296:, "No one was cleverer than Hamilton Clarke, Henry's first musical director, and a most gifted composer, at carrying out instructions. Hamilton Clarke often grew angry and flung out of the theatre, saying that it was quite impossible to do what Mr. Irving wanted. 'Patch it together, indeed!' he used to say to me indignantly.... 'Mr. Irving knows nothing about music, or he couldn't ask me to do such a thing.' But the next day he would return with the score altered on the lines suggested by Henry, and would confess that the music was improved. 'Upon my soul, it's better! The 'Guv'nor' was perfectly right.'" He was one of the many composers recruited to write
93:, the son of an amateur organist. He began playing the piano at age four, and by six had improvised a tune that he reused in one of his mature works forty years later. He took up the violin when he was eight and played in an orchestra at twelve. In the same year, he became the organist at his church and was composing music by age 19. His parents did not approve of his taking music up as a profession, and he was sent to work first with an analytical chemist and then with a land surveyor. According to
164:, London, when Charles Morton succeeded Carte as general manager of the opera's original production. Clarke then moved with the production to the Opera Comique in January 1876, where it ran until May. In 1876 Clarke was reported to be suffering from "a long and painful illness", and Carte organised a benefit concert for him at the Langham Hall. By December of that year, Clarke was working again, adapting the score and providing new choruses and ballet music for the first English performances of
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585:. He was also made inspector of Australian army bands, and given the honorary rank of captain. He did not enjoy Melbourne; after returning to England in 1892, he gave a talk describing his experiences, giving "many valuable hints … to those who might think of accepting appointments in the Australian Colonies". His comments drew a rejoinder from an Australian writer who accused him of "incompetence and lack of interest" while in Melbourne.
127:
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music "thin and commonplace" and thought Clarke's additional music much superior: "in remarkable contrast to that with which it is associated, being full of bright, characteristic melody, well harmonised and enriched by masterly orchestration." In 1877, Clarke participated in a very early experiment
568:
mocked him for denying that Wagner was a master of orchestration: "Mr. Clarke should re-edit his work, cutting out all this nonsense. It might then form an admirable book for the beginner". Clarke also wrote several other books and articles about orchestration, as well as some fiction and song
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for the promenade concerts at Covent Garden in 1878 that stimulated audience interest in that opera. Sullivan described Clarke's arrangement as "most spirited" and conducted it at several of the promenade concerts in late August. Clarke also made an arrangement from
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Clarke composed over 600 musical works, of which some 400 were published. His second symphony, in G minor, premiered in 1879, and he composed the music for some half dozen ballets and at least eleven operas. Compositions by Clarke mentioned over the years in
346:
Clarke was a close associate of Arthur
Sullivan. In 1878, at Sullivan's instance, he was engaged by Carte as musical director of his touring Comedy-Opera Company from March to November 1878, while the Company presented a revival of
255:, full of vigour, instrumented for the orchestra with all varieties of combination and contrast, while preserving consistency throughout. The whole terminates effectively with a reference to the opening phrase of the
115:, where he also conducted the Queen's College Musical Society. After travelling for several years, he returned to London in 1871 and became the organist of Kensington Parish Church, London, and in 1872 he succeeded
210:
Amateurs know that Mr Clarke is a composer of more than ordinary promise, and were, therefore, not surprised to hear a work of more than ordinary merit. The
Symphony is in four movements, the first of which,
57:, among others. While conducting at London theatres, he also composed a tremendous volume of church music, organ solos, songs, operettas and orchestral works. Beginning in the late 1870s, he composed
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and music criticism, as well as some fiction. In 1889, he took charge of the
Victorian National Orchestra in Australia, returning to England in 1892 and soon becoming conductor of the
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The symphony was capitally played under the direction of its composer, to whom Mr
Sullivan, who deserves much credit for having produced it, courteously yielded the baton.
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showed the breadth of his interests, from part-songs, to organ works, to comedy: "Love and Gold": Four-Part Song; "Original
Compositions for the Organ": No. 110;
606:. Clarke was forced to retire around 1901 because of failing eyesight. In later life, Clarke suffered from health problems that affected his mind. According to
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that year, and in 1878, encouraged by
Sullivan, who was then in charge of the concerts, he conducted a major orchestral work of his own, a symphony in F major.
