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find a house. Pile on pile of brick and mortar was heaped up for the accommodation of any limb of the law who had been duly licensed by the courts to fleece mankind. The doctors took and held their own end of
Collins street, and the artist had to be content with any hole or any corner where he could set up his easel and fix his modest plate to a back door. The beginning of the end of his troubles in that way has approached by the opening of Grosvenor-chambers, wherein he really is to be first considered. Grosvenor-chambers were opened on the 20th April. The enterprising proprietor, Mr. C. S. Patterson , wished to make some little announcement of what he had done, and with the artists who have become tenants of his studios, issued invitations for, a 'smoke night'. It began about 8 o'clock. A hundred people had gathered by that time, and were ranging over the building, somewhat amazed, a few of them, to find an artist nearly as comfortably disposed as a bank manager, with all his wants anticipated and supplied. An ante-room nicely furnished for arriving visitors; a studio within, almost as rich in decoration and upholstery as a dentist's or photographer's room. The high south windows, which all day long flood the easel and the sitter's throne with light, darkened now, and only the gaslight showing the pictures on the walls.
667:, integral to the precinct at the east end of Collins Street and the intersection with Spring Street leading up to Parliament House. The Trust describes the buildings as "a unified group in terms of scale and mass whilst at the same time retaining sufficient variety of volume, skyline and architectural detail" and are "a foil to the early twentieth century buildings opposite which are the solution of that time to this singularly important precinct. The buildings are representative of the residential use which was the traditional land use of this end of Collins Street throughout the nineteenth century. The elaborate Boom Style design of Nos. 5 and 7 provides an important contrast to the restrained Conservative Classical design of No. 61 Spring Street, whilst No. 9 repeats the Conservative manner of 61 Spring Street, although constructed well after Nos. 5 and 7," and in this regard the building as of heritage value, though they rate its prime importance as being constructed specifically as artists' studios, no other building in Victoria being associated so closely with the Heidelberg School.
431:
aesthetic screens and hangings. Here afternoon tea was served to the visitors. In the studio were three examples of Mr. Roberts's art— a forest scene, in which a workman is employed in clearing away gum-tree stumps; a 'bit' of Sydney harbour, which, though well painted, gives one very little idea of the beauty of the place; and a study of a girl's head. A large well-painted bush scene, representing a bushman kindling a fire to boil the inevitable 'billy,' near his tent, while behind the man, the fire, and the tent rise the great blue-gum-trees in gloomy grandeur, that was a striking picture in the exhibition, was the work of Mr. Streeton, another
Australian artist. Mr. F. McCubbin, a promising young landscape painter showed two canvases at this exhibition. Both represented 'bits' in the Australian bush, and in both the 'open-air feeling' was very well pourtrayed [
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291:, constructed so that the downhill slope toward Flinders Lane placed his floor above the level of the adjoining Howitt Lane and created a clearance in the room of 7 metres, thus accommodating large works-in-progress. A wide doorway and window had a fanlight over them that was removable to provide an entrance to the Lane over 2m wide, and to the height of the room, for passage of large pieces of sculpture, such as the first he produced there, his "7 foot 2 inch"
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balustrades beneath impost mouldings and prominent keystones and
Stawell freestone pilasters on the upper storey. The cement-rendered facade is broken by horizontal string courses below the overhanging cornice topped by a balustraded parapet. Large windows beside the entrance at right at ground level were originally arched and offer commercial display. They have been substantially remodelled with changes of tenancy and purpose.
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In 1979 and 1980 partner in the development Robert Peck worked with the
National Trust to reach agreement on preserving and incorporating into the new structure elements of the existing buildings they saw as significant. Architectural historian, Allan Willingham, who questioned "the architectural fad
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Singaporean developer Jack Chia purchased the site in March 1980 for about A$ 2 million, or A$ 215 per square metre, and proposed a compromise development retaining
Campbell House and a 9m (or one room) depth of the terraces at 5-9 Collins Street including Grosvenor Chambers at 9 Collins in which the
364:
The
Australian artist has only recently begun to assert himself, to come out of holes and corners and back places of the city, to take his high and proper place amongst the professions, and to beard the Philistine with a bold front A little while ago it was a very difficult matter tor an artist to
200:
The owner was
Edinburgh-born Charles Stewart Paterson (1843-1917) who with W. Davidson, and also in 1888, purchased for speculation the 'Bondi Aquarium and Pleasure Grounds' in Sydney. He, in partnership with his brother James, had a high-end decorating business in Melbourne designing interiors for
430:
The number of people in
Melbourne interested in art is large, if one may judge by the throng that climbed the four flights of stairs in the Grosvenor-chambers in Collins-street to reach Mr. Roberts's large and well-lighted studio. The ante-room leading to the studio was gay with winter flowers and
707:
The tower, known now as 1 Collins Street, was completed in 1984 was noted as one of the city's first postmodern buildings, and for incorporating traditional cement render and deep-set windows, and for its corner tower (then containing the apartment of developer Chia). In 1985 it won the
Victorian
704:
of facade retention in urban redevelopment" considered Chia's development designed and built by Denton, Corker
Marshall with Peck Von Hartel Trethowan "one of the few examples in the central business district where an old building has been successfully retained and substantially enhanced."
229:
Architects Oakden, Addison and Kemp designed the three-storey building in a neoclassical style, making a feature of three large arched windows at the first floor level below a row of five windows to artist studios of much smaller proportions in the top floor. Each window features recessed
437:]. Mr. McCubbin is also happy in his skies. He seems to have caught the idea of a typical Australian sky – the representation of lightness and transparency. Walton, an English artist, who has exhibited at the Royal Academy, showed two charming portraits at this exhibition.
708:
Architecture Merit Award for new commercial buildings, the inaugural William Wilkinson Wardell Medal for the best building of the last three years in 1986, and in 2011, the Enduring Architecture Award from the Australian Institute of Architects (Victorian Chapter).
