258:
visual orchestra, the 76 minute film following "the flow of five musical movements, as (Quincy) Bryant and (Daniel) Collins float in and out of frame, their lives progressing through college and fatherhood" Important to Ross's imagery in the film and his art practice is what he calls the epic-banal, "the magnificence of the universe’s encasement in the social, awaiting other forms," which he says is "the direct result of looking at photography and film in the context of representation and lack of representation . . . its tendency to sensationalize." The epic-banal is "an epic moment in something incredibly simple" that something can be profound, grandiose and deeply meaningful in the simple depictions of existence of Black people.
29:
257:
of nonhierarchical aims and corresponding strategies to shape the film's avant-garde form including "to centralize my new community in documentary's language of truth" and then to "participate, not capture; shoot from not at" the community. The result is a non-fiction work that has the qualities of a
261:
RaMell Ross said of the movie: "If we weren't stuck in our first-person points of view, I would argue that most problems in the world that have to do with inequality would be solved, because we wouldn't be stuck in our single points of views."
1331:
796:
334:, stating "At every juncture, Ross elects for ambiguity and poses a question to the viewer to answer how black bodies are viewed, encouraging the audience to perform the labour of challenging their expectations." At
1324:
1317:
637:
467:
338:
Samantha N. Sheppard writes "Ross shows how cinema can do more than just relay a narrative", placing the film in camp with the work of the Black
Independent Movement member's
1548:
1340:
1044:
715:
1087:
997:
856:
251:
loosely structure the film. They are: “What is the orbit of our dreaming?”, “How do we not frame someone?” and “Whose child is this?” Ross shared a list in
1157:
1578:
375:
214:
1112:
612:
1558:
1189:
760:
1563:
1538:
1573:
581:
436:
308:
lauded Ross's "patient and focused eye. His camera’s gaze has a quality of reserve, one that insistently imparts respect to his subjects."
1261:
1022:
815:
292:
wrote "It’s not every day that you witness a new cinematic language being born, but watching RaMell Ross’s evocatively titled documentary
213:
for Best
Documentary Feature and the Cinema Eye Honors Outstanding Achievement in Nonfiction Feature Filmmaking. It was nominated for the
1543:
210:
1235:
394:
277:
based on 69 reviews, and an average rating of 8.4/10; the website's consensus states "Intimate in scope yet thematically expansive,
1066:
493:
463:
244:
205:
and produced by RaMell Ross, Joslyn Barnes, Su Kim, and is Ross's first nonfiction feature. The documentary is the winner of
832:"A Cut in Time: RaMell Ross, Joslyn Barnes and Maya Krinsky Break Down a Scene from Hale County This Morning, This Evening"
1568:
1553:
665:
427:
206:
1510:
550:
339:
1297:
1200:
691:
460:
350:
as he "upends cinematic conventions, and in doing so, he shows blackness in a way that is rarely seen on-screen"
527:
736:
1416:
1088:"Review: Hale County This Morning, This Evening expertly visualizes the complexities of black American life"
421:
28:
857:"'Hale County This Morning, This Evening' Is the Most Significant Piece of Nonfiction Filmmaking This Year"
454:
415:
998:""Hale County This Morning, This Evening": Witness the Birth of a New Cinematic Language | Village Voice"
976:
945:
880:
1448:
586:
378:
signaled a "new age of documentary" in which "academy voters must now embrace their changing future."