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521:, in 1897, a well-reviewed show depicting the adventures of sailors cast ashore on a remote island. One of his last compositions was the one-act operetta
99:, he did not take up music as a profession until he was in his twenties. In 1864 he was awarded the first prize for anthems by the College of Organists.
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517:(Op. 352), an operetta for children in two acts, for which he wrote both words and music. He also wrote both the libretto and the score for
452:, which was "a miserable fiasco", though Clarke's music was praised. He provided additional music, in 1883, for the English adaptation of
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a ballet of his own composition, "Les Prètresses de l'Amour". In
October 1875, Sullivan hired Clarke as a replacement musical director of
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218:, constructed mainly upon two themes, combined and worked out with great ingenuity, fully bears out its title. The second movement, a
36:, was an English conductor, composer and organist. Although Clarke was a prolific composer, he is best remembered as an associate of
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and helped prepare the score for printing. Sullivan biographer
Gervase Hughes later strongly criticised Clarke's work, finding the
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overture a "jumble" and "a crude selection, hardly redeemed by its spirited ending". Hughes also criticised Clarke's overture to
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overture and was thought to have sketched out a new overture on more symphonic lines, but no trace of it survives. Clarke's
509:: Humorous Four-Part Song; "They That Go down to the Sea in Ships"; Romance for Violin and Pianoforte; and "To a Red Rose".
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243:, so graceful and tuneful that a more fitting designation could hardly be applied to it. It has also a most engaging
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as an excellent little book. "As far as can be gathered, either from direct statements or implied directions,
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Scowcroft, Philip. "Hamilton Clarke: Composer, Organist, Conductor and
Assistant to Sir Arthur Sullivan",
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328:(text by T. Malcolm Watson) in 1885. Reviews both for Clarke's music and the performances of
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Clarke began as an organist, pianist and theatre conductor, becoming a musical director for
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Le Follet: Journal du Grand Monde, Fashion, Polite
Literature, Beaux Arts &c. &c.
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and conducted at many other London theatres in the 1870s and 1880s. Clark published a
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for avoidance." Clarke's conservatism caused comment from other reviewers;
507:; "Sonatina for the Pianoforte"; "God so Loved the World"; "To the Audience
189:, with his organ playing being sent a distance of four miles down a wire.
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399:(1887). He also assisted in the piano arrangement of Sullivan's 1886
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123:. He left that post soon, however, to become a theatrical conductor.
40:, for whom he arranged music and compiled overtures for some of the
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Clarke held posts as organist in Ireland and was conductor of the
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357:, and, from September 1878, the first provincial production of
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Clarke conducted at ten or more London theatres, including the
232:, effectively contrasting with the leading subject. The third,
363:. He assisted Sullivan by arranging musical selections from
967:, 22 February 1880 p. 3; 5 June 1881 and 11 June 1882, p. 6
471:. In 1887, he accepted the post of musical director at the
527:, first produced by the D'Oyly Carte Opera Company at the
462:. He also contributed to the music of the successful 1885
130:
Richard D'Oyly Carte engaged Clarke as conductor in 1874
857:"Some British Conductor-Composers, Part 6 (conclusion)"
192:
Clarke performed on the piano as an accompanist at the
673:, reprinted at the Gilbert and Sullivan Australia site
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In 1889, Clarke went to Australia, where he succeeded
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until December 1900 and also ran on tour in 1901–02.
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as conductor of the Victorian National Orchestra in
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in 1919 in favour of a wholly rewritten overture by
1089:, 21 November 1883, p. 6; and "A New Comic Opera",
111:Anacreontic Society. From 1866 he was organist at
32:(25 January 1840 – 9 July 1912), better known as
1247:Kidner, Walter J, "Hornpipe Harry at Bristol",
592:in 1893. In 1899 he composed and conducted the
491:1898 production of Clarke's operetta for boys,
208:
1191:, Vol. 34, No. 599 (1 January 1893), pp. 29–35
1085:, 24 November 1883, p. 6; "Royalty Theatre",
746:Who Was Who in the D'Oyly Carte Opera Company
8:
1227:, Vol. 42, No. 706 (1 December 1901), p. 818
1215:, Vol. 38, No. 658 (1 December 1897), p. 824
772:Bell's Life in London and Sporting Chronicle
560:would be the model suggested for imitation,
332:and the rest of the company were excellent.
