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Hugh Enes Blackmore

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626: 400: 22: 273:, as well as singing in the chorus of the other shows on tour. In 1910, he gave up playing the character of Francesco but continued to play Leonard until July, after which date he played only chorus roles for the next two years. During D'Oyly Carte's 1912–13 season, he began to play the small role of First Yeoman in 549: 357:
for the Society's 1936 centenary celebration of the birth of W. S. Gilbert. Blackmore also served on the Society's Executive Committee and wrote articles for the Society's journal concerning stagecraft in general and his career with the D'Oyly Carte Opera Company. Blackmore made his last public
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Blackmore was then employed by D'Oyly Carte to coach the Company's professional understudies in their roles. He was appointed as D'Oyly Carte's stage manager for the 1922–23 season, but, coming into "uncomfortable conflict with the artistic temperament", he was replaced the following season by
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in Edinburgh, where he sang tenor solos beginning at age 14. Encouraged by Alexander Potts, his headmaster, Blackmore took singing lessons and hoped to make a career in opera by training in Italy. Blackmore's father, however, wanted him to follow a more secure profession, so he trained as a
347:. The two became early members of the Gilbert and Sullivan Society in London, in which they both served on the Entertainment Committee, supervising 'dramatic recitals' for the Society in celebration of the operas' jubilees, including staging excerpts from 331:. After leaving the stage, Blackmore taught voice and coached actors in 'operatic stage craft' in the London-based 'G & S School of Opera', which he founded with his wife, describing himself in advertisements for the School as the 'principal tenor and 384: 343:"Blackie", as he was known to friends and colleagues, married fellow D'Oyly Carter Theresa Mary Hewett "Tessa" Snelson (1870–1939) in 1902; they were introduced to each other on the stage of the Savoy Theatre by 252:
In 1908, Blackmore rejoined the D'Oyly Carte Opera Company at the Savoy Theatre for the company's second London repertory season, as a member of the chorus. He played Griffin David in several performances of
128:, receiving its "First performance in England in its original and complete form", was held under the patronage of the Master and fellows of Pembroke College, with a young 281:
to his repertoire, stepping up to the more important role of Luiz for a short period in 1914. He also substituted at times in leading tenor roles, including Tolloller in
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in London on 2 November 1898 during the first season of the Elderhorst Chamber Concerts. In 1906 he and his wife toured South Africa with a D'Oyly Carte touring company.
721: 716: 34:(1 October 1863 – 21 May 1945) was a British opera and concert singer and actor. Known as the "Iron-Throated Tenor", he is best remembered for his performances of 711: 79: 669: 677: 139:
spanned almost 30 years. In October 1893, he created the small role of Sir Bailey Barre, one of the 'Flowers of Progress', in
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At the end of 1896, Blackmore left the D'Oyly Carte Opera Company. He toured for more than a year in a new musical comedy,
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that season. Later that year, Blackmore resumed touring with D'Oyly Carte, taking on the small roles of Leonard Meryll in
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appearance by reprising his role as Sir Bailey Barre in The Gilbert and Sullivan Society's concert version of
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in London. From 1894–96 he performed with a D'Oyly Carte touring company, playing Captain Fitzbattleaxe in
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in 1918. Blackmore returned to the D'Oyly Carte chorus in 1918, also playing the roles of Leonard in
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from July 1919. From 1921, his only principal role was Annibale, but he occasionally filled in for
