20:
729:
667:
122:
196:
240:, particularly noticeable in the way it flows down the vessel. Typically, the potter dips the vessel into the vat with the glaze for the white, and in extracting the vessel he or she can move the vessel around for the glaze to drip slowly in the direction desired. The aim is for the slowly dripping glaze to add dimension and movement to the piece - for example, in expressing the passage of time through the flow of the drip. The
591:
100:, had appointed potters in a castle town of Matsumoto (presently the city of Hagi) in order to create Hagi wares for his personal tea ceremonies and as gifts. The potters in Matsumoto steadily increased their production so that more kilns were established in Fukawa territory (presently the city of Nagato) during the mid-17th century. However, due to the
180:- while cooling. Throughout the heating and cooling process, the cracks form because the glaze shrinks faster than the clay. Over time, a Hagi ware user might notice the color of the glaze getting darker. This is natural as the slightly porous surface absorbs the tea residues or sake through its tiny crackles, maturing over time.
355:
1596 Toyotomi
Hideyoshi invades Korea for the second time. In addition to brutal killings and widespread destruction, a large number of Korean craftsmen were abducted and transported to Japan. Skillful Korean potters played a crucial role in establishing new pottery types such as Satsuma, Arita, and
220:
and other tea utensils. He adjusted the old pottery recipe by altering how the straw was burned and mixing it into the glaze solution to ultimately create a purer shade of white. Later, his younger brother Miwa
Jusetsu (Kyusetsu XI) added power and strength with his Oni-Hagi (devil-Hagi) chawan. The
208:
The white Hagi was developed by the Miwa family, one of the most highly regarded potting families in all of Japan. Their kiln was established in Kanbun 3 (1663) in the
Matsumoto area of Hagi in order to produce tea utensils for Lord Mori Terumoto. Successive generations of Miwa potters have produced
160:
During the process, wood chips are often added, causing the less dense parts to rise while the heavier parts sink to the bottom. This preparation process is repeated for two weeks until the water is entirely filtered without any residues, and the pure, fine clay is obtained from the bottom of the
108:
The tradition of tea ceremonies and tea houses continue to this day in Hagi, which in turn created demand for vessels. Some well-known tea ceremony artists include
Koraizaemon Saka XI and Koraizaemon Saka XII (高麗左衛門), Sakata Deika XIII (坂田泥華), Tobei Tahara XII (田原陶兵衛) and Yū Okada (岡田裕). Another
104:
in 1868, the potters employed by Lord Mori were dismissed and began to run their own independent businesses. Gradually, more kilns were built outside of Hagi, spreading to the Miyano area of
Yamaguchi city and also to other parts of the southwest region of Yamaguchi Prefecture. Thus, Hagi ware
244:
in the glaze then evaporates during firing and turns into a translucent white, with the high iron glaze in black emerging from under the background. The rich white glaze that coats the vessel and the black glaze in the background create a strong contrast with each other.
221:
brothers were named as living national treasures by the
Japanese government for their Hagi wares in 1970 and 1983, respectively. Jusetsu's eldest son is Ryosaku, who is now known as Kyusetsu XII because his father passed on the honor to him in April 2003.
149:
third". This old tea adage indicates the rank of tea wares preferred for tea ceremonies. It implies that tea wares with distinguishing characteristics of earthy feel and looks are most valued.
728:
666:
187:
during the Edo period. Even today, Hagi ware continues to evolve in a response to the demands of customers, the aesthetic preferences of Hagi artists, and the environment.
183:
One might also notice a chip on the bottom, which was deliberately made by local pottery makers to sell the ware to merchants instead of presenting them as gifts to the
85:. As a result, a large number of Korean craftsmen were abducted and transported to Japan, where they played a crucial role in establishing new pottery types such as
647:
137:
The subtle form and natural, subdued colors of Hagi ware are highly regarded. In particular, the beautiful contrast between the bright green color of
1299:
82:
141:
and the warm neutral tones of Hagi ware is aesthetically notable. Regarding tea wares, there is a famous expression in
Japanese that is "
420:
442:
323:
263:
283:
567:
942:
640:
493:
656:
213:
ware (Kyusetsu I and IV studied in Kyoto), figurines of mythical creatures (Kyusetsu VI and VII), and vessels for the table.