233:
The building contractor W. Davidson who was then mayor of Richmond completed construction for a cost of almost £6,000. The building, bearing on its parapet the date 1887, officially opened on 21 April 1888 with a 'smoke concert' attended by the Melbourne art world.
460:
until 1887, inviting other artists to bring their newest French and other art journals for coffee, song and discussion "in true Bohemian style." One such event in 1889 attracted two hundred guests including His Excellency the Acting-Governor
699:
were preserved, with a tower rising behind. It was approved 'in principle' by the National Trust, and the State Government, to assist and encourage the preservation waived land tax for ten years, saving the Chia Group A$ 100,000 p.a.
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Advertisement (3 June 1939). "Sales By Auction: Wednesday, June 14. At Half-Past 2 O'clock. In The Auction Room, 37 Queen-Street. Valuable City Property, "Grosvenor Chambers, No. 9 Collins-St., Melbourne. Executors' Sale".
449:
and Arthur Streeton to open their own studios in Gordon Chambers, Flinders Lane, though Conder and Streeton left the country soon after, along with George Walton at Grosvenor Chambers. Roberts also conducted a series of
472:, in February 1892, with his place taken by Arthur Streeton. Like other artist tenants, E. P. Fox continued to institute an open studio day after Roberts' departure, with a showing of his portrait of
426:
were painted there. On his 'Studio Wednesdays' he and other Heidelberg School artists opened their studios regularly, to show work-in-progress to the public, accounts of which appeared in April 1888;
683:
The building was auctioned on November 18, 1970, though artists continued to rent studios there until the mid-1970s, before a plan for an office tower replacing 5-9 Collins Street was proposed. The
659:
The building was classified in 1981 by the National Trust which describes it as "an unusually late example of the transitional architectural style between the Conservative Classical Style and the
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Spate, Virginia (1 January 1977). "Review: Letters: *If No. 5 Collins Street could be saved from the wreckers we would have at least an idea of the scale of this once beautiful street°".
58:
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Collins Street, near the corner of Spring Street, showing Grosvenor Chambers at centre soon after construction. Albumen silver photograph 14.0 x 20.0 cm. State Library of Victoria
483:
From the 1880s many other notable artists rented a studio in the building, even after its auction and sale in 1939 to investment company A. Gordon Allard and Co. They included;
416:," and in the studio he painted portraits of Melbourne's leading intellectuals and works presenting its cultural and social life. Two of his major paintings of Australian life,
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Frederick McCubbin (1893) Bush idyll / The Flute Player, oil on canvas119.5 x 221.5 cm. Private collection. Exhibited in a private viewing at Grosvenor Chambers May 1894
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CB Walker Studio, Grosvenor Chambers, Melbourne, 1888-1899. Saw-tooth skylights visible at roof level. Albumen print 23.9 x 19.7 cm. Art Gallery of New South Wales
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Classicism which characterises buildings of the 1880s." With 61 Spring Street, 5-7-9 Collins Street frame a view of "one of Victoria's finest buildings," the
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The upper floor consisted of five well-lit artists' studios with ante-rooms all provided with light from skylights with a southern elevation (to provide the
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on its foundation in 1882 his interest in visual design inspired his fitting out the building as artist studios. Another brother was the painter
209:, and the Parliamentary Library, and after his retirement from the firm in 1880 built Grosvenor Chambers. As one of the original members of the
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Others associated with the Heidelberg School, though not tenants, used Grosvenor Chambers for private showings of their work, as did
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687:, which regarded the historic Treasury precinct as key parts of Melbourne's Victorian architecture, protested along with Dr.
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The ground floor housed the showroom for the Patersons' decorative arts business and doctors consulting rooms at the rear.
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Hughes, B. E. (2019). New Light on the Light of the World. Australasian Journal of Victorian Studies, 22(2), 96-116.
277:, initially Mrs Eeles, a fabric showroom and workshop, occupied from c.1910 by "Madame Masseran, Corsets Et Jupons"
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1993:
Hetherington, John (18 November 1961). "Australian Artists In Profile (2): Albert Tucker's Fight For Recognition".
442:
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Contemporary reaction to the building and its pruprose was recorded in reports of its opening, such as that in the
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oil on canvas, 147.5 × 117.0 cm. National Gallery of Victoria, showing the interior of a Grosvenor Chambers studio
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and other stakeholders. The CMI group failed to agree with the preservation council on a plan for development.
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Unknown photographer (c.1890) Tom Roberts (seated) in his studio at Grosvenor Chambers with Arthur Streeton
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when he lived in Grosvenor Chambers while camping over weekends at Heidelberg, and when painting his "
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Richardson, Michael; Elias, David (24 June 1981). "S-E Asia Chinese invest millions in Australia".
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Gardens. The front of the basement, a spacious cellar, was lighted with Hayward's patent prismatic
251:
206:
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Robinson, Paul; Fih, Barbara (14 September 1981). "State might lease part of Rialto tower block".
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258:') and tall windows on to Collins Street; natural lighting designed "on principles laid down by
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A Skilled Hand and a Cultivated Mind: A Guide to the Architecture and Art of RMIT University
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1642:, Australian Scholarly Publishing & State Library of Victoria: North Melbourne, 2007,
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and Lady Robinson, "who expressed themselves as very pleased with the conversazione."
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Ellingsen, Peter (29 January 1981). "New plan retains old facade in Collins Street".
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and who from this date employed most of Melbourne's stained-glass artists including
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Ellingsen, Peter (6 February 1981). "Land tax to be waived on historic buildings".
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Balendra, Jaya (4 June 1986). "Facadism: a front to hide the hole in our ideas?".
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Roberts too left the city, vacating his studio and selling off works including
374:
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Grosvenor Chambers on the right, with tower of One Collins Street rising behind
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192:, contained the first custom-built complex of artists' studios in Australia.
