117:, the Roman god of marriage, was represented by a figure in saffron robes, with yellow hose and a circlet of roses and marjoram on his head; he was accompanied by a white-clad bride and groom. The sphere rotated, revealing a hollow lower half occupied by eight men. The sphere descended, and the eight men, armed with swords, surrounded the wedding couple. But Reason, dressed in a blue gown spangled with stars and mathematic symbols and carrying a lamp, emerged from the top half of the sphere to intervene and halt the disruption. A cloud-painted curtain above this scene was raised to reveal
29:
191:, a stylized ritual combat presented in the Banqueting House at Whitehall. Two women dressed in identical blue and white costumes with palm-leaf crowns purported to be Truth. One spoke in favour of the institution of marriage, and the second that it enslaved women. Next sixteen pairs knights contested with swords and pikes to defend these propositions. Peace and amity were restored by an angel emerging from a blaze of light. The angel brought the true figure of Truth, the advocate of marriage who had spoken first.
214:– the first of Jonson's masques to be issued in print. The volume contains a preface in which Jonson envisions the performance of a masque as its body, but the meaning of the masque (as recorded in its text) as its soul. The work was printed again when included in the first folio collection of Jonson's works in 1616. Its full title in the latter text is
128:
and
Affections;" the female dancers, "in white cloth of silver, with carnation and blue undergarments," represented the "Powers of Juno." The eight couples, the men with their swords sheathed, then danced again for the obvious symbolism. The dancers at one point formed the initials of the bride and
140:
of
Scotland and England. The masque has been described, somewhat romantically, as a work of "fragile, transient loveliness," featuring "noble dancers in their crimson satin and white, with herons' feathers waving and jewels flashing, as they made their graceful movements in the torchlight."
245:
The groom was fourteen years old, the bride thirteen, and the two were separated for three years immediately after their marriage to allow them time to mature. Unsurprisingly, the marriage was not a success, and was annulled in 1613. Lady
Frances went on to marry James's favorite
90:
is significant in the evolution of the masque form in the early 17th century; its two sets of contrasting dancers constituted one step in the evolution of the anti-masque that Jonson would realize fully in
113:, a great sphere was suspended from the ceiling on wire so fine it was invisible to the audience. The side of the sphere facing the viewers was painted as a globe of the Earth, in blue and silver.
699:
825:
860:
867:
734:
121:
seated on a golden throne, flanked by peacocks and by comets and meteors. Eight female masquers descended from the heavens to join the eight males.
727:
902:
776:
671:
153:
472:
888:
881:
748:
231:
195:
994:
239:
157:
72:
68:
64:
242:
and several had been knighted in his service, while those defending marriage included members of the Howard family and their allies.
247:
149:
32:
874:
571:
989:
80:
909:
811:
28:
968:
762:
678:
172:. The Countess of Rutland bought some items of her costume including a coronet, and gave £80 to Anne of Denmark's usher
963:
832:
720:
529:
846:
403:
769:
741:
465:
234:
the Lord
Treasurer, as a means of settling the rivalry of the Devereux and Howard families. Combatants in the
124:
The male masquers, costumed in "carnation cloth of silver, with variously colored mantles," represented the "
75:, and performed on their wedding day, 5 January 1606. The costumes, sets, and scenic effects were designed by
818:
783:
685:
592:
585:
522:
515:
282:
Mickel, Lesley. "Glorious Spangs And Rich
Embroidery: Costume In "The Masque of Blackness" And "Hymenaei.."
664:
627:
501:
797:
790:
165:
295:
Lesley Mickel, 'Glorious Spangs and Rich
Embroidery: Costume in The Masque of Blackness and Hymenaei',
999:
853:
839:
713:
706:
578:
105:
The stage was set as an altar for a Roman wedding; behind the altar, between gold-painted statues of
93:
1004:
599:
536:
508:
458:
137:
941:
606:
263:
227:
169:
958:
927:
641:
620:
485:
110:
634:
550:
207:
161:
118:
804:
251:
173:
187:
The following day saw the performance of the second portion of the entertainment, the
983:
755:
211:
145:
557:
125:
440:
198:
was chieftain of the victorious combatants, fighting against Lord Sussex's team.