161:
vat. The reddish to orange color of the clay is important as it will determine the texture and color of the Hagi surface.
19:
616:
633:
343:
1304:
1035:
168:. The translucent beige glaze is to draw out the natural, deep colors of the clay. After being heated in the
110:
195:
1144:
595:
543:
121:
867:
78:
1052:
1087:
992:
216:
In the 1930s, Miwa Kyuwa (Kyusetsu X) revitalized the Hagi tea world with his warm and sensuous
1073:
1059:
1172:
748:
691:
319:
315:
309:
259:
101:
1256:
1200:
696:
450:
97:
54:
1214:
823:
763:
620:
522:
74:
62:
58:
228:
and enhances the contrast with the white glaze. The mixture for the white glaze contains
287:
284:"Review: Brighter than Gold - A Japanese Ceramic Tradition Formed by Foreign Aesthetics"
1119:
1018:
1013:
912:
902:
862:
708:
164:
The beauty of Hagi ware is appreciated not only for its earthy colors but also for the
339:
1293:
927:
917:
877:
818:
718:
177:
165:
932:
907:
887:
843:
808:
783:
753:
679:
607:
146:
86:
1003:
184:
625:
1158:
1008:
976:
896:
838:
833:
828:
813:
803:
713:
73:
The origins of Hagi ware can be traced back to the arrival of Korean potters to
986:
981:
959:
922:
856:
852:
798:
778:
773:
768:
758:
743:
613:
472:
399:
172:, the glaze creates its signature fine web of cracks and fine pores -known as
157:
90:
1207:
1263:
1249:
1235:
1228:
1030:
1024:
937:
892:
882:
872:
848:
237:
210:
142:
590:
356:
Hagi ware in Japan. The invasion ended with the sudden death of
Hideyoshi.
1242:
1221:
1112:
1105:
998:
793:
233:
229:
156:
are used as the base material. The earth is first mixed with water, then
1270:
1193:
1186:
1179:
1080:
1066:
701:
1277:
1165:
1151:
1137:
965:
684:
602:
371:
241:
217:
138:
25:
194:
120:
83:
military invasion of the Korean peninsula in the late 16th century
18:
225:
169:
153:
629:
421:"A Tour of the Pottery Towns of Southern Japan: Part III: Hagi"
200:
614:
Handbook for the
Appreciation of Japanese Traditional Crafts
258:. Weatherhill, New York and Tokyo, Second Edition 2005.
224:
The mixture for the black glaze contains high levels of
473:"Deika Sakata Auction Results - Deika Sakata on artnet"
96:
The local feudal lord of the Hagi area at the time,
1129:
1097:
1044:
952:
736:
672:
517:
515:
311:Columbia Chronologies of Asian History and Culture
204:(demon) Hagi bowl, by Shibuya Deishi, 20th century
109:expert is Miwako Masaki. A non-Japanese artist is
568:"Desperately seeking Kyusetsu | The Japan Times"
394:
392:
209:all sorts of works besides tea ware, including
43:
236:. It is initially black and very thick in its
37:
641:
105:production continued throughout the Edo era.
8:
523:"Japanese Potter - Miwa Kyusetsu XI (Hagi)"
648:
634:
626:
57:traditionally originated from the town of
562:
560:
494:"Swede brings two views to Hagi pottery"
274:
366:
364:
314:. Columbia University Press. p.
29:), by Tamamura Shogetsu, 20th century
7:
81:on the Japan Sea, following Japan's
603:http://hagiyakiya.com/en/hagiyaki/
282:Purple Tigress (August 11, 2005).
14:
727:
665:
589:
1300:Culture in Yamaguchi Prefecture
943:list of Japanese ceramics sites
443:"Artist's profile - OKADA, Yuh"
152:Two types of fine-grained soft
93:, and Hagi ware ("hagi yaki").