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Perils of the studio : inside the artistic affairs of bohemian Melbourne
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Photograph of Grosvenor Chambers prior to demolition of its interior, 1977
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2009:
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Perils of the Studio: Inside the Artistic Affairs of Bohemian Melbourne
284:
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Stained-glass windows over the staircase showing figures symbolising
2306:
1788:. No. 24, 519. Victoria, Australia. 11 November 1933. p. 4
2065:
McCulloch, Alan; McCulloch, Susan; McCulloch Childs, Emily (2006).
1365:"Melbourne Gossip (from our own correspondent) Melbourne, April 23"
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650:
399:
381:
373:
338:
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were by Brooks, Robinson, and Co. whose work is also found in the
241:
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George Walton(briefly c.1888-1890, before returning to England)
433:
262:" and by consultation with the first artists to occupy them;
27:
Former purpose-built artists' studios in Melbourne, Australia
408:
Grosvenor Chambers saw Roberts in his role in developing an
1449:. North Melbourne, Vic.: Australian Scholarly Publishing.
880:"An Australian Artist: A Little Talk With Mr Tom Roberts"
476:(National Gallery of Australia) in October 1893, and
2008:
Tennyson, Patrick; McArdle, Brian (1 December 1965).
828:"The Grosvenor Chambers Buildings in Collins-street"
578:(from May 1891 during Tom Roberts' absence overseas)
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3378:
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3196:
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3044:
2988:
2913:
2760:
2724:
2688:
2501:
2470:
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2071:. Fitzroy BC, Vic.: AUS Art Editions. p. 994.
1589:"E. Phillips FOX (1893-1894) Portrait of my cousin"
144:
136:
128:
123:
34:
2068:The new McCulloch's encyclopedia of Australian art
639:had rooms in the building from after WWII, as did
3590:Buildings and structures in Melbourne City Centre
3570:Demolished buildings and structures in Melbourne
2190:"Auction: Grosvenor Chambers (advertisement)".
1978:"The Queen's Statue: An Artist's Suggestion".
1369:The Sydney Mail and New South Wales Advertiser
905:Edquist, Harriet; Grierson, Elizabeth (2008).
2875:
2322:
1184:The Australasian Sketcher with Pen and Pencil
800:"National Trust Database: Grosvenor Chambers"
8:
1067:"The Bathurst Burr And The Rabbit Nuisances"
396:oil on canvas, painted at Grosvenor Chambers
3360:Melbourne Sports & Entertainment Centre
2526:Winter morning after rain, Gardiner's Creek
3585:Victorian architecture in Victoria (state)
2882:
2868:
2860:
2329:
2315:
2307:
1796:– via National Library of Australia.
911:. Melbourne: RMIT Publishing. p. 15.
98:
65:
31:
273:The middle floor had space for a society
480:(National Gallery of Victoria) in 1894.
2803:National Gallery of Victoria Art School
717:
695:studios in the front, and their skylit
300:commissioned for 1,000 guineas for the
3595:Art museums and galleries in Australia
3575:Heritage-listed buildings in Melbourne
2788:Exhibition of Australian Art in London
541:shared a large studio with Will Rowell
2904:and its immediate surrounds, not the
2900:Note: this includes landmarks in the
2205:
2203:
2201:
2091:"Items of News: Agricultural Society"
2010:"The Passionate Art Of Albert Tucker"
1414:
1412:
1317:
1315:
1195:
1193:
456:like those in which he joined at the
7:
1538:"E. Phillips Fox - Mrs James Pirani"
1486:"Conversazione at Grosvenor Gallery"
1339:"Private View At A Melbourne Studio"
1186:: 71. 17 May 1888 – via Trove.
822:
820:
794:
792:
790:
2902:Melbourne central business district
2892:Melbourne central business district
2662:The purple noon’s transparent might
1780:"Melbourne Studios in the Eighties"
441:Their example prompted the artists
287:was occupied initially by sculptor
3006:Convention & Exhibition Centre
25:
1017:Advertisement (1 November 1910).
217:who sometimes exhibited with the
3580:Organisations based in Melbourne
3550:1888 establishments in Australia
2375:
1278:"Ladys Letter: Mr Tom Roberts".
97:
90:
64:
57:
40:
3350:Rectangular Stadium (AAMI Park)
2194:. 17 November 1970. p. 18.
1811:. 16 September 1902. p. 4.
744:"Kamesburgh House & Garden"
1982:. 13 February 1901. p. 5.
111:Grosvenor Chambers (Australia)
1:
3555:Artists' studios in Australia
1829:. 2 December 1893. p. 10
1760:. 27 February 1891. p. 7
1734:. 29 October 1892. p. 13
1542:National Gallery of Australia
1518:. 13 February 1892. p. 2
2768:9 by 5 Impression Exhibition
2646:In a corner on the Macintyre
2127:(449): 7. 15 September 1888.
2046:. 30 August 1894. p. 12
1620:. 26 January 1894. p. 5
1593:National Gallery of Victoria
1371:. 28 April 1888. p. 899
1180:"At An Artist's Smoke-Night"
1047:. 4 November 1893. p. 6
998:. 20 August 1892. p. 23
946:. 1 February 1895. p. 2
3355:Sports & Aquatic Centre
3011:Crown Entertainment Complex
2171:. 4 January 1896. p. 7
2165:"Saturday, January 4, 1890"
2145:. 18 April 1889. p. 11
1953:"Mr. Streeton's Exhibition"
1474:. 21 June 1888. p. 13.
1282:. 12 July 1888. p. 13.
