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139:. Schongauer died in 1491, before Burgkmair was able to complete the normal period of training. He may have visited Italy at this time, and certainly did so in 1507, which greatly influenced his style. From 1491, he worked in Augsburg, where he became a master and eventually opened his own workshop in 1498. Burgkmair was a Lutheran.
171:
German art historian
Friedrich Wilhelm Hollstein ascribes 834 woodcuts to Burgkmair, the majority of which were intended for book illustrations. Slightly more than a hundred are "single-leaf" prints which were not intended for books. His work shows a talent for striking compositions which blend
216:(1510) is the first chiaroscuro print to use three blocks, and also the first print that was designed to be printed only in colour, as the line block by itself would not make a satisfactory image. Other chiaroscuro prints from around this date by
335:
goaded
Emperor Maximilian into backing his ethnographical interests in the Indians and supporting the 1505–1506 voyage of Balthasar Springer around Africa to India. Based on an instruction dictated by Maximilian in 1512 regarding Indians in the
348:
series, focusing on depicting the peoples whom
Springer encountered along coastal Africa and India. The series brought into being "a basic set of analytic categories that ethnography would take as its methodological foundation".
344:
miniatures in 1513–1515, which in turn became the model for woodcuts (half of them based on now lost 1516–1518 drawings by
Burgkmair) showing "the people of Calicut." In 1508, Burgkmair produced the
212:
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Burgkmair was also a successful painter, mainly of religious scenes, portraits of
Augsburg citizens, and members of the Emperor's court. Many examples of his work are in the galleries of
933:
406:
804:
380:
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918:
885:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Burgkmair (see index)
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131:. His own son, Hans the Younger, later became a painter as well. From 1488, Burgkmair was a pupil of
888:
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711:
427:
341:
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until the
Emperor's death in 1519. He was responsible for nearly half of the 135 prints in the
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645:
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601:
595:
552:
474:
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132:
319:
Burgkmair's time was a period of development for ethnography and the new
Humanist science of
749:
703:
432:
340:, Jörg Kölderer executed a series of (now lost) drawings, which served as the guideline for
332:
128:
36:
413:
167:
support a red cross in a white field; the motto: What God has joined let man not separate.
689:"Burgkmair's Peoples of Africa and India (1508) and the Origins of Ethnography in Print"
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633:
224:
had line blocks that could be and were printed by themselves. He produced one etching,
200:
156:
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818:
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715:
513:
324:
763:
30:
754:
738:"The people of Calicut: objects, texts, and images in the Age of Proto-Ethnography"
737:
707:
331:). Using commercial ventures of the Welsers in Augsburg as a pretext, the humanist
187:, which are large and full of character. He also did most of the illustrations for
152:
531:
839:
597:
A People Born to
Slavery": Russia in Early Modern European Ethnography, 1476–1748
320:
210:, and seems to have been the first to use a tone block, in a print of 1508. His
89:
233:
195:
189:
112:
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147:
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105:
85:
51:
808:. Vol. 4 (11th ed.). Cambridge University Press. p. 817.
217:
207:
176:
109:
93:
75:
797:
551:
The
Renaissance Print, David Landau & Peter Parshall, Yale, 1996,
244:
240:
136:
817: This article incorporates text from a publication now in the
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146:
841:
Maximilian I. (1459 - 1519): Wahrnehmung - Ăśbersetzungen - Gender
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From about 1508, Burgkmair spent much of his time working on the
642:
The
Cambridge History of Science: Volume 3, Early Modern Science
670:
668:
172:
Italian Renaissance forms with the established German style.
35:
The painter Hans Burgkmair and his wife Anna (painting by
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Prints & People: A Social History of Printed Pictures
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Boletim do Museu Paraense EmĂlio Goeldi. CiĂŞncias Humanas
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448:
81:
71:
59:
44:
21:
228:(c1520), etched on a steel plate, but never tried
199:. He worked closely with the leading blockcutter
833:. Vol. 3. New York: Robert Appleton Company.
16:German painter and woodcut printmaker (1473–1531)
254:Burgkmair and the foundation of modern ethnology
470:The Apocalypse and the Shape of Things to Come
8:
473:. University of Toronto Press. p. 148.