657:Japanese pottery and porcelain
544:"山口県/国際課/access・0812_feature2"
1:
400:"Hagi Ware Exhibition Review"
340:"Muromachi period, 1392-1573"
133:green tea, by Yū Okada (2011)
447:Japan Pottery Net - TYGO Inc
308:John Stewart Bowman (2002).
286:. BC Culture. Archived from
44:
1321:
344:Metropolitan Museum of Art
1036:Japanese export porcelain
725:
663:
38:
608:"What is Hagi Guidebook"
256:Inside Japanese Ceramics
16:Type of Japanese pottery
145:first, Hagi second and
205:
134:
30:
598:at Wikimedia Commons
198:
124:
77:, a town situated in
22:
453:on 27 September 2016
79:Yamaguchi Prefecture
23:Hagi ware tea bowl (
290:on January 18, 2008
254:Wilson, Richard L.
619:2006-11-11 at the
498:Japan Times Online
206:
135:
31:
1287:
1286:
1145:chasen kusenaoshi
1098:Gold applications
610:on e-yakimono.net
594:Media related to
500:. 4 November 1997
102:Meiji Restoration
1312:
1305:Japanese pottery
731:
669:
650:
643:
636:
627:
593:
579:
578:
576:
575:
564:
555:
554:
552:
550:
540:
534:
533:
531:
529:
519:
510:
509:
507:
505:
490:
484:
483:
481:
479:
469:
463:
462:
460:
458:
449:. Archived from
439:
433:
432:
430:
428:
417:
411:
410:
408:
406:
396:
387:
386:
384:
383:
372:"About Hagiyaki"
368:
359:
358:
352:
351:
336:
330:
329:
305:
299:
298:
296:
295:
279:
61:, in the former
55:Japanese pottery
51:
50:
47:
41:
40:
1320:
1319:
1315:
1314:
1313:
1311:
1310:
1309:
1290:
1289:
1288:
1283:
1125:
1093:
1040:
948:
732:
723:
673:Ancient pottery
670:
659:
654:
621:Wayback Machine
587:
582:
573:
571:
566:
565:
558:
548:
546:
542:
541:
537:
527:
525:
521:
520:
513:
503:
501:
492:
491:
487:
477:
475:
471:
470:
466:
456:
454:
441:
440:
436:
426:
424:
419:
418:
414:
404:
402:
398:
397:
390:
381:
379:
378:. 16 April 2014
370:
369:
362:
349:
347:
338:
337:
333:
326:
307:
306:
302:
293:
291:
281:
280:
276:
272:
251:
193:
119:
117:Characteristics
71:
63:Nagato Province
59:Hagi, Yamaguchi
48:
35:
17:
12:
11:
5:
1318:
1316:
1308:
1307:
1302:
1292:
1291:
1285:
1284:
1282:
1281:
1274:
1267:
1260:
1253:
1246:
1239:
1232:
1225:
1218:
1211:
1204:
1197:
1190:
1183:
1176:
1169:
1162:
1155:
1148:
1141:
1133:
1131:
1127:
1126:
1124:
1123:
1116:
1109:
1101:
1099:
1095:
1094:
1092:
1091:
1084:
1077:
1070:
1063:
1056:
1048:
1046:
1042:
1041:
1039:
1038:
1033:
1028:
1021:
1016:
1011:
1006:
1001:
996:
989:
984:
979:
974:
962:
956:
954:
950:
949:
947:
946:
940:
935:
930:
925:
920:
915:
910:
905:
900:
890:
885:
880:
875:
870:
865:
860:
846:
841:
836:
831:
826:
821:
816:
811:
806:
801:
796:
791:
786:
781:
776:
771:
766:
761:
756:
751:
746:
740:
738:
734:
733:
726:
724:
722:
721:
716:
711:
706:
694:
689:
676:
674:
671:
664:
661:
660:
655:
653:
652:
645:
638:
630:
624:
623:
611:
605:
586:
585:External links
583:
581:
580:
556:
535:
511:
485:
464:
434:
412:
388:
376:hagiyakiya.com
360:
346:. October 2002
331:
324:
300:
273:
271:
268:
267:
266:
250:
247:
192:
189:
118:
115:
111:Bertil Persson
70:
67:
15:
13:
10:
9:
6:
4:
3:
2:
1317:
1306:
1303:
1301:
1298:
1297:
1295:
1280:
1279:
1275:
1273:
1272:
1268:
1266:
1265:
1261:
1259:
1258:
1254:
1252:
1251:
1247:
1245:
1244:
1240:
1238:
1237:
1233:
1231:
1230:
1226:
1224:
1223:
1219:
1217:
1216:
1212:
1210:
1209:
1205:
1203:
1202:
1198:
1196:
1195:
1191:
1189:
1188:
1184:
1182:
1181:
1177:
1175:
1174:
1170:
1168:
1167:
1163:
1161:
1160:
1156:
1154:
1153:
1149:
1147:
1146:
1142:
1140:
1139:
1135:
1134:
1132:
1128:
1122:
1121:
1117:
1115:
1114:
1110:
1108:
1107:
1103:
1102:
1100:
1096:
1090:
1089:
1085:
1083:
1082:
1078:
1076:
1075:
1071:
1069:
1068:
1064:
1062:
1061:
1057:
1055:
1054:
1053:Iro-Nabeshima
1050:
1049:
1047:
1043:
1037:
1034:
1032:
1029:
1027:
1026:
1022:
1020:
1017:
1015:
1012:
1010:
1007:
1005:
1002:
1000:
997:
995:
994:
990:
988:
985:
983:
980:
978:
975:
972:
968:
967:
963:
961:
958:
957:
955:
951:
944:
941:
939:
936:
934:
931:
929:
926:
924:
921:
919:
916:
914:
911:
909:
906:
904:
901:
898:
894:
891:
889:
886:
884:
881:
879:
876:
874:
871:
869:
866:
864:
861:
858:
854:
850:
847:
845:
842:
840:
837:
835:
832:
830:
827:
825:
822:
820:
817:
815:
812:
810:
807:
805:
802:
800:
797:
795:
792:
790:
787:
785:
782:
780:
777:
775:
772:
770:
767:
765:
762:
760:
757:
755:
752:
750:
747:
745:
742:
741:
739:
735:
730:
720:
717:
715:
712:
710:
707:
704:
703:
698:
695:
693:
690:
687:
686:
681:
678:
677:
675:
668:
662:
658:
651:
646:
644:
639:
637:
632:
631:
628:
622:
618:
615:
612:
609:
606:
604:
601:
600:
599:
597:
592:
584:
569:
563:
561:
557:
545:
539:
536:
524:
518:
516:
512:
499:
495:
489:
486:
474:
468:
465:
452:
448:
444:
438:
435:
423:. 4 June 2013
422:
416:
413:
401:
395:
393:
389:
377:
373:
367:
365:
361:
357:
345:
341:
335:
332:
327:
325:0-231-11004-9
321:
317:
313:
312:
304:
301:
289:
285:
278:
275:
269:
265:
264:0-8348-0442-5
261:
257:
253:
252:
248:
246:
243:
239:
235:
231:
227:
222:
219:
214:
212:
203:
202:
197:
190:
188:
186:
181:
179:
175:
171:
167:
162:
159:
155:
150:
148:
144:
140:
132:
128:
123:
116:
114:
112:
106:
103:
99:
98:Terumoto Mōri
94:
92:
88:
84:
80:
76:
68:
66:
64:
60:
56:
53:is a type of
52:
46:
28:
27:
21:
1276:
1269:
1262:
1255:
1248:
1241:
1234:
1227:
1220:
1213:
1206:
1199:
1192:
1185:
1178:
1171:
1164:
1157:
1150:
1143:
1136:
1118:
1111:
1104:
1088:Tetsuyū-tōki
1086:
1079:
1072:
1065:
1058:
1051:
1023:
991:
970:
964:
788:
700:
683:
588:
572:. Retrieved
570:. 2003-12-10
547:. Retrieved
538:
526:. Retrieved
502:. Retrieved
497:
488:
476:. Retrieved
467:
455:. Retrieved
451:the original
446:
437:
425:. Retrieved
415:
403:. Retrieved
380:. Retrieved
375:
354:
348:. Retrieved
334:
310:
303:
292:. Retrieved
288:the original
277:
255:
223:
215:
207:
199:
182:
173:
163:
151:
136:
130:
126:
107:
95:
72:
33:
32:
24:
1120:yūri-kinsai
113:, a Swede.