1207:. 26 April 1894. p. 12
1045:Ovens and Murray Advertiser
628:with J. Ford Paterson, and
140:9 Collins Street, Melbourne
3611:
2975:Sports & Entertainment
2447:Charles Douglas Richardson
2290:Heritage Victoria database
2040:"Mr Tudor Tucker's Studio"
1907:. 6 August 1889. p. 2
1881:. 2 August 1889. p. 7
1855:. 2 August 1889. p. 7
1614:"Friday, January 26, 1894"
1300:. 15 April 1889. p. 3
1099:. 16 April 1888. p. 8
1041:"The Foresters New Banner"
860:. 21 April 1888. p. 5
834:. 26 April 1888. p. 8
775:. 16 April 1917. p. 6
3565:Collins Street, Melbourne
3489:Melbourne Central station
3265:Royal Exhibition Building
2898:
2833:
2825:Victorian Artists Society
2747:George Washington Lambert
2373:
2097:. 21 July 1891. p. 2
1708:. 9 July 1892. p. 14
1492:. 24 May 1889. p. 12
1397:. 7 March 1890. p. 6
1145:"New Statue For Ballarat"
972:. 4 April 1888. p. 4
854:"An Artist's Celebration"
201:Kamesbrough in Brighton,
190:Collins Street, Melbourne
78:Location within Melbourne
51:
39:
3321:Melbourne Cricket Ground
2849:Visual arts of Australia
2798:Heidelberg Artists Trail
2574:Golden Summer, Eaglemont
1959:. 28 May 1891. p. 6
1933:. 15 May 1891. p. 6
1426:. 16 May 1890. p. 8
1337:'Iris' (28 April 1888).
1259:. 29 May 1890. p. 2
1233:. 30 May 1890. p. 7
1227:"An Australian Painting"
1125:. 2 May 1889. p. 11
966:"Advertising: Mrs Eeles"
886:. 9 May 1889. p. 11
410:Australian school of art
3484:Flinders Street station
3285:Young and Jackson Hotel
2980:University of Melbourne
1151:. 3 May 1889. p. 3
1073:. 4 May 1889. p. 4
582:Charles Francis Summers
3560:Landmarks in Melbourne
3499:Southern Cross station
3423:Queen Victoria Gardens
3275:St Patrick's Cathedral
3112:The District Docklands
3026:Sidney Myer Music Bowl
2773:Box Hill artists' camp
2716:James McNeill Whistler
1875:"Miss Clara Southern,"
1702:"Railway Prosecutions"
680:
656:
598:Tudor St George Tucker
463:William C. F. Robinson
439:
405:
397:
394:Portrait of my cousin,
379:
367:
351:
270:, and George Walton.
247:
168:37.81361°S 144.97352°E
3428:Royal Botanic Gardens
3270:Shrine of Remembrance
3183:Old Treasury Building
3092:Queen Victoria Market
2815:Sydney artists' camps
2427:Albert Henry Fullwood
1927:"Mr. Arthur Streeton"
1823:"Society and Fashion"
1445:Taylor, Alex (2007).
992:"Society And Fashion"
678:
665:Old Treasury Building
654:
635:Notable photographer
478:Portrait of my cousin
443:C. Douglas Richardson
428:
403:
387:Emmanuel Phillips Fox
385:
377:
362:
342:
335:Contemporary response
245:
211:Working Men's College
114:Show map of Australia
81:Show map of Melbourne
3545:History of Melbourne
3540:Australian sculpture
3370:Royal Park Golf Club
3339:Margaret Court Arena
2696:Jules Bastien-Lepage
2654:On the Wallaby Track
2550:A holiday at Mentone
2417:John Llewellyn Jones
1676:"City Property Sold"
1093:"Notes And Comments"
671:Partial preservation
173:-37.81361; 144.97352
3280:St Paul's Cathedral
3087:Myer Flagship Store
1512:"Topics Of The Day"
1253:"Topics Of The Day"
357:Australian Sketcher
260:Sir Joshua Reynolds
252:Southern Hemisphere
207:Melbourne Town Hall
164: /
124:General information
3464:Capital City Trail
3306:Grand Prix Circuit
3238:Notable structures
3178:Old Melbourne Gaol
2793:Grosvenor Chambers
2432:John Ford Paterson
2357:Frederick McCubbin
2286:"1 Collins Street"
1849:"Miss J. R. Price"
1728:"The Passing Show"
1071:Bendigo Advertiser
732:: 16. 31 May 1888.
681:
657:
602:James Clarke Waite
561:John Ford Paterson
534:Frederick McCubbin
414:9 by 5 Impressions
406:
398:
380:
352:
283:The rear basement
266:, James C. Waite,
248:
215:John Ford Paterson
186:Grosvenor Chambers
105:Grosvenor Chambers
72:Grosvenor Chambers
35:Grosvenor Chambers
18:Grosvenor chambers
3535:Heidelberg School
3522:
3521:
3413:Flagstaff Gardens
3393:Alexandra Gardens
3380:Parks and gardens
3365:Parkville Stadium
3346:
3301:Docklands Stadium
3260:Federation Square
3229:Victoria Barracks
3173:NGV International
3082:Melbourne Central
2908:metropolitan area
2906:Greater Melbourne
2890:Landmarks in the
2857:
2856:
2630:The Golden Fleece
2598:Shearing the Rams
2338:Heidelberg School
2229:. pp. 1, 15.
1754:"Mr. John Mather"
1648:978-1-74097-149-2
1569:. 26 October 1893
1563:"News Of The Day"
1420:"Mr. Tom Roberts"
1294:"The Last Moment"
804:Heritage Victoria
748:Heritage Victoria
419:Shearing the Rams
348:The studio party,
254:equivalent of a '
219:Heidelberg School
183:
182:
16:(Redirected from
3602:
3509:West Gate Bridge
3469:City Circle tram
3438:Treasury Gardens
3328:
3316:Lakeside Stadium
3214:Parliament House
3204:Government House
3057:Cathedral Arcade
3045:Shopping centres
3031:Theatre District
2884:
2877:
2870:
2861:
2809:One Summer Again
2706:George Folingsby
2566:Down on His Luck
2534:Charcoal burners
2379:
2331:
2324:
2317:
2308:
2301:
2300:
2298:
2296:
2282:
2276:
2275:
2267:
2261:
2260:
2252:
2246:
2245:
2237:
2231:
2230:
2222:
2216:
2215:
2207:
2196:
2195:
2187:
2181:
2180:
2178:
2176:
2161:
2155:
2154:
2152:
2150:
2135:
2129:
2128:
2113:
2107:
2106:
2104:
2102:
2095:Traralgon Record
2087:
2081:
2080:
2062:
2056:
2055:
2053:
2051:
2036:
2030:
2029:
2027:
2025:
2005:
1999:
1998:
1990:
1984:
1983:
1975:
1969:
1968:
1966:
1964:
1949:
1943:
1942:
1940:
1938:
1923:
1917:
1916:
1914:
1912:
1905:Kyneton Observer
1897:
1891:
1890:
1888:
1886:
1871:
1865:
1864:
1862:
1860:
1845:
1839:
1838:
1836:
1834:
1819:
1813:
1812:
1807:"About people".