1456:
1400:
1309:
498:
252:
240:
194:
1533:
1440:
474:
354:
286:
1424:
1240:
400:
330:
328:
called it a "transcendental scrapbook". Its racial politics were commended by
Melissa Vincent of
324:
304:
816:'Hale County' documentary puts Oscar spotlight on Greensboro-News-Tuscaloosa News-Tuscaloosa, AL
1262:
How The Qatsi
Trilogy Gave RaMell Ross a New Way of Seeing|The Current|The Criterion Collection
1502:
1408:
1384:
1368:
1360:
1291:
190:
1486:
1472:
1303:
363:
223:
186:
114:
1236:"'Stranger Things,' 'When They See Us,' 'Watchmen' Among This Year's Peabody Award Winners"
1480:
950:
555:
319:
274:
933:
538:
1352:
1190:'Won't You Be My Neighbor?' Wins Best Documentary|Spirit Awards 2019|Hollywood Reporter
955:
899:"Hale County This Morning, This Evening Q&A with RaMell Ross & Garrett Bradley"
696:
503:
309:
1045:"Hale County This Morning, This Evening review – visionary doc about lives in Alabama"
831:
1527:
642:
507:
479:
1212:
Under the
Influence: RaMell Ross on THE QATSI TRILOGY-criterioncollection on YouTube
406:
Bildrausch Film
Festival Basel 2018 - Special Mention International Competition 2018
1169:
1137:
716:"Sundance Winner 'Hale County This Morning, This Evening' Acquired By Cinema Guild"
358:
343:
335:
314:
281:
draws extraordinary insights out of seemingly ordinary moments." It scores 85 on
1494:
1432:
1222:
299:
289:
202:
104:
42:
1392:
1211:
916:
898:
784:
347:
282:
248:
388:
1285:
1023:"Review: A Multiplicity of Moments in Under 80 Minutes in 'Hale County'"
209:
award for U.S. Documentary
Special Jury Award for Creative Vision, 2018
666:"'Hale County This Morning, This Evening': Film Review | Sundance 2018"
442:
198:
761:"'Hale County This Morning, This Evening' Tops 2019 Cinema Eye Honors"
457:
2018 - Winner U.S. Documentary
Special Jury Award for Creative Vision
1113:"The Documentary That Bucks Oscar Trends—And Still Got a Nomination"
613:"The Documentary That Bucks Oscar Trends—And Still Got a Nomination"
318:
gave the film a full five stars and labelled it "visionary," while
1376:
1278:
591:
560:
1313:
1201:
Hale County This
Morning, This Evening|Independent Lens|PBS.org
801:
218:
1138:"Oscar Nominations Prove We're in a New Age of Documentaries"
412:
934:
RaMell Ross, Filmmaker - Brief but Spectacular|PBS NewsHour
785:"Free Solo" wins Best Documentary Feature-Oscars on YouTube
797:"Hale County This Morning This Evening wins Peabody Award"
1158:
Reel World: Reviews From the 2018 AFI DOCS Film Festival
1067:"Film Review: 'Hale County This Morning, This Evening'"
424:
2018 - Winner Best Documentary Bruce Sinofsky Prize
170:
162:
154:
144:
120:
110:
96:
82:
70:
58:
48:
38:
21:
1341:Gotham Independent Film Award for Best Documentary
737:"28th Annual IFP Gotham Awards Winners Announced"
510:documentaries were the inspiration for this film
273:received critical acclaim, with a 97% rating on
946:"Hale County This Morning, This Evening (2018)"
582:"Hale County This Morning, This Evening (2018)"
551:"Hale County This Morning, This Evening (2018)"
917:"On Place: RaMell Ross & Curran Hatleberg"
473:Nominated for Best Documentary Feature at the
1325:
8:
217:. After its theatrical run, it aired on the
1332:
1318:
1310:
638:"'Hale County This Morning, This Evening'"
215:Academy Award for Best Documentary Feature
27:
18:
1549:Documentary films about African Americans
227:and eventually won a 2020 Peabody Award.
1170:"HALE COUNTY THIS MORNING, THIS EVENING"
977:"Hale County This Morning, This Evening"
692:"Hale County, This Morning This Evening"
520:
1465:Hale County This Morning, This Evening
1298:Hale County This Morning, This Evening
1287:Hale County This Morning, This Evening
369:Hale County This Morning, This Evening
294:Hale County This Morning, This Evening
285:, indicating "universal acclaim". The
279:Hale County This Morning, This Evening
271:Hale County This Morning, This Evening
237:Hale County This Morning, This Evening
182:Hale County This Morning, This Evening
22:Hale County This Morning, This Evening
1106:
1104:
1065:Gleiberman, Owen (27 December 2018).
