284:. Krvavac’s trilogy was designed to both “relax and influence the mind,” of the audience as many American movies during the same time period aspired to do. Moreover, many film analysts have compared the main character of Walter Defends Sarajevo to that of James Bond, where in scenes Walter is jumping from train to train and eluding Nazi capture. Most importantly, Krvavac’s films were created to be appropriate for audiences of all ages, in order to display the Partisan unity to all of Yugoslavia. This universality that Krvavac used was especially evident when he won the “Audience’s Award” at the 1967 Pula film festival for his film,
299:, by Veljko Bulajić, which was nominated for a Best Foreign Language Film Oscar in 1969. Hajrudin Krvavac’s work influenced many other Yugoslav directors at the time, and together they helped create some of the greatest works of cinema to emerge from the former Yugoslav states.
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for college (viša škola) studies, enrolling in a diplomacy and journalism program. Upon returning to
Sarajevo, on suggestion from his friend Eli Finci, Krvavac decided to pursue film direction despite possessing no formal training.
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Hajrudin
Krvavac was one of the leading film directors of the Partisan Film genre during the 1960s and 1970s. Krvavac is most well known for his trilogy of Partisan Films, which exemplified the communist government’s idea of
370:, but he refused, and ultimately succumbed to a heart condition during the Siege of Sarajevo. However, Krvavac lived long enough to see the people of Sarajevo in 1992 chant, “We Are Valter!” in protest of the conflict. In
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His gift for precise storytelling was visible in his early documentaries and would become a staple of his feature films later on. Starting with his directorial debut, the segment
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Radina Vučetić, “Kauboji u
Partizanskoj Uniformi: Američki versterni i partizanski versterni u Jugoslaviji šezdestih godina 20. veka,” Tokovi Istorije, Fevurari 2010.
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253:). The trilogy depicted the Yugoslav Partisan struggle against the Nazi fascist forces during Second World War. The three films of Krvavac’s trilogy consist of:
374:, the German officer who is trying to capture Walter concludes that Walter is not just one individual, but a united front which was the whole city of Sarajevo.
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Nevana Daković, “Cinema
Komunisto i Post-Komunisto: Filmski tekst pamćenja, sećanja, i nostalgije,” Univerzitet umetnosti u Beograd, pg. 15.
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However, Krvavac was most well known for incorporating
American Western film elements into his Partisan films. For example, Krvavac’s
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Hajrudin
Krvavac was influential in creating the unique subgenre of Partisan film, "Red Western" (
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Yugoslavian Film
Encyclopedia, Yugoslavian Lexicographic Institute "Miroslav Krleža", 1986–1990
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had since April 1941 been occupied by the newly created Nazi German puppet entity
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started, he was offered to be taken out of
Sarajevo to Serbia by Serbian actors
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Dina
Iordanova, The Cinema of the Balkans, (London: Wallflower Press, 2006).
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450:"Razgovor s Ljubišom Samardžićem: Pustite me da sanjam i da volim ljude"
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424:"Ešrefa Krvavac: Šiba je mislio da su njegovi filmovi mogli biti bolji"
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512:"Razgovor - Velimir Bata Živojinović: Nisam ono što sam radio!"
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resistance on the outskirts of the city that like the rest of
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During early 1950s he got jailed by
Yugoslav authorities on
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Krvavac died in July 1992 during the early months of the
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film director most notable for directing movies from the
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on 22 December 1926. His parents, both originally from
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212:got established, Krvavac moved to
63:Republic of Bosnia and Herzegovina
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162:Hajrudin Krvavac was born in the
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448:KoĹľul, Dejan (14 April 2015).
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282:The Bridge on the River Kwai
195:Independent State of Croatia
123:genre during 1960s and 70s.
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224:, a political prison for
521:(in Bosnian and Serbian)
452:(in Serbian). Lupiga.com
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267:Walter Defends Sarajevo
404:. N1. 22 December 2016
172:Bosnia and Herzegovina
130:of the anthology film
372:Valter brani Sarajevo
342:Partizanska eskadrila
334:Valter brani Sarajevo
263:Valter brani Sarajevo
247:brotherhood and unity
158:Early life and career
96:Valter brani Sarajevo
44:Kingdom of Yugoslavia
303:Selected filmography
251:bratstvo i jedinstvo
232:and the subsequent
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627:Siege of Sarajevo
368:Ljubiša Samardžić
356:Siege of Sarajevo
234:Informbiro period
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56:(1992-07-11)
54:11 July 1992
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547:Dnevni avaz
430:14 February
408:14 February
360:Bosnian War
358:. When the
144:comic books
586:Categories
519:via Lupiga
388:References
318:Diverzanti
286:Diverzanti
269:"), 1972.
255:Diverzanti
208:ended and
61:Sarajevo,
32:1926-12-22
222:Goli otok
554:27 March
525:27 March
214:Belgrade
187:Partisan
180:Bosniaks
168:Sarajevo
148:westerns
105:Hajrudin
84:, writer
40:Sarajevo
517:BH Dani
456:15 July
204:As the
117:Bosnian
113:Krvavac
345:(1979)
337:(1972)
329:(1969)
321:(1967)
313:(1964)
310:Vrtlog
226:Soviet
191:Bosnia
164:Mejtaš
136:Vortex
132:Vrtlog
378:Notes
350:Death
176:Gacko
577:IMDb
556:2017
527:2017
458:2015
432:2020
410:2020
366:and
326:Most
280:and
274:Most
259:Most
109:Ĺ iba
73:Ĺ iba
51:Died
26:Born
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