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Hai Rui Dismissed from Office

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355:. Theories include that Wu was a suitable polemical target because he was not sufficiently ranking in the cultural apparatus to prompt a strong institutional defense. Others argue that Peng Zhen fell into a trap because he did not realize that the true objective was to attack his power. The official narrative in China is that to enforce orthodox political thought, the first targets of the Cultural Revolution were intellectuals. Academic Alessandro Russo writes that, to the contrary, the top levels of the party's cultural apparatus including Peng Zhen vigorously defended Wu for months, that the criticism of Wu came from the grassroots intellectual level where most of the participants in the controversy were history teachers, and that the initial targets were high ranking in the party cultural apparatus. 247:!" Wu's article began with a chronology intended to implicitly distance his play and other writings on Hai Rui from the controversy at the Lushan Conference, but the effect backfired. Because Yao Wenyuan's article had not directly raised the connection with the Lushan Conference, Wu's chronology looked like an unnecessary apology. Additionally, the chronology demonstrated that Wu wrote his Hai Rui articles immediately before and immediately after the conference. Scholarly debate continued following Wu's self-criticism article, with many Chinese historians concluding that the article was a mix of sophistry and concessions on minor points that avoided the major political issues related to the play. 304:") formalized those decisions. The Circular of May 16 was the first major political declaration of the Cultural Revolution. Initially drafted by Chen Boda, Mao Zedong made major revisions. In voiding the February Outline and dissolving the Group of Five, The Circular of May 16 removed the highest level of the party's cultural apparatus. It discussed Peng Zhen's political errors in detail, stating that he had defended Wu Han and prevented political criticism of the play and therefore obscured the class struggle. The Circular of May 16 also ambiguously criticized unspecified rightists in the party who "sleep by our side," comparing such people to 259:, Mao stated, "Peng Dehuai is Hai Rui." Although he did not discuss Yao's article at length, Mao noted that it had not gotten to the core political issue raised by the matter of Hai Rui, namely the dismissal. Mao stated that the results of the 1959 Lushan Conference remained controversial and the political disagreements had grown in the time since the conference. Peng Zhen met with Mao the day after Mao's speech and objected, arguing that the dismissal should not be considered the core issue, as there were no organizational or personal ties between Wu and Peng Dehuai. 151:, Mao cited Hai Rui as an example of an official who challenged authority by authoring a Memorandum to the Emperor in which he criticized "very sharply and without any compliments." Mao asked his audience, "How many of our comrades today have Hai Rui's courage?" The historical figure of Hai Rui was also referenced during the discussions at the Lushan Conference itself. In one of the most tense moments of the controversy over the problems of the Great Leap Forward, Mao stated: 223:, prevented other newspapers from republishing Yao's article for three weeks. Even a personal request by Mao to publish Yao's critique as a pamphlet was rejected by party authorities in Beijing. Once it was no longer feasible to prevent other newspapers from republishing it, including because Zhou intervened, Peng Zhen consented to its reprinting. Peng Zhen attempted to censor any contemporary political implications of the article, however.` 348:
The Chinese government's view today, however, is that Peng Zhen's motive for issuing the February Outline was responding to a wave of public revulsion over the criticisms of Wu. In contrast to that view, Academic Alessandro Russo observes that public views of Yao Wenyuan's critical article were split, and that it was Peng Zhen himself and other party elites in the cultural apparatus who were most irritated by the criticism of Wu.
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play to contemporary political issues. The February Outline openly threatened the "obstinate Left" with discipline, urging that it bear in mind its "long-term behavior." The Party's Central Committee approved the February Outline. The Group of Five began investigation who in Shanghai was responsible for the initial publication of Yao's critical article without having asked approval from the
272:. Mao opposed the inquiry, describing "hose who prevent the publication of left-wing essays" as "great scholar-tyrants." Using a literary comparison which became famous after the incident, Mao told Peng Zhen, "The Central Department of Propaganda is the King of Hell's Palace. The King of Hell's Palace has to be overthrown and the imps set free: overthrow the cliques, set free the left." 231:, which holds that it is the masses who make history." A third view among those responding to the controversy was that the presentation of character of Hai Rui had to be considered in historical context, and what was most important in analyzing the character's political position was whether Hai Rui had "promoted or hindered the progress of history." 111:
rare opera attendance may have been because in the 1950s and early 1960s, cultured Chinese did not see it as a "commendable spectacle" but better suited for popular enjoyment. "It was probably also for this reason that the state's central cultural apparatus used the Beijing Opera to disseminate historical knowledge."