613:
76:
40:
347:, 10 (Oxford, 1965), p. 467: Martin Wiggins & Catherine Teresa Richardson,
481:
60:
414:
Inigo: The
Troubled Life of Inigo Jones, Architect of the English Renaissance
895:
543:
133:
114:
934:
106:
20:
148:
may depict those who performed as Powers of Juno. These courtiers were;
564:
655:
450:
56:
238:
fighting for virginity were dressed in the colours of the executed
27:
216:
Hymenaei, or The
Solemnities of Masque and Barriers at a Marriage
206:
The masque was published later in 1606, in an edition printed by
226:
The marriage celebrated by the masque had been arranged by King
454:
700:
672:
428:
Cast of Ravens: The Strange Case of Sir Thomas Overbury.
144:
Three surviving portraits of women in masque costume by
375:
The Court of King James the First by Godfrey Goodman
310:
The Court of King James the First by Godfrey Goodman
951:
919:
654:
493:
136:understood that the masque made an allusion to the
826:News from the New World Discovered in the Moon
861:Time Vindicated to Himself and to His Honours
466:
388:The Stuart Court Masque and Political Culture
362:The Stuart Court Masque and Political Culture
8:
250:, and to play her part in the murder of Sir
299:, 36:2 (2003): Chambers, vol. 3, pp. 378–9.
868:Neptune's Triumph for the Return of Albion
473:
459:
451:
416:. London, Headline Book Publishing, 2003.
409:4 Volumes, Oxford, Clarendon Press, 1923.
176:towards the costs of staging the masque.
735:The Speeches at Prince Henry's Barriers
423:New Haven, Yale University Press, 1969.
275:
777:Mercury Vindicated from the Alchemists
158:Elizabeth Sidney, Countess of Rutland
7:
728:The Entertainment at Britain's Burse
903:The King's Entertainment at Welbeck
882:The Fortunate Isles and Their Union
749:Love Freed from Ignorance and Folly
349:British Drama, 1533-1642: 1603-1608
297:Studies in the Literary Imagination
284:Studies in the Literary Imagination
763:A Challenge at Tilt, at a Marriage
154:Susan Vere, Countess of Montgomery
65:Robert Devereux, 3rd Earl of Essex
14:
889:Love's Triumph Through Callipolis
248:Robert Carr, 1st Earl of Somerset
150:Lucy Russell, Countess of Bedford
132:The writer of court news letters
86:One of Jonson's earlier masques,
33:Lucy Russell, Countess of Bedford
875:The Masque of Owls at Kenilworth
833:The Entertainment at Blackfriars
377:, vol. 2 (London, 1839), p. 127.
351:, vol. 5 (Oxford, 2015), p. 266.
312:, vol. 2 (London, 1839), p. 125.
230:, perhaps at the suggestion of
160:, Lady Knollys, Lady Berkeley,
1:
812:Pleasure Reconciled to Virtue
421:Ben Jonson: Complete Masques.
390:(Cambridge, 2008), pp. 167–9.
364:(Cambridge, 2008), pp. 166–7.
969:Sons of Ben (literary group)
679:The Entertainment at Althorp
572:Epicœne, or The Silent Woman
79:, and the music composed by
964:English Renaissance theatre
721:The Hue and Cry After Cupid
530:Every Man out of His Humour
1021:
910:Love's Welcome at Bolsover
430:London, John Murray, 1965.
97:three years later (1609).
18:
16:Play written by Ben Jonson
995:English Renaissance plays
847:The Gypsies Metamorphosed
770:The Irish Masque at Court
742:Oberon, the Faery Prince
19:Not to be confused with
819:For the Honour of Wales
784:The Golden Age Restored
686:The Masque of Blackness
586:Catiline His Conspiracy
523:Every Man in His Humour
343:Herford & Simpson,
334:(London, 1995), p. 190.