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The D'Oyly Carte Opera Company in Gilbert and Sullivan Operas: A Record of Productions, 1875–1961
214:, playing the role of Reuben Van Eyt. He then appeared in London in 1898 and 1899 as Piccolo in 651: 504: 215: 129: 42:. His career with D'Oyly Carte spanned almost 30 years, ending with a season as the company's 177: 119: 365:
His wife predeceased him in 1939; they had no children. Blackmore died at the age of 81 in
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In the early 1890s, Blackmore sang in a variety of concerts with performers including
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Collier (1834–1922) and Edward Blackmore (1824–1900), a marine engineer. He attended
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on 29 April 1939, forty-six years after originating the role at the Savoy Theatre.
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UK and Ireland, Incoming Passenger Lists, 1878–1960 for Hugh Enes Blackmore
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Hugh E Blackmore in the England & Wales Death Index, 1916–2007
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and Ernest Dummkopf in the first British provincial production of
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on 22 March 1893 in aid of the fund for building a church at the
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in Scotland, the second of four children born to Elizabeth Mary
540:, Arts and Humanities Research Council, accessed 21 June 2010 448:, Arts and Humanities Research Council, accessed 21 June 2010 46:. He was later a teacher of operatic singing and acting. 323:, before retiring from the stage in April 1922. 509:Who Was Who in the D'Oyly Carte Opera Company 478:, 20 March 1897, p.12; and 28 May 1898, p. 22 226:. After this, he played Vincent in a tour of 8: 581:, Vol. 2, March 1928 – December 1930, p. 180 385:Hugh E Blackmore in the 1871 Scotland Census 301:(1918). He also played the role of Cyril in 240:. During this period, Blackmore sang at the 593:, Vol. 2, March 1928 – December 1930, p. 79 552:, Southampton, England, 1906:Ancestry.com 232:, a "romantic comedy-opera" with music by 511:, 28 February 2003, accessed 21 June 2010 401:Hugh E Blackmore in the 1881 Wales Census 670:Blackmore on Gilbert and Sullivan online 499: 497: 102:. He took part in an evening concert at 722:20th-century British male opera singers 717:19th-century British male opera singers 534:"Elderhorst Chamber Concerts (1898–99)" 377: 646:Rollins, Cyril; R. John Witts (1962). 633:, accessed 22 March 2015 (pay to view) 407:, accessed 22 March 2015 (pay to view) 391:, accessed 22 March 2015 (pay to view) 565: 563: 561: 7: 675:'Utopia, Limited' original 1893 cast 442:"London Suburban Concerts (1893–98)" 419:, Vol.1 No.12 (December 1927), p. 15 277:. In July 1913 he added Annibale in 16:British singer and actor (1863–1945) 14: 712:People educated at Fettes College 259:, which was a curtain-raiser for 135:Blackmore's association with the 83:Blackmore as Sir Bailey Barre in 615:The Gilbert and Sullivan Journal 603:The Gilbert and Sullivan Journal 591:The Gilbert and Sullivan Journal 579:The Gilbert and Sullivan Journal 487:"Theatrical and Musical Notes", 417:The Gilbert and Sullivan Journal 114:. The concert, which included 1: 569:Rollins and Witts, pp.125–40 466:Rollins and Witts, pp. 91–99 428:Classified advertisements, 175:, the Duke of Dunstable in 108:Pembroke College, Cambridge 738: 650:. London: Michael Joseph. 617:, obituary of October 1945 218:and Ross's musical comedy 137:D'Oyly Carte Opera Company 40:D'Oyly Carte Opera Company 680:27 September 2007 at the 457:Rollins and Witts, p. 14 287:(1914–15), Nanki-Poo in 605:, Vol.4, No. 112 (1936) 554:(subscription required) 491:, 5 December 1898, p. 6 266:The Yeomen of the Guard 295:(1917), and Alexis in 91: 54:Blackmore was born in 28: 524:, 8 April 1899, p. 11 505:"Hugh Enes Blackmore" 335:' with D'Oyly Carte. 