825:
823:
7:
1234:Schneider, Michael (June 10, 2020).
1111:Sheppard, Samantha N. (2019-02-20).
437:Full Frame Documentary Film Festival
1043:Bradshaw, Peter (17 January 2019).
881:"Manifesto! Eleven Calls to Action"
709:
707:
1579:English-language documentary films
1021:Kenny, Glenn (13 September 2018).
247:. Questions posited throughout as
14:
1136:Parham, Jason (23 January 2019).
1054:– via www.theguardian.com.
494:List of black films of the 2010s
1559:Documentary films about Alabama
1097:– via The Globe and Mail.
986:– via www.metacritic.com.
239:follows various inhabitants of
451:Unorthodocs Film Festival 2018
439:2018 - Winner Grand Jury Prize
1:
211:Gotham Independent Film Award
137: (Sundance Film Festival)
1564:2010s English-language films
1539:African Americans in Alabama
855:O'Falt, Chris (2018-11-07).
433:New Directors/New Films 2018
395:Champs-Élysées Film Festival
235:Lacking a linear storyline,
1574:Films scored by Alex Somers
428:San Francisco Film Festival
207:2018 Sundance Film Festival
1595:
1544:American documentary films
1147:– via www.wired.com.
129:January 19, 2018
1347:
461:Independent Spirit Awards
448:True/False Film Fest 2018
409:Documental Ambulante 2018
26:
1032:– via NYTimes.com.
468:Best Documentary Feature
376:Best Documentary Feature
1417:How to Survive a Plague
422:Montclair Film Festival
455:Sundance Film Festival
416:Sarasota Film Festival
74:Latrenda "Boosie" Ash
1449:O.J.: Made in America
830:Jacobson, Genevieve.
670:Hollywoodreporter.com
1569:2010s American films
1554:Hale County, Alabama
1002:www.villagevoice.com
499:Hale County, Alabama
201:. It is directed by
1441:The Look of Silence
690:Gray, Christopher.
475:91st Academy Awards
355:91st Academy Awards
189:about the lives of
185:is a 2018 American
1425:The Act of Killing
836:Filmmaker Magazine
401:Sheffield Doc/Fest
331:The Globe and Mail
305:The New York Times
266:Critical reception
16:2018 American film
1521:
1520:
1503:All That Breathes
1409:Better This World
1385:Trouble the Water
1369:Iraq in Fragments
178:
177:
1586:
1473:American Factory
1334:
1327:
1320:
1311:
1304:Independent Lens
1282:
1281:
1279:Official website
1264:
1259:
1253:
1252:
1250:
1248:
1231:
1225:
1220:
1214:
1209:
1203:
1198:
1192:
1187:
1181:
1180:
1178:
1176:
1166:
1160:
1155:
1149:
1148:
1146:
1144:
1133:
1127:
1126:
1124:
1123:
1108:
1099:
1098:
1096:
1094:
1084:
1078:
1077:
1075:
1073:
1062:
1056:
1055:
1053:
1051:
1040:
1034:
1033:
1031:
1029:
1018:
1012:
1011:
1009:
1008:
994:
988:
987:
985:
983:
973:
967:
966:
964:
962:
942:
936:
931:
925:
924:
913:
907:
906:
905:. June 24, 2020.
895:
889:
888:
877:
871:
870:
868:
867:
852:
846:
845:
843:
842:
827:
818:
813:
807:
806:
793:
787:
782:
776:
775:
773:
772:
757:
751:
750:
748:
747:
733:
727:
726:
724:
722:
714:Pipes, Patrick.