1804:
1798:
1797:
1795:
1793:
1776:
1770:
1769:
1767:
1765:
1750:
1744:
1743:
1741:
1739:
1724:
1718:
1717:
1715:
1713:
1698:
1692:
1691:
1689:
1687:
1672:
1666:
1665:
1656:
1650:
1636:
1630:
1629:
1627:
1625:
1610:
1604:
1603:
1601:
1599:
1585:
1579:
1578:
1576:
1574:
1559:
1553:
1552:
1550:
1548:
1534:
1528:
1527:
1525:
1523:
1508:
1502:
1501:
1499:
1497:
1482:
1476:
1475:
1467:
1461:
1460:
1442:
1436:
1435:
1433:
1431:
1416:
1407:
1406:
1404:
1402:
1391:"A Private View"
1387:
1381:
1380:
1378:
1376:
1361:
1355:
1354:
1352:
1350:
1334:
1328:
1327:
1319:
1310:
1309:
1307:
1305:
1290:
1284:
1283:
1275:
1269:
1268:
1266:
1264:
1249:
1243:
1242:
1240:
1238:
1223:
1217:
1216:
1214:
1212:
1197:
1188:
1187:
1176:
1170:
1167:
1161:
1160:
1158:
1156:
1141:
1135:
1134:
1132:
1130:
1115:
1109:
1108:
1106:
1104:
1089:
1083:
1082:
1080:
1078:
1063:
1057:
1056:
1054:
1052:
1037:
1031:
1030:
1019:"Madam Masseran"
1014:
1008:
1007:
1005:
1003:
988:
982:
981:
979:
977:
962:
956:
955:
953:
951:
936:
930:
929:
927:
925:
902:
896:
895:
893:
891:
876:
870:
869:
867:
865:
850:
844:
843:
841:
839:
824:
815:
814:
812:
810:
796:
785:
784:
782:
780:
765:
759:
758:
756:
754:
740:
734:
733:
722:
637:Wolfgang Sievers
474:Mrs James Pirani
370:Artist occupants
325:Princess Theatre
203:Government House
179:
178:
176:
175:
174:
169:
165:
162:
161:
160:
157:
115:
101:
100:
94:
82:
68:
67:
61:
44:
32:
21:
3610:
3609:
3605:
3604:
3603:
3601:
3600:
3599:
3525:
3524:
3523:
3518:
3447:
3408:Fitzroy Gardens
3403:Carlton Gardens
3374:
3343:Rod Laver Arena
3331:John Cain Arena
3289:
3233:
3192:
3121:Public museums
3116:
3107:St Collins Lane
3067:DFO South Wharf
3040:
2984:
2909:
2894:
2888:
2858:
2853:
2829:
2778:Buonarotti Club
2756:
2720:
2684:
2670:The Big Picture
2542:The Sunny South
2497:
2488:Baldwin Spencer
2466:
2457:Jane Sutherland
2422:Florence Fuller
2402:E. Phillips Fox
2380:
2371:
2367:Arthur Streeton
2340:
2335:
2305:
2304:
2294:
2292:
2284:
2283:
2279:
2269:
2268:
2264:
2254:
2253:
2249:
2239:
2238:
2234:
2224:
2223:
2219:
2209:
2208:
2199:
2189:
2188:
2184:
2174:
2172:
2163:
2162:
2158:
2148:
2146:
2143:Melbourne Punch
2137:
2136:
2132:
2115:
2114:
2110:
2100:
2098:
2089:
2088:
2084:
2064:
2063:
2059:
2049:
2047:
2044:Melbourne Punch
2038:
2037:
2033:
2023:
2021:
2007:
2006:
2002:
1992:
1991:
1987:
1977:
1976:
1972:
1962:
1960:
1951:
1950:
1946:
1936:
1934:
1925:
1924:
1920:
1910:
1908:
1899:
1898:
1894:
1884:
1882:
1873:
1872:
1868:
1858:
1856:
1847:
1846:
1842:
1832:
1830:
1821:
1820:
1816:
1806:
1805:
1801:
1791:
1789:
1778:
1777:
1773:
1763:
1761:
1752:
1751:
1747:
1737:
1735:
1726:
1725:
1721:
1711:
1709:
1700:
1699:
1695:
1685:
1683:
1674:
1673:
1669:
1658:
1657:
1653:
1637:
1633:
1623:
1621:
1612:
1611:
1607:
1597:
1595:
1587:
1586:
1582:
1572:
1570:
1561:
1560:
1556:
1546:
1544:
1536:
1535:
1531:
1521:
1519:
1510:
1509:
1505:
1495:
1493:
1484:
1483:
1479:
1472:Melbourne Punch
1469:
1468:
1464:
1457:
1444:
1443:
1439:
1429:
1427:
1418:
1417:
1410:
1400:
1398:
1389:
1388:
1384:
1374:
1372:
1363:
1362:
1358:
1348:
1346:
1336:
1335:
1331:
1321:
1320:
1313:
1303:
1301:
1292:
1291:
1287:
1280:Melbourne Punch
1277:
1276:
1272:
1262:
1260:
1251:
1250:
1246:
1236:
1234:
1225:
1224:
1220:
1210:
1208:
1205:Melbourne Punch
1199:
1198:
1191:
1178:
1177:
1173:
1168:
1164:
1154:
1152:
1143:
1142:
1138:
1128:
1126:
1123:Melbourne Punch
1117:
1116:
1112:
1102:
1100:
1091:
1090:
1086:
1076:
1074:
1065:
1064:
1060:
1050:
1048:
1039:
1038:
1034:
1016:
1015:
1011:
1001:
999:
990:
989:
985:
975:
973:
964:
963:
959:
949:
947:
938:
937:
933:
923:
921:
919:
904:
903:
899:
889:
887:
884:Melbourne Punch
878:
877:
873:
863:
861:
858:Daily Telegraph
852:
851:
847:
837:
835:
826:
825:
818:
808:
806:
798:
797:
788:
778:
776:
767:
766:
762:
752:
750:
742:
741:
737:
730:Melbourne Punch
724:
723:
719:
714:
673:
649:
641:Gordon De Lisle
622:Florence Fuller
618:
587:Jane Sutherland
576:Arthur Streeton
514:E. Phillips Fox
470:The Scrubcutter
458:Buonarotti Club
372:
337:
306:pavement lights
297:William Wallace
240:
227:
198:
172:
170:
166:
163:
158:
155:
153:
151:
150:
119:
118:
117:
116:
113:
112:
109:
108:
107:
106:
102:
85:
84:
83:
80:
79:
76:
75:
74:
73:
69:
47:
28:
23:
22:
15:
12:
11:
5:
3608:
3606:
3598:
3597:
3592:
3587:
3582:
3577:
3572:
3567:
3562:
3557:
3552:
3547:
3542:
3537:
3527:
3526:
3520:
3519:
3517:
3516:
3511:
3506:
3501:
3496:
3494:Princes Bridge
3491:
3486:
3481:
3476:
3471:
3466:
3461:
3455:
3453:
3449:
3448:
3446:
3445:
3440:
3435:
3430:
3425:
3420:
3415:
3410:
3405:
3400:
3398:Birrarung Marr
3395:
3390:
3384:
3382:
3376:
3375:
3373:
3372:
3367:
3362:
3357:
3352:
3347:
3326:Melbourne Park
3323:
3318:
3313:
3308:
3303:
3297:
3295:
3291:
3290:
3288:
3287:
3282:
3277:
3272:
3267:
3262:
3257:
3252:
3247:
3241:
3239:
3235:
3234:
3232:
3231:
3226:
3221:
3216:
3211:
3206:
3200:
3198:
3194:
3193:
3191:
3190:
3185:
3180:
3175:
3170:
3165:
3160:
3155:
3150:
3145:
3140:
3135:
3130:
3124:
3122:
3118:
3117:
3115:
3114:
3109:
3104:
3099:
3094:
3089:
3084:
3079:
3074:
3069:
3064:
3059:
3054:
3048:
3046:
3042:
3041:
3039:
3038:
3033:
3028:
3023:
3018:
3016:IMAX Melbourne
3013:
3008:
3003:
2998:
2992:
2990:
2986:
2985:
2983:
2982:
2977:
2972:
2963:
2958:
2953:
2948:
2943:
2938:
2933:
2928:
2923:
2917:
2915:
2911:
2910:
2899:
2896:
2895:
2889:
2887:
2886:
2879:
2872:
2864:
2855:
2854:
2852:
2851:
2846:
2841:
2834:
2831:
2830:
2828:
2827:
2822:
2812:
2805:
2800:
2795:
2790:
2785:
2783:Charterisville
2780:
2775:
2770:
2764:
2762:
2758:
2757:
2755:
2754:
2749:
2744:
2739:
2734:
2728:
2726:
2722:
2721:
2719:
2718:
2713:
2708:
2703:
2698:
2692:
2690:
2686:
2685:
2683:
2682:
2674:
2666:
2658:
2650:
2642:
2634:
2626:
2618:
2610:
2602:
2594:
2586:
2578:
2570:
2562:
2558:The North Wind
2554:
2546:
2538:
2530:
2522:
2514:
2505:
2503:
2499:
2498:
2496:
2495:
2490:
2485:
2480:
2478:Louis Abrahams
2474:
2472:
2468:
2467:
2465:
2464:
2462:Walter Withers
2459:
2454:
2452:Clara Southern
2449:
2444:
2439:
2434:
2429:
2424:
2419:
2414:
2409:
2404:
2399:
2394:
2388:
2386:
2382:
2381:
2374:
2372:
2370:
2369:
2364:
2359:
2354:
2352:Charles Conder
2348:
2346:
2342:
2341:
2336:
2334:
2333:
2326:
2319:
2311:
2303:
2302:
2277:
2262:
2247:
2232:
2217:
2197:
2182:
2156:
2139:"Ladys Letter"
2130:
2117:"Sundry Shows"
2108:
2082:
2057:
2031:
2000:
1985:
1970:
1944:
1918:
1901:"The Observer"
1892:
1866:
1840:
1814:
1799:
1771:
1745:
1719:
1693:
1682:. 19 June 1939
1667:
1651:
1631:
1605:
1580:
1554:
1529:
1503:
1477:
1462:
1455:
1437:
1408:
1382:
1356:
1329:
1311:
1285:
1270:
1244:
1218:
1189:
1171:
1162:
1136:
1110:
1084:
1058:
1032:
1009:
983:
957:
931:
917:
897:
871:
845:
816:
786:
760:
735:
716:
715:
713:
710:
697:saw-tooth roof
689:Virginia Spate
685:National Trust
672:
669:
648:
647:Heritage value
645:
643:in the 1950s.