157:, Ralph Rackstraw in 81: 50:Early life and career 24: 707:People from Greenock 141:Gilbert and Sullivan 104:Kensington Town Hall 32:Hugh Enes Blackmore 26:Hugh Enes Blackmore 538:Concert Programmes 520:"Ma Mie Rosette", 446:Concert Programmes 92: 29: 291:(1917), Marco in 269:and Francesco in 216:Edward Jakobowski 729: 659: 634: 624: 618: 612: 606: 600: 594: 588: 582: 576: 570: 567: 556: 555: 547: 541: 531: 525: 518: 512: 501: 492: 489:The Morning Post 485: 479: 473: 467: 464: 458: 455: 449: 439: 433: 430:The Morning Post 426: 420: 414: 408: 398: 392: 382: 319:as Tolloller in 311:and Annibale in 220:Milord Sir Smith 120:incidental music 737: 736: 732: 731: 730: 728: 727: 726: 687: 686: 682:Wayback Machine 666: 645: 642: 637: 625: 621: 613: 609: 601: 597: 589: 585: 577: 573: 568: 559: 553: 548: 544: 532: 528: 519: 515: 502: 495: 486: 482: 474: 470: 465: 461: 456: 452: 440: 436: 427: 423: 415: 411: 399: 395: 383: 379: 375: 360:Utopia, Limited 349:Utopia, Limited 341: 329:Frederick Hobbs 250: 208:James T. Tanner 204:The Ballet Girl 187:, Nanki-Poo in 160:H.M.S. Pinafore 146:Utopia, Limited 90: 86:Utopia, Limited 52: 38:roles with the 27: 17: 12: 11: 5: 735: 733: 725: 724: 719: 714: 709: 704: 699: 689: 688: 685: 684: 672: 665: 664:External links 662: 661: 660: 641: 638: 636: 635: 619: 607: 595: 583: 571: 557: 542: 526: 513: 503:Stone, David. 493: 480: 468: 459: 450: 434: 421: 409: 393: 376: 374: 371: 369:in Middlesex. 354:The Gondoliers 340: 337: 313:The Gondoliers 293:The Gondoliers 279:The Gondoliers 271:The Gondoliers 256:A Welsh Sunset 249: 246: 229:Ma mie Rosette 224:Comedy Theatre 196:The Grand Duke 184:The Gondoliers 96:Leonora Braham 82: 64:Fettes College 51: 48: 25: 15: 13: 10: 9: 6: 4: 3: 2: 734: 723: 720: 718: 715: 713: 710: 708: 705: 703: 700: 698: 695: 694: 692: 683: 679: 676: 673: 671: 668: 667: 663: 657: 653: 649: 644: 643: 639: 632: 628: 623: 620: 616: 611: 608: 604: 599: 596: 592: 587: 584: 580: 575: 572: 566: 564: 562: 558: 551: 546: 543: 539: 535: 530: 527: 523: 517: 514: 510: 506: 500: 498: 494: 490: 484: 481: 477: 472: 469: 463: 460: 454: 451: 447: 443: 438: 435: 431: 425: 422: 418: 413: 410: 406: 402: 397: 394: 390: 386: 381: 378: 372: 370: 368: 363: 361: 356: 355: 350: 346: 345:W. S. Gilbert 339:Personal life 338: 336: 334: 330: 324: 322: 318: 314: 310: 306: 305: 300: 299: 294: 290: 286: 285: 280: 276: 272: 268: 267: 262: 258: 257: 247: 245: 243: 242:Steinway Hall 239: 235: 231: 230: 225: 221: 217: 213: 209: 205: 200: 198: 197: 192: 191: 186: 185: 180: 179: 174: 173: 172:The Chieftain 169:, Vasquez in 168: 167: 163:, Picorin in 162: 161: 156: 152: 151:Savoy Theatre 148: 147: 142: 138: 133: 131: 127: 126: 121: 117: 113: 109: 105: 101: 97: 88: 87: 80: 76: 74: 70: 65: 61: 57: 49: 47: 45: 44:stage manager 41: 37: 33: 23: 19: 647: 631:Ancestry.com 622: 614: 610: 602: 598: 590: 586: 578: 574: 545: 537: 529: 521: 516: 508: 488: 483: 475: 471: 462: 453: 445: 437: 429: 424: 416: 412: 405:Ancestry.com 396: 389:Ancestry.com 380: 364: 359: 352: 348: 342: 325: 320: 317:Derek Oldham 312: 308: 304:Princess Ida 302: 298:The Sorcerer 296: 292: 288: 282: 278: 274: 270: 264: 260: 254: 251: 248:Later career 227: 219: 203: 201: 194: 188: 182: 176: 170: 164: 158: 154: 144: 134: 132:conducting. 123: 100:W. H. Squire 93: 84: 59: 53: 31: 30: 18: 702:1945 deaths 697:1863 births 238:Ivan Caryll 234:Paul Lacome 212:Adrian Ross 181:, Marco in 110:mission in 691:Categories 640:References 289:The Mikado 190:The Mikado 130:Henry Wood 656:504581419 125:Rosamunde 69:solicitor 678:Archived 367:Uxbridge 321:Iolanthe 284:Iolanthe 261:Pinafore 178:Patience 116:Schubert 112:Walworth 56:Greenock 522:The Era 476:The Era 222:at the 166:Mirette 149:at the 73:Cardiff 654:  309:Yeomen 275:Yeomen 155:Utopia 89:, 1893 373:Notes 206:, by 122:from 36:tenor 652:OCLC 351:and 236:and 210:and 98:and 143:'s 118:'s 71:in 60:nÊe 693:: 629:, 560:^ 536:. 507:. 496:^ 444:. 403:, 387:, 333:SM 199:. 658:.

Index


tenor
D'Oyly Carte Opera Company
stage manager
Greenock
Fettes College
solicitor
Cardiff

Utopia, Limited
Leonora Braham
W. H. Squire
Kensington Town Hall
Pembroke College, Cambridge
Walworth
Schubert
incidental music
Rosamunde
Henry Wood
D'Oyly Carte Opera Company
Gilbert and Sullivan
Utopia, Limited
Savoy Theatre
H.M.S. Pinafore
Mirette
The Chieftain
Patience
The Gondoliers
The Mikado
The Grand Duke

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