447:
20:
292:. It enjoyed an "ample" manuscript tradition. Huon self-consciously acknowledges literary precedent, and views the Arthurian world as bygone and thoroughly explored by his poetic masters. At the same time, he asserts his own inventiveness with his distinctive
248:. While Huon introduces courtly figures into the conventional battle of Vices and Virtues, love is not the poem's primary preoccupation. During the battle, the narrator is wounded in the eye by
477:
482:
487:
502:
200:
173:
472:
145:
127:
281:
19:
497:
492:
422:
The
Conspiracy of Allusion: Description, Rewriting, and Authorship from Macrobius to Medieval Romance
32:
294:
95:
102:(1232–1235). Linguistic analysis suggests that he came from northwestern France, with the name
82:
Huon's life is a matter of conjecture based on references in his work. He seems to have been a
451:
289:
266:
91:
28:
87:
55:
141:
123:
466:
177:
219:
165:
71:
409:
The
Evolution of Arthurian Romance: The Verse Tradition from Chrétien to Froissart
442:
231:
189:
185:
181:
67:
63:
457:
253:
208:
196:
44:
271:
235:
169:
99:
212:
115:
83:
192:
340:
Codex and
Context: Reading Old French Verse Narrative in Manuscript
276:
249:
18:
204:
131:
119:
259:
241:
224:
159:
135:
49:
370:
Medieval
Imagination: Rhetoric and the Poetry of Courtly Love
357:
Conjunctures: Medieval
Studies in Honor of Douglas Kelly
372:(University of Wisconsin Press, 1978, 1981), p. 15.
439:Le Tornoiement de l'Antechrist par Huon de Mery
398:, pp. 577–578, with a fairly detailed survey.
8:
355:and the Art of Medieval French Romance," in
411:(Cambridge University Press, 1998), p. 35.
437:Edition under the modern French title of
321:
319:
317:
315:
313:
311:
307:
7:
456:List of manuscripts of the work at
86:who took part in the wars against
14:
327:Medieval France: An Encyclopedia
222:that distinguishes between love
153:The Tournament of the Antichrist
35:shows Huon at work on his story.
252:'s arrow and seeks refuge in a
448:Works by or about Huon de Méry
188:. God's troops are made up of
184:struggle against those of the
60:Le Tornoiement de l'Antechrist
1:
106:(which might also be spelled
48:1200–1250) was the author of
158:Published around 1234–1240,
424:(Brill, 1999), pp. 218–220.
407:Beate Schmolke-Hasselmann,
243:C'amours nest de courtoisie
230:("without wrongdoing") and
218:Huon articulates a view of
519:
478:Medieval French literature
215:fight for the Antichrist.
483:13th-century French poets
264:is contemporary with the
62:, "The Tournament of the
329:(Garland, 1995), p. 467.
161:Li Tournoiemenz Anticrit
137:Li Tournoiemenz Anticrit
51:Li Tournoiemenz Anticrit
342:(Rodopi, 2002), p. 577.
260:
242:
225:
160:
136:
50:
359:(Rodopi, 1994), p. 49.
146:Saint-Germain-des-Prés
59:
36:
22:
488:13th-century Normans
383:Medieval Imagination
503:French male writers
325:William W. Kibler,
234:: "Love is born of
33:historiated initial
282:Chrétien de Troyes
37:
27:in the manuscript
23:First page of the
396:Codex and Context
201:Arthurian knights
66:"), a 3,546-line
31:, Douce 308. The
16:13th century poet
510:
473:Old French texts
452:Internet Archive
425:
418:
412:
405:
399:
392:
386:
379:
373:
366:
360:
349:
343:
336:
330:
323:
290:Raoul de Houdenc
267:Roman de la Rose
263:
245:
228:
176:. The forces of
168:drawing on both
163:
139:
92:Duke of Brittany
70:poem written in
53:
518:
517:
513:
512:
511:
509:
508:
507:
463:
462:
441:(Reims, 1851),
434:
429:
428:
420:Douglas Kelly,
419:
415:
406:
402:
393:
389:
380:
376:
368:Douglas Kelly,
367:
363:
350:
346:
337:
333:
324:
309:
304:
270:, and contains
261:Li Tournoiemenz
156:
140:while he was a
88:Pierre Mauclerc
80:
17:
12:
11:
5:
516:
514:
506:
505:
500:
495:
490:
485:
480:
475:
465:
464:
461:
460:
454:
445:
433:
432:External links
430:
427:
426:
413:
400:
387:
374:
361:
351:Keith Busby, "
344:
331:
306:
305:
303:
300:
155:
150:
114:) pointing to
79:
76:
15:
13:
10:
9:
6:
4:
3:
2:
515:
504:
501:
499:
496:
494:
491:
489:
486:
484:
481:
479:
476:
474:
471:
470:
468:
459:
455:
453:
449:
446:
444:
440:
436:
435:
431:
423:
417:
414:
410:
404:
401:
397:
391:
388:
384:
378:
375:
371:
365:
362:
358:
354:
348:
345:
341:
338:Keith Busby,
335:
332:
328:
322:
320:
318:
316:
314:
312:
308:
301:
299:
298:of material.
297:
296:
291:
287:
286:Songe d'enfer
283:
279:
278:
273:
269:
268:
262:
257:
255:
251:
247:
244:
237:
233:
229:
227:
221:
216:
214:
210:
206:
202:
198:
194:
191:
187:
183:
179:
175:
171:
167:
162:
154:
151:
149:
147:
143:
138:
133:
129:
125:
121:
117:
113:
109:
105:
101:
97:
94:, during the
93:
89:
85:
77:
75:
73:
72:octosyllables
69:
65:
61:
57:
52:
47:
46:
41:
34:
30:
26:
21:
438:
421:
416:
408:
403:
395:
390:
382:
377:
369:
364:
356:
352:
347:
339:
334:
326:
293:
285:
275:
265:
258:
239:
226:sanz vilanie
223:
220:courtly love
217:
180:array in an
166:psychomachia
157:
152:
130:; or Merry,
111:
107:
103:
81:
43:
40:Huon de Méry
39:
38:
25:Tournoiemenz
24:
498:1250 deaths
493:1200 births
295:conjointure
232:fornication
190:personified
182:apocalyptic
134:. He wrote
124:Méry-Corbon
467:Categories
443:full text.
302:References
209:pagan gods
197:archangels
186:Antichrist
68:Old French
64:Antichrist
272:allusions
254:monastery
385:, p. 95.
284:and the
236:courtesy
213:peasants
170:allegory
128:Calvados
100:Louis IX
96:minority
54:(modern
29:Bodleian
450:at the
394:Busby,
381:Kelly,
353:Hunbaut
274:to the
193:Virtues
174:romance
104:de Méry
458:Arlima
211:, and
199:, and
84:Norman
56:French
277:Yvain
250:Cupid
205:Vices
164:is a
108:Merri
172:and
142:monk
132:Orne
120:Oise
116:Méru
112:Méru
78:Life
288:of
280:of
178:God
144:at
110:or
98:of
45:fl.
469::
310:^
256:.
238:"
207:,
203:.
195:,
148:.
126:,
122:;
118:,
90:,
74:.
58::
246:)
240:(
42:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.