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became a major style of painting as a result of association with his famous works of haiku. Like his poems, Bashō's paintings are founded in a simplicity which reveals great depth, complementing the poems they are paired with. Towards the end of his life, he studied painting under
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encompassed a variety of artists with different approaches. Some, like Bashō, were primarily poets, accompanying their compositions with simple sketches, while others, like Buson, were primarily painters, devoting more space and centrality of focus to the image.
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aesthetes, who would pursue these activities in their spare time, or at friendly gatherings as a communal form of entertainment. The famous novelist
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are still produced today, contemporary artists experiment with the style, coupling haiku with digital imagery, photography, and other media.
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points out that "since they are both created with the same brush and ink, adding an image to a haiku poem was ... a natural activity."
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were among those who tended to paint portraits of poets and other figures in a relatively quick, loose style which looks somewhat
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Unlike other schools of painting which maintained a standard set of styles passed from master to apprentice, the genre of
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to rooftops, are frequently represented with a minimum of brushstrokes, thus evoking elegance and beauty in simplicity.
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paintings, such as those by
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vary widely based on the preferences and training of the individual painter, but generally show influences of formal
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One overall trend that developed over time, despite this wide variety, was a shift from the circles of literati (
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was one of many people not normally associated with either poetry or painting, who took part. By contrast, the
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Composing haiku, and painting accompanying pictures, was a common pastime of
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was based on simple, yet often profound, observations of the everyday world.
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Haiga: Takebe Socho and the Haiku-Painting
Tradition
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Haiga: Takebe Sōchō and the Haiku-Painting
Tradition
365:. Richmond, Virginia: University of Richmond, 1995.
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