617:
616:
611:
608:
603:
600:
595:
589:
584:
579:
573:
571:Clara Southern
568:
563:
558:
555:Girolamo Nerli
552:
547:
542:
539:Louis McCubbin
536:
531:
526:
524:John Longstaff
521:
519:George Lambert
516:
511:
509:Charles Conder
506:
501:
496:
491:
489:Louis Abrahams
485:
453:conversaziones
447:Charles Conder
371:
368:
336:
333:
329:William Frater
268:Louis Abrahams
239:
236:
226:
223:
197:
194:
188:, at number 9
181:
180:
148:
142:
141:
138:
134:
133:
130:
126:
125:
121:
120:
110:
104:
103:
96:
95:
89:
88:
87:
86:
77:
71:
70:
63:
62:
56:
55:
54:
53:
52:
49:
48:
45:
37:
36:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3607:
3596:
3593:
3591:
3588:
3586:
3583:
3581:
3578:
3576:
3573:
3571:
3568:
3566:
3563:
3561:
3558:
3556:
3553:
3551:
3548:
3546:
3543:
3541:
3538:
3536:
3533:
3532:
3530:
3515:
3512:
3510:
3507:
3505:
3502:
3500:
3497:
3495:
3492:
3490:
3487:
3485:
3482:
3480:
3477:
3475:
3472:
3470:
3467:
3465:
3462:
3460:
3457:
3456:
3454:
3450:
3444:
3441:
3439:
3436:
3434:
3431:
3429:
3426:
3424:
3421:
3419:
3416:
3414:
3411:
3409:
3406:
3404:
3401:
3399:
3396:
3394:
3391:
3389:
3386:
3385:
3383:
3381:
3377:
3371:
3368:
3366:
3363:
3361:
3358:
3356:
3353:
3351:
3348:
3344:
3340:
3336:
3332:
3327:
3324:
3322:
3319:
3317:
3314:
3312:
3309:
3307:
3304:
3302:
3299:
3298:
3296:
3294:Sports venues
3292:
3286:
3283:
3281:
3278:
3276:
3273:
3271:
3268:
3266:
3263:
3261:
3258:
3256:
3253:
3251:
3250:Australia 108
3248:
3246:
3243:
3242:
3240:
3236:
3230:
3227:
3225:
3224:Supreme Court
3222:
3220:
3219:State Library
3217:
3215:
3212:
3210:
3207:
3205:
3202:
3201:
3199:
3195:
3189:
3186:
3184:
3181:
3179:
3176:
3174:
3171:
3169:
3168:NGV Australia
3166:
3164:
3161:
3159:
3156:
3154:
3151:
3149:
3146:
3144:
3141:
3139:
3136:
3134:
3131:
3129:
3126:
3125:
3123:
3119:
3113:
3110:
3108:
3105:
3103:
3100:
3098:
3095:
3093:
3090:
3088:
3085:
3083:
3080:
3078:
3075:
3073:
3070:
3068:
3065:
3063:
3062:Collins Place
3060:
3058:
3055:
3053:
3050:
3049:
3047:
3043:
3037:
3034:
3032:
3029:
3027:
3024:
3022:
3019:
3017:
3014:
3012:
3009:
3007:
3004:
3002:
2999:
2997:
2994:
2993:
2991:
2989:Entertainment
2987:
2981:
2978:
2976:
2973:
2971:
2967:
2964:
2962:
2959:
2957:
2954:
2952:
2949:
2947:
2944:
2942:
2939:
2937:
2934:
2932:
2929:
2927:
2924:
2922:
2919:
2918:
2916:
2912:
2907:
2903:
2897:
2893:
2885:
2880:
2878:
2873:
2871:
2866:
2865:
2862:
2850:
2847:
2845:
2842:
2840:
2839:Impressionism
2836:
2835:
2832:
2826:
2823:
2820:
2816:
2813:
2811:
2810:
2806:
2804:
2801:
2799:
2796:
2794:
2791:
2789:
2786:
2784:
2781:
2779:
2776:
2774:
2771:
2769:
2766:
2765:
2763:
2759:
2753:
2750:
2748:
2745:
2743:
2740:
2738:
2737:Elioth Gruner
2735:
2733:
2732:Penleigh Boyd
2730:
2729:
2727:
2723:
2717:
2714:
2712:
2709:
2707:
2704:
2702:
2701:Louis Buvelot
2699:
2697:
2694:
2693:
2691:
2687:
2680:
2679:
2675:
2672:
2671:
2667:
2664:
2663:
2659:
2656:
2655:
2651:
2648:
2647:
2643:
2640:
2639:
2635:
2632:
2631:
2627:
2624:
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2608:
2607:
2606:A break away!
2603:
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2582:A bush burial
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2510:Bourke Street
2507:
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2493:Eadith Walker
2491:
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2483:Howard Hinton
2481:
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2392:Julian Ashton
2390:
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2385:Other artists
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2274:. p. 32.
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2019:
2015:
2011:
2004:
2001:
1997:. p. 18.
1996:
1989:
1986:
1981:
1974:
1971:
1958:
1954:
1948:
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1932:
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1326:. p. 12.
1325:
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1023:The Lone Hand
1020:
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630:Gordon Coutts
627:
624:in 1890, and
623:
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502:
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494:Percival Ball
492:
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321:Heraldic Work
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289:Percival Ball
286:
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93:
60:
50:
43:
38:
33:
30:
19:
3459:Bolte Bridge
3418:Kings Domain
3255:Eureka Tower
3197:Institutions
3188:RMIT Gallery
3102:Royal Arcade
3052:Block Arcade
2961:RMIT Quarter
2951:Little Italy
2807:
2792:
2676:
2668:
2660:
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2644:
2636:
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2604:
2596:
2590:Blue Pacific
2588:
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2564:
2556:
2548:
2540:
2532:
2524:
2518:Coming South
2516:
2508:
2412:Tom Humphrey
2397:David Davies
2345:Main artists
2293:. Retrieved
2289:
2280:
2271:
2265:
2259:. p. 5.
2256:
2250:
2244:. p. 4.
2241:
2235:
2226:
2220:
2214:. p. 3.