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A series of top-level party meetings from mid-March to mid-May 1966 addressed the controversy following the February Outline and Mao Zedong's response to it. Peng Zhen argued that the February Outline was intended to encourage an open forum and that any arguable shortcomings in it could be corrected.
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In the weeks immediately following reprinting of Yao's article criticizing the play, Wu supporters criticized Yao for "dragg political issues into academic questions" and argued for a "distinction between scholarship and politics," without which it would be "highly difficult to express any opinions."
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criticism of Mao during the 1959 Lushan Conference, which had led Mao to purge Peng Dehuai. Politically aware Chinese readily understood the emperor as Mao, Hai Rui as Peng Dehuai, and the unjust land verdicts as comparable to the policies of the Great Leap Forward. Peng Dehuai himself stated "I want
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Hai Rui has moved house; in the Ming Dynasty Hai Rui was on the left . . . now Hai Rui is on the right. I have selective listening, I listen only to one side. Hai Rui was left-wing; I like the left-wing Hai Rui. Today, to criticize our shortcoming based on a Marxist position is correct; I support the
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titled "Hai Rui Dismissed from Office," which he revised several times before the final version of 1961. The play was first staged in early 1962. Wu was not a connoisseur of Beijing Opera and rarely went to see it, a fact he noted in the preface to his play. Academic Alessandro Russo writes that Wu's
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Although modern Chinese narratives often focus on the personal leadership power of Mao throughout the dispute, the early phase of the controversy and his inability to stop the promulgation of the "February Outline" demonstrate that he faced open and effective political resistance within the party.
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should "remain within academic limits." At his direction, the Group of Five drafted a formal disciplinary code (the "Outline Report on the Current Academic Discussion," also known as a "February Outline") intended to restrict the terms of the argument and thereby stop further articles comparing the
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The play is a tragedy in which an honest official carries the complaints of the people to the emperor at the expense of his career. It portrays Hai as an efficient magistrate who requests an audience with the emperor. Hai then criticizes the Emperor directly for tolerating the corruption and abuses
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At the time of the controversy, the official narrative of Peng Zhen's downfall was that the "February Outline" was an abuse of power to protect Wu and that Peng Zhen had acted inappropriately by forcing the procedures through the approval process and imposing censorship on the political criticism.
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Once it became clear from the meetings that Peng Zhen did not have sufficient political support for his position, he announced that the February Outline would be suspended. Simultaneously, Peng Zhen tasked his office with preparing dossiers critical of his leftwing opponents. In late April, the
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perpetuated by other officials in the imperial government. The emperor is so offended by Hai's criticism that he dismisses Hai from office. Hai is restored to office after the emperor dies. Peasants are portrayed as passive and innocent victims awaiting a savior, and they celebrate Hai Rui.
196:. Although close to Mao personally, Jiang and Zhang were outside the cultural apparatus of the party. While Mao supported their efforts, his involvement initially was limited to discussing and revising Yao's article. Mao suggested that that Jiang show the draft article to senior leaders 102:, who wrote the play, was a historian and politician who focused on the Ming Dynasty. He also served simultaneously as a Deputy Mayor in Beijing. In 1959, Wu became interested in the life of Hai Rui, a Ming minister who was imprisoned for criticizing the 262:
Peng Zhen became increasingly concerned about the criticism directed at Wu and continued efforts to end the dispute. Early in January 1966, he conveyed a meeting of the Shanghai Party Committee, maintained that Wu was left-wing, and that the debate over
83:, who was portrayed as a savior to passive peasants for whom he reversed unjust land confiscations. The play became a center of scholarly and political controversy because of its implications for debates within the communist party, including at the 316:
Wu Han became one of the first victims of the Cultural Revolution and died in prison in 1969. After Wu was purged, radical Maoists quickly purged other "rightists" from China's cultural institutions, and the theatre became an instrument for the
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They attempted to downplay any connection between the play and the party's discord over peasant politics. In contrast, those critical of the play argued that by embellishing Hai Rui as a hero of the people, Wu had violated "the principle of
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published an article criticizing the play. Yao's article argued that Wu Han had distorted the historical record and that the aspect of reversing unjust land verdicts provided a focal point for "
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Six weeks after the publication of Yao Wenyuan's critical article, Mao Zedong made his first significant statement on the controversy December 21, 1965. At a work conference of the
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Central Committee decided to revoke the February Outline, disband the Group of Five, disband the Beijing Party Committee which Peng Zhen led, and disavow his handling of the
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Official party organs immediately reacted with hostility to Yao's article. Peng Zhen, who headed a top-level political bureau in charge of cultural policies called the
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article, stating that he had been "divorced from both politics and reality" and "writing the play for the sake of writing a play." Wu wrote, "In a word, I forgot
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for months. Teiwes writes that because Peng Zhen was a longtime supporter of Liu, Mao could weaken Liu by attacking Peng Zhen via his subordinate Wu.
