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paintings to the
Bavarian State Collections in Munich. Tschudi, serving as the general director of the collections, acquired 44 paintings, nine sculptures and 22 drawings, mostly from emerging French artists. In Bavaria public funds could not be used to buy such works, but Tschudi's associates were
410:, from 1896, would prove Tschudi's undoing. The contemporary work, mixing the sacred with the profane and the primitive, was not generally appreciated by most Europeans at the time. In particular, it was intensely disapproved of by
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426:, which he continued to manage until his death in 1911. He took the new Gauguin painting with him to Munich, where it remains in the permanent art collection there.
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to enter any public collection anywhere followed the next year in July 1897. Other works by Renoir, Monet, Pissarro and Degas joined them. However,
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Content in this edit is translated from the existing German
Knowledge (XXG) article at ]; see its history for attribution.
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able to find the money to complete the purchases with private contributions after his death in 1911.
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in 1896. He immediately set about the acquisition of modern French painting, securing
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Hugo von
Tschudi und die moderne französische Kunst im Deutschen Kaiserreich
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Between 1909 and 1914, the
Tschudi Contributions brought a collection of
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to the source of your translation. A model attribution edit summary is
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Manet bis van Gogh, Hugo von
Tschudi und der Kampf um die Moderne
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German art historian and museum curator (1851–1911)
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364:and became a naturalised Swiss citizen.
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