665:The Coronation Triumph
628:Rollo Duke of Normandy
407:The Elizabethan Stage.
43:
990:Masques by Ben Jonson
798:The Vision of Delight
791:Christmas, His Masque
138:Union of the Kingdoms
31:
854:The Masque of Augurs
714:The Masque of Queens
707:The Masque of Beauty
419:Orgel, Stephen, ed.
94:The Masque of Queens
63:for the marriage of
53:The Masque of Hymen,
600:The Devil Is an Ass
509:The Case is Altered
286:36.2 (2003): 41-59.
210:for the bookseller
69:Lady Frances Howard
607:The Staple of News
412:Leapman, Michael.
264:1606 in literature
81:Alfonso Ferrabosco
71:, daughter of the
44:
977:
976:
959:Ben Jonson folios
928:On My First Sonne
840:Pan's Anniversary
647:
642:Mortimer His Fall
621:The Magnetic Lady
426:White, Beatrice.
35:in a costume for
1012:
645:
635:The Sad Shepherd
593:Bartholomew Fair
551:Sejanus His Fall
537:Cynthia's Revels
516:The Isle of Dogs
475:
468:
461:
452:
391:
384:
378:
373:John S. Brewer,
371:
365:
358:
352:
341:
335:
328:
322:
319:
313:
308:John S. Brewer,
306:
300:
293:
287:
280:
208:Valentine Simmes
170:Cecily Sackville
166:Blanche Somerset
162:Dorothy Hastings
1020:
1019:
1015:
1014:
1013:
1011:
1010:
1009:
980:
979:
978:
973:
947:
915:
805:Lovers Made Men
650:
502:A Tale of a Tub
489:
479:
437:
404:Chambers, E. K.
400:
395:
394:
386:Martin Butler,
385:
381:
372:
368:
360:Martin Butler,
359:
355:
342:
338:
329:
325:
320:
316:
307:
303:
294:
290:
281:
277:
272:
260:
252:Thomas Overbury
224:
204:
185:
174:Zachary Bethell
103:
73:Earl of Suffolk
24:
17:
12:
11:
5:
1018:
1016:
1008:
1007:
1002:
997:
992:
982:
981:
975:
974:
972:
971:
966:
961:
955:
953:
949:
948:
946:
945:
938:
931:
923:
921:
917:
916:
914:
913:
906:
899:
892:
885:
878:
871:
864:
857:
850:
843:
836:
829:
822:
815:
808:
801:
794:
787:
780:
773:
766:
759:
752:
745:
738:
731:
724:
717:
710:
703:
696:
689:
682:
675:
668:
660:
658:
652:
651:
649:
648:
638:
631:
624:
617:
610:
603:
596:
589:
582:
575:
568:
561:
554:
547:
540:
533:
526:
519:
512:
505:
497:
495:
491:
490:
480:
478:
477:
470:
463:
455:
447:
446:
436:
435:External links
433:
432:
431:
424:
417:
410:
399:
396:
393:
392:
379:
366:
353:
336:
323:
314:
301:
288:
274:
273:
271:
268:
267:
266:
259:
256:
223:
220:
203:
200:
196:Duke of Lennox
184:
178:
102:
99:
15:
13:
10:
9:
6:
4:
3:
2:
1017:
1006:
1003:
1001:
998:
996:
993:
991:
988:
987:
985:
970:
967:
965:
962:
960:
957:
956:
954:
950:
943:
939:
936:
932:
929:
925:
924:
922:
918:
912:
911:
907:
905:
904:
900:
898:
897:
893:
891:
890:
886:
884:
883:
879:
877:
876:
872:
870:
869:
865:
863:
862:
858:
856:
855:
851:
849:
848:
844:
842:
841:
837:
835:
834:
830:
828:
827:
823:
821:
820:
816:
814:
813:
809:
807:
806:
802:
800:
799:
795:
793:
792:
788:
786:
785:
781:
779:
778:
774:
772:
771:
767:
765:
764:
760:
758:
757:
756:Love Restored
753:
751:
750:
746:
744:
743:
739:
737:
736:
732:
730:
729:
725:
723:
722:
718:
716:
715:
711:
709:
708:
704:
702:
701:
697:
695:
694:
690:
688:
687:
683:
681:
680:
676:
674:
673:
669:
667:
666:
662:
661:
659:
657:
653:
644:
643:
639:
637:
636:
632:
630:
629:
625:
623:
622:
618:
616:
615:
611:
609:
608:
604:
602:
601:
597:
595:
594:
590:
588:
587:
583:
581:
580:
579:The Alchemist
576:
574:
573:
569:
567:
566:
562:
560:
559:
555:
553:
552:
548:
546:
545:
541:
539:
538:
534:
532:
531:
527:
525:
524:
520:
518:
517:
513:
511:
510:
506:
504:
503:
499:
498:
496:
492:
487:
483:
476:
471:
469:
464:
462:
457:
456:
453:
449:
445:
443:
439:
438:
434:
429:
425:
422:
418:
415:
411:
408:
405:
402:
401:
397:
389:
383:
380:
376:
370:
367:
363:
357:
354:
350:
346:
340:
337:
333:
330:Karen Hearn,
327:
324:
321:White, p. 17.
318:
315:
311:
305:
302:
298:
292:
289:
285:
279:
276:
269:
265:
262:
261:
257:
255:
253:
249:
243:
241:
240:Earl of Essex
237:
233:
229:
221:
219:
217:
213:
212:Thomas Thorpe
209:
201:
199:
197:
192:
190:
183:
179:
177:
175:
171:
167:
163:
159:
155:
151:
147:
146:John de Critz
142:
139:
135:
130:
127:
122:
120:
116:
112:
108:
100:
98:
96:
95:
89:
84:
82:
78:
74:
70:
66:
62:
58:
54:
50:
49:
42:
38:
34:
30:
26:
22:
942:To Penshurst
908:
901:
894:
887:
880:
873:
866:
859:
852:
845:
838:
831:
824:
817:
810:
803:
796:
789:
782:
775:
768:
761:
754:
747:
740:
733:
726:
719:
712:
705:
698:
692:
691:
684:
677:
670:
663:
640:
633:
626:
619:
612:
605:
598:
591:
584:
577:
570:
563:
558:Eastward Hoe
556:
549:
542:
535:
528:
521:
514:
507:
500:
448:
444:online text.
441:
427:
420:
413:
406:
387:
382:
374:
369:
361:
356:
348:
344:
339:
331:
326:
317:
309:
304:
296:
291:
283:
278:
244:
235:
232:Robert Cecil
225:
222:The marriage
215:
205:
193:
188:
186:
181:
143:
131:
123:
104:
92:
87:
85:
52:
47:
46:
45:
39:designed by
36:
25:
1000:1600s plays
614:The New Inn
202:Publication
101:Performance
77:Inigo Jones
59:written by
41:Inigo Jones
1005:1606 plays
984:Categories
646:(fragment)
482:Ben Jonson
398:References
345:Ben Jonson
61:Ben Jonson
896:Chloridia
544:Poetaster
442:Hymenaei,
332:Dynasties
134:John Pory
935:To Celia
693:Hymenaei
258:See also
236:Barriers
189:Barriers
182:Barriers
107:Hercules
88:Hymenaei
48:Hymenaei
37:Hymenaei
21:Hymenaea
952:Related
656:Masques
565:Volpone
228:James I
129:groom.
126:Humours
168:, and
67:, and
57:masque
55:was a
920:Poems
494:Plays
486:works
270:Notes
115:Hymen
111:Atlas
51:, or
194:The
180:The
119:Juno
109:and
986::
254:.
218:.
164:,
156:,
152:,
83:.
944:"
940:"
937:"
933:"
930:"
926:"
488:)
484:(
474:e
467:t
460:v
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