1294:Categories
993:Iro-e Jiki
824:Koishiwara
574:2016-09-28
549:24 October
528:24 October
504:24 October
478:24 October
457:24 October
427:24 October
405:24 October
382:2016-09-28
350:2008-01-10
294:2008-01-10
270:References
249:Literature
191:White Hagi
125:Hagi ware
1264:suribachi
1250:shimamono
1236:mizutsugi
1229:mizusashi
1074:Seto-guro
1060:nigoshide
1025:Sometsuke
1019:Nabeshima
1014:Mikawachi
971:Seihakuji
953:Porcelain
903:Shigaraki
868:Ōborisōma
749:Aizuhongō
709:Kamuiyaki
596:Hagi ware
238:viscosity
185:Mōri clan
158:strained.
45:Hagi-yaki
34:Hagi ware
1243:sakazuki
1173:futa-oki
1113:kintsugi
1106:kinrande
999:Kakiemon
928:Tokoname
918:Takatori
819:Kiyomizu
737:Ceramics
617:Archived
234:wood ash
230:Feldspar
176:(貫入) or
174:kan-nyuu
1271:tokkuri
1194:hibachi
1187:hanaire
1180:guinomi
1130:Objects
1081:Tenmoku
933:Tsuboya
908:Shitoro
888:Satsuma
844:Mashiko
809:Karatsu
784:Echizen
764:Amakusa
754:Akahada
178:crazing
147:Karatsu
87:Satsuma
69:History
1278:yunomi
1257:suiban
1201:kensui
1166:donabe
1152:chawan
1138:chaire
1045:Glazes
1009:Kutani
977:Hasami
969:(also
966:Hakuji
913:Shōdai
897:Ofukei
895:(also
863:Mumyōi
851:(also
834:Kutani
829:Kosobe
814:Kasama
804:Izushi
699:(also
685:haniwa
682:(also
322:
262:
242:carbon
218:chawan
139:matcha
131:matcha
127:chawan
26:chawan
1222:kyūsu
1159:choko
1067:Seiji
987:Imari
982:Hizen
960:Arita
923:Tamba
878:Ōtani
857:Shino
853:Oribe
799:Iwami
779:Bizen
774:Banko
769:Asahi
759:Akazu
744:Agano
719:Yayoi
697:Jōmon
692:Iriya
166:glaze
129:with
91:Arita
1215:kōro
1208:kōgō
1031:Tobe
1004:Kotō
938:Zeze
893:Seto
883:Raku
873:Onta
855:and
849:Mino
789:Hagi
702:dogū
680:Haji
551:2016
530:2016
506:2016
480:2016
459:2016
429:2016
407:2016
320:ISBN
316:170p
260:ISBN
232:and
226:iron
211:Raku
170:kiln
154:clay
143:Raku
75:Hagi
945:...
839:Kyō
794:Iga
714:Sue
201:oni
1296::
559:^
514:^
496:.
445:.
391:^
374:.
363:^
353:.
342:.
318:.
89:,
65:.
42:,
39:萩焼
973:)
899:)
859:)
705:)
688:)
649:e
642:t
635:v
577:.
553:.
532:.
508:.
482:.
461:.
431:.
409:.
385:.
328:.
297:.
49:)
36:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.