711:
702:
701:
687:
681:
680:
678:
676:
661:
655:
654:
652:
650:
634:
628:
627:
625:
623:
609:
603:
602:
600:
598:
578:
572:
571:
569:
567:
547:
541:
539:The Cinema Guild
536:
530:
525:
374:s inclusion for
373:
224:Independent Lens
187:documentary film
136:
134:
115:The Cinema Guild
31:
19:
1594:
1593:
1589:
1588:
1587:
1585:
1584:
1583:
1524:
1523:
1522:
1517:
1481:A Thousand Cuts
1343:
1338:
1277:
1276:
1273:
1268:
1267:
1260:
1256:
1246:
1244:
1233:
1232:
1228:
1223:2019|Oscars.org
1221:
1217:
1210:
1206:
1199:
1195:
1188:
1184:
1174:
1172:
1168:
1167:
1163:
1156:
1152:
1142:
1140:
1135:
1134:
1130:
1121:
1119:
1110:
1109:
1102:
1092:
1090:
1086:
1085:
1081:
1071:
1069:
1064:
1063:
1059:
1049:
1047:
1042:
1041:
1037:
1027:
1025:
1020:
1019:
1015:
1006:
1004:
996:
995:
991:
981:
979:
975:
974:
970:
960:
958:
951:Rotten Tomatoes
944:
943:
939:
932:
928:
923:. May 11, 2021.
915:
914:
910:
897:
896:
892:
879:
878:
874:
865:
863:
854:
853:
849:
840:
838:
829:
828:
821:
814:
810:
795:
794:
790:
783:
779:
770:
768:
759:
758:
754:
745:
743:
735:
734:
730:
720:
718:
713:
712:
705:
689:
688:
684:
674:
672:
664:Uhlich, Keith.
663:
662:
658:
648:
646:
636:
635:
631:
621:
619:
611:
610:
606:
596:
594:
580:
579:
575:
565:
563:
556:Box Office Mojo
549:
548:
544:
537:
533:
526:
522:
517:
490:
485:
384:
371:
340:Charles Burnett
320:Owen Gleiberman
287:Village Voice's
275:Rotten Tomatoes
268:
233:
147:
140:
132:
130:
123:
103:
101:
91:
89:
87:
77:
75:
65:
63:
53:
34:
17:
12:
11:
5:
1592:
1590:
1582:
1581:
1576:
1571:
1566:
1561:
1556:
1551:
1546:
1541:
1536:
1526:
1525:
1519:
1518:
1516:
1515:
1511:Four Daughters
1507:
1499:
1491:
1477:
1469:
1461:
1453:
1445:
1437:
1429:
1421:
1413:
1405:
1397:
1389:
1381:
1373:
1365:
1357:
1353:The Agronomist
1348:
1345:
1344:
1339:
1337:
1336:
1329:
1322:
1314:
1308:
1307:
1294:
1283:
1272:
1271:External links
1269:
1266:
1265:
1254:
1226:
1215:
1204:
1193:
1182:
1161:
1150:
1128:
1100:
1079:
1057:
1035:
1013:
989:
968:
937:
926:
908:
890:
885:Film Quarterly
872:
847:
819:
808:
788:
777:
752:
728:
703:
697:Slant Magazine
682:
656:
629:
604:
573:
542:
531:
528:RogerEbert.com
519:
518:
516:
513:
512:
511:
504:Godfrey Reggio
501:
496:
489:
486:
484:
483:
477:
471:
458:
452:
449:
446:
440:
434:
431:
425:
419:
413:
410:
407:
404:
398:
392:
385:
383:
380:
353:Following the
310:Peter Bradshaw
267:
264:
232:
229:
176:
175:
172:
168:
167:
164:
160:
159:
156:
152:
151:
148:
145:
142:
141:
139:
138:
126:
124:
121:
118:
117:
112:
111:Distributed by
108:
107:
102:Forest Kelley
98:
94:
93:
88:Joslyn Barnes
84:
80:
79:
78:Daniel Collins
76:Quincy Bryant
72:
68:
67:
64:Joslyn Barnes
60:
56:
55:
50:
46:
45:
40:
36:
35:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1591:
1580:
1577:
1575:
1572:
1570:
1567:
1565:
1562:
1560:
1557:
1555:
1552:
1550:
1547:
1545:
1542:
1540:
1537:
1535:
1532:
1531:
1529:
1513:
1512:
1508:
1505:
1504:
1500:
1497:
1496:
1492:
1489:
1488:
1483:
1482:
1478:
1475:
1474:
1470:
1467:
1466:
1462:
1459:
1458:
1457:Strong Island
1454:
1451:
1450:
1446:
1443:
1442:
1438:
1435:
1434:
1430:
1427:
1426:
1422:
1419:
1418:
1414:
1411:
1410:
1406:
1403:
1402:
1398:
1395:
1394:
1390:
1387:
1386:
1382:
1379:
1378:
1374:
1371:
1370:
1366:
1363:
1362:
1358:
1355:
1354:
1350:
1349:
1346:
1342:
1335:
1330:
1328:
1323:
1321:
1316:
1315:
1312:
1306:
1305:
1300:
1299:
1295:
1293:
1289:
1288:
1284:
1280:
1275:
1274:
1270:
1263:
1258:
1255:
1243:
1242:
1237:
1230:
1227:
1224:
1219:
1216:
1213:
1208:
1205:
1202:
1197:
1194:
1191:
1186:
1183:
1171:
1165:
1162:
1159:
1154:
1151:
1139:
1132:
1129:
1118:
1114:
1107:
1105:
1101:
1089:
1083:
1080:
1068:
1061:
1058:
1046:
1039:
1036:
1024:
1017:
1014:
1003:
999:
993:
990:
978:
972:
969:
957:
953:
952:
947:
941:
938:
935:
930:
927:
922:
918:
912:
909:
904:
900:
894:
891:
886:
882:
876:
873:
862:
858:
851:
848:
837:
833:
826:
824:
820:
817:
812:
809:
804:
803:
798:
792:
789:
786:
781:
778:
766:
762:
756:
753:
742:
738:
732:
729:
717:
710:
708:
704:
699:
698:
693:
686:
683:
671:
667:
660:
657:
645:
644:
643:Rolling Stone
639:
633:
630:
618:
614:
608:
605:
593:
589:
588:
583:
577:
574:
562:
558:
557:
552:
546:
543:
540:
535:
532:
529:
524:
521:
514:
509:
508:Qatsi trilogy
505:
502:
500:
497:
495:
492:
491:
487:
481:
480:Peabody Award
478:
476:
472:
469:
465:
462:
459:
456:
453:
450:
447:
444:
441:
438:
435:
432:
429:
426:
423:
420:
417:
414:
411:
408:
405:
402:
399:
396:
393:
390:
387:
386:
381:
379:
377:
370:
366:
365:
360:
357:nominations,
356:
351:
349:
345:
341:
337:
333:
332:
327:
326:
321:
317:
316:
311:
307:
306:
301:
297:
295:
291:
288:
284:
280:
276:
272:
265:
263:
259:
256:
255:
250:
246:
243:in Alabama's
242:
238:
230:
228:
226:
225:
220:
216:
212:
208:
204:
200:
196:
192:
188:
184:
183:
173:
169:
165:
161:
158:United States
157:
153:
149:
143:
128:
127:
125:
119:
116:
113:
109:
106:
100:Scott Alario
99:
95:
90:Maya Krinsky
85:
81:
73:
69:
61:
57:
51:
47:
44:
41:
37:
30:
25:
20:
1509:
1501:
1493:
1485:
1479:
1471:
1464:
1463:
1455:
1447:
1439:
1431:
1423:
1415:
1407:
1399:
1391:
1383:
1375:
1367:
1359:
1351:
1302:
1296:
1286:
1257:
1245:. Retrieved
1239:
1229:
1218:
1207:
1196:
1185:
1173:. Retrieved
1164:
1153:
1141:. Retrieved
1131:
1120:. Retrieved
1117:The Atlantic
1116:
1091:. Retrieved
1082:
1070:. Retrieved
1060:
1048:. Retrieved
1038:
1026:. Retrieved
1016:
1005:. Retrieved
1001:
992:
980:. Retrieved
971:
959:. Retrieved
949:
940:
929:
920:
911:
902:
893:
884:
875:
864:. Retrieved
860:
850:
839:. Retrieved
835:
811:
800:
791:
780:
769:. Retrieved
767:. 2019-01-11
764:
755:
744:. Retrieved
740:
731:
719:. Retrieved
695:
685:
673:. Retrieved
669:
659:
647:. Retrieved
641:
632:
622:February 20,
620:. Retrieved
617:The Atlantic
616:
607:
595:. Retrieved
585:
576:
564:. Retrieved
554:
545:
534:
523:
368:
362:
359:Jason Parham
352:
344:Haile Gerima
336:The Atlantic
329:
323:
315:The Guardian
313:
303:
298:
296:qualifies".