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The historical record is not clear regarding why Mao ultimately gave his full support to the controversy created by Yao's article criticizing
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Rudolf G. Wagner (July 1991). "In Guise of a Congratulation': Political Symbolism in Zhou Xinfang's Play Hai Rui Submits his Memorial".
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and to restore the criminal rule of the landlords and rich peasants." Yao's article was suggested to him and sponsored by
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within the party. Peng Zhen and his supporters in the Beijing Party Committee and Beijing government were replaced by
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favorite historical figures. In the context of the problems of false production statistics arising during the
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criticized Peng Zhen, including political positions he had taken in his role as Beijing's mayor prior to the
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to attack their political enemies. Wu was posthumously rehabilitated in 1979, shortly after Mao's death.
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Using the Past to Serve the Present: Historiography and Politics in Contemporary China
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Following advice from Peng Zhen, Wu Han responded to the growing controversy with a
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from their positions strengthened Mao's coalition and emboldened Mao's attacks on
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Mao allies Kang Sheng (who like Peng Zhen, was a member of the Group of Five) and
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to be a Hai Rui!" in a 1962 letter to Mao requesting his return to politics.
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The play was published under Wu's pen name, Liu Mianzhi, the name of a
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unfolded, Mao had been plotting against his rival Chinese President
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Hunan Provincial Proletarian Revolutionary Great Alliance Committee
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The theme was also the subject of a play written by
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Translated by American Consulate General. 67:(1909-1969), notable for its involvement in 2904:Sweep Away All Cow Demons and Snake Spirits 312:Consequences and historical interpretations 2472: 2458: 2450: 2038:: CS1 maint: location missing publisher ( 1986:: CS1 maint: location missing publisher ( 869:: CS1 maint: location missing publisher ( 820:: CS1 maint: location missing publisher ( 687:: CS1 maint: location missing publisher ( 2281:The Australian Journal of Chinese Affairs 362:argues that as the controversy regarding 276:Party Meetings and the Circular of May 16 3209:3rd Plenum of the 11th Central Committee 2358:, London: C. Hurst & Company. 1985. 184:opposition" who wanted "to demolish the 468:Dictionary of Ming Biography, 1368-1644 409: 59: 16:Politically significant theatrical play 2226: 2224: 2099: 2097: 2079: 2031: 1999: 1997: 1979: 1791: 1789: 1787: 1785: 1783: 1704: 1702: 1506: 1504: 1303: 1301: 862: 813: 680: 443: 234: 2145: 2143: 2141: 2139: 1425: 1423: 1421: 1222: 1220: 1218: 1022: 1020: 1018: 1016: 976: 974: 972: 932: 930: 928: 888: 886: 884: 882: 880: 742: 740: 700: 698: 75:. The play itself focused on a loyal 7: 549: 547: 545: 543: 2355:Peng Te-huai: The Man and the Image 251:The February Outline and Mao Zedong 122:scholar and a supporter of general 2603:Criticize Lin, Criticize Confucius 14: 2426:Yao, Wenyuan (10 November 1965). 