1488:People associated with Gilbert and Sullivan
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1155:, Vol. 18, No. 414 (1 August 1877), p. 393
272:, where he composed music for a number of
69:. He also composed music for many of the
1437:International Music Score Library Project
1203:, Vol. 43, No. 709 (1 March 1902), p. 172
1143:, Vol. 30, No. 553 (1 March 1889), p. 170
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138:'s musical director and conductor at the
1179:, Vol. 15, No. 353 (1 July 1872), p. 533
1167:, Vol. 18, No. 413 (1 July 1877), p. 347
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413:overture carelessly constructed and his
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16:English conductor, composer and organist
1356:Gilbert and Sullivan – A Dual Biography
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1402:Scowcroft, Philip. "Hamilton Clarke,"
1386:Arthur Sullivan – A Victorian Musician
588:Clarke was appointed conductor of the
505:Magnificat and Nunc Dimittis in B Flat
444:In 1882 Clarke provided the music for
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1404:Sir Arthur Sullivan Society Magazine
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531:in July 1900. It was produced as a
425:. Sullivan considered rewriting the
374:for the promenade concerts in 1880.
1498:19th-century English male musicians
1358:. Oxford: Oxford University Press.
1131:, Vol. 40, No. 671 (1 January 1899)
1026:"The Sadler's Wells Mikado (1962),"
324:(text by Oliver Brand) in 1884 and
44:, including Gilbert and Sullivan's
1036:A Gilbert and Sullivan Discography
65:'s spectacular productions at the
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1424:Works by or about Hamilton Clarke
306:Castle Botherem: or An Irish Stew
645:"Death of Mr. Hamilton Clarke",
61:as musical director for many of
1483:English male conductors (music)
1310:G. G. M.,"Music in Australia",
339:Clarke's friend and associate,
150:. Clarke interpolated into the
1493:19th-century English musicians
1433:Free scores by Hamilton Clarke
1297:"Royal College of Organists",
1272:"The Study of the Orchestra",
421:, though misattributing it to
1:
548:In 1888 Clarke published his
483:Publications and compositions
1376:The Music of Arthur Sullivan
887:Woodbridge Wilson, Fredric.
433:overture was dropped by the
206:reported this concert thus:
119:as organist of St. Peter's,
1388:. Oxford University Press.
30:James Hamilton Siree Clarke
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1478:English conductors (music)
1463:English Romantic composers
895:, accessed 10 January 2009
834:, 22 September 1873, p. 12
711:, accessed 10 January 2009
513:In 1894, Clarke published
435:D'Oyly Carte Opera Company
298:German Reed Entertainments
276:'s productions, including
71:German Reed Entertainments
1339:The Bury and Horwich Post
1301:, 9 December 1893, p. 500
1237:British Library catalogue
997:, 21 September 1880, p. 8
859:, MusicWeb, February 1994
1373:Hughes, Gervase (1960).
1354:Ainger, Michael (2002).
1288:, 22 February 1891, p. 6
1119:, 7 September 1876, p. 6
1095:, 21 November 1883, p. 4
1070:, 12 November 1882, p. 6
907:, 15 February 1880, p. 1
810:, 24 December 1876, p. 5
741:17 December 2008 at the
475:under the management of
387:(for its 1884 revival),
247:equally noticeable. The
1384:Jacobs, Arthur (1986).
1325:The Manchester Guardian
1276:, 2 January 1897, p. 15
1263:, 1 August 1888, p. 486
1251:, September 1898, p. 70
1058:, 25 October 1921, p. 8
955:, 20 October 1885, p. 1
871:Marshall, Christabel.