674:
644:. Cambridge University Press. p. 488.
29:
18:
844:(in German). StudienVerlag. p. 245.
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600:. Cornell University Press. p. 119.
412:Altarpiece of John the Evangelist, 1518 (
313:Peoples of Africa and India series (1508)
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454:
151:Burgkmair's 1522 colored woodcut of the
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381:Eleanor of Portugal, Holy Roman Empress
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934:Printmakers from the Holy Roman Empire
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203:, who became in effect his publisher.
206:He was an important innovator of the
7:
250:Burgkmair died at Augsburg in 1531.
594:Poe, Marshall T. (1 January 2002).
14:
827:". In Herbermann, Charles (ed.).
510:"Emperor Maximilian on Horseback"
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812:
736:Feest, Christian (August 2014).
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889:Lambiek Comiclopedia biography.
687:Leitch, Stephanie (June 2009).
755:10.1590/1981-81222014000200003
708:10.1080/00043079.2009.10786162
569:"Hans (the Younger) Burgkmair"
467:Carey, F.; Museum, B. (1999).
1:
929:16th-century German painters
919:15th-century German painters
512:. Artbma.org. Archived from
281:People of Calicut, from the
232:, despite his training with
63:1531 (aged 57–58)
878:Burgkmair's Flodden woodcut
838:Noflatscher, Heinz (2011).
823:Gietmann, Gerhard (1908). "
528:"Lovers Surprised by Death"
123:Hans Burgkmair was born in
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499:Landau & Parshall, 212
346:People of Africa and India
213:Lovers Surprised by Death
104:(1473–1531) was a German
28:
628:Vogel, Klaus A. (2003).
102:Hans Burgkmair the Elder
805:Encyclopædia Britannica
799:"Burgkmair, Hans"
185:Triumphs of Maximilian
168:
914:Artists from Augsburg
830:Catholic Encyclopedia
367:Emperor Frederick III
150:
127:, the son of painter
924:German male painters
874:at Wikimedia Commons
872:Hans Burgkmair d. Ă„.
338:Triumphal Procession
329:University of Vienna
283:Triumphal Procession
944:History of Augsburg
208:chiaroscuro woodcut
428:German Renaissance
169:
161:flag of St. George
939:Woodcut designers
870:Media related to
851:978-3-7065-4951-6
651:978-0-521-57244-6
607:978-0-8014-7470-5
480:978-0-8020-8325-8
226:Venus and Mercury
133:Martin Schongauer
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860:External links
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825:Hans Burckmair
810:
796:, ed. (1911).
794:Chisholm, Hugh
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748:(2): 295–296.
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571:. Artnet.de.
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532:the original
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484:. Retrieved
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396:Triumphs of
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194:
193:and much of
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184:
181:Maximilian I
179:projects of
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170:
153:Coat of arms
122:
101:
100:
909:1531 deaths
904:1473 births
777:Leitch 2009
721:24 December
657:24 December
613:24 December
342:Altdorfer's
321:chorography
90:printmaking
72:Nationality
898:Categories
787:References
538:2006-11-06
486:2022-10-11
398:Maximilian
234:Schongauer
196:Theuerdank
190:Weisskunig
119:Background
113:printmaker
716:194043304
230:engraving
159:, with a
54:, Germany
764:84828234
640:(eds.).
422:See also
125:Augsburg
86:Painting
52:Augsburg
821::
353:Gallery
327:at the
222:Cranach
218:Baldung
177:woodcut
155:of the
110:woodcut
106:painter
94:woodcut
39:, 1529)
848:
762:
714:
648:
604:
555:
477:
245:Vienna
241:Munich
163:. Two
143:Career
137:Colmar
76:German
760:S2CID
712:S2CID
692:(PDF)
632:. In
439:Notes
165:putti
846:ISBN
723:2021
659:2021
646:ISBN
615:2021
602:ISBN
553:ISBN
475:ISBN
220:and
108:and
60:Died
48:1473
45:Born
750:doi
704:doi
135:in
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710:.
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447:^
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416:)
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