160:After the initial performance of 135:Hai Rui and the Lushan Conference 3232: 3231: 3167:Mao Zedong's cult of personality 3013:Learn from Dazhai in agriculture 2543:Down to the Countryside Movement 2515:Seven Thousand Cadres Conference 2328:. M.E. Sharpe. pp. 46–103. 270:Central Department of Propaganda 172: 63:) is a theatre play, written by 2897:Six Articles of Public Security 235:Wu Han's self-criticism article 3136:Worker-Peasant-Soldier student 3096:Central Case Examination Group 2578:One Strike-Three Anti Campaign 173:Yao Wenyuan's critical article 49: 29: 1: 3283:Plays set in the 16th century 3146:Xiang River Storm and Thunder 3008:Learn from Daqing in industry 2883:Hai Rui Dismissed from Office 2397:Hai Jui dismissed from office 364:Hai Rui Dismissed from Office 353:Hai Rui Dismissed from Office 295:Hai Rui Dismissed from Office 287:Hai Rui Dismissed from Office 265:Hai Rui Dismissed from Office 162:Hai Rui Dismissed from Office 21:Hai Rui Dismissed from Office 2963:Continuous Revolution Theory 2953:Cow demons and snake spirits 2876:Quotations from Chairman Mao 2520:Socialist Education Movement 2004:Meisner, Maurice J. (1999). 1952:Meisner, Maurice J. (1999). 835:Meisner, Maurice J. (1999). 786:Meisner, Maurice J. 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University Press 1438:Duke University Press 1394:Duke University Press 1355:Duke University Press 1316:Duke University Press 1274:Duke University Press 1235:Duke University Press 1191:Duke University Press 1152:Duke University Press 1113:Duke University Press 1074:Duke University Press 1035:Duke University Press 989:Duke University Press 945:Duke University Press 901:Duke University Press 755:Duke University Press 713:Duke University Press 622:Duke University Press 562:Duke University Press 516:Duke University Press 3049:Conservative Faction 2978:One Divides into Two 2948:Big-character poster 2500:Great Chinese Famine 2402:University of Hawaii 2250:. pp. 110–111. 2199:. pp. 104–105. 1560:. pp. 111–112. 1479:. pp. 109–110. 3258:Cultural Revolution 3028:Five Red Categories 2890:May 16 Notification 2593:10th Party Congress 2481:Cultural Revolution 386:and with Xu Siyan ( 344:and other Maoists. 302:May 16 Notification 139:Hai Rui was one of 73:Cultural Revolution 3204:Morning Sun (film) 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Durham : 338:revisionism 178:Yao Wenyuan 71:during the 3268:1961 plays 3252:Categories 3172:Mango cult 3044:Red Guards 2837:Kang Sheng 2822:Qiu Huizuo 2802:Ji Dengkui 2746:Jiang Qing 2727:Zhou Enlai 2722:Liu Shaoqi 2717:Mao Zedong 2644:Red August 2432:Wenhui Bao 2266:1156439609 2246:. Durham: 2215:1156439609 2195:. Durham: 2176:1156439609 2156:. Durham: 2130:1156439609 2110:. Durham: 1939:1156439609 1919:. Durham: 1900:1156439609 1880:. Durham: 1861:1156439609 1841:. Durham: 1822:1156439609 1802:. Durham: 1774:1156439609 1754:. Durham: 1735:1156439609 1715:. Durham: 1693:1156439609 1673:. Durham: 1654:1156439609 1634:. Durham: 1615:1156439609 1595:. Durham: 1576:1156439609 1556:. Durham: 1537:1156439609 1517:. Durham: 1495:1156439609 1475:. Durham: 1456:1156439609 1436:. Durham: 1412:1156439609 1392:. Durham: 1373:1156439609 1353:. Durham: 1334:1156439609 1314:. Durham: 1292:1156439609 1272:. Durham: 1253:1156439609 1233:. Durham: 1209:1156439609 1189:. Durham: 1170:1156439609 1150:. 