293:
278:
270:
269:
260:
253:
236:
234:
222:
191:black people
181:
180:
179:
146:Running time
122:Release date
86:RaMell Ross
62:RaMell Ross
54:Maya Krinsky
52:RaMell Ross
1433:Citizenfour
1143:27 February
1093:27 February
1072:27 February
1050:27 February
1028:27 February
982:27 February
587:The Numbers
300:Glenn Kenny
290:Bilge Ebiri
249:intertitles
241:Hale County
203:RaMell Ross
195:Hale County
150:76 minutes
105:Alex Somers
59:Produced by
43:RaMell Ross
39:Directed by
33:Film poster
1534:2018 films
1528:Categories
1393:Food, Inc.
1361:Murderball
1122:2019-07-15
1007:2019-07-15
961:10 October
866:2019-07-15
841:2019-07-15
771:2019-07-15
746:2019-07-15
515:References
348:Julie Dash
283:Metacritic
245:Black Belt
171:Box office
133:2018-01-19
49:Written by
861:IndieWire
597:April 23,
566:April 21,
382:Accolades
254:Filmmaker
174:$ 112,300
92:Robb Moss
83:Edited by
1401:The Oath
1247:June 10,
956:Fandango
506:- whose
488:See also
470:nominee
389:AFI Docs
163:Language
97:Music by
71:Starring
1241:Variety
1175:29 July
921:Youtube
903:Youtube
765:Variety
721:29 July
675:29 July
649:29 July
443:CPH:DOX
367:argued
325:Variety
231:Summary
221:series
199:Alabama
166:English
155:Country
131: (
1514:(2023)
1506:(2022)
1498:(2021)
1490:(2020)
1476:(2019)
1468:(2018)
1460:(2017)
1452:(2016)
1444:(2015)
1436:(2014)
1428:(2013)
1420:(2012)
1412:(2011)
1404:(2010)
1396:(2009)
1388:(2008)
1380:(2007)
1372:(2006)
1364:(2005)
1356:(2004)
66:Su Kim
1377:Sicko
391:2018
372:'
364:Wired
1495:Flee
1487:Time
1292:IMDb
1249:2020
1177:2018
1145:2019
1095:2019
1074:2019
1052:2019
1030:2019
984:2019
963:2021
723:2018
677:2018
651:2018
624:2019
599:2019
592:IMDb
568:2019
561:IMDb
482:2019
464:2019
445:2018
430:2018
418:2018
403:2018
397:2018
346:and
1301:on
1290:at
802:PBS
741:IFP
361:of
322:of
312:of
302:of
219:PBS
193:in
1530::
1484:/
1238:.
1115:.
1103:^
1000:.
954:.
948:.
919:.
901:.
883:.
859:.
834:.
822:^
799:.
763:.
739:.
706:^
694:.
668:.
640:.
615:.
590:.
584:.
559:.
553:.
466:-
342:,
197:,
1333:e
1326:t
1319:v
1251:.
1179:.
1125:.
1076:.
1010:.
965:.
887:.
869:.
844:.
805:.
774:.
749:.
725:.
700:.
679:.
653:.
626:.
601:.
570:.
135:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.