694:, 1 August 1912, p. 521
590:Carl Rosa Opera Company
550:Manual of Orchestration
537:The Pirates of Penzance
371:The Pirates of Penzance
292:, wrote in her memoir,
113:Queen's College, Oxford
79:Carl Rosa Opera Company
75:Manual of Orchestration
1473:English male organists
1413:, Issue 1: Spring 2003
1406:, No. 22 (Spring 1986)
1107:, 18 April 1887, p. 12
846:, 26 August 1878, p. 4
667:Clarke's profile from
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343:
285:The Merchant of Venice
261:
131:
26:
1092:The Pall Mall Gazette
875:Ellen Terry's Memoirs
855:Scowcroft, Philip L.
649:1 August 1912, p. 237
490:
477:Herbert Beerbohm Tree
338:
257:allegro appassionato.
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24:
1379:. London: Macmillan.
1328:, 24 June 1893, p. 3
1274:The Musical Standard
943:, 14 June 1884, p. 1
931:, 13 July 1882, p. 1
889:"Thomas German Reed"
822:, 15 July 1877, p. 3
603:A Tale of Two Cities
566:The Musical Standard
468:Little Jack Sheppard
459:Gillette de Narbonne
379:Gilbert and Sullivan
294:The Story of My Life
288:. Irving's co-star,
224:, in the key of the
136:Richard D'Oyly Carte
55:Gilbert and Sullivan
1341:, 23 May 1899, p. 6
1314:, June 1894, p. 129
1249:School Music Review
1031:12 May 2008 at the
919:, 2 June 1881, p. 8
786:, 9 July 1876, p. 6
774:, 26 September 1874
770:"Music and Drama",
647:The Musical Herald,
316:(1882) to texts by
89:Clarke was born in
81:for several years.
1337:"'The Only Way'",
1046:Hughes, pp. 136–38
1015:Hughes, pp. 131–32
985:Ainger, pp. 162–63
893:Grove Music Online
798:, 10 December 1876
761:, 1 September 1874
709:Grove Music Online
705:"Clarke, Hamilton"
703:Mackerness, E. D.
621:in 1912, aged 72.
598:John Martin Harvey
496:
450:The Promise of May
344:
216:molto appassionato
194:promenade concerts
174:. The reviewer of
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1468:English organists
1312:Magazine of Music
1261:The Musical Times
1225:The Musical Times
1213:The Musical Times
1201:The Musical Times
1189:The Musical Times
1177:The Musical Times
1165:The Musical Times
1153:The Musical Times
1141:The Musical Times
1129:The Musical Times
748:, 15 October 2001
735:"Hamilton Clarke"
691:The Musical Times
600:'s adaptation of
554:The Musical Times
501:The Musical Times
406:The Golden Legend
304:. These included
302:St. George's Hall
148:La Branche Cassée
144:The Broken Branch
96:The Musical Times
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1458:1912 deaths
1453:1840 births
608:Ellen Terry
524:The Outpost
393:(1885) and
290:Ellen Terry
245:alternativo
226:subdominant
134:Clarke was
1447:Categories
1411:The Gaiety
1348:References
617:Asylum in
573:Later life
390:The Mikado
381:'s operas
318:Arthur Law
91:Birmingham
47:The Mikado
1105:The Times
1056:The Times
995:The Times
953:The Times
941:The Times
929:The Times
917:The Times
844:The Times
832:The Times
583:Melbourne
464:burlesque
431:Ruddigore
415:Ruddigore
396:Ruddigore
221:larghetto
203:The Times
187:telephony
182:Strauss's
85:Biography
1029:Archived
739:Archived
615:Banstead
569:lyrics.
542:Patience
308:(1880),
236:grazioso
152:operetta
1439:(IMSLP)
1435:at the
1426:at the
1082:The Era
401:cantata
239:, is a
214:allegro
170:at the
160:at the
109:Belfast
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562:Wagner
558:Gounod
427:Mikado
411:Mikado
320:, and
279:Hamlet
249:finale
241:minuet
234:molto
180:found
669:Argus
625:Notes
448:play
349:Trial
185:with
1390:ISBN
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596:for
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