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Durham: 404:References 368:Liu Shaoqi 342:Li Xuefeng 214:Wenhui Bao 210:Liu Shaoqi 202:Zhou Enlai 190:Jiang Qing 95:Background 55:Wade–Giles 2928:Four Olds 2861:Documents 2817:Wu Faxian 2797:Xie Fuzhi 2787:Chen Boda 2777:Peng Zhen 2637:Massacres 2372:Mao's Way 2309:155214050 2082:cite book 2034:cite book 1982:cite book 865:cite book 816:cite book 683:cite book 640:503828045 446:cite book 358:Academic 334:Zhou Yang 330:Lu Dingyi 326:Politburo 283:Chen Boda 198:Kang Shen 182:bourgeois 3237:Category 2921:Concepts 2812:Qi Benyu 2732:Lin Biao 2074:35262436 2026:13270932 1974:13270932 857:13270932 808:13270932 604:Rice 188 438:35262436 2807:Wang Li 2782:Tao Zhu 2488:Prelude 2301:2949870 396:(海瑞上疏, 124:Yue Fei 81:Hai Rui 26:Chinese 3162:Maoism 3037:Groups 2772:Wu Han 2437:2 June 2417:2 June 2408:  2379:  2362:  2332:  2307:  2299:  2264:  2254:  2213:  2203:  2174:  2164:  2128:  2118:  2072:  2062:  2024:  2014:  1972:  1962:  1937:  1927:  1898:  1888:  1859:  1849:  1820:  1810:  1772:  1762:  1733:  1723:  1691:  1681:  1652:  1642:  1613:  1603:  1574:  1564:  1535:  1525:  1493:  1483:  1454:  1444:  1410:  1400:  1371:  1361:  1332:  1322:  1290:  1280:  1251:  1241:  1207:  1197:  1168:  1158:  1129:  1119:  1090:  1080:  1051:  1041:  1005:  995:  961:  951:  917:  907:  855:  845:  806:  796:  771:  761:  729:  719:  673:  663:  638:  628:  578:  568:  532:  522:  475:  436:  426:  100:Wu Han 65:Wu Han 57:: 47:: 45:pinyin 28:: 2305:S2CID 2297:JSTOR 2439:2024 2419:2024 2406:ISBN 2377:ISBN 2360:ISBN 2330:ISBN 2262:OCLC 2252:ISBN 2211:OCLC 2201:ISBN 2172:OCLC 2162:ISBN 2126:OCLC 2116:ISBN 2088:link 2070:OCLC 2060:ISBN 2040:link 2022:OCLC 2012:ISBN 1988:link 1970:OCLC 1960:ISBN 1935:OCLC 1925:ISBN 1896:OCLC 1886:ISBN 1857:OCLC 1847:ISBN 1818:OCLC 1808:ISBN 1770:OCLC 1760:ISBN 1731:OCLC 1721:ISBN 1689:OCLC 1679:ISBN 1650:OCLC 1640:ISBN 1611:OCLC 1601:ISBN 1572:OCLC 1562:ISBN 1533:OCLC 1523:ISBN 1491:OCLC 1481:ISBN 1452:OCLC 1442:ISBN 1408:OCLC 1398:ISBN 1369:OCLC 1359:ISBN 1330:OCLC 1320:ISBN 1288:OCLC 1278:ISBN 1249:OCLC 1239:ISBN 1205:OCLC 1195:ISBN 1166:OCLC 1156:ISBN 1127:OCLC 1117:ISBN 1088:OCLC 1078:ISBN 1049:OCLC 1039:ISBN 1003:OCLC 993:ISBN 959:OCLC 949:ISBN 915:OCLC 905:ISBN 871:link 853:OCLC 843:ISBN 822:link 804:OCLC 794:ISBN 769:OCLC 759:ISBN 727:OCLC 717:ISBN 689:link 671:OCLC 661:ISBN 636:OCLC 626:ISBN 576:OCLC 566:ISBN 530:OCLC 520:ISBN 473:ISBN 452:link 434:OCLC 424:ISBN 332:and 208:and 200:and 192:and 2289:doi 392:), 389:许思言 91:. 3254:: 2404:. 2303:. 2295:. 2285:26 2283:. 2260:. 2223:^ 2209:. 2170:. 2138:^ 2124:. 2096:^ 2084:}} 2080:{{ 2068:. 2036:}} 2032:{{ 2020:. 1996:^ 1984:}} 1980:{{ 1968:. 1933:. 1894:. 1855:. 1816:. 1782:^ 1768:. 1729:. 1701:^ 1687:. 1648:. 1609:. 1570:. 1531:. 1503:^ 1489:. 1450:. 1420:^ 1406:. 1367:. 1328:. 1300:^ 1286:. 1247:. 1217:^ 1203:. 1164:. 1125:. 1086:. 1047:. 1015:^ 1001:. 971:^ 957:. 927:^ 913:. 879:^ 867:}} 863:{{ 851:. 818:}} 814:{{ 802:. 767:. 739:^ 725:. 697:^ 685:}} 681:{{ 669:. 634:. 588:^ 574:. 542:^ 528:. 487:^ 448:}} 444:{{ 432:. 308:. 53:; 43:; 2763:) 2744:( 2473:e 2466:t 2459:v 2445:. 2421:. 2383:. 2366:. 2338:. 2311:. 2291:: 2268:. 2217:. 2178:. 2132:. 2090:) 2076:. 2042:) 2028:. 1990:) 1976:. 1941:. 1902:. 1863:. 1824:. 1776:. 1737:. 1695:. 1656:. 1617:. 1578:. 1539:. 1497:. 1458:. 1414:. 1375:. 1336:. 1294:. 1255:. 1211:. 1172:. 1133:. 1094:. 1055:. 1009:. 965:. 921:. 873:) 859:. 824:) 810:. 775:. 733:. 691:) 677:. 642:. 582:. 536:. 481:. 454:) 440:. 40:官 37:罢 34:瑞 31:海 24:(

Index

Chinese




pinyin
Wade–Giles
Wu Han
Chinese politics
Cultural Revolution
Ming Dynasty
Hai Rui
Lushan Conference
Great Leap Forward
Wu Han
Jiajing Emperor
Beijing Opera
Song dynasty
Yue Fei
Mao Zedong's
Great Leap Forward
Lushan Conference
Peng Dehuai's
Yao Wenyuan
bourgeois
people's communes
Jiang Qing
Zhang Chunqiao
Kang Shen
Zhou Enlai

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