154: 148: 131: 123: 2385:Culture of Ivory Coast 2332:The Gravedigger's Wife 2145:Les Mille et une mains 2060:8 January 2019 at the 2031:Balla Tounkara "Griot" 1881:L'assemblée des djinns 1473:Baraka, Amiri (1996). 913: 901: 855: 830:Pape Demba "Paco" Samb 695:Guinea, circa 1910. A 530:Kouyaté line of griots 471: 451: 405:Balufu Bakupa-Kanyinda 193: 74: 65: 44: 21:Griot (disambiguation) 2370:Culture of the Gambia 1423:Hale, Thomas Albert, 1409:Educafrica, Numéro 11 1095:Cheick Hamala Diabaté 907: 885: 850: 699:griot poses with his 461: 364:nature of the class. 50: 38: 2365:Occupations in music 2025:African griot images 1034:Djeli Moussa Diawara 938: 19:For other uses, see 1036:or Jali Musa Jawara 1029:Djanka Tassey Condé 859:Massa Makan Diabaté 635:bodies that act as 518:Naré Maghann Konaté 342:a saying, statement 221:. They also act as 2400:Culture of Senegal 2395:Culture of Nigeria 2241:Pièces d'identités 2137:Le Wazzou polygame 1978:Leymarie, Isabelle 1808:. 30 November 2017 1777:. 11 November 2018 1702:on 2 December 2017 1356:Originalpeople.org 1147:Noura Mint Seymali 1100:Djelimady Tounkara 914: 902: 733:Present-day griots 680:of South Africa." 472: 454:In the Mali Empire 392:, prefer the term 75: 55:Griot performs at 45: 2380:Culture of Guinea 2342: 2341: 2225:Guimba the Tyrant 2011:A música do homem 1859:BroadwayWorld.com 1751:. 3 February 2023 1623:. 8 November 2018 1208:Coumba Gawlo Seck 1070:Abdoulaye Diabaté 866:storytelling and 654:According to the 576:means "blood" in 237:transliteration " 2417: 2375:Culture of Ghana 2217:Au nom du Christ 2115: 2108: 2101: 2092: 2014: 2002:. 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Index

Griot (disambiguation)
Praise singer (disambiguation)

Wolof

Hausa
Diffa
Niger
Xalam
/ˈɡr/
[ɡʁi.o]
Manding
N'Ko
Serer
Wolof
West African
oral tradition
royal family
bards
mediators
French
Portuguese
Wolof
Serer
Pulaar (Fula)
Hassaniyan
Yoruba
Soninke
Arabic
قَول

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