2211:
2191:
2185:
2173:. Retrieved
2168:
2159:
2147:. Retrieved
2142:
2133:
2124:
2121:The Bulletin
2120:
2111:
2099:. Retrieved
2094:
2085:
2067:
2060:
2048:. Retrieved
2043:
2034:
2022:. Retrieved
2017:
2013:
2003:
1994:
1988:
1979:
1973:
1961:. Retrieved
1956:
1947:
1935:. Retrieved
1930:
1921:
1909:. Retrieved
1904:
1895:
1883:. Retrieved
1878:
1869:
1857:. Retrieved
1852:
1843:
1831:. Retrieved
1827:Weekly Times
1826:
1817:
1808:
1802:
1790:. Retrieved
1783:
1774:
1762:. Retrieved
1757:
1748:
1736:. Retrieved
1731:
1722:
1710:. Retrieved
1705:
1696:
1684:. Retrieved
1679:
1670:
1664:. p. 2.
1661:
1654:
1639:
1634:
1622:. Retrieved
1617:
1608:
1596:. Retrieved
1592:
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1571:. Retrieved
1566:
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1545:. Retrieved
1541:
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1520:. Retrieved
1515:
1506:
1494:. Retrieved
1489:
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1342:
1332:
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1297:
1288:
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1230:
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1204:
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1087:
1075:. Retrieved
1070:
1061:
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1044:
1035:
1029:(43): xxvii.
1026:
1022:
1012:
1000:. Retrieved
996:Australasian
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969:
960:
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943:
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907:
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747:
738:
729:
720:
706:
702:
693:
682:
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626:David Davies
619:
482:
477:
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451:
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347:
344:Bernard Hall
320:
316:
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310:
296:
293:
282:
279:
272:
249:
232:
228:
225:Construction
199:
185:
184:
29:
3514:Yarra River
3388:Albert Park
3245:Arts Centre
3163:Observatory
3153:Immigration
3001:Arts Centre
2819:Curlew Camp
2752:Sydney Long
2742:Hans Heysen
2711:G. P. Nerli
2678:The Pioneer
2407:Ina Gregory
2362:Tom Roberts
1345:. p. 7
1119:"Chit Chat"
726:"Chit-chat"
614:Dora Wilson
606:Rose Walker
545:Max Meldrum
529:John Mather
389:(1893-1894)
264:Tom Roberts
256:north light
238:Description
171: /
159:144°58′25″E
146:Coordinates
3529:Categories
3443:Yarra Park
3433:Royal Park
3148:Ian Potter
2941:Government
2844:Naturalism
2725:Influenced
2689:Influences
2622:Bush Idyll
2442:Jane Price
2020:(12): 24–6
1931:Table Talk
1879:Table Talk
1853:Table Talk
1758:Table Talk
1490:Table Talk
1470:"Social".
1424:Table Talk
1395:Table Talk
1343:The Leader
1298:The Herald
1149:The Herald
944:Table Talk
940:"Personal"
924:8 February
769:"Personal"
712:References
661:Boom Style
566:Jane Price
550:Mirka Mora
196:Initiation
156:37°48′49″S
3479:City Loop
3452:Transport
3335:Kia Arena
3209:Town Hall
3158:Melbourne
3021:Luna Park
2966:Southbank
2956:Paris End
2931:Docklands
2926:Chinatown
2914:Precincts
2837:See also
2638:Bailed Up
2614:Fire's on
2502:Paintings
2437:Leon Pole
2077:608565596
2014:Walkabout
1618:The Argus
970:The Argus
832:The Argus
773:The Argus
632:in 1894.
346:(c.1926)
313:Sculpture
275:costumier
221:artists.
132:Completed
3474:CityLink
3311:Icehouse
3143:Hellenic
3072:Emporium
2996:Aquarium
2936:East End
2295:23 March
2175:25 March
2149:24 March
2101:24 March
2050:25 March
2024:24 March
1963:24 March
1937:24 March
1911:24 March
1885:24 March
1859:24 March
1833:25 March
1764:24 March
1738:25 March
1712:24 March
1686:23 March
1624:25 March
1598:25 March
1573:25 March
1547:25 March
1522:24 March
1430:24 March
1401:24 March
1375:24 March
1349:24 March
1304:24 March
1263:24 March
1237:24 March
1211:25 March
1201:"Gossip"
1155:24 March
1129:24 March
1103:23 March
1077:24 March
1051:25 March
1002:24 March
976:23 March
950:25 March
890:24 March
864:23 March
838:23 March
809:28 March
779:29 March
753:29 March
499:Ola Cohn
317:Painting
302:Ballarat
137:Location
3138:Chinese
2761:Related
2471:Patrons
2272:The Age
2257:The Age
2242:The Age
2227:The Age
2212:The Age
2192:The Age
1995:The Age
1980:The Age
1809:The Age
1785:The Age
1662:The Age
1496:4 April
1324:The Age
1231:The Age
285:atelier
2681:(1904)
2673:(1903)
2665:(1896)
2657:(1896)
2649:(1895)
2641:(1895)
2633:(1894)
2625:(1893)
2617:(1891)
2609:(1891)
2601:(1890)
2593:(1890)
2585:(1890)
2577:(1889)
2569:(1889)
2561:(1888)
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2545:(1887)
2537:(1886)
2529:(1886)
2521:(1886)
2513:(1886)
2075:
1792:8 June
1646:
1516:Herald
1453:
1257:Herald
915:
391:
319:, and
205:, the
129:Status
3504:Trams
2970:Wharf
2946:Greek
2169:Argus
1732:Argus
1706:Argus
1680:Argus
1097:Argus
3133:ACMI
3128:ACCA
2921:Arts
2297:2023
2177:2023
2151:2023
2103:2023
2073:OCLC
2052:2023
2026:2023
1965:2023
1939:2023
1913:2023
1887:2023
1861:2023
1835:2023
1794:2023
1766:2023
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1714:2023
1688:2023
1644:ISBN
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1600:2023
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1451:ISBN
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1377:2023
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1265:2023
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1157:2023
1131:2023
1105:2023
1079:2023
1053:2023
1004:2023
978:2023
952:2023
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913:ISBN
892:2023
866:2023
840:2023
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781:2023
755:2023
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1567:Age
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